Letters of Sympathy from RAAF Units for Dental Surgeon "Mervyn Clive Townsend" lost on HMAS SYDNEY on 15/11/41. Refer Cat No. 2313P for Townsends service.1. Handwritten letter on white paper. Paper headed with RAAF stamp and name of Military Base. 2. Handwritten letter on cream white paper. Royal Australian Air Force stamp in top left corner and name of RAAF Unit in right corner. 3. Handwritten letter of cream white paper. Stamp at top of bird with outstretched wings with crown at top.1. Listed from RAAF Station, Nhill, Victoria and dated 3/12/41, signed by “Edward Campbell”. 2. Listed No. 1 School of Technical Training, Radio Mechanics Course, Dated 1st December and signed “Allan Davis”. 3. Listed No. 2 METO Course, School of Technical Training and dated 3/12/41.hmas sydney, kia, ww2, mervyn clive townsend

Sepia photograph mounted on backing card with a protective film. Photograph is faded and depicts a parkland surrounded by dense trees. Part of the stamp is folded over from reverse. The words Greetings from Melbourne are stamped on the backing card. On reverse card is addressed to Mrs W Dean Esmond Golden Square. Writing covers the left hand side and a one penny stamp is affixed.postcard

Has a strong association with the day of the official opening of the Ballarat Tourist Tramway in 1975 and with Mrs. L ButlerSet of three paper tickets used by the BTPS at the time of the official opening of the Museum Tramway on 1/2/1975. All have been over stamped with the Opening stamp (See Reg Item 352 ) and punched. .1 - 5c - No. 4808 .2 - 10c - No. 10204 .3 - 20c - No. 5203 See Also Reg Item 4776 for other tickets and 352 for the stamp.trams, tramways, tickets, btps, opening

Author _ Stephen KELEN- 1946 posted to Japan as a member of the British Commonwealth Occupation ForcesSoft cover book Cover- cardboard -, red, black and white print on front, spine and back. Front cover illustrated, black and white photograph- group of students and a teacher amongst building ruins. 77 pages- cut, plain, off white paper. Illustrated with black and white photographs. Front and oilers- owners stamp. Front end papers- owners stamp - blue ink- “H. H. + J. FENNELL 2/4 RYAN COURT, BACCHUS MARSH 3340 books, military history, ww2, bcof, japan

Colour Plates by 'G.A. EMELETON'. OSPREY MEN AT ARMS SERIES.Soft cover book. Soft cover - cardboard, blue and black colour print on front, spine and back. Front cover illustration of three army personnel on white background. 40 pages, paper, cut, plain, white. Illustrated - black and white photographs, maps and colour plates. Title page - two owner's stamps.Title page - owner's stamp, black ink, "MR. W.J. HAMMILL, A.A.I.M./ PO BOX 76, KANGAROO FLAT/ VICTORIA, 3555, AUSTRALIA,"books, history, ww2

This bank passbook. Tells the story of the finances of the Trustees of the early 1900s 'Stanley Foresters', It also is a reflection of the social history of the groups that existed in Stanley at the turn of the 20th century, and the groups who met at the Stanley Athenaeum. The Athenaeum also holds the ornate wooden Stanley Foresters memorial board.Booklet, blue grey title in bold black print, 16cm X 11cm, 7 pages of text then 6 double pages of handwritten banking transactions, then one double page re Offices The Savings Bank. External covers have 'Cancelled' stamp.External covers have been stamped 'Cancelled' . 6 double pages of handwrtten banking transactions in ink from Sept 16th 1900 - Oct 31, 1917 Account name 'Trustees A. O. Foresters Stanley'

Photos of wreaths at the old war memorial after an Anzac Day service. A war memorial/Cenotaph to the 1914-1918 war was originally erected in Spring Street outside the Victorian Parliament. It was a flimsy half-sized replica of the London Symbol of Remembrance in Whitehall built of timber and fibro cement and was only meant to be temporary. Anzac Day services were held at this memorial in the 1920s and early 1930s. These photos were taken before the Shrine of Remembrance was erected and dedicated in 1934 as the National War Memorial of Victoria. It is possible that the stamp on the reverse, '4 24', means April 1924, also see a similar photo at 01371. Items were in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system (S=Shrine), that showed there has been efforts in the past to collect, order and save items of Legacy's history. From articles in Trove: The temporary cenotaph was the original first world war memorial until the Shrine of Remembrance was dedicated in 1937. The cenotaph was a half size replica of the London Symbol of Remembrance in Whitehall. It was made from timber and plaster and was initially meant to only last for the 1926 Anzac day service and be removed. With annual upkeep it remained until at least 1934 when ex-service men proceeded from the incomplete Shrine to the cenotaph on the steps of Parliament House on Anzac day.A record of an Anzac Day ceremony at the old temporary war memorial in Spring Street.Black and white photo x 3 of wreaths laid on ANZAC Day at the old First World War memorial in Spring Street.Stamped with a round stamp 'Printed by Harringtons" in grey ink, stamped '4 24' in blue ink. Handwritten 'ANZAC DAY' in blue pen on one photo.anzac day, wreath laying ceremony

Complete Macintosh laryngoscope piece with a curved large sized attached blade with light bulb and a textured handle with serrated grip for easy of use and a screw in the blade connector. The handle is also a battery deposit to supply the led light bulb. The blade has general scratches on its surface because its use. At the back of the blade is still attached the curved lamina as holder of the base with the blade in its regular use position. Several engraved and stamped inscriptions are present all over the handle and blade (see inscriptions for details). Stamped on the base of the blade, BOC Stamped on the edge of the back side blade, STAINLESS Stamped on the back side blade base, MADE IN ENGLAND Engraved at the base of the blade attachment place, MAINLAND Engraved at the edge of the serrated grip of the handle, Alfred Anaes Stamped at the base of the handle, REGD TRADE MARK / P E N L O N / MADE IN ENGLAND Stamped at the bottom of the handle base, REGD TRADE MARK / P E N L O N / MADE IN ENGLAND Engraved at the bottom of the handle base, AnaeA / ALFREDlaryngoscope, complete laryngoscope, boc, penlon, handle, alfred hospital, anaesthesia

Fob watch in leather protective cover with strap and buckle / stamp imprint on back of leather cover - Prov.pat.No Fob watch in leather protective cover with strap and buckle / stamp imprint on back of leather cover - Prov.pat.No. 14450 - letters in Biro 'W.A.V. 5 / inside of cover stamped '26' / stamp on strap -picture of a crown and word ' Brand ' / Fob watch - words on bottom of watch face 'Made in Italy' , blue metallic watch hands , dirt and mold round edges , inside the watch words 'Made in Italy ' ,numbers '35209. . 14450 - letters in Biro 'W.A.V. 5 / inside of cover stamped '26' / stamp on strap -picture of a crown and word ' Brand ' / Fob watch - words on bottom of watch face 'Made in Italy' , blue metallic watch hands , dirt and mold round edges , inside the watch words 'Made in Italy ' ,numbers '35209.personal effects

Colour poster on glossy white paper advertising a new stamp issue on Australia's Historic tramways, 1989. On the poster's background is a Melbourne cable tram set on the Prahran route, printed in black and white, has "Australia Historic Tramways" as a banner, "New Stamp Issue" in the form of a cancellation stamp with a Melbourne tram in the centre and featuring in enlarged full colour reproductions the following 41c stamps that were the special issue: Adelaide Horse Tram - 1878 Sydney Steam Tram - 1884 Melbourne cable tram - 1886 Hobart double deck electric tram - 1893 Brisbane combination electric tram - 1901. On the base of the poster is an announcement concerning the stamp show at the Melbourne Exhibition buildings 18-22 October. 1989. See Reg. Item 3143 for an example of the Melbourne cable tram stamp and 8545 for collector's cards and an envelope.trams, tramways, stamps, australian trams, steam trams, horse trams, australia post

ABOUT THE ARTIST – Philip James Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [ref. Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. [ref. Sunbury Leader, Nov 15 2013] Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. [other references: Sunbury Art Society Inc. Oct-Nov 2012] HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Print of the sailing ship Loch Ard by artist Philip J. Gray, 1993. Depicts the Loch Ard in full sail at sea, figures on deck. Limited Edition number 54/925. Print is adhered to a piece of chipboard and is stamped by the framer, Ian's Picture Framing of Warrnambool.Signature of "Philip J. Gray" , "54/925" Stamped on back "IAN'S PICTURE FRAMING, 48 KEPLER STREET, WARRNAMBOOL 3280, PH: (055) 628 022, FAX: (055) 628 145"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, print, philip j. gray

Deaf Children Australia have a complete set of Annual reports from 1863 to the present date. Annual reports document the activities of the organisation, including educational issues, finance, staffing and students. Annual Reports are created each year.This represents part of the complete official history of Deaf Children Australia from 1863 to the present date, covering the subject of deaf education and related issues.Red Leather (?) bound volume with gold stamping containing Annual Reports of the Victorian School for Deaf Children (V.S.D.C) First report: 93rd Annual report presented at the Annual Meeting held on 22nd August 1955. Last report: 95th Annual report presented at Annual Meeting, 1957. Includes Annual Reports, Acccounts, and photographsFront Cover: "VICTORIAN SCHOOL FOR DEAF CHILDREN". Spine "REPORTS V.S.D.C." "1955 to 1957". Decorative stamping around edges of back and front covers.deaf children australia, deaf education, annual report

H. C. Slatterie was a draper, outfitter and boot nerchant in Orbost. This account is for "sox" and a collar. This item is an example of the early 20th century book-keeping of an Orbost business.A white paper account with blue print. It is from H.C. Slatterie, Draper, Outfitter and Boot Merchant. There is a large purple receipt stamp in the centre. Handwritten date is for 4th March 1918. Receipt stamp shows 4th March 1915.account-h.c.slatterie book-keeping

Stilwell's Receipt: green colour no. 1700 Date 31/12/29. Received from Mr S. A. Bush. 251 View St. Stilwell's by Cash. It has a mustard 2d Victorian Stamp Duty Stamp. Box 625business, retail, house furnishings, stilwell's. mr s. a. bush

Cohn Brothers Share Transfer & Acceptance processed by 'The Trustees Executors and agency Company Limited ' on behalf of estate of John Adams dated 30th March 1895. Cohns Co hand stamp. One Penny duty stamp attached.bendigo, industry, cohn bros brewery, john adams.

Four page writing book school work of Esme. Handwritten exam pages with calligraphy headings. Exam Pages date Stamped 1902 from State School No 1566 [Gravel Hill ]. Stamped Head Teacher name indistinct.education, primary, gravel hill school, bendigo schools research.

Folded paper document with pencilled 'Cohns Bros April 91' written on top fold. Names and signatures of shareholders along with their holdings and dividends paid for April 1891. Numerous brown Victorian State stamp duty stamps attached.bendigo, industry, cohn bros brewery

A collection of stamps from both Australia and overseas dated from 1934 to 1959. They are in a small paper bag titled ' Stewart's Stamp Shop,' 22 McHenry Street, Adelaide, S.A. There is also a 'Help crippled children' sticker in the bag.philately, stamps, collection, lydia chancellor collection, collection, postage stamps, entertainment, amusements, recreations ephemera

envelope addressed to Mrs. L. M. Prout - 24 quick Street, Bendigo from the National Trustees, Executors and Agency. The envelope has a date stamp 07/09/1961 and a 5 pence plus a 3 pence stamps.document

Document: Double height cheque book from 'The English, Scottish & Australian Bank Limited, with the first section stamped Napoleon Reef Gold Mining Co and folded - Rear section stamped Deborah United Gold Mining Co.MCCOLL RANKIN & STANISTREETorganization, business, gold mine accounting., mccoll rankin & stanistreet

Most likely collected and donated by Dr Frank Forster.Decapitating hook, Braun's with one detachable handle (to interchange with crochet?) . Stamped near handle, "Lusztig Jeno Budapest" and "1" Also stamped with Aesculapius symbol of serpent, dagger and crown, the Jetter & Scheerer Co, Tuttlinen, South Germany.obstetric delivery, destructive instrument, decapitating hook

Small white coloured card. Purple stamped writing, black stamped Bed & Breakfast Handwritten Blue pen. Bruce, Burton and Garran Meal Card Name: Emu Creek (sic) Room No: Valid From: 17.04.92 To: 20.04.92person, individual, peter ellis oam

The wooden crate contains a set of patterns or moulds that were once used at Briggs’ Brass Foundry for making sand moulds. The traditional method of sand casting is over 2000 years old. It is part of a crafted process used to make brass and copper alloy goods suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-corrosive and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry display was one of the early ‘working craft’ shops at Flagstaff Hill. It included a historic Cornish chimney that was set up as a working model, telling the story of heat from furnaces to smelt metal, which would then be poured into the sand moulds. This chimney is made from specially curved bricks and is about two-thirds of its full height when originally located at the Grassmere Cheese factory. HISTORY of BRIGGS BRASS FOUNDRY: - The family business was founded in 1912 by Herbert Harrison Briggs (1963-1931) with his son George Edward Briggs, trading as Briggs & Son Foundry at 70 Wellington Street, Collingwood. Younger son Cyril Falkiner McKinnon Briggs joined the foundry in 1922, and it was renamed H H Briggs & Sons Foundry. Both sons ran the firm after Herbert’s death in 1931, making products mainly for marine purposes. They became Bell Founders in 1936 and were known for their specialty of high-quality ship bells. They produced miniature varieties of these and other decorative items such as small propellers. The firm became known as Briggs Marine Foundry. The great-granddaughter of Herbert Briggs inherited the Briggs Brass Bell, similar to the one at Flagstaff Hill. Cyril became the sole family member of the firm in 1965. The Briggs Marine was an exhibitor at the 1965 Boat Show, where he advertised as “non-ferrous founders” and “Bell Specialists”. The foundry relocated to Chesterville Rd, Moorabbin. Cyril passed away in 1967. It is thought that either Cyril or his business partner Frank Lee donated the objects from the Briggs’ Foundry around the time when the business moved to Moorabbin. However, Flagstaff Hill hadn’t been thought about until 1972. The donated items were registered in the Collection in 1986 but they could have been in storage from an earlier date. In October of that same year, Briggs Marine restored Schomberg Bell, a shipwreck artefact from the collection at Flagstaff Hill. Peter Oram, who had worked for the previous owners of Briggs Marine as a fitter and turner, took over the firm in 2014, reviving some of the old casts for current use. The business is now located at Seaford in Victoria and is part of Alliance Casting & Engineering Solutions (Alliance Casting Pty Ltd). In 2016 the original Collingwood Foundry building was repurposed as a thriving business hub named The Foundry. The crate and its patterns are significant for their association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. The patterns are associated with the long-running firm, Briggs Brass Foundry, that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine is also associated with the Schomberg Bell in Flagstaff Hill, restoring the bell to is former state to show an example of the bell from a luxury mid-19th century vessel. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles are at each short end of the crate, fixed with strong metal bolds. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood but no sign of current infestation. Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Card invitation printed in black script with the royal insignature in gold. 2). Envelope with the Lord Chamberlain's insignature stamped on bottom corner and an address written in blue ink.1). Printed - The Lord Chamberlain is commanded by Her Magesty to invite ...to an Afternoon Party in the Garden of Buckingham Palace on Thursday the 21st July 1960, from 4 to 6 o'clock p.m. (Weather Permitting) Morning Dress or Uniform or Lounge Suit. Written in blue ink- Mr. Frank Wright 2). Written in blue ink on front - Frank Wright Esq, 14. Highbury Grange, N.S Stamped on front - Lord Chamberlain's insignature, St James's Palace on bottom corner frank wright, invitation, lord chamberlain, envelope

Three empty envelopes. Addressed to Messrs Connelly & Tatchell, Solicitors, Williamson Str, Sandhurst, postmarked Se 10 89 with a blue Victoria Six Pence Stamp Duty stamp, letter registered S550, from Mrs. A Britten, Charlton. Mr. F. Rockes, Miner Jobs Gully, Eglehawk, postmarked De 18 & 21 88, no stamp; Mr. John Lynch, Hart Wood, Twelve Mile Reef, New South Wales, postmarked Au 4 90 with two beinge Victoria One Penny Stamp Duty stamps. Envelope in two pieces, unclaimed letter. Many posmarks on the back from Post Offices where they had been searching for him.business, legal, connelly & tatchell, connelly & tatchell collection - document, connelly & tatchell, mrs a britten, john lynch, f rockes

The early settlers of Victoria depended on horse drawn vehicles to farm, make roads and railways, deliver produce and transport people. Horse harnesses were an important requisite for all drivers and could be found wherever there were working horses. Horse Harnesses have played an essential role in different cultures throughout history. Simple, utilitarian horse harnesses made of leather straps and iron rings were being used in early China before AD 500 as well as ancient Greece and Rome allowing horses to pull chariots and ploughs. The Greeks and Romans were the first to use a "horse collar" which distributed the weight of the harness evenly across the horse's chest rather than relying on a "throat harness" that could damage a horse's throat or choke them. During the medieval period, European horse harnesses became more elaborate and decorative. Variations of different horse harnesses were also found in Native American and Middle Eastern cultures. Horse Harnesses usually have four basic components which include - 1. Communication - the bridle, bit and reins allows the driver to communicate instructions and commands to the horse, guiding its movement and direction. 2. Draft - the collar, hame straps, hames, traces and chains enables the horse to draw and pull the load efficiently by distributing the weight and transferring the pulling force to the vehicle. 3. Stopping - the breeching band, pole straps and breast strap helps to control or stabilise the horse and vehicle when moving downhill or stopping. 4. Support - the back pad, backband, belly band and back saddle keep the harness in the correct position and proper alignment. This dray harness is a plain, basic harness and reflects its working class origins. It was used by Mr. Oswald (Jack) Bourke with his horse and dray to firstly deliver drygoods from Sunbury to Melbourne in the 1930's and later (through the 1940's and 1950's up to 1961) when he worked on the garbage round for the Springvale City Council. This horse harness is a significant example of the equipment that was needed wherever horses were being used - particularly in the early years of Victoria's settlement by white settlers. Harnesses such as this example were used with drays, farming equipment, delivery carts and personal transportation.A leather and metal horse harness used with a horse and dray circa 1930's to the early 1960's. It is made up of a number of components. 1. A leather bridle with metal buckles and rings, blinkers and a metal single jointed, snaffle bit that has the initials M B stamped onto the leather. 2. A leather bridle with metal buckles and rings and a metal "straight bar" Eggbut snaffle bit. It has an elongated X design (with 4 dots) stamped onto the leather strap holders near each buckle. 3. A blue and white vinyl halter with one leather patched strap. The nose band and a chin strap are covered with woollen padding. 4. A pair of leather shaft protectors. They have lacing holes along each edge and a repeating design of small shapes (flowers, wings, crosses and arrowheads) which run along the front of each protector. 5. A leather strap with a stainless steel chain and catch and a maker's mark for "Glenn's Leather Goods, Pearcedale Victoria" stamped onto the end. 6. A wide leather strap covered with a webbing sleeve. It has two large metal rings and each end and one ring has a rope attached. 7. A leather strap comprised of three separate sections (two shorter and one longer) joined with two metal rings. The longer section has notches along its length and the shorter section at the other end has a buckle. It also had a maker's mark stamped on it but the mark is very worn and the writing is difficult to read. 8. An adjustable leather horse collar with two buckles and straps at the top opening and two "B's" stamped into the leather. The top of the collar is made from treated leather pieces stitched together and the underneath of the collar is untreated leather. It has a padded indentation running all the way around the collar for the hames to sit in. 9. Two pairs of long leather traces - each having a buckle and notched section at one end and each one is made with three lengths of leather spliced together. 10. A leather strap (with one spliced join) belonging to a horse harness with two shorter straps (each ending with a metal clip) attached to a steel D ring at one end. 11. Three assorted short leather straps - the top one has clips at each end and a buckle (for adjusting the length) in the centre, the middle strap has notches and a buckle and the bottom strap is white with notches and a buckle.Bridle with blinkers - "M B" Bridle - design showing an elongated X with a dot in each section stamped onto strap holder Shaft Protectors - stamped design of flowers, wings, crosses and arrowheads Strap with chain - "Glenn's leather goods / Pearcedale / Victoria" Leather Strap (with two metal rings) - Maker's stamp - "name indecipherable / SADDLER / ...OURNE" Collar - "B / B" Leather strap - flagstaff hill maritime museum and village, warrnambool, great ocean road, sunbury, springvale, dray, delivery dray, harness, horse harness, horse drawn vehicles, working horse, oswald (jack) bourke, bridle, horse collar, hames, shaft protectors

The box is cleverly designed to give quick access to the parts inside, having a lift-up lid and a pull-down front. The components within appear to be a portable radio, power supply or power converter with batteries and a charger. The attached leather strap makes the equipment easily portable. The portable power supply is significant for representing part of the evolutionary change in communications. The unit connects the use of power and radio for communication with the ability to save the power in power packs or batteries, or to convert the power from one form to another.Power supply, portable, electric; circuits can be Parallel or Series. Batteries (6) fitted into a square wooden box. Box has two catches to secure the lid and two catches to secure the drop-down front. Holes have been drilled around the edges of the lid and the top of the base. Inside the front panel are two copper coils, switches and connectors. Leather carry strap attached. Stamped into the vertical panel are "parallel", "P", "H", "SERIES", CAVERTY", "LIGHT" :WEAK", "CHARGING" Stamped into the vertical panel are "parallel", "P", "H", "SERIES", CAVERTY", "LIGHT" :WEAK", "CHARGING" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, portable power supply, power supply, battery box, battery, communication, radio, portable radio, battery powered radio, electronic instrument

A collection of silver and brass colour balance weights stamped variously in g,c,or cm (carat) units. . The smaller weights from 0.05 to 2 Carats are stored in small brown paper bags. The weights and a pair of silver colour tweezers are stored in a grey tin box Mass CARAT - Number of 0.05 - 14 0.1 - 5 0.2 - 10 0.5 - 17 1 - 8 2 - 5 100 g - 2 40 g - 4 20 g - 8 20 g - 3 10 g - 5MarkingsThe brown paper bags have marking of DISAL London stamped on frontweights, scientific instruments