Items relating to 'Golden Days' exhibition, August 1960: a. Newspaper cutting (13/7/1960) asking for exhibits - call from Bendigo sub-branch of R.S.L and the Bendigo Historical Society; b. R.H.S.V (Bendigo and District Branch. ''Circular No.5/60, 24th May, 1960 with item re the ''Golden Days Exhibition'' with the two aims of the Exhibition detailed; c. Letter from R.H.S.V (Bendigo Branch) bringing the historical exhibition to the notice of recipients of this letter - with details of entrance costs; d. accompanying circular with details of range of subjects of exhibition, dates of operation, charge for admission, location - Memorial Hall, Pall Mall. (Some additional stapled items and letter for intending visitors).Bendigo Historical Societyorganization, military, golden days exhibition, memorial hall, pall mall, golden days exhibition, bendigo r.s.l. john randall. kimbolton estate. campaspe.mr p. j. clarey. mr h. curnow.

A Bendigo advertiser article titled 'Children's Colourful Display given at The National Fitness Youth Rally'. The Bendigo Branch of the Victorian National Fitness Council held its second annual youth rally. The article includes two photos (1) Young women from the Bendigo Teachers' College marching before the rally at the Upper Reserve. They are marching in front of a shop called 'Wanda - Inn Milk Bar'. To the right behind them is a business titled 'R. White'. (11) The second photo is of a vaulting display given by the Mackenzie Street Methodist Senior Group at the rally. The Principal of Bendigo Teachers' College Mr. G.R. Mills was an official visitor at the proceedings. Dated 14-10-46.bendigo, sporting clubs, youth rally, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo teachers' college students, mr. g.r. mills, bendigo teachers' college staff, tertiary education, education, bendigo, national fitness youth rally, victorian national fitness council, sport, sports, athletics, marching, recreation, ' wanda-inn ' milk bar, r. white, physical culture, folk dancing, youth rally, clubs, sporting clubs, photo, photograph

A manila folder containing a collection of notes typed by Ms. J.C. Burnett in preparation for her published book titled 'History of Bendigo Teachers' College, 1926-1973. The headings are staff and students, history of Bendigo Teachers' College, the college anthem, sites and students, students, badge motto and anthem, courses, profiles principals, profiles early members of staff, visitors to college, art collection, library and resources, experiments and special special lectures, accommodation - residential, physical education and sport, canteen, excursions, publications, graduation ceremony, reunions, inspectors associated with the college, honour roll - presidents and vice presidents, comments by the principals and finally a conclusion. These are all divided through the use of paper clips.bendigo, education, bendigo teachers' college history, la trobe university bendigo collection, collection, bendigo, education, tertiary education, book, history, bendigo teachers' college, j.c. burnett, bendigo teachers' college history

This wood is made from Red River Gum tree wood, these trees live for between 500 to 1,000 years of age. The wood in this bowl has been carbon dated in the USA to be 4,500 years old.This bowl is significant because of the age of the wood it is made from. 000016 Wooden Fruit Bowl The timber this fruit bowl was made from was a red gum tree taken from the Ovens river at Tarrawingee (12 km from Wangaratta)where it had been submerged for years. It was made on a lathe by Ken Hill. The bowl warped and cracked shortly after being turned. A piece of the wood was taken to the USA by a visitor where it was carbon dated to be 4500 years old Measurements: Diameter: 22cm Height: 6cm Colour: Dark red brown Photographed beside a piece of natural red gum Tarrawingee is 12 Km North East of Wangaratta on the Great Alpine Road Significance: 4500 year old red gum wood is rare in this area. red river gum wooden bowl wangaratta historical society

Yields information about the construction of the BPTS depot in early 1974 and its appearance.Set of four Black and white photographs of how the BTPS operated during the early days of the BTPS. Based on the troughing being placed for No. 2 road only, photo dated by a list in the 1972-73 Annual Report at May to June 1973. .1 - ? Bounds standing alongside No. 27, which was operated as a Museum display. .2 - Just the tram itself - was pushed out of the shed by hand. .3 - A general scene with visitors and workers. .4 - pushing the tram back in again at the end of the day. Note the sign is different in the front of No. 27, or no sign, indicating different days. See 1972 - 1973 Annual Report which has a list of dates on page 3 of events at the depot.trams, tramways, depot fan, btps, operations, tram 27

Pamphlet - eight fold to DL size, full colour, titled "Free City Circle Tram" with a photo of a City Circle tram passing Flinders St station. Has information about Melbourne trams, the Melbourne Town Hall, Visitor Information, Walking Trails, a map of the route, with places of interest shown. Map shows the service via Spencer St. Has photos of 2013 and 909 as well. Has the City of Melbourne, Department of Infrastructure and Public Transport Corporation logos. Possible produced during the mid 1990's given the various logos used. .1 - As above, but with Yarra Trams and State Government logos See Reg Items 1387 and 2703 for other versions.trams, tramways, city circle, melbourne, public transport corporation, ptc

In January 1923, 5 years after the end of WWI, the two French cruisers Jules Michelet and Victor Hugo went on a tour in South East Asia, Australia and New Zealand consolidating the friendship between the countries. The cruisers arrived in January 1923 and Melbournians were invited to visit the ships. Amongst them the ladies from the Guild. In the "Jottings from Our Log"number 69 dated from January 1923 we can read: Our French Visitors The French cruisers, “Jules Michelet” and “Victor Hugo”, each with a complement of 26 officers and 747 men, paid a visit to this port towards the end of the year. Many of the sailors made good use of our institute, and were supplied with French magazines and papers, and were delighted to find that quite a number of ladies could speak French fluently. Over one hundred men were present at the Institute on one of our special nights during Christmas week, when each French visitor was supplied with refreshments and a cigar. Through the great kindness of some of our ladies, each man aboard the two cruisers was supplied with a packet of cigarettes. These were greatly appreciated by the men, and a warm letter of thanks was received from each of the captains."Reflects strong community and LHLG links via the Mission and as a result of WW1 support and fundraising efforts.Sepia tone blurry photograph with a white frame depicting two French seafarers with their traditional uniform and beret on shore near a pier shed children or women in the far distance at lwr right.Handwritten at the back in pencil: New Year 1923 Jules Micheletfrench cruiser, jules michelet, victor hugo, wwi

Published as The Snowy River mail and Tambo and Croajingolong gazette from 1890 to 1911. The Gippsland Courier merged with the Snowy River Mail when proprietor Lachlan Ross moved to Orbost in 1910 In 1999 the paper was acquired by the Yeates family when the Hollins family retired from the newspapers business.The paper is still being produced by the fourth generation of the Yeates family as part of East Gippsland Newspapers. They also produce the Bairnsdale Advertiser, the East Gippsland News and the Lakes Post and the yearly publications East Gippsland Visitor Guide and the Great Alpine Road Touring Guide. This newspaper is still being produced today. Local newspapers play a vital role in communities as they are central to communication networks in regional areas of Australia. They are a valuable source of local news, act as a forum for debate and often set the agenda for local discussion. This item is a useful research tool as it reflects contemporary views.This newspaper is a first issue of 4 pp. It is titled "Snowy River Mail & Tambo and Croajingolong Gazette Orbost Saturday August 9 1890".snowy-mail-newspaper first-issue

Manna Gum is a species of a small to a very tall tree that is endemic to south-eastern Australia. These particular trees are part of the Gawa Wurundjeri Resource Trail at Watsons Creek. Signs share information about how the Wurundjeri people lived near the creek and used the land to obtain bush foods, medicines, tools, shelter and clothes. The trail introduces visitors to the indigenous flora and fauna, including manna gums, Lomandra (used to weave baskets) and wombat burrows. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p3This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, gawa wurundjeri aboriginal resource trail, manna gums, watsons creek

[from EDHS Newsletter No. 24, May 1982:] WILLIAMSTOWN TRIP The trip to Williamstown on 21st March was highly successful from any point of view, The one disappointment was that we were so successful in filling the bus that a few people with late bookings could not go. We apologise to those that missed out. The Williamstown Historical ........ us their excellent museum, arranged afternoon tea and provided a well informed guide for a trip around the sights of their city. Their obvious enthusiasm for informing visitors about Williamstown contributed in no small way to the enjoyment of the day.Twelve colour photographsactivities, williamstown, williamstown historical society

Originally the home of Isaac Jeeves, brother of Ellis Jeeves, ‘Shiloah’ was enlarged to take guests in the early 1900s. It was situated close to a beautiful fern gully and Isaac and his family capitalised on this by setting out walking tracks through the ferns. They charged 1/- to walk through and this included afternoon tea in a garden setting. ‘Shiloah’ was a popular tourist attraction but the making of the Olinda Creek Road destroyed the fern gullies and, by the 1930s, it was all finished. This photograph shows the tea tables at 'Shiloah' where Selina Jeeves and her daughter Elsie served afternoon tea to visitors.Black and white photograph taken from a Rose Series postcard showing tables set up in an exterior courtyard with bench seating.On front - Rose Series P. 170 A SHADY BOWER "SHILOAH" MT DANDENONG. VIC.shiloah, isaac jeeves the younger, guest house, afternoon tea, ferns, selina jeeves, elsie jeeves

The Central Deborah Mine closed it's mining operations in 1954. The complete nature of the site encouraged the Bendigo City Council to purchase the site in 1970 in order that it be preserved. In 1971 the Bendigo Trust was formed and under its auspices the surface was opened to tourists in 1971' Extensive work enabled Level 2, underground to be opened to the public. This was followed in 1998 by Underground Level 3 Adventure tours. In 2011 visitors were able to tour as far down as Level 9, 228 meters below ground making it the deepest underground mine tour.Concertina souvenir six photographs of mining at Central Deborah Gold Mine Bendigo Victoria. Could be broken up to send as six separate postcardspostcards, central deborah mine

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a 'v' shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.st ninians, george ward cole, morning gown, peignoir, brighton, thomas anne ward cole, margaret morrison ward cole, agnes bruce ward cole

Framed portrait of Elsie Henderson who was a tireless worker for the Association for the Blind. From 1934 until the 1960s Elsie Henderson worked at the Association for the Blind as a home visitor for women who were blind or vision impaired. Blind herself, Ms Henderson had 300 women on her visitation list and would visit three to four women daily. She wears a mid-blue jacket with a floral shirt, pearl necklace and her MBE attached to her jacket. This painting hung in the former Kooyong Day Centre until it was demolished in 1999.1 art original in frameelsie henderson, association for the blind

Jean-Pierre Trouette was natuarlised in 1862 the year he, his wife Anne (nee Blampied) and her brother Emile purchased land at Great Western and established the Great Western wineries. Unless a person was a Victorian citizen they could not own freehold land and run a business. This certificate testifies to Trouette's legal status and entitlement to establish the Great Western vineyards. At the Intercolonial Exhibition in Melbourne in 1866 his wines were noticed and was noted also in 1867. His vineyard was named St Peter's and visitors included Hubert de Castella in 1882. blampied, trouette, great western, st peter's, intercolonial exhibition, naturalisation, henry barkly

This book, written by Maxine Philp-Wright and illustrated by John Bagley, provides a visual, informative and light-hearted introduction to tourist spots along the Great Ocean Road and the areas around Warrnambool and Tower Hill. It is particularly suitable for children of all ages and it deals with the themes of nature-based tourism, reconciliation between Europeans and aborigines and multi-culturalism. It includes references to Australian flora and fauna as seen through the eyes of an international visitor, an Australian family and a Spanish migrant and it urges full appreciation of the places visited with the motto, ‘Go Slow is the Go!’This book is of interest because of its themes of multi-culturalism, indigenous culture appreciation and local Great Ocean Road tourism. This is a soft cover booklet of 33 pages with a white cover with multi-coloured images on the front cover (Tower Hill, a car and a turtle) and printing and three colour photographs on the back cover.tower hill, shipwreck coast, victoria, warrnambool

Set of three documents regarding the formation and operation of the Sorrento Tramway Co. (See Reg Item 1991 for a book by A P Winzenried) .1 - Information on the financial formation of the company, shares and Mr George Coppin. Has notes on a battery tram operated by the North Metropolitan Tramway Co. in London. .2 - Series of extract from newspapers and Council reports regarding the tramway - visitor guides, reports, Council purchase, revenue, passenger numbers and council debates. .3 - Documents related to the sale of the company, assets and liabilities, performance. Undated source. Yields information about the Sorrento Tramway and its performance and sale.Set of three documents regarding the Sorrento Tramway Co. - all typed. .1 - two quarto sheets .2 - four blue foolscap sheets .3 - two blue foolscap sheets.3 has on both sheets in blue ink "Printed October 1965"tramways, trams, sorrento, horse tramway, battery trams, morgage sale, george coppin

Set of four full colour posters advising passengers on how to travel safely. Part of the Tram Coach series 1 - using strap hangers or handles - 2017 2 - holding onto poles etc - also tram cleaning and washing hands - Covid19 - 2020 3 - tram travel for visitors to Melbourne - from a far away place? - 2019 4 - offering priority seats to passengers - 2018 - 2 copies 5 - day dreaming = stop before you cross tram tracks - has an E class in Nicholson St City area - not dated.Demonstrates the methods that Yarra Trams & PTV use to advise passengers how to travel safely.Set of four A3 size colour posters passenger safety postersposters, tramways, passengers, tramcars, safety, covid-19

First of four documents compiled by Alf Twentyman about the history of Melbourne cable trams. On the inside of the rear cover has a table of contents - see image 1. Includes sketches of San Francisco grips, sketches of destination signs on the cable cars, Auburn Road and Kew horse tram timetables rolling stock, sketch of St Kilda Road, Victoria Parade - Brunswick St, listing of ropes and their life spans, tables of cars out for various depots, timetables, list of visitors to Northcote, new MMTB rolling stock listing.Demonstrates the recording and drawing work of Alf Twentyman and his notes.Exercise book - part ruled - part plain pages - 92 numbered pages + fawn coloured covers, centre stapled.tramways, cable trams, alf twentyman, history, track plans, records

Digitised video (3.05GB). Duration: 58 minutes. Recorded September, 2024. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)This month's guest speaker, Peter Le Get, RDHS Secretary, has had a life full of studying and participating in many different sports. He has toured the world mostly competing in Masters athletics and counts as one of his favourite sporting hightlights - carrying the Olympic torch through Melbourne CBD as it neared the final leg in the opening ceremony of the 1956 Games at the MCG, where in later years he has also shown many visitors around as a tour guide.

In January 1923, 5 years after the end of WWI, the two French cruisers Jules Michelet and Victor Hugo went on a tour in South East Asia, Australia and New Zealand consolidating the friendship between the countries. The cruisers arrived in January 1923 and Melbournians were invited to visit the ships. Amongst them the ladies from the Guild and especially Dora Walker. In the "Jottings from Our Log"number 69 dated from January 1923 we can read: Our French Visitors The French cruisers, “Jules Michelet” and “Victor Hugo”, each with a complement of 26 officers and 747 men, paid a visit to this port towards the end of the year. Many of the sailors made good use of our institute, and were supplied with French magazines and papers, and were delighted to find that quite a number of ladies could speak French fluently. Over one hundred men were present at the Institute on one of our special nights during Christmas week, when each French visitor was supplied with refreshments and a cigar. Through the great kindness of some of our ladies, each man aboard the two cruisers was supplied with a packet of cigarettes. These were greatly appreciated by the men, and a warm letter of thanks was received from each of the captains."Reflects the close links and mutual friendships developed between French and Australian community developed between LHLG members from 1906 onward especially during WW1 and support of the French Red Cross.Black and white photograph jules michelet, victor hugo, french cruiser, ww1, france, dora walker, french sailors, dora simpson, lhlg, navy

The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, peter blizzard, prisoner of war, ballarat north gardens

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, prisoner of war, ballarat north gardens, peter blizzard

.1 - Three fold, DL titled "Check if you can travel on a concession fare", issued late 2017 early 2018 with images of allowable concession cards, including senior and other concession card. ..2 - Five fold DL titled "Your go-to guide to myki" explaining the Myki system costs, types, the Explorer pack for visitors and has a map of the CBD Free Tram Zone. .3 - two fold DL titled "Explore the Night" giving details of night services for trains, trams, bus and coaches. .4 - three fold DL update of .1, issued April 19. Has contact details, languages and Transport for Victoria logo with PTV web address. Printed on recycled paper.trams, tramways, fares, tickets, myki, concession fares, public transport, free tram, night trams

This is a souvenir of the British Empire Exhibition of 1925. This exhibition, designed to showcase the industrial and natural resources of the countries in the British Empire was on a 216 acre site at Wembley, England. In 1923 the Wembley Stadium was completed and the F.A. Cup Final was held there. In 1924 the Exhibition was opened by King George V in a first ever radio broadcast by a British monarch. There were Palaces of Industry, Engineering, Horticulture and Art and Pavilions housing exhibits from most countries in the British Empire. 17 million people visited in 1923 and there were 11 million visitors in 1925 when the exhibiton was re-developed. Wembley Stadium was reconstructed in 2002. This item has no local provenance but is of some interest because of its connection to the British Empire Exhibition of 1925. It is a good example of the type of souvenir that was bought by visitors to the Exhibition. This is an enamelled metal container, circular (octagonal on the outside edges) in shape with a short handle. The central area is slightly recessed to take a small amount of rouge (a red powder compound for the face, usually the cheeks). A pad to apply the rouge to the face is missing. There is a metal hinged lid with a clip and a small ring at the end of the handle, possibly to contain a chain for it to hang around the neck. The wording on the front is black on a blue and green enamelled backgroundRaised image of a lion with the words underneath ‘British Empire Exhibition, 1925’rouge holder, british empire exhibition 1925