'Earth Blanket' is a quilt made by Pamela Farmer of Shoreham, Victoria in 2000. It is made from a wool blanket with merino and alpaca felt. The techniques used to make it include: felting, applique, quilting, machine and hand embroidery and it has been dyed with eucalyptus leaves. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Earth Blanket' was selected as the winner of this exhibition and was purchased for $2000. It was catalogue entry no. 5.Quilt, woollen felt with appliqued, quilted, dyed and embroidered surface. This quilt is mostly in brown and brown tones.P.F.quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), farmer, ms pamela, quilting, handicrafts

Beige linen tea cloth with brown drawn thread centre and brown stitched box thread hem.domestic items, sewing, handcrafts, embroidery

Square glazed tile with brown background with lighter brown leaves and fern leaf. White and pink orchidceramics, earthenware

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was donated to the Fashion Collection by Val Goldsworthy.Brown wool coat with large silver buttons and fur trim to neck and sleeves. Matching brown dress.Label: Merco Davronmerco davron, australian fashion - 1960s, melbourne fashion designers

Four Mordialloc-Chelsea High School students outside the school Tuck Shop on the corner of Attenborough Road and Station Street Aspendale. The shop was located across from the school and run by Mr Gustav Fahnert and his family. Mrs Rubina Fahnert nee Brown was the daughter of Thomas Brown who was a son of Hugh Brown, the pioneer market gardener of the Aspendale/Mordialloc area. The Brown's house still remains on the second block from the corner of Station Street and Attenborough Road (as of February 2018). Students from left to right are Joan Collins, Barbara Fox, Joan Connor, Joan Rees. Photographer: Heather Donovan nee Padman. Photo courtesy Heather Donovan.Black and white photograph.

The Nankeen Kestrel is native to New Guinea, Indonesia and Australia, mostly mainland Australia and its coastline islands, but is occasionally seen in Tasmania and New Zealand. Seen in pairs, individually or in flocks of up to 30 birds, the kestrel’s numbers are considered ‘secure’. A non-migratory bird, the Nankeen kestrel is similar to other species of kestrel in appearance, (often being mistaken for other varieties), and is universally one of the smallest kestrels, comparable to the size of a pigeon. The kestrel’s diet consists of small reptiles and amphibians, insects and small birds, mammals and rodents. Rather than speed, this particular species of kestrel hunts by hovering and using wing suspension, one of the only two types of kestrels to do so. Fascinatingly, the kestrel’s wings have adapted to reduce turbulence. Their nesting places vary, depending on what is available and they may choose to use/recycle other birds’ old, unused nests. Nankeen Kestrels prefer to inhabit temperate grasslands, open woodlands and farmland. The contextual comparison of this taxidermy mount to live Nankeen Kestrels is a complex one. As discussed in the description, traditionally, Nankeen Kestrels have soft speckled and ochre red outer plumage with dark brown feathers at the tips of their wings and lighter greyish plumage on their head. This particular specimen however, has none of these defining features, but rather, seems to have more similarities with other hawk and falcon species, such as the Common Buzzard. Contextually, the choice of artificial eyes are slightly more enlarged than is seen on the species in the wild, and the top of the specimen’s head has been ruffed up, whereas for most of this species, their head plumage is smooth. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.One of the smaller falcon species, the Nankeen Kestrel is a slender bird of prey with dark brown speckles on soft ochre red outer plumage and dark brown feathers at its wing tips. It has lighter greyish plumage on its head with a small curved beak and yellow around its eyes and beak. Its tail reflects the same ochre colour of its outer plumage and is tipped with bands of dark brown/black and cream.Identification swing tag with catalogue page number reads: 4. / Nankeen Kestrel - / See Catalogue,/ Page 2. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, falconidae, falco cenchroides, nankeen kestrel, australian kestrel, birds of prey, kestrels

Clothing. Dark brown feather shoulder cape lined with dark brown satin. Gathered brown ribbon stitched over black seam of cape. Cord ties at front knotted togethercostume accessories, female, dark brown feather shoulder cape

Brown and cream bakelite portable Astor Radio, with brown handle, dial controls on top. Cream dial with brown knob for tuning.|Astor logo is a gold swan with Astor written underneath.Astorcommunication, radio

1. Leather belt, brown colour, brass coloured metal buckle with brown leather sliding keeper, brass coloured 'd' rings attached to side of belt. 2. Leather belt, brown colour, brass coloured metal buckle with brown leather sliding keeper.Nilleather belt, uniform, sam browne

This book follows on from the revised edition of "First Two Years Geometry" and contains all the geometry for the intermediate certificate and trigonmetry included in the syllabus during the mid 20th century. This would have been used by students of the Kiewa Valley.This book show us the type of maths that was taught in Victorian schools in the mid 20th century. Students from Mt Beauty Elementary High School would have used this book. Therfore has historical and research significance. The book has the name G Davies, which is a local family and therefore has social significance. As this is part of our school book collection it has good interptive capacityThe book has a brown cover with light brown striped pattern along the edge of the front cover. Black writing on front for name and light brown writing stating author and publisher. Has a light brown gemonetry pattern on front cover and logo of printer on each corner.Name of G Davies Form 111 in red pen on inside page.book, school, geometry, educational, math, mt-beauty-elementary, wilma davies

Textiles. Brown fabric handbag with brown xylonite or celluloid frame with hinged clasp. Brown silk fabric with insert at lower edge of brown and gold patterened fabric. Plastic chain link carrying handle (broken). Lined with patterned cotton fabric (blue,red,yellow).textiles, domestic, ladies brown fabric handbag

Report book. Has been covered in brown paper, covering the title information shown below. Contents include: instructions on record keeping, taped inside front cover; printed sheets, filled in by hand, some pages for "Arithmetic Text Book Account", some pages for "Victorian Reading Book Account". All of the following pages are headed "Inspector's Report Book | School No. 522 At Rutherglen |Date of Visit________ Time spent, from____ to ____" These pages contain extensive handwritten notes of each visit. Separate sheet inserted inside front cover: "Leaflet No. C4. | Department of Health, Victoria. | (Maternal and child Hygiene Branch.) | Maternal, Infant, and Pre-school Welfare Division. | The Diet of the Pre-school Child - Two to Six Years.""Department of Education, Victoria, Inspector's Report Book. State Elementary School at ____ By Authority, Albert J. Mullett, Government Printer, Melbourne" Written at top right of brown paper cover: "1946 / 54"rutherglen state primary school no 522, school inspection, primary schools

J. Parry General Blacksmith Shoeing Forge in Lower Main Street Stawell with four males and two horses out front. Opposite G.H. Robson Stone yards.Sepia photograph of front of store with four males and two horses in front of the building5 Main St Stawell. Found within a book sold at Ramsay's sale 18.9.70. Mrs. Ramsay was a Parry. Parry's workshop later occupied by Trend & Brown then Cas Brown. Now site of Grahams Store Lower Main Street.stawell business

This card contains 7 shades of brown thread for mending lisle stockings.Card with selection of different coloured mercerised threads for mending lisle stockings and "all hosiery".thread, lisle stockings, stockings

PHOTOGRAPH DONATED BY MR.&MRS. CRICK 36 BROWNS PARADE WENDOUREEVAL PHOTOGRAPH ON RECTANGULAR BACKING. DATED 6 - 6 - 1914local history, photography, photograph, early citizens

Regent Honeyeaters get their name from their striking yellow-and-black plumage . Previously found across the south east of Australia far as Adelaide and Rockhampton in central Queensland, over the last thirty years their population has dwindled. Regent Honeyeaters are now only found between north-eastern Victoria and south-eastern Queensland, with only three known breeding grounds. Regent Honeyeaters typically live in eucalypt forests and woodlands. The yellow edging on the specimen's wings is duller than the bright yellow typical of most Regent Honeyeaters. The specimen is also stretched taller than most Regent Honeyeaters, resulting in a thinner neck and chest compared to the plumpness typically expected. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.The Regent Honeyeater is a critically endangered Australian bird due to the clearing of their natural habitat, particularly around the Yellow Box-White Box-Blakely's Red Gum Woodlands in New South Wales. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Regent Honeyeater has a dark brown/black crown with a distinct orange patch under each red-coloured eye. Its back and upper chest are also a dark brown but with a white scalloped pattern. At the lower are of its belly, the white colour dominates the brown. Its wings and tail are brown edged with yellow. Its beak is a short, dark brown curl and its legs are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.57a. / Warty-faced Honey-eater ./ See Catalogue, Page 18 ./taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, regent honeyeater, honeyeater, warty-faced honeyeater, australian birds, endangered birds, endangered animals

Given to member Jan MacDonald by Beryl nee BROWN , whose father is one of the workers in the photo. Appears to be an original photo but an enlargement reveals it's a half- tone , so could have been copied from a publication. 'Gus' BROWN appears in third row from front 1933 photograph of construction workers in the excavation for the main drain in Princes Street. Sepia, mounted on cardboard 'frame'. Appears to be an original but is actually a halftone.Top left on back, in ink 'Kelly'engineering - board of works, engineering - canals and drainage, hotels, built environment, sydney 'gus' brown, swallow & ariell ltd

Single white card with green & brown decorated border with leaves. Inside are some green, brown & yellow leaves with a brown, green & yellow butterfly hovering over them. At the bottom is printed in brown: 'With best wishes for a happy Christmas'. Written on the back is: 'To Bessie with love from Olive'.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Clothing. Dark brown fur collar lined with dark brown satin. Cord hook and cord loop at either end. Dark brown fur cuffs. Unlined, hemmed with black cotton tape.costume accessories, female, fur collar and cuffs set

Squattleseamere BessiebelleBlack and white Photograph of weatherboard house with wrap around verandahsquattleseamere, bessiebelle, station, brown, rolf boldrewood

1. Scabbard - leather, brown, metal studs and buckles. 2. Scabbard - leather, brown, metal studs and buckles.passchendaele barracks trust, leather scabbards

WW1 1. Badge - metal, brown, imprinted insignia and lettering. 2. Badge - metal, dark brown, Rising Sun.1. Issued by Dept of Defence - Returned from Active service AIF> 2. Australian Commonwealth Military Forces.passchendaele barracks trust collection, ww1, badges

Part of kit issued to Wayne Forbes 3176337 1 Field Sqd RAE. Refer Cat No 754 for service history also 2586. Set of cotton elastic braces with leather button attachments for pants. Colours are brown to light brown and white stripes."Police"uniforms, braces

This jar of ointment belonged to Doris Orr, mother of the donor. Families used these patent medicines which were often purchased from a door to door salesman, the 'Rawleigh's man', on his regular round to country homes.Rawleigh's patent medicines were in common use in homes and this is a typical example.A brown jar of Rawleigh's ointment with a green and white label and brown metal lid with the brand name in raised lettering.Rawleigh's [on lid]; Rawleigh's Compound Mustard ointment/Will not blister/Preferable to Mustard plaster/The W.T. Rawleigh Co Ltd Melbourne/Registered under The Health (Patent Medicines) Act 1942 [label]allansford, w.t. rawleigh & co, mustard ointment, pharmaceuticals