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Wodonga & District Historical Society Inc
Booklet - Sharing Bonegilla Stories, Bruce J Pennay, 2012
A full-colour catalogue to support the Sharing Bonegilla Stories exhibition at the Albury LibraryMuseum which was curated by Bridget Guthrie in 2009. The exhibition drew from a successful earlier Belongings partnership with the Centre. The catalogue tries to make sense of people’s different memories of, and responses to, Bonegilla.non-fictionA full-colour catalogue to support the Sharing Bonegilla Stories exhibition at the Albury LibraryMuseum which was curated by Bridget Guthrie in 2009. The exhibition drew from a successful earlier Belongings partnership with the Centre. The catalogue tries to make sense of people’s different memories of, and responses to, Bonegilla.bonegilla, migrant experiences, immigration victoria -
Bendigo Military Museum
Newspaper - NEWSPAPERS WW2
Various Victorian Newspaper covering start of WW2 and end of WW2 and one covering ANZAC Day in 1927.Faded newspapers on yellowed paper with black writing. 1. The Morning Post April 26th 1927 with articles relating to ANZAC Day. Broadsheet format and 10 pages content. 2. The Sun, Wed Aug 20th 1939 covering era up to the Declaration of War in Europe. Tabloid format in 42 pages. 3. The Sun, Sat Sept 2, 1939 covering lead up to Declaration of War on 2nd Sept, 1939. Tabloid format in 48 pages. 4. & 5. Bendigo Advertiser, Thur Aug 16, 1945 re end of WW2 with Japanese Surrender. Broadsheet format with 16 pages. 6. The Herald, Wed Mar 21st, covering key battles of both theatres of WW2. Broadsheet format with 12 pages.bendigo advertiser, the sun, morning post, newspapers, ww2 -
Bendigo Historical Society Inc.
Document - HOUSES OF ACCOMMODATION, BENDIGO PROGRESS ASSOCIATION
White document with blue printing. Has a border with circles and squares 1.5 cm from the edge of the paper. Lists some of the principal houses of accommodation issued by the Bendigo Progress Association. A. Morrison, Arcade Chambers, Bendigo. Listed are the: Hotel Shamrock, City Family Hotel, Masonic Shades Hotel, City Club Hotel, Hopetoun Hotel, Harp and Shamrock Hotel, Duke of York Hotel, Heywood's Coffee Palace, Trengrove's Dining Rooms, Court House Hotel, Olympic Hotel, Metropolitan Hotel, European Hotel, Reed's Dining Rooms, Terminus Hotel, Beehive Exchange, Belfast Arms, Brady's Arcade Hotel, Mulcare's Royal Mail Hotel, Tregear's Olive Branch Hotel, Bryant's Union Hotel, Hutchens' Telegraph Hotel.document, bendigo, houses of accommodation bendigo, hotel shamrock, city family hotel, masonic shades hotel, city club hotel, hopetoun hotel, harp and shamrock hotel, duke of york hotel, heywood's coffee palace, trengrove's dining rooms, court house hotel, olympic hotel, metropolitan hotel, european hotel, reed's dining rooms, terminus hotel, beehive exchange, belfast arms, brady's arcade hotel, mulcare's royal mail hotel, tregear's olive branch hotel, bryant's union hotel, hutchens' telegraph hotel -
Wangaratta Historical Society
The Painted Glass Window
This window was originally above the door at 29 Murphy Street, a butcher shop run by Jas. Ferguson and Company and later bought by Bob Hoysted who had worked for Jas Ferguson as an apprentice. The window sits in a painted wood frame and illustrates a pastoral scene with a cow, two grazing sheep and a path leading to an open gate. Butcher shops typically illustrated their business with illustrations of the animals they sold. The painted glass pieces are held together by lead. Some of the pieces are textured. The artist is unknown. It is possible that the window was imported from Europe since decorative glass works in Australia at the end of the 19th century were rare, if not non-existent. Decorating store fronts with windows such as this one was popular in Melbourne at the end of the 19th century. -
Bendigo Historical Society Inc.
Photograph - GERMAN HERITAGE SOCIETY COLLECTION: PHOTOGRAPH DEUTSCHEN VEREIN & NEGATIVE
Black & white 35mm negative strip containing three pictures of the Bendigo Deutschen Verein 1871. Small Sepia photo of 114 small oval bust photos of men. The name, first word unknown, Bendigo Deutschen Verein 1871. Printed on the back of the photo - Photographed by Chevalier, Pall Mall, Sandhurst. Contained in a buff envelope with - 'Negs & Original Photo of Deutschen Verein'. Written on the back of the envelope is 'German Heritage Society, Bendigo'. Also a small yellow card with 'Negs - (22/9/95) Photo - original of Deutschen Verein. Small card with typed note - The Deutscher Verein met at the European Hotel (now demolished) in High St. There, in later years it had a library of over 5000 volumes.Chevalier, Pall Mall, Sandhurstnegative, bendigo, german heritage society, german heritage society collection - photograph deutschen verein & negative, chevalier -
Kew Historical Society Inc
Decorative object - Cotton chintz applique on linen wall hanging [Broderie Perse], 19th Century
This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration -
Churchill Island Heritage Farm
Clothing - Muff, Seal Fur
After European settlement in 1788 Australian Fur Seals were hunted intensively from 1798 until 1825 for meat, oil and their skins. The growing Industrial Revolution called out for oil which was readily sourced from seals along with their valuable fur. Indigenous people had been sustainably harvesting seals for their meat and their skins .and the European sealers often coerced or kidnapped Aboriginal women for their knowledge of hunting seals. After 1825 the seal population had been decimated and therefore the hunt was no longer economically viable, but it wasn’t until 1923 that the Australian Government legislated to stop the hunting of seals altogether. In the time of the Amess family residence on Churchill Island it was perfectly legitimate to shoot any seal that interfered with fishing and furs were tanned and lined with fine fabrics to create items of apparel. Seal fur has a soft velvety feel when stroked in the direction of growth. A muff was a thick tubular piece of fur or other material used by women and girls to keep the hands warm and it was also used as a handbag, The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.Seal fur muff, with lining and some fraying on edges. seal, fur, churchill island, amess fur collection, janet, jane, amess, frances -
Nillumbik Shire Council
Public Art: Tom SANDERS (b.1925-d.2008 Vic, Aus), Tom Sanders, Wall of the Moon (Homage to Miro) - (Location: Eltham Town Square, Arthur Street, Eltham), 1968
Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro -
Melbourne Legacy
Postcard, Postcards of Ireland and Northern Ireland
Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. He also had a vesta (match) case from Belfast, so it is likely he visited there. These scenes include the Guiness Brewery in Dublin and the Belfast Town Hall, and a set of scenes from Killarney. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Postcards x 15 with images from Ireland and Northern Ireland. Most from 'Valentine's Series' printed in Scotland.01136.1 City Hall, Belfast 01136.2 Marble Stairway, City Hall, Belfast 01136.3 Killarney 01136.4 'Tis said that passing angles paused a while / To rest within and bless the Emerald Isle 01136.5 Guiness's Brewery, Lower Level, Dublin 01136.6 Scald Bank (Unloading empty casks) Guiness's Brewery, Dublin 01136.7 Fermenting House (Exterior) Guiness's Brewery, Dublin 01136.8 The Islands, Upper Lake, Killarney 01136.9 On Middle Lake, Killarney 01136.10 Serpent Lake, Gap of Dunloe, Killarney 01136.11 Shooting the rapids, Killarney 01136.12 Ross Castle, Killarney 01136.13 Eagle's Nest, Killarney 01136.14 Colleen Bawn Rock, Killarney 01136.15 Grafton Street, Dublin Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one -
Melbourne Legacy
Postcard, Postcards of India
Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. These postcard scenes are from Bombay which is a stop on the route from Australia to Europe. India was often the first time young soldiers saw a different culture on their way to the first World War. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs (none of these have been written on or posted). J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', (which stopped in Bombay), arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1. These places in Bombay, India could have been visited by the first Legatees when they were soldiers in World War 1.Postcards x 7 with images from Bombay in India.01139.1 Bombay - A street scene, Pydowni Junction 01139.2 Bird's eye view of Fort from Taj Mahal Hotel, Bombay 01139.3 Cuffe Parade - Bombay 01139.4 General Post Office - Bombay 01139.5 Bombay - Queen's Road showing palms 01139.6 A woman tapping rubber tree (possibly from Sri Lanka as it was printed in Colombo). 01139.7 Bombay from Harbour Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one -
The Beechworth Burke Museum
Photograph, 1960
Taken in 1960, depicted is an aerial view of Lake Sambell and the surrounding township. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents what Lake Sambell looked like in 1960.Black and white reproduced rectangular photograph print on paper.lake sambell, #beechworth, beechworth 1960s, lake, victoria, australian landscape, mining, rocky mountain mining company -
The Beechworth Burke Museum
Photograph, 1960
Taken in 1960, depicted is the construction of Lake Sambell, looking west across the lake. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents additional construction to Lake Sambell as a recreational reserve.Black and white reproduced rectangular photograph print on paper.beechworth lake, lake, lake sambell, construction, #beechworth, australian landscape, beechworth 1960s, victoria -
Warrnambool and District Historical Society Inc.
Notebook, Telephone Code Dialling & Change Book, Mid 20th century
This notebook has been used in the Nullawarre Post Office in the mid 1900s. It lists the telephone exchange codes of places in Victoria and also the code for the telephone charges to those places. Charles and Vida Williams were the Post Master and Post Mistress at Nullawarre Post Office during the mid 20th century years. Nullawarre is a small settlement 25 kilometres south east of Warrnambool and is mainly an agricultural area. European settlement first occurred in the late 1860s. This notebook is of some interest as one used in the day-to-day business of the Nullawarre Post Office in the mid 20th century.This is a notebook which was originally set up as a Postman’s Redirection Book but has been used to list alphabetically telephone exchange areas and their codes. The book has an alphabetical index on the side of the pages and printed black lines and hand-ruled lines on the pages. The cover is light brown with blue binding on the spine and the binding is partly giving way. There is black printing and handwritten writing on the front cover. The material on the pages is handwritten in blue ink and pencil. There is a blue stamp and some pieces of paper pasted into some pages. ‘Postman’s Redirection Book’ ‘Telephone Code Dialling & Charge Book’ ‘Nullawarre’ -
Warrnambool and District Historical Society Inc.
Badges, Stokes, Warrnambool Racing Club, 1950s
These badges were issued to members of the Warrnambool Racing Club in the 1950s. Horse race meetings have been held in Warrnambool since the early days of European settlement, with the Warrnambool Racing Club formed in 1854. Races have been held on the site of the present day racecourse since the late 1850s. Today the chief event on the Warrnambool racing calendar is the annual three-day May Racing Carnival, featuring the well-known Warrnambool Grand Annual Steeplechase. These badges are retained as examples of the badges of members of the Warrnambool Racing Club in the 1950s. They will be useful for display. .1A metal badge (roughly in the shape of a double triangle) with an image in blue, white, green and gold of a horse and jockey clearing a hurdle. The badge has gold lettering, a metal clip at the back and a metal ring at the top for attachment to a cord. .2 .3. As above except that the colourings of blue, red, green and red are differently placed .4 As above in .1 except that the colourings are black, brown and green .5 A round metal badge with the image as in .1 above, with the colourings being black, white and green. .1 Warrnambool Racing Club Not Transferable Season 1954-55 121 Stokes Melb. .2 Warrnambool Racing Club Not Transferable Season 1955-56 128 Stokes .3 Warrnambool Racing Club Not Transferable Season 1957-58 106 Stokes .4 Warrnambool Racing Club Not Transferable Season 1959-1960 95 Stokes Melb .5 Warrnambool Racing Club Not Transferable Season 1956-1957 123 Stokes warrnambool racing club, history of warrnambool -
Lara RSL Sub Branch
Framed collection of the Kokoda Trail, The Kodoka Trail, Circa 2018
The Kokoda Track (or Trail) is a single-file thoroughfare that runs 96 kilometres (60ml) overland) - 60 kilometres (37ml) in a straight line - through the Owen Stanley Range in Papua New Guinea (PNG).The trail was First used by Europeans in the 1890s by miners struggling northwards to the Yodda Kokoda goldfields. During the Pacific War of World War 2 a series of battles were fought from July 1942 to January 1943 between Japanese and Australian forces.One of the bloodiest campaigns of World War 2,which has forever sealed the relation ship between Australia and Papua New Guinea began 61 years ago. This Photographic Memorial is dedicated to those Australian and Papua New Guinea forces who fought against the Japanese with courage and fortitude on the Kokoda Trail.Rectangular shaped glass covered picture frame showing a collection of photos,two flags and a Rising sun badge. The Kododa Trail.kokoda track, world war 2, papua new guinea, australian forces, lara r.s.l. -
Orbost & District Historical Society
pin cushion, first half 20th century
Pincushions or pin pillows date back to the Middle Ages in Europe. The tomato shaped pincushion grew from a Victorian Era superstition that tomatoes were good luck and so they were often given to newly weds as charms and placed on the mantle. When there were no actual tomatoes a fabric token was made and later used for pins. Some pincushions were stuffed with abrasive materials designed to sharpen the pins. This one would have a needlework accessory for an Orbost local.This item is a common sewing accessory reflecting the needlework skills of women in the first half of the 20th century.A soft padded fabric pin cushion. Material is a black background decorated with colourful flowers. It is divided into eight sections by red stitched lines and holds 3 needles and a bent pin. -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, Welcome Nugget,1948, 1948
Ballarat School of Mines Students' Magazine, 1948, List of Full Course Students', Editorial, Principal's Page, Photographic Competition, News and Notes, Editor's Notes, Obituary - S. H. Mayo, Farewells to Staff Members, Alterations in Staff, Science Section. The Literary Society, S.M.B. Yesterday and Today, R.A.A.F. Story, Art Section, Escape from Nazi Europe, Short Story Competition, Senior Sport, The Junior Techs, Students' doing Trade Apprenticeship Courses Green front page soft cover of 53 pages with burgundy and green inscriptions on front coverballarat school of mines students' magazine, staff, sports, h. tozer, v. lancaster, g. murdoch, m. greenwood, a. fenton, c. rook, b. bryan, c. g. fairbank, r. p. flower, c. sanos, d. munro, e. marshman, r. w. richards, dr. j. r. pound, m. k. ashton, w. k. l. murray, s. h. mayo, john c. collins, don johnston, f. g. procter, l. j. hillman, n. d. gardner, arthur c. burrow, p. richards, h. darby, lewis huisman, betty freeth, j. williams, m. treganowan, g. williams, w. archibald, m. callahan, m. ryan, t. downes, d. anderson, m. rowbottom, b. lette, l. greenbank, v. ritchie, b. hutchings, p. reidy, b. tantau, w. brown, w. wilson, d. durant, g. hetherington, j. wilson, m. murray, r. cairns, g. edmonds, j. ballinger, n. edwards, r. rosser, h. graham, k. treloar, j. boag, l. veal, h. fumberger, j. jopling, w. wray, j. dunstan, j. willis, r. davis, g. coward, j. scala, g. searle, n. ludbrook, r. u'ren, r. hollioake, a. vinegrad, h. mcwilliam, b. tippett, j. brokenshire, f. savage, r. spence, j. sawyer, t. lannen, e. lloyd, d. brayshaw, r. b. williams, beryl hutchings, heather coad, margaret ryan, s. shillington, b. duffer, m. mclean, j. catherall, c. beeston, e. shaw, n. silvey, d. stevens, k. adams, t. hewitt, i. lepp, j. mccormack, a. young, l. george, j. terrill, k. spalding, j. watts, w. clarke, g. hindson, d. gilbert, a. hewitt, r. plover, g. murrowood, r. cochrane, j. bethune, j. walton, r. ward, j. blain, r. luke, j. daly, k. ward, i. mcconchie, p. hewitt, j. skilbeck, e. jones, c. hoffman, w. mckenzie, r. phillips, g. allen, k. george, h. saw, c. mayne, b. graham, m. tweedale, d. alexander, r. gluyas, w. rodgers, r. norman, m. horwood, p. hains, m. coleman, g. hannah, r. smith, r. bawden, r. simpson, d. ditchfield, w. d. ditchfield, r.a.a.f. story, avro anson, escape from nazi europe -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, evening bag, c1900
In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strap often decorated with pearls, sequins, beads and embroidery. A lady's black velvet, silk lined, evening bag with draw-string and hand made tassels. The bag is decorated with beads in a floral designmoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, dressmaking -
Croatian-Australian Immigration Museum
Photograph of postcard, Original postcard made before 1967
Postcard written by Slavica Risek at 11 years of age to her grandmother on arrival to Australia from Croatia. She was travelling on the Angelina Lauro passenger ship with her brother, mother and father c.1969. She describes her cabin is located at the first windows at the bow of the ship. The postcard was never posted. This was during a time that Australia was recruiting labourers from Europe. The family left Croatia along with many other immigrants looking for a better life in Australia.This item is of historical significance as a representative example of a young girl immigrating to Australia during the time when Australia was recruiting labourers from overseas.Image of Postcard with photo on front of ship named Angelina Lauro sailing under the Sydney Harbour Bridge. On reverse side is a written message and address in Croatianimmigration, sydney harbour bridge, croatia, labourers, angelino lauro ship, postcard -
Wangaratta RSL Sub Branch
Coat of Arms, Ottoman Empire
Every sultan of the Ottoman Empire had his own monogram, called the tughra, which served as a royal symbol. A coat of arms in the European heraldic sense was created in the late 19th century. Hampton Court requested from the Ottoman Empire the coat of arms to be included in their collection. As the coat of arms had not been previously used in the Ottoman Empire, it was designed after this request, and the final design was adopted by Sultan Abdul Hamid II on 17 April 1882. The emblem features an ornate cartouche ensigned by a Tughra. The cartouche is surrounded by various elements of the state including two flags, the red flag of the Ottoman dynasty with a star and crescent and the green flag of the Islamic caliph, largely obscured by a cornucopia. Behind the flags are a number of spears and other weapons. Hanging beneath the lower flourish are the medals of five of the Ottoman decorations.ottoman empire, tughra -
RMIT Design Archives
Textile - Textile Design Sample
The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives -
Wodonga & District Historical Society Inc
Document - Citizen Identity Cards World War II, Australian Federal Government, 1940s
These cards were issued during World War 11 to British subjects who were civilians. This included all non-indigenous adults born in Australia. The concept of Australian citizenship was only introduced by the Nationality and Citizenship Act of 1948. All adults had personal identity cards and were required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.Peter Frawley was a long-time resident of Wodonga. He was a veteran of Gallipoli and Fromelles. For his actions at Fromelles, he was awarded the French Croix de Guerre. After the war Peter became a successful jockey and one of his greatest successes was winning the Australian Steeple Chase at Caulfield in 1922. He was an active member of the Wodonga Turf Club and Bonegilla Race Club and a founding member of the Wodonga Show Society. Peter’s wife Connie was an integral member of the Wodonga Hospital fundraising committee, being awarded a life membership. Nereida Pearl Goyne (nee Emery) lived most of her life in Wodonga. She was actively engaged in the community until 2007 when she moved to Rutherglen where she passed away in January 2009.3 fawn coloured cards with black text, all stamped with the Beechworth Post Office stamp. They are identified as Form C.R.3 Civilian Registration (British Subjects).Written on both sides in ink: Detailed explanation of government regulations. On Card 1 in ink;" V13, M 31 ,30215" Signed "Peter George Frawley, South St Wodonga" Reversed signed by card holder and witness" On Card 2 in ink;" V13, M 02 ,2494" Signed Constance Frawley, South St Wodonga" Reversed signed C Frawley and witnessed P Frawley" Note - Ration book for 3 children" On Card 3 in ink;" V13, M 10 ,12251" Signed "Nereida Pearl Goyne, Bank St Wodonga" Reversed signed by card holder and witnessed by L.C. McCullough" Note Ration book for 2 children"identity cards, civilian registration, world war 2, ww11 -
Warrnambool and District Historical Society Inc.
Badge, Stokes, Warrnambool Racing Club, 1956
This is a badge issued to members of the Warrnambool Racing Club for the 1956-7 season. Race meetings have been held in Warrnambool since the early days of European settlement, from 1848 on, with the Warrnambool Racing Club formed in 1854. The present day race track was first used in the late 1850s. The most important meeting of the Warrnambool Racing Club is the May Racing Carnival held over three days with the main feature being the well-known Warrnambool Grand Annual Steeplechase. This is a local badge and is retained as an example of a member’s badge of the Warrnambool Racing Club in the mid 1950s. This is a round metal badge with gold lettering on a black background and a black, green and gold image of a horse and rider clearing a hurdle. The badge has a metal ring at the top and a green cord with a gold metal fastener is attached. Warrnambool Racing Club Not Transferable Season 1956-1957 139 Stokes warrnambool racing club, history of warrnambool, badge -
Eltham District Historical Society Inc
Photograph - Document, Identity Card: Ernest Thomas Orford, 1942
Civilian Registration Identity Card issued to Ernest Thomas Orford of Irvines Road, Eltham, farmer, signed by subject and witnessed by Elizabeth J. Cox of Eltham. This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.1942, civilian registration (british subjects), elizabeth j. cox, eltham, ernest thomas orford, identity card, irvines road, second world war, ww2 -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Vol. 10, No. 1, 2005
Vol. 10, No. 1, Mar-Apr 2005 CONTENTS Comment 2 Clive Dickson 'Plein-air Painting in Europe 1780-1850' 3 Premier Pottery, Preston 1929-1956 7 Tom Dell'Anno at the Eltham Library Gallery 13 CD Reviews 14 Eltham Jazz and Blues Heritage Festival 16 Silent Voices 18 The Warrandyte Pottery Expo 19 Book reviews 21 Poetry 24 Artin' About 28 Wining & dining 30 Listings 32"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 32 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, art streams magazine, tom dell'anno, clive dickson, plein-air painting, david dee, reg hawkins, walter dee, alan james, margaret kerr, eltham library, community gallery, eltham town jazz and blues heritage festival, joe malatji, sutueal bekele althe, warrandyte pottery expo, robyn rowland, peter brocklehurst, margaret orr, brian mooney, jeanie james -
Eltham District Historical Society Inc
Folder, Short History of the Municipality of Eltham, 1981
Document from unknown author. Sections include: Constitutional history, population growth including ABS data 1943- 1978, notes on the European history of Eltham - about your Council - schools - list of historical buildings. Copy also held at Yarra Plenty Regional Library (Eltham Library). Possibly produced as a resource for students. Also includes single page headed Heritage Week 1983, rural townships, page 3 with refernece to key buildings in Eltham township.30 pages, typed textHG Booklet 17harry gilham collection, pioneers of eltham, population, shire of eltham -
Kiewa Valley Historical Society
Skis Snow Competition, circa 1966
The post World War II migration of European "snow skiiers" into Australia combined with the construction of Hydo Electricity Schemes in both the N.S.W.and Victorian Alps regions, opened up these winter snow areas to a greater influx of tourists and holiday adventurers interested in "winter" sports. The ability to project, on a global scale, skiing facilities of international standards to those in the northern hemisphere during their summer has opened up the Australia ski resorts and their facilities to a much greater winter sport orientated population. These cross country skis were purchased by a member of the Bogong Ski Club and were part of a bulk ski stock consignment from Finland in 1966/67. They were introduced into the Victorian Alps to encourage skiers to take up cross country skiing both at Falls Creek and Mount Buller. This initiative spurred on the now annual 42 kilometre cross country "Kangaroo Hoppet" race at Falls Creek. This race is currently the biggest cross country snow skiing race in Australia. These snow skis were made in Finland. They are wooden (hickory) skis and made from four strips (glued and shaped) pieces of wood that are not laminated. There is a painted blue flash on the top of the skis that extends the full length of the skis. The face of the underside of the skis is flat and is coated in black Stockholm tar. Glider or grip wax was applied onto this base. The top body of the skis is tapered from shoe position to both front and back tips.Tapered curvatures from foot radiating to all sides provides the required aerodynamics. Metal boot bindings consisting of a toe plate with adjustable toe clip and a heel plate, both of which are screwed onto the skis. "KILPA, KARHU URHEILUTARPEITA SPORTART1KLAR, Karhu-Valtz Finland. Hickorypohjin"snow skiing, cross country skiing, falls creek winter tourism -
Orbost & District Historical Society
skittles, first half 20th century
Skittles or Nine Pins has been played since the 4th century. It is an old European lawn game. In general, players take turns to throw wooden balls down a lane at the end of which are several wooden skittles in an attempt to knock them all over. It evolved into ten pin bowling, one of the most popular pastimes around the world. This is an indoor children's toy probably played on a carpeted passage inside. Skittles was an indoor game which could be played by the whole family.This item reflects a time when simple games were enjoyed as a family. In rural areas where there was limited access to commercial recreation skittles would have been a popular pastime.Four wooden skittles. They are tapered with a knob at the top. All are painted black with two red bands towards the base. Two are smaller and have rounder bases. Under the bases are T-shaped ridges.recreation skittles indoor-games -
Victorian Interpretive Projects Inc.
Photograph - colour, Lisa Gervasoni, Ruins of Angus McMillan's original Bushy Park Homestead near Maffra, 2014, 07/06/2014
Angus McMillan named the Avon River after the river of the same name in his native Scotland. In 1840 he established a pastoral run at Bushy Park, north-west of the township. William Odell Raymond established a run in the area in 1842, and built his house, Strathfieldsaye, during 1848–54. European settlement did not take place without resistance, and in return, massacres were inflicted by Angus McMillan and others on Gunai people, especially between the years of 1840 and 1850. (wikipedia)bushy park, angus mcmillan, avon river -
Geelong Cycling Club
Book, Pedals Politics and People, 1977
Autobiography of the life history of Sir Hubert Opperman, a politician and world renowned cyclist in the mid 1900s. As a professional cyclist Opperman broke or established 101 state, Australian and world records in an incredible 24 hours of non stop cycling at the old Sydney velodrome. In Europe his wins in the Paris-Brest-Paris road race, the classic 24 hour Bol D'Or and setting a new Lands End John O'Groats record. He twice participated in the Tour de France.This book is an excellent reference for the world of cycling and politics in Australia.Signed autobiography title 'Pedals, Politics and People by Hubert Opperman, Hard backed copy and paper cover. The title is on a blue background and the remainder depicts photographs of spectators, with two main photographs superimposed over the spectators. One of the photographs is of Menzies and Opperman and the other is of Opperman riding a track cycle. "To the Millikan family/With best wishes/from/Hubert Opperman 'Oppy'"hubert opperman; tour de france; paris-brest-paris road race; pedals politics and people; dunlop grand prix; millikan family;