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Dandenong/Cranbourne RSL Sub Branch
Air Force Patch, Unknown
Starting in Footscray before moving to Coote Island and again moving in the 50s 1 AD MTRS to Laverton in brand new hangers built in 1954. The name changed to MTMS and then again to GEMS.Square cloth patch white background - red eagle - encircled by blue ring with blue inscription.Inscribed 1 AD GEMS PROVIDEMUS. Red and Gold landing Eagle with lightning flashes each side. -
Parks Victoria - Days Mill and Farm
Container - Box
Used to pack congnac in when transported from France to Melbourne Wharf and probably used as a seat or a step at Days Mill.Squat wooden box, closed top and with inscription on each end. Residue of paper label on top.On one end, star motif and illustration of an arm, in armour, holding a fighting axe. Under this, "Jas. HENNESSY / CONGNAC" On other end engraved into wood, "PRODUCE OF FRANCE" On one side, engraved, ""H T / MELBOURNE WHARF / 47" This side has additions in pencil and star motif in RH top corner. -
Dandenong/Cranbourne RSL Sub Branch
Equipment - Shell Dressing, Johnson & Johnson, 1941
Shell dressings were carried by individual soldiers, intended to be used as a first dressing in event of wounding or injury. Each cloth pack contains dressings comprised of a gauze pad stitched to a bandage and a safety pin. The field dressing was often the first line of treatment and was intended to be applied by the wounded man himself or other soldiers.This dressing is significant as a representative object carried by every soldier in WWII.Bandage covered in light brown cotton casing. Front side has inscription and instructions for use.Commonwealth of Australia / Shell Dressing / (directions for use)dressing, bandage, australia, johnson & johnson -
Mt Dandenong & District Historical Society Inc.
Photograph, Logan's Trick Horse
John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. This photograph shows the 'trick horse' belonging to Robert Logan. Robert Logan settled on Lot 28 in 1896 and worked it until his death in 1936.Black and white photograph on a horse sitting in grass. Handwritten inscription on reverse by John Lundy-Clarke.1920 Logan’s trick horse on LOT 28 SECTION 1robert logan, logan, horse, kalorama, john lundy-clarke -
Mt Dandenong & District Historical Society Inc.
Photograph
Elissa Leila Hannah Gerlach was born in 1902 and was the daughter of Carl and Kate (nee Bridges) Gerlach. Elissa married William Henry Jackson in 1925.Black and white studio portrait of a young girl. Handwritten inscription on reverse by John Lundy-ClarkeElissa Girlac 1905. Mrs Bill Jackson.gerlach, elissa gerlach, carl gerlach, kate gerlach, william jackson, bill jackson -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Lt Col Fogarty
The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.One of a collection of photographic portraits of Commanding Officers and Officers Commanding of the regiment/independent squadron from its inception in 1947 to its linking with 4th/19th Prince of Wales’s Light Horse in 1991. Framed black and white photograph of gentleman in Mess jacket with lapel badges. Inscription on lower frame. " Lt. Col. T. Fogarty 1948 - 1955 "military, fogarty, officer -
Tennis Australia
Ball, Circa 1955
Three tennis balls, with inscription: SPALDING/APP. U.S.L.T.A./CHAMPIONSHIP. Materials: Rubber, Felt, Inktennis -
Beechworth RSL Sub-Branch
Shell Dressing, March 1944
Shell dressings were carried by individual soldiers, intended to be used as a first dressing in event of wounding or injury. Each cloth pack contains dressings comprised of a gauze pad stitched to a bandage and a safety pin. The field dressing was often the first line of treatment and was intended to be applied by the wounded man himself or other soldiersThis dressing is significant as a representative object carried by every soldier in WWII.Bandage covered in light brown cotton casing. Front side has inscription and instructions for use.Printed on cotton package containing the Shell Dressing. Inside a lined box. Commonwealth of Australia/ SHELL DRESSING / To Open /Outer Cover. Tear cover open at top between stitches. / Inner Waterproof Cover. Tear apart at the corner indicated by arrow. / DIRECTION FOR USE -Take the folded ends of/bandage in each hand, and keeping bandage taut, apply the/gauze pad to wound and fix bandages with safety pin./ In the case of head wounds, when respirators have to be worn, care should be taken to adjust the pad so that it / does not interfere with the fit of the face-piece. / DO NOT HANDLE WOUND OR PAD. / under a black line / Johnson & Johnson Pty, Ltd, Sydney/ MARCH 1944 On the reverse an adhesive sticker with the words "Lent by Lance Flynn" dressing, shell dressing, commonwealth of australia, johnson & johnson -
Parks Victoria - Mount Buffalo Chalet
Plaque, "Buffalo Falls Hotel / Historic list of prominent guests 1888-1919"
Possibly predates Chalet. ".There is also a wooden plaque displaying the names of notable guests who stayed at the Buffalo Falls Hotel that once stood at the foot of the mountain. the pioneering Manfield family opened this early hotel in the late 1880's and soon began taking visitors on walking treks up onto the plateau." (Pg 84 Historica, 2011). The Buffalo Falls Hotel was originally known as The Buffalo Falls Temperance Hotel and was built in 1888 by James Manfield. His daughter Alice became well known as a Mt Buffalo guide and was renowned for her mountain knowledge as well as for her distinctive alpine pant suit. The Hotel was constructed opposite the newly opened 'Staker's Track', a walking track , now known as the "Big Walk" was, a steep 6 hour walk, which nevertheless opened the mountain up to early tourism, attracting leading figures from Melbourne Society as well as significant artists, Naturalists and Scientists eager to explore and experience the unique scenery and geological features of the Mountain. Baron Von Mueller as Government botanist was one of the first white men to ascend to the plateau in 1853, collecting alpine specimens . Each of the names on this honor roll were significant cultural and society figures of Victorian/Edwardian Melbourne .Listed in Draft Inventory of Significant Items. Appendix A3. Framed Photographs, Pictures, etc. (Pg 165, Historica, 2011)Wooden plaque with black painted inscription, framed in black painted wood. Plaque is peaked at the top."BUFFALO FALLS HOTEL.... Historic list of prominent guests 1888-1919. Proprietor Jane R. Manfield. Lord Hopetoun. Lord & Lady Brassey. Lord Lamington. Baron Sir F. Von Mueller. Sir William Zeal. Judge Sir H. William & Lady William. David Syme & Mrs Syme. Percy Grainger. Sir John & Lady Monash. George Farlow A.D.C. Prepared by Geo. W. Sykes "Buffalo House'." -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Instrument, Bugal
Brass Bugal with no inscriptions or markings. Some dents and repaired areas. length of brass chain attached -
Wodonga & District Historical Society Inc
Plaque - Commemoration of the Opening of Liveweight Sales Wodonga Municipal Saleyards 1981
This plaque commemorates the official opening of the liveweight selling facilities at the Wodonga Municipal Saleyards, named the W. G. Page Saleyards, in 1980. Liveweight selling usually involves a curfew where cattle have to be at the saleyard by a specific time before the sale in order for them to be weighed prior to auction. Cattle that do not make the curfew time are sold on a $/head basis. The last sales at this facility took place in February 2015 before being replaced by the privately-run Barnawartha North's Northern Victoria Livestock Exchange. William George Page was Shire and City Engineer in Wodonga from 1965 until 1989. When he arrived the Shire of Wodonga had a population of 17,000 people. In 1966 Wodonga was selected as a city for special growth assistance. In 1972 Bill Page presented a new Town Plan to the Wodonga Council. Over the ensuing years he dedicated himself to bring this plan to fruition. He often had to argue and campaign with the Albury-Wodonga Corporation to push for the interests of development in Wodonga. This included winning a planning appeal to allow the saleyards to be relocated to Bandiana on the outskirts of Wodonga. Bill Page retired on health grounds in July 1989. The Council honoured him with a farewell dinner and renamed the saleyards at Bandiana the W.G. Page Saleyards in his honour.The Mayor , Cr Valentina Gillard, said "Every development in Wodonga in the past 24 years has a bit of Bill Page in it". William Page died 3 months later at 58 years old.A bronze forged metal plaque with detailed inscription. Bolts to fix plaque to the wall are still attached.RURAL CITY OF WODONGA / THIS PLAQUE/ COMMEMORATES THE OFFICIAL OPENING OF THE/ LIVEWEIGHT SELLING FACILITIES AT / THE WODONGA MUNICIPAL SALEYARDS /BY/THE HON. DIGBY CROZIER, M.L.C., / MINISTER FOR LOCAL GOVERNMENT/ ON WEDNESDAY, 4TH MARCH, 1981 CR. H. W, DRAPER, J.P. MAYOR R. I. O'TOOLE TOWN CLERK , CR. I. J. MACAULAY MARKETS CHAIRMAN W. G. PAGE CITY ENGINEERlivestock sales wodonga, liveweight cattle sales, municipal saleyards wondonga -
Woodend RSL
World War 1 Memorial Plaque, Royal Arsenal Woolich
The WW1 Memorial Plaque - also known as the Death Penny or Dead Mans Penny - was awarded to personnel killed as a result of war. The Plaque was designed by Edward Carter Preston, Liverpool, United Kingdom. Over 1.3 Million World War One Memorial Plaques were issued. Plaques were awarded to the next of kin of those killed in action and were accompanied by a memorial scroll from the King. They came to be known as the "Dead Man’s Penny", because of the similarity in appearance to the much smaller penny coin which itself had a diameter of only 1.215 inches (30.9 mm). This WW1 Memorial plaque was awarded in the memory of 3638 Edward James Thompson. He served as a Private in the 60th Australian Infantry Battalion and was killed in France on 19 July 1916. The Plaque was provided to his mother, Florence Thompson, on 26 September 1922.Circular bronze plaque. Relief and name of soldier KIA on front. No inscription or relief on obverse side.He Died For Freedom and Honour. Edward James Thompson. Relief containing Britannia holding a wreath, an imperial lion and two small dolphins. E.CR.P., appear above the front pawmemorial plaque, world war 1, dead man's penny, edward james thompson, edward carter preston -
Port Melbourne Historical & Preservation Society
Container - Bryant & May matchbox, Bryant & May, c.1940
Found in house in Princes Street, Port Melbourne.Small oblong metal matchbox. The hinged lid has the raised inscription Bryant & May, London. Bryant & May Londonbryant & may, matchbox -
Clunes Museum
Equipment - GLASS FLASK AND GLASS FUNNEL, SCHOTT & GEN. JENA
.1 GLASS FLASK .2 LARGE CLEAR GLASS THISTLE SHAPED FUNNEL WITH ETCHED INSCRIPTION.1 JENAER SUPRAX GLAS .2 SCHOTT & GEN. JENA 1584Lglassware, funnel, scientific laboratory equipment -
Tramway Heritage Centre
Photograph Album (part of), Ray Pearson's Photo Album - Trams of Victorian Railways, Ballarat, Bendigo, Geelong
Page 9 of Ray Pearson's Photo Album. Brown card page with two photographs (landscape format) placed on page using clear plastic photo corners. Both photographs depict trams around Bendigo. Hand written inscriptions are located beneath each photo. The brown paper has some minor damage to top and bottom right corners from what appears to be the removal of adhesive photo corners.Hand written inscription in biro - Between top and bottom photograph: GOLDEN SQUARE 4/3/72 At base of page: QUARRY HILL TERMINUS 4/3/72 -
Tennis Australia
Racquet, Circa 1932
A wooden racquet with an open throat, split by a steel threading shaft, with inscription: CRAVEN. PAT. The base of the head on both sides features the decal inscription: SHUR-TITE. The stem on the obverse features a decal logo, in gold, red and black, of a dog above a diamond device. Inscription within and below device: D & M/.../SPORTING GOODS/MADE IN/U.S.A. Logo also features on red butt cover, impressed in gold. Inscription along right side of stem: MADE BY THE DRAPER-MAYNARD COMPANY/PLYMOUTH, N.H. Materials: Wood, Glue, Lacquer, Metal, Ink, Gut, String, Leather, Clothtennis -
Tennis Australia
Racquet, Circa 1916
A wooden racquet with green cloth tape over parchment reinforcing, and a deep-grooved handle grip. The parchment reinforcing continues from the shoulders down the throat, creating the outline of a heart shape. Inscription across crown on obverse: SLAZENGERS'. Inscription across throat on obverse: BURKE/SLAZENGERS/PATENT/STRINGING. Inscription along right side of handle: SLAZENGERS' NEW YORK. Inscription along left side: ENGLISH MODEL. Butt cover features Slazenger hexagram trademark with motto. Materials: Wood, Gut, Metal, Glue, Lacquer, Ink, Cloth tape, Leather, Parchment, Stringtennis -
Tennis Australia
Racquet, Circa 1932
A concave, wooden racquet, with white cloth-taped shoulders, blue/white plastic whipping, blue stem wraps, and a medium-depth grooved handle. Inscription across the crown: SLAZENGERS. Decals across base of head and throat on obverse: SLAZENGERS/QUEENS. Inscription stamped along right side of handle: SLAZENGERS/LONDON. Inscription along left side: MADE IN ENGLAND. Decal trademark of racquet retailer, across throat on reverse, comprising of a dragon within a garter, with inscription: SPORTS LTD./LEICESTER. Materials: Wood, Gut, String, Cloth tape, Metal, Glue, Lacquer, Leather, Plastictennis -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Sample, Before 1878
On a piece of paper subsequently glued near one end of its curved upper face, this length of planed and polished hardwood timber bears the inscription: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. The timber is carefully worked with rich dark colouring and a uniformly moulded design, suggesting that it was part of a fitting or furnishing that was publicly visible and prominent. If the artefact is what it is declared to be, then it is possible that it formed part of the ship’s railings or companionway stairs. The LOCH ARD was a 1,693 ton, 3 masted barque, built on the Clyde in 1873. In an age of increasing competition for the emigrant passenger trade from steam-driven vessels, special attention was paid to her wooden furnishings and fittings. The Loch Line owners prided themselves on their attractive, distinctively painted, sailing ships. Below decks, where cargo and third class passengers were stowed, was made of iron. But everything above deck, and on show to the saloon and second class passengers, was carved and varnished timber. Captain Daish’s 1878 report for the ship’s underwriters notes “a quantity of general Cargo washed up in a confused mass” in the cove and “a number of Cases, Casks and Bales; also deals and boards floating about in some of the gorges” further west of the shipwreck. Contemporary newspaper accounts also reported a large quantity of cargo and timber washed ashore in the days following the LOCH ARD shipwreck, adding “but those were speedily removed by persons who came down from Port Campbell, Scott’s Creek and other places with carts and pack horses”. The appearance and good condition of this wood artefact, and the aged patina and dated hand-writing style of its pasted on inscription, support the suggestion that it was ‘souvenired’ from the floating debris of the LOCH ARD at or near the 1878 date of its foundering off Mutton Bird Island. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Loch Ard wreck is of state significance – Victorian Heritage Register S417. However there is a lack of documented provenance that limits the interpretive value of this piece of timber (for example, its potential to interpret nineteenth century souveniring and scavenging from shipwrecks along the south west coast of Victoria). Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A length of hardwood timber, planed and varnished to smooth finish on three sides, with two unfinished tongues protruding from each end (one broken off), possibly from the wreck of the LOCH ARD. The front or upper face is moulded and routed to a regular, linear (skirting board type) design along its entire length, the two sides flat planed. One side contains two inserted dowel rods that have been broken off. The bottom face has not been finished to the same standard. The sample is good quality wood that has retained its density and weight and shows no evidence of having been submerged in seawater for any length of time. Glued on to the upper face of the length of timber near the right hand end is a deteriorated square of paper bearing an inscription. The paper, peeling back and with torn edges, is stuck over an original wood stain but under a subsequent layer of varnish. The faded ink words are indecipherable where paper is missing, but written carefully in an old fashioned cursive script.The inscription on the paper reads: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, nineteenth-century souveniring, shipwreck scavenging, loch line sailing ships, wood sample -
Whitehorse Historical Society Inc.
Book, 1900's
An example of an earlier style Children's book presented to a Sunday School boy aged 8 in 1902. Children's books of that time were often full of moral teaching for the young. George Benjamin Anstey (Uncle of Joyce Suto) was lost in W.W.1Book - Novel - 'Bel's Baby' x Mary E Ropes.Faded blue linen (cloth) covering. Inscription on front piece. Cover & spine need repairing. 96 pages. Inscription in front of book explaining who 'George Benjamin Anstey' was, as noted on History.Rogret Sunday School|George Anstey from Archdeacon & Mrs Bruce|Christmas 1902books, children's, novels -
Tennis Australia
Racquet, Circa 1929
An open throat, wooden racquet. Inscription, across base of head of obverse: BLUE PHANTOM. Inscription across base of head on reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Guttennis -
Surrey Hills Historical Society Collection
Photograph, David Miller Mair's extended family
David Miller (Dave) Mair's (1879-1938) extended family - Grannie would be his mother Isabel / Isabella Brown (1856-1944); Grandpa would be William Mair (1850-1924); Uncle Will Mair would be his brother William (1877-1948); Minnie Mair would be William Mair's wife Agnes Minnie Morice (1875-1910); Rita Mair is their daughter Rita Florence Mair (1908 - ?); Don Mair is their son Donald Douglas Mair (1910-1984); Auntie Elsie is Dave Mair's sister Elsie Brown Mair (1886-1954); Uncle Lloyd is Elsie's husband Lloyd Mortimer (1893-1950 TBC). Elsie married Lloyd Mortimer on 7 December 1917 at Rippon Lea. At the time her parents were living at 'Roslyn', 283 Hotham Street, Rippon Lea. This is also the address for Elsie and Lloyd in the electoral rolls 2 years later. The writing is identified as being that of Beryl Mair on the basis of her inscriptions in her and her daughter Laurie Young's autograph books. A sepia photo mounted on grey paper of a well-dressed family in and beside a car. The group is comprised of 3 men, 3 women and 3 children. The road is not sealed; in the background are 2 single storey terrace houses with bull-nose verandas which are set behind a picket fence. The paper mount is well-worn and discoloured around the edges.On rear: "Grannie Grandpa / Uncle Will Mair / Minnie Mair / Rita " / Don " / Auntie Elsie / Dave Mair's sister / Uncle Lloyd / Mortimer" On the basis of inscriptions in family autograph books, the first and third inscriptions look to have been written by Beryl Mair.isabel brown, isabella brown, isabel mair, isabella mair, william mair, minnie mair, agnes minnie morice, rita mair, rita florence mair, don mair, donald douglas mair, elsie brown mair, lloyd mortimer, elsie mortimer -
Tennis Australia
Racquet, Circa 1912
A transitional flat-top, wooden racquet with a laminated convex throat. Decal inscription of model type around crown on obverse: TRIUMPH. Decal of company trademark features on throat on obverse. Within a football device is the inscription: TRADE MARK/SCHMELZER'S/KANSAS CITY/SPORTING GOODS. Stamped inscription along right side of stem: THE/SCHMELZER COMPANY. Materials: Wood, Gut, Metal, Ink, Glue, Lacquer, String, Leathertennis -
Tennis Australia
Racquet, Circa 1935, 11 Sep 1935
A wooden racquet, with twine stringing. Decal image of a cup trophy features on the lower throat on both sides. Inscription across throat on obverse: WILSON/HENRI COCHET/MODEL. Inscription across throat on reverse: INTERNATIONAL CUP. Hand written inscription in biro, along handle on obverse: T.R. BAINBRIDGE/SAVANNAH, GA./9-11-35. Materials: Wood, Twine, Metal, Ink, Lacquer, Glue, Cloth, Leathertennis -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Cape Schank [Schanck], Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings -
Creswick Campus Historical Collection - University of Melbourne
Book, 1891
The Book has an inscription - to a library from the author 1891Book -
Flagstaff Hill Maritime Museum and Village
Book - Correspondence Book, Arnall & Jackson, General Printers, Stationers and Engravers, Late 19th to 20th centuries
Arnall & Jackson has operated from various addresses in Melbourne. The company is famous for its printed Municipal Directories from at least 1879 until 1976.This correspondence book is an example of stationery available in Melbourne in the 1870s for use by business and commerce. The company, Arnall & Jackson, was a well-known source of Municipal Directories over decades, and are used today as sources of historical information.Correspondence book with purple cover. Pages are feint-lined and are numbered from 27 to 245, with copy sheets between each page. Inscriptions are on an oval label on the inside front cover but the book has no further inscriptions or records. The book was printed by Arnall & Jackson of Melbourne.Label: "Arnall & Jackson, / General / PRINTERS, / STATIONERS & Engravers / 42 & 44 Collins St. West."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, correspondence book, arnall & jackson, melbourne stationers, melbourne printers, late 19th century, stationery, business stationery -
Tennis Australia
Racquet, Circa 1897
A wooden tennis racquet with solid, convex throat, and a fine-grooved handle. Impressed inscription across throat on obverse: SPECIAL. Impressed inscription on reverse: KUSTER/PERRY + CO NACHF/FRANKFURT*A*M. Materials: Wood, Glue, Lacquer, Metal, Leather, Ink, Guttennis -
Kew Historical Society Inc
Photograph, Sandhill Forge, Cotham Road, c.1900
While a later inscription suggests that the photo dates from 1908, by that stage, according to the Sands & McDougall Directories, the forge on the corner of Cotham and Mont Victor Roads had been taken over by H. Wright. F.G.A. Barnard in his Jubilee History of Kew (1910) records that the well known Sandhill Nursery, had been established by William Holt early in the 1850s. Presumably this was an earlier business as by 1888 it is recorded that the business had become a forge. The forge stood on what is now part of the grounds of Genazzano Convent. A rare photograph of a pioneering industrial business in Kew on the site now occupied by Genazzano Convent.The photo shows W. Holt, Wheelwright, Veterinary and General - Blacksmith, Cotham Road, Kew. Inscription front: "Uncle Will Holt, Cotham Road, Kew, opp Normanby Av [sic] 1908 [sic]"; Reverse: "KHS February 1990. Gift of Mr Panther - Manager Westpac Bank, Kew. Given to Kew Historical Soc."sandhill forge, genazzano convent (kew), cotham road (kew), william holt -
Flagstaff Hill Maritime Museum and Village
Clothing - Boots, Tony Lama, Early 20th century
The inscription "T L" on these early 20th century ladies button-up boots lead to the maker likely to be Tony Lama, a famous USA boot manufacturer, son of Italian immigrants. The "Rome" is the style of boot. The "6" is likely to be the soot size. Tony Lama began work at age 11 years in the leather trade industry, serving an apprenticeship as a shoemaker. He joined the US Cavalry when he was 16, after lying about his age, working as a cobbler to make boots for the soldiers. His workmanship became popular, particularly for the 'Western' style of boot. TONY LAMA boots In 1911 Lama established a company in Texas, first repairing boots, then adapting his shop to manufacture boots in order to meet the many orders he was receiving. He married and he and his wife Esther brought up six children who also went on to work in the family business. The business continued to grow through WWII. Part of the business included custom boot making and Tony's eldest son Joseph presented President Truman with a pair of kangaroo skin boots. The prosperous business became a company and eventually, in 1990, was sold to Justin Industries.This pair of boots is an example of women's footwear dating around the early 20th century. Pair of ladies leather button-up boots. Two-tone style: black bottom strong leather bottom and white, soft kid leather top. Boots have a curved fly fastened by 11 white buttons with metal shanks. Boots are constructed with cork filling. Inscriptions of both boots. "6 101" "TL" " Rome" "Cork Filled"flagstaff hill, warrnambool, maritime-museum, shipwreck-coast, flagstaff hill maritime museum & village, ladies button up boots, footwear, victorian era, granny boots, tony lama, ladie's boots, ladies' fashion, women's clothing, rome, kid leather, two-tone boots, leather boots, button-up boots