Object. Masonic apron of white kid leather & silk with royal blue & burgundy border in geometric design, hung with gold plated emblems, chains & balls. Waistband has brass clasp in shape of 2 snakes. Matching sash with fringed ends.societies, freemasons, regalia, f. g. jones collection, masonic regalia, masonic apron & sash

Textiles. Tri-fold black leather storage case for handkerchiefs and gloves. Silver suitcase fasteners on front. Lined with dark green silk fabric. One pocket labelled gloves (Gold lettering) and two pockets labelled Handkerchiefs (gold lettering).Gold lettering on front edge under flap, ''W. DUNKLING Bourke street Melbourne. Made in England''.textiles, domestic, handkerchief and glove case.

Elaborate Silk like Fabric Year Memorabilia with a female figure in green dress with mustard coloured hat in middle:Months of the Year listed either side. Water scene in background. Words in three languages saying "Happy New Year" in red writing.Vietnam So K.D.1196 B.T.T Neay 11-9-70 in green print ; bottom right hand sidememorabilias

Pink silk banner with text printed in blue ink. Hand painted picture in the lower left corner showing a moonlit seascape with three boats, life bouy and anchor. Gold metallic fringe on zigzag lower edge. Pink cotton backing."VICTORIA AND TASMANIA WESLEYAN METHODIST SUNDAY SCHOOL UNION Scholars' Examination District Trophy Ballarat & Geelong District. SCHOOLS UNDER 200 AVERAGE ATTENDANCE. Won by BROWN HILL, MAY, 1896, BROWN HILL, OCTOBER, 1896, BROWN HILL, MAY, 1897, BROWN HILL, OCT., 1897. Superintendent: MR. EDWIN HAYWOOD 1896 -1897."brown hill wesleyan methodist sunday school, edwin haywood sunday school superintendent

Donated to Donor by an elderly friend who had been given the items. Donor has had them for 20 years.Beige Shawl. Size 20cm x 80cm. Shantung silk. Triangular shawl with fern pattern. Self embroidery around edge, plus a 12cm fringe also around the outer edge on centre front edge at top and centre lower edge.costume accessories, female

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Golda Whelan, a designer with Hartnell of Melbourne designed this wedding dress for her daughter Liane Whelan. Liane married John Merry at St John's Anglican Church in Toorak in 1969.The dress was manufactured in the 'house' of Hartnell of Melbourne, a leading Melbourne Fashion House in the 1950s and the 1960s.White slim line lace wedding dress, featuring eleven self-covered buttons down centre back Off centre rear opening done up by metal press studs. The dress has a silk satin lining and netting underskirt.hartnell of melbourne, golda whelan, wedding dresses, lace dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Full-length bridal gown, circa 1947, covered entirely with cream coloured lace. The gown has a cream silk lining. The dress is in poor condition due to the lace which is extensively torn/rotted on the bodice. There are a few tears in the lace of the skirt.costumes, wedding dresses, lace, fashion -- 1940s, fashion design

This hand embroidered fire screen was embroidered by Winifred Caroline Henty Hindson (1887–1967), Elsie May Eliza Hindson (1880–1968) and Louisa (Louie) Charlotte Frances Hindson (1885–1963) three of the daughters of Alice Henty and John Hindson. Their grandfather, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century. Multicoloured silk embroidered floral composition on a black fabric background created by Louisa, Elsie and Winifred Hindson. The embroidery is held behind glass and is protected by blackened wood at the back. The screen is suspended in an ebonized and gilded frame with two rows of spindle decoration. fire screens, women's work, embroidery - 20th century, elsie hindson, louisa hindson, winifred hindson

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 'dance frock' by Park Avenue Gowns is one of a number of garments in the collection by this designer.Metallic thread silk cocktail dress and wrap by Park Avenue Gowns, 1960. Virtually identical dresses by the designer were featured in the Australian Women's Weekly in 1960, described as 'dance frocks', to which the wide flairing skirt would be well suited.Label : "Park Avenue Gowns"women's clothing, cocktail dresses, dance frocks, australian fashion - 1960s, fashion designers - melbourne (vic) - park avenue gowns

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This Suit Jacket was tailored from fabric designed by Nino while he was working at the Foster Valley Mill. Nino developed a Mastercard such as w8043, which was sent to a mill in order to produce bolts of the desired fabrics w8044. These fabrics were then given to tailors where the final product was produced, such as this Suit Jacket.Single breasted suit jack with two buttons and notched lapel. Jacket is predominantly grey with black buttons and a silver silk interior lining. Four darker grey vertical and horizontal lines make up the design of the fabric on the exterior of the suit jacket. suit jacket, weaved, tailored

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with soft pink edge in blanket stitch Embroidered with cluster of flowers and leaves in each corner with embroidered mauve butterfly. Smaller embroidered flowers above each butterfly. All done in colours of pink mauve, green and cream.warrnambool, embroidered hankerchief, ww1 embroidered hankerchief, redman hankerchief ww1

Silk banner of Wesley Church with picture of John Wesley in centre. Print of City Road Chapel. London lower right side, Wesleyan Institution pictured on the lower left side. John Wesley is surrounded by two ships and portraits of other supporters.religion, christian

Hat belonged to Leslie Ricketson mother.Handmade wreath like hat of varying shades of blue rayon silk, voile and nylon flowers overlapping and mounted on a stiff plastic net frame. The whole is covered in a fine velvet spotted net veiling. No makers label appears. Hand stitched.costume, female headwear, trades, millinery

Black silk-satin machine stitched dress. Dropped waist with bans 3.5 cm wide across front. Pleat from neckline to dropped waist, 2.5 cm wide and fastened down by four groupings of two one cm diameter buttons, mauve in colour. Four rows of narrow pin tucks each side of centre front and one tuck one cm wide on outer side of pintucks. Six press stud fasteners concealed under left hand tuck. Fold down collar, with two silk embroidered flowers appliquéd at collar fronts. Three quarter length sleeves slit at lower edge, and trimmed with two mauve buttons and two silk flowers appliquéd at each lower edge. Four knife pleats at each side of front skirt/ Back straight through from shoulders.garments from the Executors of the late Frieda Kahland 11400.122,11400.364, 11400.365, 11400.366.. Donated by A.L.Lienhop of Harcourt.costume, female, black silk-satin dress

Long skirt, with train in gold silk faille fabric. Fully lined. Stiffened ''cheesecloth'' type of fabric. Apart from the cream 3.5 cm wide petersham band at the waistline, the skirt is completely hand stitched. This band is possibly a later addition, as the waistline is badly damaged, but does show remnants of silk fabric as used in the lower skirt. Skirt front is plain, with one knife pleat on either side. Back of skirt is tightly pleated, with both knife, and one double box pleats. Skirt back extends into a train. A 28 cm deep frill around the hemline of contrasting, but same tone of fabric - part lighter, with a woven stripe (14 cm deep) a 1.2 cm darker with woven stripe, a 10.5 cm section with a geometric woven pattern, and a 2.5 cm striped section. This band of different tones, is lined with darker gold silk. A 31 cm long overlapped placket at left side seam.costume, female, victorian skirt with gold silk faille

Alice Henty (1852-1932) was the third daughter of Francis and Mary Ann Henty. her father was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living with his wife following his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice Henty’s wedding dress, made in 1876 for her marriage to John Hindson was remodelled in 1943 for the wedding of her granddaughter, Alice Henty Hindson to Norman Lithgow Tait at Holy Trinity, Kew. It was worn again by Margaret Henty Hindson (1918-2000) at her marriage to Dougald Webster Matheson at St Paul's Church, Henty in 1944. The two piece dress has a low décolletage shaped with a collar from which two curved panels drop. The fastenings for the bodice are buttons covered with the same fabric. The bodice is completed with two full length sleeves. The full skirt is slightly flattened at the front with a long train. In contrast, the ivory silk, silk faille and satin bodice with long tails remained unaltered. The front closure of the jacket has handmade embroidered buttonholes and covered buttons. The pleated collar and sleeves are decorated with gathered silk tulle. The jacket features long tails. alice frances (henty) hindson, women's clothing, wedding dresses, margaret henty hindson

Clothing. Light cream in colour. Fine possibly silk tulle, tightly gathered at the front. Measuring 255 cms long, the veil is edged with a very fine silk binding. A shorter 78 cm long layer also tightly gathered, sits over the top. A third layer also 78 cm long is separated from the lower tiers. This Would possibly be the layer that came forward over the bride's face. It may later have been removed. It is also bound in fine satin binding, and has rounded front edges, as do the other two layers.costume accessories, female, long tulle three tier wedding veil

Clothing. Fine cream silk in a 8 pointed star shape, in the centre of the handkerchief - 15 cm diameter. Fine silk lace, 10 cm deep, surrounds this centrepiece. Adjoining the star shape is a one cm wide border, surrounded by 1.5 cm flowers, identical to those in the matching collar(11414.26). A Maltese Cross design in each corner brings the piece to a square shape. This joins fine lace in a flower and leaf design, with the Maltese Cross design in each corner, and at centre of each side. Fan-shaped edging surrounds the handkerchief, and a repeat of the needle - woven flowers as in 11414.26.costume accessories, female, silk handkerchief

Three panels-one either side of front opening, and one rounded panel from side fronts, and across back. Two triangular panels - 10 cm X 4 cm at front lower edge of back circular panel. Front panels are longer than sides of back panels. All front and lower edges are finished with a 5 cm long, silver coloured, silk fringe. A 1.5 cm wide band of striped silk binds the neckline, nut is in very poor condition. Back panel of cape is gathered by hand, extending from front panel seams.costume, female, gold silk victorian bodice

This booklet was the first of a series of scientific and historical studies of Gippsland to be published by the Bairnsdale Advertiser. The author, Eric Charles Frederick Bird was Principal Fellow, Department of Geography, University of Melbourne, Australia. The Mitchell River silt jetties are an unusually long, thin landform located in the Gippsland Lakes region. They have been formed over millions of years by sediment deposition from the Mitchell River during periods of low water flow and subsequent wash-through during periods of high water flow. The long narrow banks of silt extend more than eight kilometres east into Lake King. This item is a useful reference for the silt jetties of the Mitchell River.A 32 pp book with alight green cover. The title is in black print, " The Silk Jetties of the Mitchell River" and underneath the title there is a b/w photograph of the Mitchell River and silt jetties taken from above in 1931. It was written by E. C. F. Bird.silt-jetties mitchell-river paynesville bird-e.c.f.

Mauve silk organza fabric containing fragrant lavender seeds, tied into a circular ball with a 5cm pale green satin ribbon tied in a bow.4cm frill at the top of the ball. Used at marriage of Barbara Johnson to her first husband Ian Bulte.costume accessories, clothing accessories, lavender bag for wedding

Cardboard box which originally contained Glycerine tooth paste labelled, The Mikado extrait concentre Gelle Freres Parfumeurs Chimistes 6 Avenue de L'Opera Paris No 1396 with Japanese figure on front, now contains assorted paper & silk flowers.personal effects, containers, dental

Anne Bronsdon collection neckerchief -one of two which were the property of Anne Bronsdon's grandfather Jan du Marchie Sarvaas who died at Emu Creek in 1877. Red silk neckerchief with red ,gold and purple borders .Some stains and holescostume accessories, clothes accessories

Rev. James Harcourt (1866-1938) was the son of Rev John Harcourt. He was the first student of Queen's College to graduate at the University of Melbourne. He was a chaplain of Wesley College and a tutor at Queens College for six years. In 1909 he became Minister of Glendearg Grove Church in Malvern. Brown leather and gilt the inside is lined with watered silk on the left and a richly illuminated text on the right. The top has images of two churches and the borders are decorated with blue, yellow and red flowers. It is signed on behalf of the Malvern Circuit - Glendearg Grove and East Malvern.rev james richmond harcourt 1866 - 1938, malvern circuit - glendearg grove and east malvern

Presented to the Major The Honorable F. T. Sargood together with the V.R.A. Challenge Cup on 8 December 1876. The cup was competed for by all the volunteer corps in Victoria. The following extract is from The Argus (Melb), Sat 9 Dec 1876, page 9 https://trove.nla.gov.au/newspaper/article/5912315 The second quarterly official inspection of the St Kilda Battery was held last night by Colonel Anderson. The gun drill was held in the orderly-room, and afterwards the corps was put through field movements in the drill around. At the termination of the inspection Colonel Anderson expressed his satisfaction at the manner in which the drill had been performed. Colonel Anderson then presented Major Sargood with the Victorian Rifle Association Challenge Cap, which had been won by the St. Kilda Battery three times. The cup has been competed for the last 12 years, and in that time the cost of the ammunition used in the contest and markers' fees amounted to about £3.000. The value of the cup is 20 guineas. An address to Major Sargood was then read by Captain Hearn. On receiving the cup Major Sargood said that he was afraid from the state of his health he would either have to retire from command of the battery, or obtain a long leave of absence. He said that six years ago he bad been presented with a sword which he wore that evening, and he was glad to see that there was no diminution of the goodwill then expressed towards him. Red leather folder lined with ecru coloured watered silk containing a illuminated copy of the address on the presentation of the V.R.A. Challenge Cup to Major The Honorable F. T. Sargood. The cover has a gilt decorated embossing around its border and gilt text.On front: "ADDRESS TO MAJOR THE HON. F. T. SARGOOD." "ST KILDA BATTERY" "R.V.V.A."rippon lea, sargood, frederick thomas, sir

Hat belonged to leslie Ricketson's Mother.Shallow cloche hat in deep salmon pink velvet decorated with overlapping leaves in the same fabric interspersed with toning shantung shot silk leaves in a similar colour. Leaf points designed to cluster around rim. lined with beige rayon. Hand stitchedcostume, female headwear, trades, millinery

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long navy blue crepe fitted dress featuring long narrow sleeves. The round-necked bodice includes buttons at the neck bordered by navy blue silk embroidery. The dress has a deep pocket in the same fabric at the right front beneath the waist.edith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, dresses