Showing 1849 items
matching wooden frame
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Bendigo Historical Society Inc.
Photograph - SHOWGROUNDS PHOTO, 1910
... attire, mounted on cream cardboard under glass with a gold wooden... with a gold wooden frame, markings read 'WH Robinson photo Bendigo ...Black and white photograph of large gathering of people on Bendigo showgrounds with Cohns building in the background, as well as mounted police, men & women seated & standing dressed in formal attire, mounted on cream cardboard under glass with a gold wooden frame, markings read 'WH Robinson photo Bendigo', 'Magnus Cohn'WH Robinson Bendigoperson, group, adults, bendigo showgrounds, magnus cohn, wh robinson -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, C1914-1919
... Photograph- is in an old wooden frame. The photo show three... wooden frame. The photo show three Aust soldiers, two standing ...Refers to the service of G.F. Pierce DCM number 2839 Cat No 1891PPhotograph- is in an old wooden frame. The photo show three Aust soldiers, two standing, one sitting. Uniform- slough hats, shiny boots. The photo is surrounded with a red, white and blue ribbon, then surrounded with a sort of red ensign. The frame is wooden with a mixture of black paint and gold. The rear has two screw eyes and a small piece of brass wire. PIERCE. G. F. Is first on left.ww1, australian soldiers -
Flagstaff Hill Maritime Museum and Village
Document - Commemorative, The Victorian Missions to Seamen, St Nicholas Seamen's Church Williamstown, circa 1944
... in Williamstown, Victoria. The document is mounted in a decorative wooden..., Victoria. The document is mounted in a decorative wooden frame ...This framed document titled "The Victorian Missions to Seamen, St Nicholas Seamen's Church Williamstown" shows a list of donors of significant items to the St Nicholas Missions to Seamen's Church in Williamstown when the new building opened in 1944. The organisation ceased in 1966 and the furnishings were later donated to Flagstaff Hill Maritime Village in Warrnambool by the Missions to Seamen Victoria. The transcription of the document is as follows: The Victoria Missions to Seamen, St Nicholas Seamen's Church, Williamstown To the Glory of God List of Gifts Altar - Mrs. and Miss J.R. Schutt Cross - Mrs. R.J. Ewart Chalice and Paten - Mr. and Mrs. Percy Taylor 1 Pair Altar Lights - Mrs. R.J. Ewart 1 Pair Altar Lights - Mrs. M. Jackson Sanctuary Lamp - Miss C. Roberts Rerebos - Miss. M. Breaks, in memoriam Miss. L.A. Breaks Sanctuary Window - Victoria Missions to Seamen Lightkeepers' Auxiliary Missal - Mrs. R.J. Ewart Missal Desk - Mrs. R. Hodgkiss Altar Vases - Mrs. R. Kaybould Bible - Mrs. R.J. Ewart Sanctuary Chairs - Mr. and Mrs. F.H. Twist Credence Table - Mrs. F. Clark Altar Dish – Mrs L. Clark Font - Mr. and Mrs. C.V. Dyble Prayer Desk - H.M.H.S. "Centaur" Reed Organ - "Joy Club for Fighters" Collection Plates - Mr. D. MacKae Hymn Board - St. David's Musical Society, Brighton Pews, Carpet and Hangings - Williamstown Lightkeepers' Auxiliary Bell - Mrs. A.L. Feenes THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This document is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The document is socially significant as it connects the community of Williamstown with the St Nicholas' Missions to Seamen and represents the importance of the church to the community. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson's Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Document titled "The Victorian Missions to Seamen, St Nicholas Seamen's Church Williamstown". The document is a list of gifts originally given to the St Nicholas Seaman's Church in Williamstown, Victoria. The document is mounted in a decorative wooden frame with glass cover. This is one of the original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, framed document, donations to st nicholas seamen's church williamstown, 139 nelson place williamstown, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, mission to seafarers, st nicholas seaman’s church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, flying angel club, mrs. and miss j.r. schutt, mrs. r.j. ewart, mr. and mrs. percy taylor, mrs. m. jackson, miss c. roberts, miss. l.a. breaks, miss. m. breaks, victoria missions to seamen lightkeepers' auxiliary, mrs. r. hodgkiss, mrs. r. kaybould, mr. and mrs. f.h. twist, mrs. f. clark, mrs l. clark, mr. and mrs. c.v. dyble, h.m.h.s. "centaur", "joy club for fighters", mr. d. mackae, williamstown lightkeepers' auxiliary, mrs. a.l. feenes, st. david's musical society brighton -
Kiewa Valley Historical Society
22KV Transformer Summation - S.E.C.V
... Black box with black painted wooden frame top and bottom... Transformer Summation - S.E.C.V. Black box with black painted wooden ...This meter belonged to the State Electricity Commission of Victoria. This meter measured the power used by all the houses in Mount Beauty and provided an inked one month period chart. This information was used to quantify and pay for the power consumption to the Transmission and Generating Department from the Distribution Department which then went on to bill local consumers.The State Electricity Commission of Victoria constructed the Kiewa Hydro Electric Scheme from the late 1930's to the 1960's. The construction towns of Bogong and Mt Beauty used electricity which was measured by this meter resulting in billing customers for the power they used.Black box with black painted wooden frame top and bottom screwed on holding clear glass at the front so that the instruments can be seen. A metal cylinder is at the bottom of the instruments with a connecting rod to the 7 digit meter in the middle of the instrument panel. In the middle of each end of the front of the box are 2 screws with knobs wound on. 22KV. BK. summation Chart 0-1 x 100,000state electricity commission of victoria. meter. transformer summation. kiewa hydro scheme. mt beauty. power. electricity. -
Warrnambool and District Historical Society Inc.
clothing - Apron in Frame, Irene Broughton, 1915
... Australian native flowers. The apron is in a wooden frame... Australian native flowers. The apron is in a wooden frame ...This apron was made in 1915 by Irene Broughton, nee Long. She was born in Warrnambool in 1894 and married Arthur Broughton in 1913. She re married in 1924 Reuben Donnithorne and he died in 1931. Irene died in 1982 and is buried in the Warrnambool cemetery. The apron was left to Irene's niece, Helen Thomson who had the apron framed to preserve it. The apron would not have been in everyday use but a special garment worn when entertaining visitors for afternoon tea.This apron is a fine example of a home made house hold article from the early 20th century. The maker was born in Warrnambool.The apron is made of fine black cotton and edged with a broad lace flounce featuring a flower pattern. It is decorated with two sprays of delicately hand-painted motifs featuring Australian native flowers. The apron is in a wooden frame with a silver metal edging with scrolls on the front edge. The glass is clear and the mount is buff coloured card.vintage accessory, irene broughton warrnambool -
Anglesea and District Historical Society
Wash Board, Estimated 20th century
... Rectangular wooden frame with glass ribbed insert used... Anglesea great-ocean-road Wash Board Rectangular wooden frame ...Rectangular wooden frame with glass ribbed insert used to hand wash clothes (pre electric washing machines). Early wash boards were made of wood, then replaced by metal (19th century)O. In the 20th century galvanised steel was most common. Some modern boards were made of glass as this one is.Nonelaundry, washboard -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Australian Birds
... is on the horizon. Painted on board with a brown wooden frame.... with a brown wooden frame. The painting belonged to the Wied family who ...The painting belonged to the Wied family who were in Camp 3 Tatura. Artist unknownThree budgerigars, one blue, one yellow, one green sit on a thin branch of a tree with a Major Mitchell Cockatoo to the right of the picture. Another bird is in the air attempting to land on the branch. The sky is blue and the landscape is yellow with a tinge of green. A blue mountain range is on the horizon. Painted on board with a brown wooden frame.major mitchell cockatoo, australian birds, budgerigars, australian landscape -
Wangaratta RSL Sub Branch
Memorabilia - Framed Photograph, Private Cyril Buckler, c1916
... Wooden frame with gold insert, wooden mount. Coloured... Buckler Wooden frame with gold insert, wooden mount. Coloured ...Studio portrait of 5347 Private Cyril Buckler, 14th Battalion, presented in his memory as a past student, by his parents to North Wangaratta State School. Cyril was a postman from Wangaratta Victoria, prior to enlistment on 16 February 1916. He embarked from Melbourne aboard HMAT Euripides on 4 April 1916 for Egypt. His unit relocated to the Western Front, France, in June 1916. Private Buckler was killed in action near Pozieres, France, on 7 August 1916. He has no known grave and is commemorated on the Villers-Bretonneux Memorial. This image of Cyril Buckler in uniform with the rank of Sergeant was probably taken while he was serving in the Senior Cadets or Citizen Forces prior to enlistment in the AIF Framed photograph presented to North Wangaratta State School in memory of a past student killed in action at Pozieres, France on 7 Aug 1916 during the First World War. North Wangaratta State School 2391 opened in May 1881 and closed on October 26 1969. Today a plaque commemorates the old site in Eldorado Road North Wangaratta.Wooden frame with gold insert, wooden mount. Coloured paper Union Jack on top left of mounting, Red Ensign on top right of mounting. Inscriptions in white paint. Glass front. Back has wire hangings. Has paper backing has stitching on three sides, some paper backing is ripped.For King and Country. Presented to North Wangaratta State School No 2391 by Mr & Mrs W. Buckler in memory of their son Sgt Cyril Buckler who was killed in action at Pozieres France 7 Aug 1916 world war 1, france, pozieres, north wangaratta state school, cyril buckler -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Post 1950
... Brown wooden framed black & white photo on white background... goldfields PHOTOGRAPH, FRAMED Photograph Brown wooden framed black ...The soldier on the left of the phot is Ken Buchanan.Brown wooden framed black & white photo on white background. Glass front, fawn plywood backing. Photo of six members of 38th Battalion colour party in battledress uniform, rifles with fixed bayonets. Photo taken in front of The Northern Victorian Regiment Headquarters. 38th Battalion emblem on top of headquarters sign.In biro on backing: On Loan - “K D Buchanan” In texta on backing: “Trust No 23”passchendaele barracks trust, photography, 38th -
Bendigo Military Museum
Map - MAP, NEW GUINEA FRAMED, 1941 onwards
... & brown wooden frame, glass front & white cardboard backing... in tan. Mounted with green border & brown wooden frame, glass ...Map of Western section of New Guinea. Black print on white background with mountain ridges in tan. Mounted with green border & brown wooden frame, glass front & white cardboard backing with wire hanging strap on back. Inset LHS bottom: A: Aroe Island B: KIA Island C: Taniimba IslandPrinted in black at top centre: “NEW GUINEA WESTERN’ Printed on border under map: “These escape maps were carried in the zip pockets of life jackets by fighter pilots in WW2. This map was presented to A.S.R. on the 12/7/79 by Councillor Ian McKenzie, Mayor of Eaglehawk, who served as a fighter pilot in 78th SQN in S.W. Pacific area during 1943-44.”map, new guinea, western, raaf -
Glenelg Shire Council Cultural Collection
Print, John Neeson, Fire in the Forest, 1973
... and embers. Mounted in grey matt. In grey wooden frame with glass.... and embers. Mounted in grey matt. In grey wooden frame with glass ...John Neeson is a Postwar & Contemporary painter who was born in 1948. Numerous key galleries and museums such as Hill Smith Gallery have featured John Neeson's work in the past.Abstract composition in two panels. Left panel shows areas of three shades of grey. Right panel shows areas of grey, red and yellow. The centre image connects both panels with a triangular shape with red patterning, giving an appearance of flame and embers. Mounted in grey matt. In grey wooden frame with glass.Front: 1/25 (lower left) 73 (centre) John Neeson (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Greenmont from rear, c. 1955
... and right. Framed in wooden frame.... left and right. Framed in wooden frame. Front: Travis Webber ...Portland Town Council (?)Painting of a bluestone building with a shingle roof. In foreground right is a wooden fence. A carriageway cuts through centre of building, and above this is a window filled in with corrugated iron. The right side of building has large cracks. A tree is growing against the building in image centre, and bushes at image left and right. Framed in wooden frame.Front: Travis Webber (brown paint, lower left) Back: Geelong Picture Framers, 211 Moorabool Street, Gelong. Ph: 97805 (blue ink stamp, lower centre).oil painting, greenmont, portland town council -
Glenelg Shire Council Cultural Collection
Print - Print - Nullarbor 1-1-83, Mary Macqueen, 1983
... shadows. Mounted in grey matt, in wooden frame.... shadows. Mounted in grey matt, in wooden frame. Front: Nullarbor ...Print Council of Australia Members' Print Commission, 1983Abstracted views of two houses in the desert. A central road intersects image at a vertical diagonal. Faint outlines of houses and a watertower are scattered throughout the image. A railway crossing sign is positioned lower centre, at beginning of road. Dominant colour is rose, with blue accents and grey shadows. Mounted in grey matt, in wooden frame.Front: Nullarbor (lower left of image) (ink) 35/100 (lower left) Nullarbor 1-1-83 (lower centre) Mary Macqueen 83 (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Councillor Hill, 1926-1929
... veneer matt in a wide wooden frame, under glass.... veneer matt in a wide wooden frame, under glass. Front: Cr Hill ...Displayed in History House. Borough of Portland (1864-1949)Large black and white photograph of a man with receding grey hair and a neat rounded white beard and moustache. He is wearing a three-piece suit with a dark tie and white shirt, and holding folded white paper in his left hand. Mounted in a wood veneer matt in a wide wooden frame, under glass.Front: Cr Hill/August 1920-1932/Mayor 1926-27, 1928-29 (engraved on plawue, lower centre frame)civic photography, portrait, councillor, city of portland -
Glenelg Shire Council Cultural Collection
Painting, Ludmilla Meilerts, Still Life, 1970
... . Brown wooden frame..... Brown wooden frame. Front: L Meilerts 70 (lower right, black ...None.Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint) -
Bendigo Military Museum
Photograph - PHOTOGRAPH RAAF, FRAMED, C. WW2
... wings badge on L side of jacket. In a green / gold wooden frame... of jacket. In a green / gold wooden frame with glass front. Fawn ...William Ellis NEWTON VC enlisted in the RAAF no 250748 on 5.2.1940 age 20 years 8 months. Serving with No 22Sqd RAAF flying Boston Bombers he arrived in New Guinea in May 1942. Along the way he was promoted to Pilot Officer, Flying Officer and then Flight Lieutenant. On the 18.3 1943 during a low level attack on Japanese positions around Salamaua he hit his target but his plane was hit several times by flack and burst into flames but he landed it in the sea. Sgt B.G Eastwood No 13055 a crew member went down with the aircraft. Newton and Flt Sgt J Lyon No 401706 swam to shore but were captured by the Japanese. Newton was taken to Lae for interrogation and then returned to Salamaua and was executed by decapitation and his body thrown in bomb crater on 29.3.1943. His body was later recovered in late 1943 when Australian troops captured Salamaua. Lyons was executed at Lae by bayoneting in the back. The award to Newton of the Victoria Cross was for low level attacks in the Salamaua area which inflicted heavy losses on Japanese installations one of which his plane was hit by flak heavily and he successfully flew it back some 180 miles and landed. The award also included the attack for which he was executed. Newtons and war crimes records are some 800 plus pages with photos, statements etc. Refer also Cat No 3456.Black & white photo, head & shoulders portrait of F/LT W. E. NEWTON V.C. He is wearing a peaked cap, collar & tie with RAAF wings badge on L side of jacket. In a green / gold wooden frame with glass front. Fawn paper backing. Gold plaque in middle beneath photo.Engraved on plaque: “F/LT W. E. NEWTON V.C. 22 Squadron RAAF”photograph, raaf, vc, newton -
Bendigo Historical Society Inc.
Photograph - COHN BROTHERS COLLECTION: PHOTOGRAPH OF COHN BROTHERS WORKERS
... with Jacob Cohn seated in middle with white beard, framed in a wooden..., framed in a wooden frame with gold trim and gold coloured ...Framed photograph of a group of male Cohns Bros workers with Jacob Cohn seated in middle with white beard, framed in a wooden frame with gold trim and gold coloured adornments on each corner. Pencil notation on back reads Cohn Bros about 1900 from R N Levy 3/1/87photograph, portrait, group -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: MALE PORTRAIT G.W. KNIGHTS
... wooden frame, glass front. Man is seated, with elbow on book... and white portrait, buff mat, brown wooden frame, glass front. Man ...Photograph: black and white portrait, buff mat, brown wooden frame, glass front. Man is seated, with elbow on book, hand on side of head, has white hair, dressed in black dinner type suit with stand up collar. Written in black ink on bottom of frame : George W. Knight, C.E.J.F.W. Vincent Kelly, Mitchell St., Bendigoperson, individual, george w. knights, george w. knights, w. vincent kelly. -
Bendigo Military Museum
Certificate - CERTIFICATE, 50TH ANNIVERSARY, FRAMED, C. 1995
... wooden frame with glass front & white cardboard backing with wire... background, mounted with a green border. Tan wooden frame with glass ...These 50th Anniversary certificates were also given to individuals who served.A 50th anniversary of the end of the second world war certificate presented to Bendigo RSL Sub Branch. Centre emblem pictures a family welcoming a serviceman home. Gold decorative border with grey background, mounted with a green border. Tan wooden frame with glass front & white cardboard backing with wire hanging strap. Emblem has words: “AUSTRALIA REMEMBERS 1945 - 1995” Signed by: “Prime Minister & Minister for Veterans' Affairs” Stamp on back: “Bethany Gallery”brsl, smirsl, 50th, certificate -
Warrnambool and District Historical Society Inc.
Framed Paintings, 1 The Frame Shop, Fairfield, Melbourne .2 Kardinia Picture Framing, Geelong, 1Warrnambool Botanical Gardens .2 Hopkins River, Warrnambool, 1953
... and a poplar tree, all in green and orange tonings. The wooden frame... and a poplar tree, all in green and orange tonings. The wooden frame ...These two works of art are by Dr Don Edgar, a sociologist, educator and author. He taught sociology at Stanford University, the University of Chicago, Monash University and La Trobe University and was the founding Director of the Australian Institute of Family Studies. In the 1950s Dr Edgar was a student at Warrnambool High School and these works of art were produced at that time. For a school project he researched the early history of the Warrnambool Art Gallery and some of its collection, dating from the 19th century. In 2019 he published a book, ‘Art For the Country’, the story of Victoria’s regional art galleries and the book includes information on the founding and the later history of the Warrnambool Art Gallery.These works of art are of interest as they were painted by Dr Don Edgar, a noted academic and author today and a former resident of Warrnambool. The two works of art also have historical interest as they depict Warrnambool scenes painted over 60 years ago. .1 An art work (oil on artboard) – the Warrnambool Botanical Gardens with bridge and reflections, a gum tree and a poplar tree, all in green and orange tonings. The wooden frame has a light varnish with gold and white trim .2 An art work (oil on artboard) – multi-coloured view of the mouth of Hopkins River with the Hopkins River bridge, Lyndoch bungalow and boathouse. The frame is wooden with a mottled varnish and a white insert edging. .1 Don Edgar 1953 Don Edgar 1953 (High School Student) .2 D.E. 53 Don Edgar 1953 (High School Student) dr don edgar, sociologist, author and educator, warrnambool art gallery, history of warrnambool -
Chiltern Athenaeum Trust
Photograph
... Copy of sepia photograph of A.W. Eustace in a brown wooden.... Eustace in a brown wooden oval frame with a copy of A.W. Eustace's ...Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern -
Yendon History Group
School photograph framed, Harvey Photo, 1973 (exact)
... and teachers with the Fisken Shield in 1973. Framed in white wooden... and teachers with the Fisken Shield in 1973. Framed in white wooden ...Black and while photo of Yendon State School pupils and teachers with the Fisken Shield in 1973. Framed in white wooden frame. Photo taken inside school in front of blackboard Monday 2nd April. Names of students and teachers under photo, which was taken by Harvey Photo. Has water stain on bottom right mount.teachers, children, yendon state school, yendon public school, yendon, fisken cup association, fisken shield, harvey photo -
Warrnambool and District Historical Society Inc.
Photograph - Framed Photograph of Victoria Challenge Shield, George Edward & Sons, Glasgow, 1888
... in a wooden frame... Street (south of Merri St) Warrnambool great-ocean-road Framed ...This framed photograph is of the Victoria Challenge Shield which was presented in 1888 by the Warrnambool firm of Cramond and Dickson for competition among the Victoria Garrison Artillery members in Victoria. There were 8 garrison groups in Victoria at that time. The shield was 22 inches wide and two feet six inches high.The quality of the shield can be gauged by that fact that it was exhibited at the Glasgow International Exhibition of 1888 and was one of the items inspected by Queen Victoria. The stipulation by the donors was that the competition had to be held in Warrnambool. The Warrnambool artillery group won the trophy in 1898 and this is noted in one of the newspaper cuttings included with the photograph of the shield. The Cramond and Dickson general store in Warrnambool was founded in 1855 by John Cramond and James Dickson and was a prominent business in Warrnambool until it closed in 1973. This photograph is of considerable interest as it is a reminder of the Victoria Challenge Shield that was a competition prize for competing groups of the Victoria Garrison Artillery in the times when volunteer militia groups were strong in Victorian country towns ( from the 1860s to the beginning of the First World War). This is a framed oval photograph of the Victoria Challenge Shield. The photograph is of poor production and fading. The shield details include images of War and Peace, Coat of Arms, militia figures and guns and a rifle match (in the centre). There are two newspaper cuttings included in the frame and a handwritten date. The photograph has a beige background and is under glass in a wooden frameVictoria Challenge Shield inspected by Her Most Gracious Majesty the Queen at the Glasgow International Exhibition 24th August 1888 presented by Messrs Cramond & Dickson Warrnambool cramond & dickson warrnambool, victoria challenge shield, garrison artillery groups in victoria -
Flagstaff Hill Maritime Museum and Village
Plaque - Insignia, Bank of Australasia, 19th Century
... wooden frame. Insignia of the Bank of Australasia has been... Plaque with insignia on glass in a rectangular varnished wooden ...This decorative plaque displays the insignia of the Bank of Australasia, which was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The plaque has historical significance as it belonged to the Bank of Australasia which was established in Australia in 1835 by Royal Charter. The plaque is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Plaque with insignia on glass in a rectangular varnished wooden frame. Insignia of the Bank of Australasia has been painted onto the glass in a mirror-like fashion. Insignia depicts a heraldic shield with sheep hung up by their waists and ships in full sail. Inscription on insignia. Stamp and handwritten inscription on the rectangular label with a blue border on the reverse.Insignia: "BANK OF AUSTRALASIA INCORPORATED BY ROYAL CHARTER 1835" Label's red oval stamp with "AUSTRALIA AND NEW ZEALAND BANK UNITED ARCHIVES" Label's handwritten black letters "AM1" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, commerce, banking, plaque, insignia, bank of australasia, insignia on glass, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, currency, banknote, legal tender -
Coal Creek Community Park & Museum
Specimen Banknotes Display
... 8727.1 - Wooden frame, Dark stain with plastic inner frame... Korumburra gippsland Specimen Banknotes Display 8727.1 - Wooden frame ...8727.1 - Wooden frame, Dark stain with plastic inner frame where it is painted with a metallic looking silver. 8727.2 - Specimen banknote information sheet. 8727.3 - Fifty pound note (specimen). 8727.4 - One hundred pound note (specimen). 8727.5 - Ten pound note (specimen). 8727.6 - One pound note (specimen).8727.2 - National Australia Bank - Heritage Collection - Specimen Banknotes - Specimens of the National Bank of Australia Limited banknotes in circulation in 1910. Nineteenth century banknote designs were inspired by ancient Greek myths, with images of classical figures symbolising agriculture and trade. Intricate line patterns and borders were also featured to discourage forgers. Although local printers produced the National's early notes, highly skilled security printers, Bradbury Wilkinson and Co. of London, producers of banknotes for many Australian and European banks were engaged by the National to design and produce most of its banknotes. - © National Australia Bank Limited. 8727.3 - 50 - ADELAID - SOUTH AUSTRALIA - Pounds - FIFTY - On demand I promise to pay the bearer FIFTY POUNDS sterling at ADELAID 1st November 1893 - For National Bank Australia - SPECIMEN - ENTd - Manager 8727.4 - 100 - THE NATIONAL BANKOF AUSTRALIA - NEW SOUTH WALES - ONE HUNDRED - On demand I promise to pay the bearer ONE HUNDRED POUNDS sterling at SYDENY 1st January 1887 - For THE NATIONAL BANK OF AUSTRALIA - Manager - SPECIMEN - ENTd 8727.5 - MELBOURNE - 10 - POUNDS - THE NATIONAL BANK OF AUSTRALIA - LIMITED - SPECIMEN - On demand I promise to pay the bearer TEN POUNDS sterling at MELBOURNE - For NATIONAL BANK OF AUSTRALIA LIMITED - Manager - ENTd - VICTORIA 8727.6 - PERTH - WESTERN AUSTRALIA - 1 - THE NATIONAL BANK OF AUSTRALIA LIMITED - On demand I promise to pay the bearer ONE POUND sterling at PERTH - For NATIONAL BANK OF AUSTRALIA LIMITED - Manager - ENTd - SPECIMEN -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, C.1914 - 1918
... lapel. Mounted on fawn background in a brown wooden frame... background in a brown wooden frame with gold inner edge & glass front ...Black & white head & shoulder photo of a soldier wearing collar, tie & jacket, without head gear. Rising Sun badge on R lapel. Mounted on fawn background in a brown wooden frame with gold inner edge & glass front. Cardboard backing has a metal clip each side to attach handing strap.Written in texta pen on backing: “MR G L REID”photographs, framed, portrait -
National Vietnam Veterans Museum (NVVM)
Medal, Vietnam & FESR Commemorative Medals
... In a wooden frame are three Naval medals and ribbons. One... Vietnam & FESR Commemorative Medals In a wooden frame are three ...In a wooden frame are three Naval medals and ribbons. One silver medat with blue and white stripe ribbon, one bronze medal with gold, dark blue, red and yellow stripes and one silber medal with blue, red, dark blue and yellow stripes. Under the medals there is a sign saying Vietnam & FESR Commemorative MedalsVietnam & FESR Commemorative Medalsmedals, commemorative medal, cerberus collection -
Glen Eira Historical Society
Photograph, Dalny Road, 7, Murrumbeena, 2001
... house. The wooden framed window features two double hung windows... house. The wooden framed window features two double hung windows ...Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a window of a white rendered brick house. The wooden framed window features two double hung windows of lead lights glass in the top panes with a fixed glass pane in the middle section. The window has a decorative bracket above it and unpainted variegated brown feature bricks below. "7' is on the edge of the frame. 7murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sash windows, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, rendered houses, brick features, lead lights -
Flagstaff Hill Maritime Museum and Village
Wagon
... . Wooden frame, metal turntable and single shalves. Double chain... wheels. Wooden frame, metal turntable and single shalves. Double ...Wagon, four wheeled fully sprung with tail board, railing on each side plus hand operated brake on rims of rear wheels. Wooden frame, metal turntable and single shalves. Double chain for harness attached to wooden tail piece. Metal rimmed wheels. Wagon once belonged to S.J. Bell, Wangoom"S J Bell Wangoom"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cart, wagon, horse drawn vehicle -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: PORTRAITS OF TWO SOLDIERS
... in one frame. Wooden frame glass cover. Man on Lh side...: individual portraits of two soldiers set in one frame. Wooden frame ...Photograph: individual portraits of two soldiers set in one frame. Wooden frame glass cover. Man on Lh side: standing with arms behind back holding whip, army uniform ( WW1) long boots with spurs. Man on Rh side, army uniform, gloves held in left hand, white stick in right.organization, military, male portrait, ww1, army, portrait