The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait

Document. Various legal papers. 1 - 1856? - Petition for Vesting Order in the matter of Diviney Michael, late of Sandhurst. Mentions Hughes Joshua and Freame H S? for Flegg Wm Sandhurst. 2 - Hughes J. Application for Vesting Order. Mentions Doran Joseph Christopher & Diviney. 3 - 1878 - In the matter of the Hope Tribute Mining Company Reg and in the matter of the Mining Companies Act 1891 between the Commercial Bank of Australia Ltd. (Appellant) and the Hope Tribute Mining Company Reg (Respondent). Appeal case. 4 - 1889 - Transfer of Land in Kerang from Ellis Asher (Postmaster) to Victorian Railways Commissioners. Contains map of said land.cottage, miners, connelly, tatchell & dunlop, diviney michael, hughes joshua, freame h s?, flegg wm, doran joseph christopher, hope tribute mining company, commercial bank of australia, ellis asher, victorian railways commissioners

Collection of indexes - Business advertisements St Patrick's Annual Sports 1934; White Hills Residents 1907-1908; Business Advertisements from Directories 1865, 1872, 1875, 1904, 1907, 1910; Bendigo Chamber of Commerce 1903, 1913, 1920, 1946; TC Watts 1920s photos of house sales; Back Creek Bendigo Cemetery - First Year Burials; Wills administered by Sandhurst Trustees; 1842-1866 277 Mining Deaths from Inquet records for Sandhurst; The Bendigonian Annual 1910. Compiled by Carol Holsworth. Collection is in plastic pockets, contained in a white A4 three ring binder. Fourteen plastic pockets in total. st patrick's annual sports, bendigo businesses, white hills residents, bendigo chamber of commerce, house sales, t.c.watts, back creek cemetery, sandhurst trustees, mining deaths, the bendigonian

Organisation-Club/society-sport3767.4a: A receipt of purchase from Henry Jackson, General ironmonger and Iron merchant, by Mr F.D. Jones (labelled as secretary on the receipt/treasure in other documents) on behalf of the Devils Own Cricket club. The receipt is a professionally made, printed template printed on blue/purple coloured limed paper with red margins. The transactions made by Mr Jones are handwritten in cursive font with black ink. The receipt indicates that payment was made to Mr Jackson on the 10th and 25th of March 1875. the pound was used as currency. 3767.4b: This receipt is dated March 25th 1875. Detailing the repair of a cricket ball. W.B. Fox, a saddler and harness marker, executed the repairs. The receipt is a professionally made, printed template in black ink on a light blue sheet of lined paper with red margins. The purchase order and payment remarks are handwritten in cursive with black ink. Pounds were used a currency. 3767.4c: This receipt is entirely handwritten in cursive with black ink on a torn rectangular piece of blue coloured paper. There is no official printing or branding on the receipt. The receipt details the purchase of a cricket ball by the Treasurer of the DOCC in March 1875 from F. Macoboy. The page has a large red stain/smudge in the top right-hand corner. 3767.4d: This professionally printed receipt is printed in black ink on a rectangular piece of white/cream coloured paper. The official branding is that of W. Welch, a general printer, binder etc. from Sandhurst. The record of the purchase of a 150-page record book for the DOCC by Mr. Jones is handwritten in cursive with black ink. The receipt is dated 8th March 1875 and payment was made on 9th March 1875. 3767.4e: This reciept is a handwritten note in black ink on a blue piece of lined paper no larger than a business card. The note, dated 1st March 1875, is addressed to Mr. F Jones, Hon Treasurer Devils Own C.C. The note is written by R.W. Franklyn in reference to 3767.4c and reads as follows: "Please pay M'acoboy 5/- price of ball" 3767.4f: This receipt in professionally printed in black ink on a blue coloured, lined paper. The branding refers to Henry Jackson, as per 3767.4a, and details the purchase of cricket equipment by the Law C.C. The receipt is dated February 19, 1875.docc, devils own cricket club, sandhurst, w. welch, w.b. fox, henry jackson, f. m'acoboy, law cricket club, financials, f.d. jones

Receipt No. 2534 from the Sandhurst and Northern District Trustees Company dated 1st June 1932 for the sum of £15 from W. Babidge, Account Estate W. G. Bentley. Receipt has yellow 2d. Duty stamp. Printed by J. B. Young & Co., Printers, Bendigo.document, w. babidge collection - sandhurst trustees company receipt, w g bentley, sandhurst and northern district trustees executors and agency company limited, j b young

The Thomas James Connelly collection. T. J. Connelly - Brassfounder, Coppersmith, Plumber and Gasfitter. Located in High St. Bendigo. Items of correspondence. Memo to Mr J. T. Connolly, Sandhurst from Moore Brothers & Co. General Merchants, Geelong Stores, Kangaroo Flat. Signed by ? McMillan.trades, plumbing, thomas james connelly, connelly, thomas james. plumbers. moore brothers & co. (kangaroo flat).

Account from H. L. Atkinson M.D. Sandhurst dated to Mar 30 1888 for £138.15.0 of which £45.0.0 was paid leaving a balance of £93.15.0. Green duty stamp attached. Note from H L Atkinson at the end - I shall be obliged if you would settle the above.societies, aof, correspondence, ancient order of foresters no 3770 collection - account, h l atkinson, court king of the forest

Annals of Bendigo 1936 - 1950, The Sixth Section, Hard Cover. Chronicles of the years from 1936 to 1950. Published by The Sandhurst Building Society. (1981) Includes b/w photographs. White Lobrary sticker on spine - 0006 LOC Bendigo Historical Society Stamp inside front cover.Douglas Lockwoodbendigo, history, annals of bendigo

Autograph Album ('My Friends'). All pages with autographs have been cut out. A coloured illustration on each page has a blank insert for the addition of a single autograph per page. Publisher: James Hawkins, London. Embossed on inner cover page: R Souter Bookseller Sandhurstorganization, business, bendigo businesses

Black and white photograph of an early painting showing View Street Sandhurst in 1859 with Survey and Post Office. Several people walking around , four horse drawn carriages, on the left Henry Jackson store and a row of houses and shops under a portico on the right two double story houses .bendigo, streetscape, view street

Note from Henderson & Goodison, Beehive Stores, Sandhurst 11 July 1889, t. Mr. Connelly. 'Dear Sir, can you let Miss Ross have her cheque today, yours truly, H. Henderson' Image of Beehive building on top LH side of letterhead.business, legal, henderson & goodison, connelly, tatchell & dunlop, henderson & goodison, beehive building

Printed form of declaration that the member has no infirmity likely to shorten the natural duration of life. Dated 9 Sept 1863. Declaration is for Joseph Ketterer, Miner, of Sandhurst. Also includes his wife. Also a declaration by the Court Surgeon, dated 19 Sep 1863 who examined him.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, joseph ketterer

Letter written on a piece of blue accounting paper and dated 12th April 72. Letter mentions amount sent for Contribution and he wants to know if he can vote by proxy as he would be absent from Sandhurst. Letter is to Mr W. B. Evans and from Alfred Adams.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, alfred adams, w b evans

Framed document, valuation and report on land and public buildings vis old survey office and Post Office and sub Treasury in View Street Sandhurst, hand written in black ink and signed N P Simpson Feby 22nd 1888. Under glass in a thin black wooden frame.document, certificate, public buildings

Blue paper headed A.O.F, Bendigo United District. Sandhurst, Oct 26 5 1872. Received from Ct. King of the Forest the Sum of Ten Pounds 10/- for Special levy. Signed by John Wallers, D. S. Bendigo United District impression in top left corner.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, aof bendigo united district, court king of the forest, john wallers

Letter from the Auditors appointed to examine the accounts of the Secretary Bro Jas. Thos. Holl. They were very pleased by the correct manner and neatness in which the accounts were kept. Signed by John Rae and Joseph King Smith, the Auditors, Glennons Commercial Hotel, Sandhurst. January 12th 1863.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, jas thos holl, john rae, joseph king smith, glennons commercial hote.

Memorandum from L. MacPherson & Co., sheep and carttle salesmen, Melbourne, Sandhurst, Mount Pyramid, Kerang, Rochester, Elmore. Receipt for monies received from Connelly, Tatchell & Dunlop, for sum of 234/16/9 acting as trustees for Thomas Barclay. Memo dated 26 September, 1889.business, legal, l. macpherson & co., connelly, dunlop & tatchell, thomas barclay, l. macpherson, sternberg & co., limited.

Account issued by J.B. Young, Lyttleton Terrace, Sandhurst August 1st. 1888, to Messrs Connelly, Tatchell & Dunlop, for stationery items purchased. Account stamped and signed 'paid J.B. Young, 25/8/88' for 8/10/6 Green one penny stamp at the foot of the documentbusiness, legal, j.b. young, lyttleton terrace, connelly, tatchell & dunlop, j.b. young

Blue Doctor's Certificate dated June 2nd 1877 certifying that John Suboke? Of Happy Valley was unable to follow his usual employment and signed by H.L. Atkinson. Signed at the end by John Suboke declaring himself of the Sick Funds. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no 3770 collection - doctor's certificate, court king of the forest, john suboke, h l atkinson, j brockley

Blue Doctor's Certificate dated June 2nd 1877 certifying that Richard Couth of Happy Valley was unable to follow his usual employment and signed by H.L. Atkinson. Signed at the end by Rich Coath declaring himself of the Sick Funds. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no 3770 collection - doctor's certificate, court king of the forest, richard coath, h l atkinson

Blue Doctor's Certificate dated February 3rd 1877 certifying that Charles Trevarton of Long Gully was unable to follow his usual employment and signed by H.L. Atkinson. Signed at the end by Charles Trevarton declaring himself of the Sick Funds. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no 3770 collection - doctor's certificate, court king of the forest, charles trevarton, h l atkinson, j brockley

Blue Doctor's Certificate dated Jun 12 1878 certifying that P. Cunneen was able to follow his usual employment. Signed by H. L. Atkinson. Signed at the end by Patrick Cunneen declaring himself off the Sick Funds. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no 3770 collection - doctor's certificate, court king of the forest, patrick cunneen, h l atkinson

Bendigo Advertiser "The way we were" from 1999. Quick and Hyett: circa 1908. Barkly Hyett attended a private school until 1871, and then trained as a lawyer with a prominent Sandhurst firm. After successfully completing his training he formed a partnership in 1893 with Sir John Quick.newspaper, bendigo advertiser, the way we were