One of a group of photographs, including three within a published photo collage , taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, Dower later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Mount Dandenong Office.The photo collage is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Photo collage, published in The Leader newspaper in 1913, to commemorate the opening of the Malvern to Kew Tramway. The numbered photos are: 1. Kew Railway Gates at Glenferrie. 2. Burke Road Terminus. 3. Final Stages. 4. Ladies at the Official Opening. 5. The Acting Mayoress of Kew Cutting the Ribbon at the Kew Boundary. 6. Mayor and Councillors at the Kew Terminus. 7. The Cutting the First Ribbon. 8. Guests at the Hawthorn Town Hall.Inscribed in ink by Edgar J Dower top left: "The 3 top photographs were taken by E J Dower. No.3 Cotham Road Kew near Glenferrie Road"theme -- connecting victorians by transport and communications, theme -- travelling by tram

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

Brenda Smith's parents lived throuh two World Wars and the Depression. As an adult migrant arriving in Australia from England in 1970, when she looked back she realised her family spoke very little about what they had endured and she was not even aware of them going through the Spanish Flu pandemic. Smith has written a diary since 2009 and as a consquence of her family's earlier experiences with similar but lack of documentation and stories passed on, was determined to chronicle her experiences during the COVID-19 pandemic covering 2020-2021. This pandemic continues unabated in its third year (2022). The journal documents the daily life of living through the COVID-19 pandemic and the influences it had uopon the local community from both locally and interantionallycovid-19, coronavirus pandemic, journal, person, personal narrative

These unusual china cups with elongated spouts were created in the days before drinking straws were common. Liquids and broth were fed through the spout to adults who were sick and could not take solid food, or to infants. The alternate name for these cups is “pap feeder.” Recipes for pap usually called for bread, flour and water. A more nourishing mixture “panada” was a pap base with added butter and milk, or cooked in broth as a milk substitute. Variations on the ingredients included Lisbon sugar, beer, wine, raw meat juices. These cups were apparently offered as accessory pieces to many regular china patterns.A white porcelain invalid or baby feeding cup decorated with a blue floral ( onion ) pattern. The cup has a spout , strainer, side handle and ‘spill-proof’ guard c19thCBase : m 8.pharmacy, medicine, melbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, nursing, invalid feeding, invalid cookery, porcelain

Poster advertising a musical theatre production 'The Wild Blue Project Stage 3'.Written and directed by Anthony Crowley; musical direction by Amanda Hodder and performed at Post Office Theatre, Camp Street, Ballarat in 2003. it was presented by University of Ballarat Arts Academy. There were four night performances starting at 8.00pm and one Sunday performance at 5.00pm from Wednesday13th August to Sunday 17th August 2003. The musical was performed at Post Office Box Theatre, Camp Street, Ballarat with tickets purchased through MajesTix. Ticket prices: Adult $16; Concession $8.50; Students$7; Groups (20+) $10.50Original Posterthe wild blue project stage 3, anthony crowley, amanda hodder, post office box theatre, university of ballarat arts academy, po box theatre, majestix, musical, the wild blue co

A collection of three photographs and one Identity Card donated by Alice Robinson.352-01: Black & White photograph on cardboard mount of the crowd at the opening of the Cowes War Memorial at the Jetty, The Esplanade, Cowes. 352-02: Sepia photograph of Horrie Matthews' home in Church Street (near Shamrock Avenue) Cowes with several horse drawn carts loaded with wood. Watched by a group of men. 352-03: Black & White photograph of children and teachers & adults at the Ventnor State School in May 1939. 352-04: Identity Card for Alice Isobel Giles-Clark, Cowes, Phillip Island. Possibly now Mrs Alice Robinson - the donor.351-01: Unveiling soldiers' Memorial Phillip Island 1920. 351-04: On front - Identity No. V10 F28 36869 Officer at Dandenong. Stamped May 43. On back - signature of holder "A. Clark Cowes" Witness to signature "Edith E Coels, Ventnor, Phillip Is."war memorial cowes phillip island, ventnor state school, horse drawn wagons, alice robinson, identity card

Original and copy of original: (10410a) golden coloured A5 program. On top of front page 'Royal Historical Society of Victoria, Bendigo and District Branch presents Golden Days Historical Exhibition, R.S.L. Memorial Hall, Pall Mall,Bendigo, 12 to 17th August 1960. Hours 10 a.m. to 10 p.m. Adults 3/- children 6d.' Inside, program lists major displays: antiques, bushranging, coins and tokens, documents, fashions, firearms, geology, gold mining, pioneers, postal history, prints and photography, shipping, sport.bendigo, history, golden days historical exhibition

sepia print, showing Murray River scene. Punt carrying wagon, horse drawn, with wool bales, spring cart and figures on foot on punt. Dinghy on water below operator of cable winding machine. Five adult males on landing stage. One covered wagon and two wagons loaded with bales on NSW bank. On front, T.F,. Chuck, Photo, Melbourne. On back in blue ink : From Mrs. Marjorie Vahland, presented to the Bendigo Historical Society. The gentleman with umbrella in the foreground of the punt is her father, the Bendigo architect of pioneering fame. 'T.F. Chuck, Melbourneplace, transport, hopwoods punt, river murray

Black and white photo of a large group of people standing beside a pool which has been dug from the surrounding grassed area. The group is a mixture of adults and children. Some of the men are holding long poles and one boy a shovel. In the background sheep are grazing behind a high fence. Written on the front of the photo: Early Pool Site Bgo East. Written on the back of the photo: Bendigo East Pool the Beginning Land was donated to the Committee by Mr Moog who owned large amounts of property in the area. It was then called Moog Park then (not decipherable) then Eastern Park.recreations, sports, swimming

Booklet with blue heavy paper cover and 20 pages inside giving details of the by-laws operating for the SEC tramways in Ballarat, Bendigo and Geelong. Gives details of the definitions, fares and charges, special tram rates, sale of tickets, regulating number of passengers, stopping places, nuisances, smoking, dangerous goods, luggage and goods, general matters and fares applicable in each section in three formal schedules for both Adults and Children. On last page gives details of the SEC Commissioners, Minister for Electrical Undertakings and Clerk of the Executive Council who authorised the document.On front cover "F.Scruse" in blue ink.trams, tramways, secv rules, by-laws, tickets, fares

Set of five miscellaneous transport tickets. .1 - Melbourne Tram Museum Adult ticket - No. 155 - Sat 9/1 (2010) .3 - V/Line luggage checks - orange card - set of 3. .3 - Railways of Australia seat allocation ticket for Albury to Melbourne 3-9-1982 .4 -V/Line ticket - Bendigo to Eaglehawk and return - 17/3/2009 .5 - ditto stapled into a V/Line folder for Melbourne to Bendigo and return - 26 August 2000. Tickets that would have been used by Vic in his travels.trams, tramways, melbourne tram museum, tickets, v/line, railways

Set of 8 "Zoo Horse Tram" tickets, used by the TMSV initially for their operation at South Melbourne loop in 1975, then at Bylands prior to electric trams commencing. Printed on yellow card with black printing and black ticket number. Has the conditions of travel and the TMSV logo on the rear. The child tickets have been hand stamped "CHILD" (blue ink) onto the right half. Has the letter 1 in white on the front. Adult tickets - Nos. 0118, 488 and 489. Child tickets - Nos. 0675, 0676, 9648, 9649, 9692, 9693.trams, tramways, tickets, tmsv, zoo tram, bylands, south melbourne loop

Hexagonal clear amber glass bottle, 1/2 full of viscous liquid, a cork stopper floating in the liquid, with metal screw top. Three plain sides, two sides with stippled 'x' patterns either side of panel with embossed text. Paper label printed with dark blue text and red highlights. Embossed text on side of bottle 'NOT TO BE TAKEN'. Near base of widest plain panel '1'. Embossed on base AGM monogram over 'F1071M' over upside down '722'. Printed label 'Tromax CAMPHORATED OIL FOR EXTERNAL USE ONLY. CAUTION ! Use strictly in accordance with the directions. Adults : Rub briskly on part affected. Infants : Use gentle massage. 2 ozs. net. Tromax Logo in red and blue. SIGMA CO. LTD MELBOURNE'.camphorated oil, pharmaceutical, topical medication

Photograph of Bosch (Bush) family as adults. Left to right: John Adam Bush Senior (Johannes Adem Bosch born 19/8/1867 died1925), Frederick William Bush (31/3/1892-20/8/1952), John Adam Bush Junior (3/2/1895-24/6/1970), Amelia Suzanne Bush (b25/6/1893). Johannes Bosch came to Australia in 1884 aged 17. He married Henrietta Duck, had 3 children and divorced in 1903. Around 1902 he anglicized the family name to Bush.They farmed along the Plenty River having purchased land from Flintoff. Digital copy of black and white studio photograph.john adam bush, johannes adem bosch, frederick william bush, amelia suzanne bush, bosch family, bush family

From 'ANNUAL REPORT OF THE NORTHERN PROTECTOR OF ABORIGINALS FOR 1903, Queensland' With regard to the instruction and general education given to the children and adults, I have, as usual, to speak in terms of the highest praise. I do not recognise anything that could be improved upon. For the first time in my life, I have heard little aboriginal children, boys and girls, doing part-singing. The band consists of a drum, four cornets, a tenor horn, and bass; lack of funds alone prevents more instruments being added. A most successful concert was lately given in Cairns in aid of the mission expenses. (https://aiatsis.gov.au/sites/default/files/catalogue_resources/63482.pdf)A black and white image of a musical band made up of Aborigines of Queensland. aborigines, band, music

President Geoff Webb presented a plaque to the Victoria Barracks Melbourne Corps of Guides in acknowledgement of the contribution of the proceeds of the Victoria Barracks Public Tours donations over the past three year, a total of $11,000 to Legacy in that time. A portion of these proceeds was designated to be used for maintenance work on the Legacy statue of the Widow and her Children in the Garden of Appreciation at the Shrine of Remembrance. More than 1,500 people visit Victoria Barracks Melbourne (VBM) each year as part of the Public Tours program conducted by the VBM Corps of Guides. Guided tours of the Barracks in 2005 operated on Wednesdays and Sunday afternoons as required. The Entrance fees were $5 per adult and $3 for concession and pensioners.A record of where funds are raised and given to Legacy's work.Colour photo x 4 of President Geoff Webb awarding a plaque to a group from VBM and two pages of information.Printed on the back

These medicinal products were used in the 1900's. Eucalyptus oil was used both externally for Lumbago, Rheumatism, Sciatica, Sprains, Cuts, Bruises and Burns and for all Throat and Cough disorders. McKean's Camphorated Oil was to be used carefully and under strict Accordance with the instructions. Adults to rub briskly on part affected, Infant use to be massaged gently. McKean's were in operation from 1890's - c1960's. The company appeared to have ceased in 2012. Friars Balsam similarly was used externally for Cuts, Wounds, etc. Could be taken internally for Coughs, Colds, Bronchitis, etc. 10 drops to one teaspoonful. The Bosisto bottle probably contained eucalyptus oil.Four glass medicinal bottles: 1. A small clear glass McKean's "Helping Hand' Eucalyptus Oil bottle, with a faded paper label with Trade Mark surrounding a hand illustration with leaves. Unadulterated is printed at the bottom of this label. Pure Eucalyptus Oil with its uses is included. On the back is a paper label with further instructions for use. The screw top bakelite lid is broken. 2. An angular shaped small brown SIGMA Camphorated Oil bottle with a stained paper label of the manufacturer details and uses. It has 'NOT TO BE TAKEN' stamped into one of the edges on the side of the bottle. Two other sides have three rows of crosses as a pattern. The metal screwtop lid is rusted. F1071 is stamped on the base. 3. A very small round brown Rolfe's Friars Balsam bottle with a broken cork stopper. It has a faded paper label with uses and the manufacturer's details. 4. A small blue tinted clear glass J. Bosisto medicine bottle with rounded corners and flattened sides on the front and back surfaces.The flat lip at he opening could have been sealed with a stopper. The sides of the bottle have a vertical joining line.1. 'McKean's 'Helping Hand' Eucalyptus Oil'. It has a faded paper label with 'Trade Mark (Registered) surrounding a hand illustration with leaves. Pure Eucalyptus Oil' 2. 'SIGMA Camphorated Oil SIGMA CO. LTD Melbourne'. 3. 'Rolfe's FRIARS BALSAM Rolfe & Co. Ltd. Melbourne'. 4. 'J. Bosisto Richmond' is stamped on front side of the front. On the base is stamped ' "English Bottles" '.medicines, medicine bottles, medicinal containers

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. Like many species of quail, the Brown Quail is often difficult to see, as it inhabits rank, overgrown grassy areas, often in damp, low-lying patches beside wetlands. They are difficult to flush from this cover, preferring to squat among the grass or run quickly off through the vegetation rather than fly off. As is the case with many species that inhabit dense habitats, the Brown Quail may be heard more often than it is seen, with its characteristically mournful two-note call whistle often heard at dawn and dusk. The Brown Quail is found across northern and eastern Australia, from the Kimberley region in Western Australia to Victoria and Tasmania, as well as in south-western Australia. It is also found in Papua New Guinea and Indonesia, and has been introduced to New Zealand. The Brown Quail feeds in the early morning or evening, on the ground, mainly on seeds and green shoots, but also on insects. In some area, quails will readily cross roads and may be seen feeding along roadsides.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Brown Quail is a small, plump ground-dwelling bird. It is variable in colour, ranging from red brown to grey brown with fine white streaks and black barring above, and chestnut brown below. The eye is red to yellow, the bill black and the legs and feet orange-yellow. In Tasmania, this species is called the Swamp Quail and tends to be larger and darker than mainland birds, with a pale yellow eye. Female Brown Quails are larger and may be more heavily marked with black and paler below than males. Young birds are like adult females, with less distinct markings and a dark brown eye.Label: 33. / Swamp Quail / See Catalogue, page 30 / Mount: 09/taxidermy, quail, brown quail, taxidermy bird, burke museum taxidermy

Sepia photograph mounted on brown board. Seventeen adult males dressed in suits, ties and hats, arranged in three rows in front of trees. Male at R C row wearing clerical collar. Inscriptions: in image - handwritten at bottom 'Committee of School Picnic Excursion to Castlemaine Feb 8th 1928' At BR corner of mount 'of Arms, Under Royal and Vice Regal Patronage, Lorraine Pty Ltd, Castlemaine', at TR corner 'GP 72', On back TR 'GP 72', 'Royal Historical Society of Victoria, Bendigo Branch, circular stamp. Red ballpoint '12'.Bendigo Advertiserperson, group

Black and white photograph. Horse drawn vehicle - dray and two horses. Hay on cart with sign on side. Sitting dray - 3 adult men and 5 children - 2 boys, 3 girls, all in costume. Men drinking from tankards. Also on dray. Barrel and wickedred demi johns. Inscriptions: in image - sign on horse drawn vehicle, 'The Cohn Bros arrive in Bendigo 1857'. On back - 'MP 214'on top R corner. 'Royal Historical Society of Victoria, Bendigo Branch',, 'Reg V Brock Studios' (rubber stamp). History of object: Previous Acc. No. 'MP 214'.Reg V Brockperson, group, centenary ?, 2000.525.01, 2000.526.01, 2000.527.01, 2000.528.01, 2000.529.01, 2000.530.01, 2000.532.01

Black and white photograph, 'Hibernia Hotel' printed over windows. Left and right of corner entrance 'Bar' also in script, circular plaque above door. 'Licensed to sell' 'fermented' and 'spiritous' liquor, P. McGrath painted over entrance. P. McGraths ball court to side. 4 male figures in foreground of two storey brick building, gas lamp obscuring one figure. 1 black and 1 white dog. 1 adult female in dark long frock with adolescent female, lighter toned mid calf length frock with cape. 264 Bridge St., Bendigo.cottage, miners, d. walker 5.11.1999 : suggested hibernian hotel, cnr. bridge and cemetry st, had bowling alley'

Sepia photograph of workers employed ' on making the Bendigo Railway'. Workmen seated on rails with small girl. Group of men standing and seated in front of corrugated iron shed with Union Jack flag on pole. Adult females back left of photo. Hills with trees in background. Inscriptions: on back - handwritten in pen 'Employees in the making of the Bendigo Railway'. Top front R corner 'GP85'. On back - handwritten in ball point pen 'Presented to the Bendigo Historical Society by Stevenson McGilchrist, great grandson of the late William Robertson of 'Woding' Estate near Gisborne'. History: Prev. Acc. No. GP85person, group, male group of workers

Twenty (20c) ticket for the Ballarat Tourist Tramway, printed on semi glossy white paper. Ticket Number A 000000. The ticket is printed using turquoise colour ink, with the ticket number in black ink. Ticket in the style of the SEC tram tickets. Tickets used for Adult Return, Child Return and Child Single from 24/12/1974 to 31/10/1985. Ticket collected at the time of first issue to museum (date 12/7/1974) and placed in a manila envelope for the archives. See BTM / BPTS Fare Schedule chart and BTPS ticket issue record books.trams, tramways, tickets, btps, ballarat tourist tramway

Newspaper clipping from The Courier, Ballarat, Monday 15/10/1990, titled "Tram rides remain inexpensive in 'hard times'". Item quotes a statement by the President of the BTPS, Richard Gilbert that the Society's AGM had determined to keep the fares at $1 for Adults and 50c for children. Item also has notes about the Society's activities and includes a photo of eight members pushing Horse Tram No. 1 outside the depot and No. 18 in the background. Photo has Richard Gilbert, John Phillips, Paul Jordan, Paul McDonald, Alan Bradley, Carolyn Dean, Bill Kingsley and Merv Mitchell.btps, fares, horse trams

.1 - Zone 1 Monthly ticket, No. 028097, printed on card, yellow front, white "The Met" safety paper in the validity area, with the word "Monthly" in silver letters, and the Available Until date stamped on in large black letters - "29 Jan. 1990". Has the "The Met" logo on the front, with conditions of use and The Met details on the rear. Has the Met Shop with part date stamped on the rear as well. .2 - ditto, but laminated, No A8429, and lettered as a Monthly Adult, stamped "31 August 1991" Has the Met Shop with part date stamped on the rear as well - from the Elizabeth St shop.trams, tramways, the met, ticket, monthly tickets

Ticket - "MetroCard" - printed yellow on both sides - paste board - Edmondson style, Off peak Metro card, available on both the train and MMTB Trams within the City Section. 161.1 - Child - Ruthven to Melbourne, Ticket No. 07630 161.2 - Adult - Canterbury to Melbourne, Ticket No. 16619 and 16628 161.3 - Child - Sandringham to Melbourne, Ticket No. 03792 See Reg Item 3003 for a block or bundle of this type of ticket issued from Seddon Station. For more details see http://www.robx1.net/victkt/pre1981/html/1980.htm - accessed 7/11/2018.trams, tramways, tickets, vr, melbourne, metrocard

Set of four Scratch type tickets, with black printing and areas where a person could scratch out the month and day of the month areas to validate the ticket. Has the number on the base of the ticket. .1 - 2 hour concession zone 3, for sale in a pack of 5 only, has been scratched for June only - ticket No. C00515659. .2 - 2 hour adult, zone 3, has not been scratched or used - SA6849 .3 - 3 hour adult, zone 2, has been scratched for Sept 11, 4 o'clock - C00253703 - second copy added added 20/2/2017 - scratched for 9am, 27/6 - D00099852. .4 - 3 hour concession for zone 2, has been scratched for 9 Sept, 5pm - C00661363 - added 29/10/2016 .5 - 3 hours Zone 1 + 2 from a pack of 5, No. C00161838, scratched for Feb. 24, 6pm - add3d 24/9/2017. On the rear are the conditions of travel for both types of tickets with information about the ticket type, The Met logos, Transport Information and Transit Patrol telephone numbers. Two different types of logos. See also Reg Item Nos. 574, 1069 and 1161 and 4624 for other examples.trams, tramways, the met, scratch tickets

Food, clothing and other products were in short supply in Australia during World War II. The first controls over the production and distribution of products were introduced in 1940, partly due to disruption of shipping. In 1942, after Japan entered the War, comprehensive rationing was introduced to manage shortages and control civilian consumption. The first product to be rationed was clothing on 12 June 1942. Each adult was allowed 112 clothing coupons per year. Tea rationing was introduced the following month, followed by sugar, butter and then meat. After the War, rationing was gradually phased out. Clothing rationing was abolished on 24 June1948. The last rationed product was tea, which ended in July 1950.A soft green/brown rectangular leather wallet with metal clasp. Wallet contains W.W.11 ration books and identity cards. Ration cards are for clothing, meat, tea and butter, motor spiritsIdentity cards - Annie Penuel Richardson Bete Bolong; John Gilbert Richardson Bete Bolong Meat Ration card - J.G. Richardson, Scotch College; Annie P. Richardson ; Frank E. Richardson Bete Bolongwallet rationing w w 11 personal-effects money