Topic ; Beaumaris Young Mens Improvement group 1863 The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) The Original Newsletters reflect the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. This is Newsletter No. 4 Vol. 6 of the CMHS May 1966 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 2 x L 26cm x W 21cm page 1 printed both sides CITY OF MOORABBIN HISTORICAL SOCIETY / AFFILIATED WITH THE ROYAL HISTORICAL SOCIETY OF / VICTORIA AND THE CHELTENHAM ARTS AND CRAFTS SOCIETY/ President Mrs N. Blackman….Editor of Newsletter Mr T.A.Sheehy Secretary Mrs F.Neville / VOLUME 6 No.4 NEWSLETTER APRIL 1966city of moorabbin historical society 1961, sheehy t.a., newsletters,

TOPIC ; Adult History recording; Myer Southland; Wesley Church Livingston Home; St John of God Home, Marian Lodge; Dr Scantlebury ; male heirs to early settlers The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) The Original Newsletters reflect the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. This is Newsletter No. 5 Vol. 6 of the CMHS June 1966 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 2 x L 26cm x W 21cm page 1 printed both sides CITY OF MOORABBIN HISTORICAL SOCIETY / AFFILIATED WITH THE ROYAL HISTORICAL SOCIETY OF / VICTORIA AND THE CHELTENHAM ARTS AND CRAFTS SOCIETY/ President Mrs N. Blackman….Editor of Newsletter Mr T.A.Sheehy Secretary Mrs F.Neville / VOLUME 6 No.5 NEWSLETTER JUNE 1966city of moorabbin historical society 1961, sheehy t.a., newsletters

This is Newsletter No 7 Vol. 5 produced in October 1965 by Mr T. A. Sheehy CMHS for members and visitors The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) Topics ; RHSV 1st Vic Historical Conference; MCC Mayor Cr. H Stevens; 'The Three McQueens conclude' This is Newsletter No. 7 Vol. 5 of the CMHS October 1965 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 1 x 21x L 26cm x W 21cm page 1 printed both sides CITY OF MOORABBIN HISTORICAL SOCIETY / AFFILIATED WITH THE ROYAL HISTORICAL SOCIETY OF / VICTORIA AND THE CHELTENHAM ARTS AND CRAFTS SOCIETY/ President Mr R. Ashley….Editor of Newsletter Mr T.A.Sheehy Secretary Mrs F.Neville / VOLUME 5 No.7 NEWSLETTER OCTOBER 1965city of moorabbin historical society 1961, sheehy t.a., newsletters, neville f, ashley r, moorabbin city council, rhsv, stevens h cr mayor, mcqueen m,

This is Newsletter No 9 Vol . 5 produced in December 1965 by Mr T. A. Sheehy CMHS for members and visitors The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) Topics ; 1965 in review; fourteen new organizations formed in City of Moorabbin; Moorabbin Community Hospital; CMHS Junior Citizens Scheme; vandalism in Moorabbin, Sport, 'Moorabbin News' Newspaper; This is Newsletter No. 9 Vol.5 of the CMHS December 1965 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 2 x L 26cm x W 21cm page 1 printed both sides CITY OF MOORABBIN HISTORICAL SOCIETY / AFFILIATED WITH THE ROYAL HISTORICAL SOCIETY OF / VICTORIA AND THE CHELTENHAM ARTS AND CRAFTS SOCIETY/ President Mrs N. Blackman….Editor of Newsletter Mr T.A.Sheehy Secretary Mrs F.Neville / VOLUME 5 No.9 NEWSLETTER DECEMBER 1965city of moorabbin historical society 1961, sheehy t.a., newsletters, blackman n ,neville f, moorabbin city council, moorabbin community hospital, moorabbin associations, moorabbin arts festival, victorian electoral boundaries 1965, moorabbin news 1965, turner road swimming pool,

EXTRACTS FROM MINUTE BOOKS FROM MUNICIPALITY OF CLUNES, COMPILED BY CON WEIKHARDT 52 PAGES FROM 13/12/1860 TO 02/10/1867 INCLUDING DETAILS OF INAUGURAL MEETING THE PAPERS ARE IN AN ENVELOPE ADDRESSED TO MRS. LENA WATTLEWORTH, CRESWICK HOSPITAL NURSING HOMEON TOP OF ENVELOPE HANDWRITTEN" CLUNES COUNCIL MINUTES, WATER SCHEME FOR MINES ON SEPARATE HANDWRITTEN SHEET" ON LEFT HAND CORNER A STAMP: " CLUNES MUSEUM WILLIAM BARKELL MEMORIAL, ARTS & HISTORIC CENTRE INC, 36 FRASER STREET CLUNES 3370 con weickhardt, lena wattleworth, municipality of clunes, water scheme for mines

Photographed by Pat Grainger, volunteer during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, exterior of chapel apse - detail of brickwork, windows and crossmissions to seamen, built environment, pat grainger

Human Archetypes, The Uncanny Valley, and Inorganic Human Forms The work interrogates the recurring concept of humankind’s fascination with replicating herself in her own image. Just as the Judeo-Christian God is said to have created humans in his own image, we replicate ourselves in art and then science. We seek to make an artificial intelligence that may well be fraught with our own survival as a species, and we refine these creations until we can no longer tell if they are human or facsimilie. Even when this is impractical; when a non-human robotic form may well be better suited to the task, we persist in making our new companions in human form. So much so that when our creations develop their own ability to create human forms, they inherently seek perfection of human characteristic when no such thing exists, and all humans are flawed. My work takes the human and reverses this process, seeking to see how dehumanising one can make the subject of portraiture before it becomes ‘the other’. In doing so, I look for what makes us human, and how we portray or present various aspects of humanity and human endeavour as stereotypical archetypes. I have used, as a paying subscriber, the artificial intelligence presented in the Adobe Creative Suite, which is ethically sourced from Adobe’s own stock collection which itself has been purchased from artists, as a launchpad for this exploration, thus invoking concepts of meta - where the AI works on a project that attempts to dissect the very reasons and underlying foundations of humankind’s desire to create AI in the first place. Some of the work touches on the idea of a human/AI connection, extending to the concepts of an interspecies symbiosis, and whether a human could experience a genuine love of a non-organic human form, and vice versa. Clayton KEEFE Completed a Bachelor of Visual Art at Federation University Arts Academy in 2023.Colour photograph of metal arm and hand holding a wine glass, in front of a window.clayton keefe, available, photography, ai, alumni

Musicals, house plays, theatre productions produced in association with Bialik College, no date. VHS encased in paper or plastic cases, labelled with relative musical or theatrical production. Includes recordings King Oedipus, The Visit, The Great Bodgie, Margarina. For access or permissions regarding these materials contact the archive [email protected] encased in paper or plastic cases, labelled with relative musical or theatrical production. Includes recordings King Oedipus, The Visit, The Great Bodgie, Margarina. visual and performing arts, theatre, arts, bialik college, judaism, 1990s, 2000s

Maryanne was born in Melbourne in 1960. While she was very young her family moved to Ballarat, Victoria, where she was educated. She attended the Victorian College of the Arts in Melbourne from 1979 to 1981 and graduated with a Bachelor of Arts (Fine Arts) Painting. She undertook further studies at the University of NSW graduating in 1984 with a Graduate Diploma in Professional Studies (Painting). She commenced a Master of Arts candidature in 1996 at the University of Ballarat converting this to a PhD candidature in 1997, receiving her Doctor of Philosophy in 2000. Her first major award was the Blake Prize that she won jointly in 1983 with the painting " Easter in my Room", now part of the collection of the Australian Catholic University, Ballarat Campus. Maryanne has worked as a Sessional Lecturer at the Arts Academy, University of Ballarat (1999 - 2003), the Department of Fine Art and Design, Monash University, Melbourne (2000 - 2005) and the Faculty of Humanities and Social Science, Latrobe University, Bendigo Campus (2008). She was a Lecturer in the Faculty of Arts and Science, Australian Catholic University, Melbourne and Ballarat campuses (2003 - 2004). She is currently (from 2006) a Lecturer in Drawing and Painting in the Department of Fine Art, Monash University, Melbourne. Collections of her work are in various galleries including the Art Gallery of Ballarat and Federation University, Ballarat.women of note, maryanne coutts, educated in ballarat, university of ballarat, master of arts, doctor of philosophy, blake prize, university of nsw, victorian college of the arts, department of fine art, monash university, australian catholic university, latrobe university bendigo university, federation university, art gallery ballarat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Sixth in a suite of 16 in the Admella Rescue Series. Shows head and shoulders and right arm of man on Admella, holding the hand of someone in the sea. Two bands and forearms of another person in the the sea reaching up. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859 - hand written in black penadmella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fourth in a suit of 16 in the 'Admella Rescue Series'. Depicts the head of one horse, and the head and one forelegg of the second horse, among large waves. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 'Some valuable horse stock was on board .... the horses were thrown overboard.... SA Advertiser 7th August 1859' - hand written, black penadmella, portland lifeboat, shipwreck

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut Print. Third print in suite of 16 in the Admella Rescue Series. Shows two men on rocky shore, rough sea in background. One man on hands and knees, the other, still in water, holding a long box. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 2009 '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859' - handwritten, black penadmella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Sixteenth in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts a group of 6 people, one of whom is addressing a crowd of people.Front: 'Linocut Bob Stone 2009' A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859 - hand written, black penadmella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Tenth in a suite of 16, in the Admella Rescue series. Depicts Portland lifeboat. 3 crew members leaning leaning over sid eof life boat towards someone in water. Printed in black on white archival paper.Front: Linocut, Bob Stone. ...'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859' - Handwritten, black penadmella, shipwreck, portland lifeboat

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat