Showing 1444 items
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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Victory Medal
The Victory Medal was authorised in 1919 to commemorate the victory of the Allied Forces over the Central Powers. Each of the Allied nations issued a ‘Victory Medal' to their own nationals with all of these having the figure of Victory on the obverse as a common feature. Australians were awarded the medal issued by Great Britain. A member mentioned in despatches (MID) for service during World War 1 wears a bronze spray of oak leaves on the Victory Medal ribbon. Only one emblem is worn no matter how many times a member may have been ‘mentioned'. When a ribbon alone is worn a slightly smaller insignia is worn as a ribbon emblem. Eligibility The Victory Medal was awarded to prescribed classes of persons who entered a theatre of war on duty between 5 August 1914 and 11 November 1918. The Medal The Victory Medal is bronze with a winged figure of Victory on the obverse. The reverse has the words ‘THE GREAT WAR FOR CIVILISATION', all surrounded by a laurel wreath. The Ribbon The Victory Medal ribbon has a ‘two rainbow' design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet. No 19 Farrier Sgt William Stephens, a 26 year old station hand of Drouin, Vic, enlisted RHQ 4 LH Regiment on 21 August 1914.Embarked 19 October 1914, A Squadron 17 April 1916, sick (malaria) 10 Aug 1917, 14 Army General Hospital , Abbassia, 18 Aug, rejoined Regiment 11 Jan 1918, Returned to Australia 15 Nov 1918. Militia service with 13 LH Regt Full size medal with ribbon, unmountedSGT W STEPHENS 4 LHR AIFvictory medal, sgt stephens 4 lh -
Bendigo Military Museum
Uniform - MESS DRESS, ARMY, 1972-1973
Uniform Mess Dress issued to "Kevin Finch".Mess Dress style, black colour wool/polyester fabric jacket and trousers. Black colour polyester fabric lining. 1. Jacket - collar with two lapel badges, gold, silver and black metal with crown, star, laurel leaves and lettering "ER/ ROYAL AUSTRALIAN CORPS OF TRANSPORT". Five front pockets - two top patch pockets with button down flaps, at waist fob pocket, two lower inset pockets with flap. Top of the sleeves have three gold colour fabric rank stripes = Sergeant. Gold coloured plastic buttons with shank and metal pin with raised emblem and lettering. Crown, RACT, ER, metal belt keepers. 2. Belt - fabric as jacket, gold colour plastic buckle with two pins with black colour plastic button. Belt sits in metal belt keepers on jacket. 3. Trousers, two side pockets, fob pocket, back inset pocket. Metal and nylon zipper fly with metal hook closer. Black plastic buttons inside on waistband for braces. red colour wool fabric 4cm wide stripe down each side seam. 1. & 3. White cotton fabric manufacturers labels - inside right pocket and waistband.Manufacturers information on labels - black ink print. 1 & 3. "KEITH COURTNEY PTY LTD/ VICTORIA/ 1972-1973/ ^/ NAME/ SERVICE NO." Black ink stamp "FINCH, K".uniform, army, mess dress -
Bendigo Military Museum
Uniform - JACKET, TROUSERS - RAN
Name on drycleaning ticket - "SHARPE".RAN Winter ceremonial uniform Officers. 1. Jacket, black colour wool/polyester fabric. Double breasted with six buttons, collar, two inset lower pockets with flap. Shoulder patches/flashes at top - black fabric, gold lettering "AUSTRALIA". in middle of sleeve black fabric with gold thread embroidered Queen's Crown, with real inserts and crossed anchors. Attached below are three gold stripe chevrons on black fabric. indicates Petty Officer with years of service. Buttons - gold colour metal buttons with shank with raised lettering and emblem - Queen's Crown, Anchor and "AUSTRALIA" (one missing). Lining - black colour polyester/ cotton fabric. Two concealed pockets. Sleeves - two gold buttons. Right sleeve - shoulder patch - black colour fabric with gold embroidery "S" in six pointed star surmounted by Queens crown with red inserts. Petty Officer - Steward. 2. Trousers - black colour wool/polyester fabric with fob pocket, two inset side pockets, one inset back pocket. Black and white colour buttons for waist adjustment and braces. cream colour cotton fabric lining waistband and pockets. Black colour ribbon stripe down outside seam. Metal zipper fly. Manufacturers information - gold embroidery. 1. "C.G.C.F.", on back of metal buttons "STOKES & SONS/ MELB".ran, uniform, steward -
Mont De Lancey
Tin
Rectangular, Clubman tobacco tin with a light blue background and a dark blue 3.5 cm. diagonal strip across the hinged lid. It contains three small, cardboard picture cards with images and names of: a cart, a harp and a star, together with matching name lables.On lid: The merged gold letters "M", "T" and "C" surmounted by a gold crown at the top left hand end of the dark blue diagonal stripe and the name "CLUBMAN" at the right hand end, together with: "A Distinctive Cigarette" in very faded black lettering. Printed at the bottom of the lid are the words: "Silk Tipped Virginia" in black print. Also on the lid are the hand-written letters "CN" written in black permanent ink. Inside the lid: "The Clubman" with the company logo underneath. "A Distinctive Cigarette manufactured from carefully selected tobacco for discriminating smokers" "The Marcus Tobacco Co."tobacco tins, tobacco containers, smoking equipment -
Tennis Australia
Racquet, 1976
A Rawlings, Bicentennial Model tennis racquet, with string whipping on shoulders, and leather handle grip with X-formation perforations. Rawlings logo features across crown, and across base of head, flanked by red and white stripes. Model name features across throat. A row of white stars on a blue background features along the shaft. The United States flag, with the dates '1776' and '1976' situated above and below it, respectively, features on the lower shaft. Cursive 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Leather, String, Enamel, Adhesive tapetennis -
Ballarat Tramway Museum
Photograph - Digital Image, Bridge Street
Yields information about the appearance of Bridge St early 1960's and the buildings on either side. Shows the festoon lighting.Digital Copy of a photograph sourced by Roger Greenwood as part of his work on the production of a Video Tape on Ballarat's trams. Photographer and source details not provided by Roger. See btm6304doc.pdf Image looking west along Bridge St Ballarat with the festoon lighting in position. See Reg Item 6303i. This image appears to be early 1960's, possibly a bogie tram with yellow stripping at the Grenville St end, but not the large white stripe. Has the Stones Corner and The State Bank buildings in the view. Photo from a postcard, published c1967 as advised in the e-mail of 20/7/15. Print in box 13 trams, tramways, bridge st, stones corner, main road -
Mission to Seafarers Victoria
Letter - Correspondence, 16/01/1951
Allan writes that finding a job in London is difficult and work poorly paid. He had hoped to go to photography school in London but the earliest he could get in was November so he decided to return to Australia. August was the earliest booking he could obtain. In the meantime he is returning to Norway in the hope of finding work there. He asks his mother to send money from his account in Melbourne to his bank in London.Quinn CollectionA six-page letter written in green ink on three sheets of very thin, unlined, buff-coloured paper (0856.a1-6) headed London and dated 16/01/51. Each sheet of paper has been folded in book form. The air-mail envelope (0856.b) bordered by alternating yellow and blue stripes, is postmarked London. Two stamps, a three penny purple, and a one shilling brown, are placed in the top right-hand corner. On the back of the envelope is a return address written in green ink, and some penciled numbers. Enclosed is a separate letter on a smaller sheet of the same paper (0856.c).The letter (0856.a1-6) is from Allan to his mother. The smaller letter (0856.c) is from Allan to the Manager of The State Savings Bank of Victoria, Head Office, Melbourne giving permission for Allan's mother to draw on his account. On the bottom of this letter is a purple, oval imprint. Part of the writing around the imprint is illegible and part reads '...of Victoria * Elizabeth St. Melb. * ...' In the middle of the oval is printed '24 Jan 1951' and 'Manager's Clerk'. Across the lower left corner is written in black ink 'Signature verified' and a signature (illegible). Allan's full name and account number are written in pencil in the lower right hand corner.. letters-from-abroad, allan quinn, london-uk, norway -
Melbourne Tram Museum
Ephemera - Ticket Blocks, Melbourne & Metropolitan Tramways Board (MMTB), "Railway Check Ticket", c1970s
Block of tickets - paper printed paper stapled too a cardboard back with a top retaining piece, "Railway Check Tickets" printed in black on off white paper with two red diagonal stripes, numbers B879814 to 879999. Used for passengers who travelled by tram or bus on railway issued tickets. Has the terms of use printed on the tickets, only available on Sundays. Issued by the MMTB. The only line that these were used on was Route 19, for the Upfield line. See Reg Item 2371 for a timetable where tram/bus used only on Sundays and 2378 when it was in the evenings Monday to Saturday and all day Sunday.trams, tramways, upfield, tram replacement, buses, railways, tickets -
Bendigo Military Museum
Uniform - MESS DRESS, Snows
1. Black Military Jacket - four pockets. brass buttons with AMF motif - 2 epaulettes - 2 on top pocket, 4 on chest. There are three officers pips on each epaulettes. It has a 38 Bn - Northern Victorian RACT silver badge on each collar. It has a qty of six medal ribbons. War Medal 1939-45/ Defence Medal/ Pacific Star/ Africa Star/ 1939-45 Star/ Australian Service Medal. 2. White shirt - long sleeved - possibly silk. 3, Tie black - possibly silk. It is stitched in place. 4. Trousers black, red stripe, black buttons.The shirt has a sales ticket "St. Vincent of Paul" Cost $0.30.ww2, formal army uniform, passchendaele barracks trust -
Ballarat Tramway Museum
Negative - Black and white print from negative, Travis Jeffrey, c1961
Negative No. N391 and black and white print made by a laser printer (stored in folder) of Ballarat tram No. 34 about to cross Grenville St from Sturt St into Bridge St. Photo has the driver setting the route to control the tram signals for Mt. Pleasant. Photo has the buildings along the north side of Sturt St in the photograph. Date of photo on folder - 5/9/1959, but this is incorrect, as the tram has been fitted with dash canopy lights and tiger stripes, post 1961. Folder and negative could have been mixed up. Original negative rescanned 24/5/2020 and image file updated. Paper folder that contained the negative had "NR8A" in red ink, "BA19" in pencil, date stamp of "5/9/1959" on front, and on rear date stamps "26 Sep 1962" and "26 Sep 1962".trams, tramways, sturt st, grenville st, signals, safeworking, tram 34 -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Bisque porcelain figurine of a doctor
Bisque porcelain figurine of a male doctor holding a medical instrument. The doctor has grey hair and is in surgical attire, with white gown, gloves, surgical hat and mask. The cuffs of his brown trousers, and his black shoes, are visible below the gown. The doctor is wearing glasses on the end of his nose, and holds a surgical tool in his right hand. The figurine is standing on a base with a painted green stripe across the centre, and is supported by a pillar at the back which is decorated with decorative orange and black squiggly lines. Orange and black squiggly lines also feature on the front of the base. Handwritten lettering on a sticker on underside of base reads 'FF'. -
Bendigo Military Museum
Uniform - BATTLE DRESS, ARMY, 1953 - 1970
1. Battle Dress Jacket. Wool Khaki. It has Sgts Stripes, on each shoulder are cloth badges. 3 Div and Northern Victorian Rgt. The jacket has two breast pockets and a purpose made cloth belt. 2. Trousers Battle dress. Wool, khaki. Fly held shut with five buttons. Brown buttons hold belt loops. 3. Shirt, polyester. light Khaki. Long sleeve. Two breast pockets held shut with brown buttons. 4. Tie, light brown. 5. Hat, Khaki fur felt. It has a silver hat badge of 38 Battn - Motto HONOREM CUSTODITE.Inside shirt collar has letters. R.W. written in ink. Written in texta, inside leather band is: - Atkinson 2794820.38 bn, post ww2, cmf, passchendaele barracks trust -
Shepparton RSL Sub Branch
Saddle, First World War
Saddle bag used during the First World War. This is presumably a dog saddle bag used to carry machine gun weaponry.This item is a piece of equipement that presumably was used as a dog saddle bag during the First World War. As a WW1 item which presumably would have been worn by working war dogs, this item has an unique history associated with it. It is a rare item, it has historic significance and good interpretive capacity as an unusual piece of war equipment.Fabric and leather saddle bag rectangular in shape with curved edge for the curve of the animal's neck. Fabric is beige-coloured on interior and a thicker woven layer on the exterior is brown with black and light green stripes; fabric remains on only half of the exterior saddle and holes throughout remaining. Saddle has leather binding along edges. Each side carries five pockets, the outer two on each side are fastened by metal buckle and the middle remaining unfastened. Pockets are lined with same beige-cream woven fabric. Leather strap fastens around the neck of the animal and is secured with a metal buckle which inserts through one of several punched holes. first world war, world war i, world war one, the great war, saddle, horse, mule, mounted infantry, equine -
The Beechworth Burke Museum
Animal specimen - Grey Butcher Bird, Trustees of the Australian Museum, 1860-1880
Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair -
Ballarat Tramway Museum
Ephemera - Ticket/s, Victorian Railways, ARHS / TMSV joint tour to Farewell Ballarat Trams, 1971
Has a strong association with the tours to mark the closure of the Ballarat Tramway system and Graeme Breydon.Edmondson pasteboard railway ticket, No. 741, dated 21 august 1971, for use on an ARHS / TMSV joint tour to Farewell Ballarat Trams - the first day of the closure of the system. Ticket base is white with three vertical green stripes, which is printed in landscape format. Has been over stamped "Farewell Ballarat Trams" and "Tramway Museum Society of Victoria". From memory, these tickets were bulk printed by the Victorian Railways for the ARHS and the over stamped for use on particular days/events, meals etc. Would have been used as the tram ticket on the day. Ticket used by Graeme Breydon on the day of the tour. See History of the Object for further details.trams, tramways, arhs, tmsv, tickets, closure -
National Vietnam Veterans Museum (NVVM)
Award - Medal set, Australian Defence Medal, 2006
From the Swainston Collection, a set of documents and medals from a National Serviceman. The Australian Defence Medal recognises Australian Defence Force personnel who have completed either an enlistment period or four years service after 3 September 1945.This is an example of the Australian Defence Medal for which all Vietnam veterans were eligible.Cupro-nickel Australian Defence Medal plus miniature of same, attached to red and white striped ribbons with black edges to represent the colours of the Flanders poppy, symbol of the Anzac spirit. Three red stripes signify Army, Air Force, Navy. Striped ribbon bar with pins forms part of set. Covering letter addressed to N E Swainston, dated '27 April 2011'. The information card about symbolism of medal and original hard black case complete the set. Front shows Commonwealth Coat of Arms surrounded by the words 'THE AUSTRALIAN DEFENCE MEDAL'. Reverse bears "FOR SERVICE' plus Crown of St Edward within a wattle wreath.'3801127 N E SWAINSTON' engraved around bottom edge of large medal.medal, defence medal, honours -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, Keith Kings, 21/08/1955 12:00:00 AM
.1 - Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Geelong, 37, fitted with dash canopy lighting and tiger stripes outside the depot, 21/8/1955. Tram has destination of "East". Name of "Blakistons" on building in background. Photo on back has number "l 012A and 14.5.70" in black ink, possibly indicating date of making print. Keith Kings No. P(d)(5) .2 - Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Details as above..1 - Stamp in top left hand corner and handwritten number with "K.S. Kings No. P(d)(5) Copyright reserved". In blue ink "Geelong / No. 37 / As fitted with dash lighting / Outside depot / 21/8/55". .2 - Stamp as above. In blue ink "Geelong No. 37 Zebra painted ends and canopy. Only ex P&MTT bogie thus. (All ex HTT bogies thus) 21/8/55". trams, tramways, geelong, depot, blakistons, tram 37 -
Keilor East RSL Sub Branch
Medal - Civilian Service Medal 1939-45
Replica medal with pale lime green with red centre ribbon, mounted on promotion card with notes.Promotional card reads: The Governor-General awards the Civilian Service Medal 1939-1945 on the recommendation of the Prime Minister or delegate. / The Civilian Service Medal 1939-1945 is bronze and portrays the Southern Cross surrounded by golden wattle , Australia's floral emblem. / The Southern Cross represents Australia and the golden wattle represents the civilian population joining in defence of the country. / The medal ribbon has three vertical bands. The central band is ochre to represent the soil of Australia. / The two outer bands are green for the land and food production. The two white stripes on the ribbon represent communication and construction. civilian, 1939-45, australian -
Shepparton RSL Sub Branch
Case, Vinyl Record, Hits of the War Years, 1985
Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Glossy square-shaped card sleeve printed in colour with combination of text and black and white photographs arranged as though a newspaper page. From top left corner: green stripe, red album title, union jack, photograph of a young servicewoman, photograph of the Cliffs of Dover, photograph of St Mary's and various song titles in various serif fonts. Newspaper-style page set behind metal square fencing upon brick fence, simulating a newspaper being sold. Reverse features pastel-toned photograph of Vera Lynn, with smaller collage-style image of the newspaper-style text on front, below which are song titles for Side One and Side Two in a numbered list. vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Mercantile Marine War medal, abt 1918
The Mercantile Marine War Medal was awarded by the Board of Trade of the United Kingdom to members of the Merchant Navy for one or more voyages through a war or danger zone during the course of World War I. Miniature with ribbon. Description of full size medal: A circular, bronze medal, 1.42 inches in diameter. The obverse has a bareheaded effigy of King George V, facing left, with the legend: GEORGIVS V BRITT : OMN : REX ET IND : IMP : The reverse shows a merchant ship ploughing her way through stormy seas, an enemy submarine sinking and a sailing vessel in the background. The base of the reverse has the inscription FOR * WAR * SERVICE / MERCANTILE MARINE / * 1914 - 1918 * in three lines. Around the edge of the rim is a laurel wreath. The ribbon is 1.25 inches wide and is coloured green, white (thin middle stripe), and red (represent starboard and port running lights with the masthead steaming light in the centre). medal mercantile marine -
The Beechworth Burke Museum
Animal specimen - Pacific Black Duck, Trustees of the Australian Museum, 1860-1880
The Pacific Black Duck is also known as the Grey Duck in New Zealand. Despite these names, the plumage of the bird is brown in colour with the occasional cream and small amount of black. This species of Duck is located in all of Australia with the exception of the most arid zones. They can also be found throughout the Pacific region. The Pacific Black Duck resides in a range of different habitats that have some sort of water. These birds feed on aquatic plants, crustaceans, molluscs and aquatic insects. To catch their food, these birds plunge their heads and necks under the water with their rear raising above the top of the water. This technique is termed "dabbing". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Despite its name, the Black Duck is largely brown in colouring. It has a mixture of light brown and cream plumage on the neck, face and stomach. The wings and rear of the duck are a darker brown. Each brown feather is bordered with a cream colour which separates the feathers from each other. The top of the head is also dark brown and there is a darker stripe of black colour horizontally on either side of the eye. The specimen has two brown and black glass eyes and a black bill. The legs and webbed feet are a dark brown and black colour. Tied around the left leg is a paper identification tag. The number 134 is inscribed on the left side of the wooden platform on which the bird is standing. This specimen is stocky.3a. / Australian Wild Duck / See Catalogue, Page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, duck, pacific black duck, grey duck, australian duck -
The Beechworth Burke Museum
Animal specimen - Black-faced Cuckoo-shrike, Trustees of the Australian Museum, 1860-1880
The Black-Cuckoo-shrike is common throughout Australia and can be found in wooden habitats with the exception of rainforests. These birds can be located in urban areas and often perch on television aerials. Their diet consists of insects and other invertebrates which they catch in the air while flying, from foliage or on the ground. They may often eat some fruits and seeds. Interestingly, this bird is neither a Cuckoo or a Shrike despite the name. The name derives from their feathers which have similar patterns to the Cuckoos and the shape of their bill which resembles that of the shrike. Today, the Black-faced Cuckoo-shrike has a protected status in Australia, under the National Parks and Wildlife Act, 1974. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a young Black-faced Cuckoo-shrike which stands perched on a wooden mount. It has pale grey colouring which is darker on the rear. The wings are tipped with grey-brown feathers and the same colour feathers also appear on the bird's tale. This species is a slender and attractive bird. They have dark limbs and bill and this specimen is provided with two glass eyes which are dark in colouring. The bird has a more creamy pale grey on the throat and stomach. It has a black facial mask which is restricted to an eye stripe. This restriction reveals this particular specimen to be a young Cuckoo-shrike because the elder of these birds have the black colouring on the entirety of their face and neck and not just the eyes. 21a / Black Faced Graculus / See catalogue page 11taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, black-faced cuckoo-shrike, cuckoo, shrike, common birds, australian birds, australian bird -
Bendigo Military Museum
Uniform - MESS DRESS, ARMY CHAPLIN, A.G.C.F, 1987
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Black woollen trousers with a purple stripe down the outside of each leg. Zipper fly. Calico manufacturer's label sewn onto the inside of the waist band. .2) White elastic braces with leather attachments for securing to trousers. .3) Black woollen waistcoat with four gold coloured buttons, each bearing a Christian Chaplain's insignia. .4) Black woollen mess jacket with purple lapels, cuffs and epaulettes. Black nylon fabric lining. Gold crucifix on each lapel. Major's insignia on each epaulette. Gold coloured buttons each bearing a Christian Chaplain's insignia. .5) Black fabric bow tie with clear plastic clips for fastening to a collar.Handwritten on trousers' manufacturer's label in black ink: '556101'army chaplain, uniform, mess dress, major thomas b. williams -
Bendigo Military Museum
Uniform - UNIFORM, RAN - Winter Ceremonial, RED ANCHOR TAILORING CO
Royal Australian Navy Uniform belonging to E Rayner. Sailor cap/lid belonged to LS MTP Ross.1. Jumper/Barathea - Long sleeve, black wool/polyester fabric. Insignia - left sleeve depicting rank - right sleeve - depicting category. 2. Trousers - bell bottom, black wool/polyester fabric. 3. Shirt - white polyester/cotton fabric, short sleeve, navy blue trim to square neckline. Insignia on left sleeve. 4. Collar - Navy blue with three white stripes, cotton fabric - lined. 5. Silk - black polyester fabric. 6. Bow - Navy blue cotton tape. 7. Lanyard - white cotton cord. 8. Lid - Sailor's cap - white plastic with black band with Navy blue chin strap.1 & 2. Maker's label - Red and white print. Hand embroidered red cotton "E. RAYNER". 3. Handwritten blue ink "44" on back of neckline. 4. stamped in black ink " E.W. RAYNER", makers label. 8. Handwritten, black ink "LS MTP ROSS" inside on crown. Tally band embroidered gold thread "H.M.A.S. CERBERUS' on black band.uniform, ran -
Bendigo Military Museum
Uniform - MESS DRESS, RACT, 1) and .2) DAVID KLEIN PTY LTD, 1) and .2) 1966
Royal Australian Corps of Transport mess dress belonging to Kevin John Herdman. Part of the Kevin John Herdman No. 397661 Collection, See Catalogue No. 5942P for details of his service record..1) Black jacket with two button-down breast pockets and two side pockets with flaps. Jacket buttons at the neck and down the front. Unit insignia on right collar. White starched false collar attached with studs. All buttons bear a unit insignia and are gold coloured. Major's rank insignia on each epaulette. Manufacturer's label on inside left. .2) Pair of black trousers with two white stripes down the outside of each leg. Buttons on waist band for attaching braces. .3) White elastic adjustable braces. .4) Black peaked cap with red band. Gold coloured braiding on peak. Brown coloured sweat band and clear plastic lining..1) On manufacture's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. On false collar: 'C.G.C.F., SIZE 15'. .2) On manufacturer's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. .3) Stamped on leather joiner: 'P-F, 10 73, (upwards arrow), 44'. .4) Inside cap: 'COMMONWEALTH GOVERNMENT CLOTHING FACTORIES, MELBOURNE,6 3/4'.uniform, mess dress, royal australian corps of transport, kevin john herdman -
Bendigo Military Museum
Uniform - MESS DRESS FOR A LT.COLONEL, Glo Weave (Shirt only), 1940-1960
Refers to the service of Lt.Col. "Roy Shadforth".1. Red waist jacket, white collars and white cuffs. 38 BN. R.V.R. Badge (Gold) on collars. Epaulettes show gold Lt.Col. badges and gold A.M.F. buttons. It has one interior pocket. 2. Red sleeveless vest. 4 brass (Gold) buttons, AMF motif, lined with a faint light cotton. 2 exterior pockets. 3. Shirt, short sleeved - off white. polyester cotton, 6 clear buttons, one breast pocket. 4. Black bow tie with plastic mount. 5. Trousers, woollen, black. Red pin stripe on outside legs. Lined with same cotton as vest. Straps at bottom of legs to hook up under feet.1. Written inside one arm pit is Shadforth. 2. Written inside vest is Shadforth. 5. Written on trouser pocket is Shadforth.post ww2, cmf, uniform, roy shadforth, passchendaele barracks trust -
Flagstaff Hill Maritime Museum and Village
Equipment - Juggling Club, late 19th to early 20th century
This wooden juggling club or exercise club may also be referred to as a juggling pin. It is very similar in shape to a bowling pin or an Indian club. It dates approximately to the early 20th century. It may have been used as one of a pair for gymnastics or exercise, or part of a larger set used by a juggler for entertainment in a circus or carnival. At some time it may have been used with a ball or disc as part of a Skittles or bowling game set. The historical collection of Federation University Australia, Victoria, includes a very similar but slightly shorter club, labelled ‘timber skittle”, as can be seen in their photograph. Another example of very similar-shaped, same-sized clubs can be seen in the collection of Nobelius Heritage Park and Emerald Museum, Emerald, Victoria. JUGGLING Jugglers entertain audiences with their tricks and routines at events such as circuses, amusement parks, parties, shows on television or theatre, schools and parties. Juggles also compete at International Championships to obtain world records, performing as individuals or in groups or teams. Contemporary champion juggler David Cain performs a Juggling History Show that both entertains and educates his audience. His routines date from the early 1600s to the 20th century. He uses a wide variety of equipment in his acts including juggling clubs. EXERCISE Exercise clubs or Indian clubs were used in 19th century Victorian times as part of exercise or strengthening programs when they were swung in certain patterns and movements. Even in the early 20th century workplace a few minutes of Indian club swinging was common practice for the relief of tension. A video clip of an American school room in 1904 shows a group of boys and girls skilfully wielding clubs in an exercise sequence (see ‘Links” section). The 1904 and 1932 Olympic Games had an event called Club Swinging. Rhythmic gymnastics was added to the Olympic Program at the L.A. Games in 1984 where competitors use apparatus such as rope, hoop, ball, ribbon and clubs. The clubs come in a variety of weights and heights and have been used from the mid-1800s until around the 1930s in schools and military institutions. They are decorated in a variety of patterns and colours and some have feature lines or scored rings on them. This juggling club is significant for its association with education, entertainment and sport in the late 19th and early 20th century.Wooden juggling club (or pin, skittle or Indian club). Vintage, bottle-shaped club with a flat, slightly concave, base. Its turned, solid timber body tapers out from the base then in again to a very narrow handle with a round knob joined onto the top. Two concentric feature lines are scored into the wider part of club. It was possibly used in exercise, gymnastics or as a skittle. Sections of the club have two brown painted stripes; paint on the lower strip has been worn off at the base . There are remnants of white paint in two areas, possibly the remains of a maker’s name or decoration. There also appears to be an inscription stamped into the wooden handle but this is illegible. Late 19th to early 20th century.Remnants of what appears to be stamped lettering and painted labelling.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, wooden skittle, entertainment, bowling skittle, wooden juggling pin, wooden juggling club, wooden exercise club, indian club, exercise club, club swinging, rhythmic gymnastics, sport equipment, juggling equipment, wooden club -
Mission to Seafarers Victoria
Letter - Correspondence, 28/03/1950
Quinn CollectionA one and a half page letter (0835.a) written in pencil on one page of pale cream unlined paper dated 28/03/50 and headed New York. The airmail envelope (0835.b) addressed in green ink to Randwick, New South Wales, Australia has been re-addressed in black ink to M S Mongabarra, C/-Transatlantic Shipping Company, Gothenburg, Sweden Envelope is edged with alternating red and blue stripes. There is a large tear in the upper right-hand corner where the United States of America stamp would have been. The post mark is New York, N.Y. The upper left hand corner bears a one and sixpence Australian stamp; the franking is indistinct. The letter is addressed to Allan. The writer refers to mutual friends and to the ship 'Fenris'. The signature is a Non-Anglo signature and indecipherable. The return address, written on the bottom of the back of the envelope, is to F. S?.....,119 East 127 Street, New York 35 N.Y. letters-from-abroad, quinn -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Atlantic Star, abt 1945
The Atlantic Star was awarded to commemorate the Battle of the Atlantic between 3 September 1939 and 8 May 1945. It was designed primarily for convoys and their escorts and anti-submarine forces, as well as for crews of fast merchant ships that sailed alone. Eligibility Awarded for six months service afloat, in the Navy, the Merchant Navy and by Army and Air Force personnel serving on HM Ships, in the Atlantic and Home Waters. Awarded to aircrew who have taken part in operations against the enemy at sea within the qualifying areas for Naval personnel, subject to two months service in an operational unit after earning the 1939-1945 Star. Qualifying dates are 3 September 1939 to 8 May 1945. The Medal The Atlantic Star is a six–pointed star of yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Atlantic Star'. Stars issued to Australian personnel have recipient names engraved on the plain reverse. The Ribbon The Atlantic Star ribbon has three vertical stripes of blue, white and sea green, shaded and watered. The colours represent the colours of the Atlantic Ocean. Clasps Two clasps were issued for the Atlantic Star: Air Crew Europe France and Germany Regulations only allow one clasp to be worn with the Star. When the ribbon is worn alone a silver rosette ribbon emblem is worn to denote the award of a clasp.Medal, Atlantic Star, miniature, with clasps- Air Crew Europe & France and Germanymedal, atlantic star -
The Beechworth Burke Museum
Animal specimen - Eastern Spinebill, Trustees of the Australian Museum, 1860-1880
The Eastern Spinebill is found along the eastern coast of Australia, from Queensland to South Australia. It lives in wooded areas. It is an insectivore and also eats nectar, which is why its beak is a long slender shape. Females and males have slight aesthetic differences; the males have more distinct markings on the head. The female birds build nests and incubate eggs, but both parent birds will feed the young. The Eastern Spinebill has a bright rust coloured belly and throat, with black wings, crown and tail. Its back is light brown. There is a white stripe on its chest which stretches up underneath its eyes. The eyes are red. This taxidermy specimen is not a good representation of the live bird because it is considerably faded and their feathers are very ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are two birds on a wooden stand. One has its beak in the air and the catalogue tag attached to its foot (main bird). It has some minor pest damage around its eye. The opposite bird looks straight ahead. The birds are placed next to each other, facing opposite directions. They are faded and have some ruffled feathers. 60a/ Spine Bill / See catalogue, page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, eastern spinebill