From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Very faded photographic colour positive of a christening gown and four Victorian-era dresses displayed at the 1976 Festival of Kew exhibition mounted by the Kew Historical Society. This picture is one of the earliest showing items from the Coombs Collection on display. The collection had been donated to the Society in 1961. Dresses displayed: L-R blue silk 2-piece fitted day day dress with long train; cream satin parasol; gold taffeta wedding dress with long train; blue silk 2-piece day dress with applied later lace at neck and waist; duck egg blue quilted afternoon dress with buttons at front. Inscribed verso: Kew Historical exhibition 1976festival of kew 1976, kew historical society -- exhibitions, coombs collection

Donated by Lewe who is a local member of Beechworth RSL.The social significance is that it represents Lewe’s service and is shared by donating his jacket.Jacket service dress blue grey with insignia rank for leading aircraftsman on the upper sleeves of both arms.Shoulder flashes with the word,Australia , on both shoulders.8 gold buttons in parallel columns of 4.2 buttons one on each breast pockets.Gold airforce eagle on both upper lapels.Label on outside of inside right breast pocketCloth label 75mm wide by 80mm long. Faint grey no,s - “12 “at top left corner”,8051” at right corner and “12” on bottom left corner. Ink wording as follows: “KENTISH CLOTHES “ on top first line of label,”S.A./1972/Gov,t or Defence arrow sign/8405-66-037- 4802/size 39 REGULAR/MATCHING TROUSERS/35 WAIST/SERVICE NO” with dotted line for wearer to write on.This is blank. “NAME” with dotted line also blank.” DRY CLEAN ONLY/REPRESS WITH DAMP CLOTH/DO NOT SIRO-SET” on bottom of wording.jacket, service, dress

Uniform Great Coat issued to "WES BERTUCH." Refer Cat No. 1664.2 for service history.Coat - Khaki colour wool fabric uniform Great Coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with buttons. Back has full length inverted pleat with lower vent with two buttons concealed closure. Double half belt with three buttons back at waist. Buttons - gold colour plastic with shank and metal split ring. Buttons have raised emblem - crown and crossed rifles - infantry. Two insert front pockets with flap. Khaki colour cotton fabric, half lining and sleeve and pocket lining. White colour cotton fabric manufacturers label - inside back below collar.Manufacturers information - black ink stamp. "8405-66/ 012-0495/ DUNLOP/ NSW/ 1966/ SIZE 7/ D^D" Very faint blue ink pen. "WES BERTUCH" uniform, army, great coat, wes bertuch

Refers to the service of Lt.Col. "Roy Shadforth".1. Red waist jacket, white collars and white cuffs. 38 BN. R.V.R. Badge (Gold) on collars. Epaulettes show gold Lt.Col. badges and gold A.M.F. buttons. It has one interior pocket. 2. Red sleeveless vest. 4 brass (Gold) buttons, AMF motif, lined with a faint light cotton. 2 exterior pockets. 3. Shirt, short sleeved - off white. polyester cotton, 6 clear buttons, one breast pocket. 4. Black bow tie with plastic mount. 5. Trousers, woollen, black. Red pin stripe on outside legs. Lined with same cotton as vest. Straps at bottom of legs to hook up under feet.1. Written inside one arm pit is Shadforth. 2. Written inside vest is Shadforth. 5. Written on trouser pocket is Shadforth.post ww2, cmf, uniform, roy shadforth, passchendaele barracks trust

Royal Australian Corps of Transport mess dress belonging to Kevin John Herdman. Part of the Kevin John Herdman No. 397661 Collection, See Catalogue No. 5942P for details of his service record..1) Black jacket with two button-down breast pockets and two side pockets with flaps. Jacket buttons at the neck and down the front. Unit insignia on right collar. White starched false collar attached with studs. All buttons bear a unit insignia and are gold coloured. Major's rank insignia on each epaulette. Manufacturer's label on inside left. .2) Pair of black trousers with two white stripes down the outside of each leg. Buttons on waist band for attaching braces. .3) White elastic adjustable braces. .4) Black peaked cap with red band. Gold coloured braiding on peak. Brown coloured sweat band and clear plastic lining..1) On manufacture's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. On false collar: 'C.G.C.F., SIZE 15'. .2) On manufacturer's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. .3) Stamped on leather joiner: 'P-F, 10 73, (upwards arrow), 44'. .4) Inside cap: 'COMMONWEALTH GOVERNMENT CLOTHING FACTORIES, MELBOURNE,6 3/4'.uniform, mess dress, royal australian corps of transport, kevin john herdman

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Black woollen trousers with a purple stripe down the outside of each leg. Zipper fly. Calico manufacturer's label sewn onto the inside of the waist band. .2) White elastic braces with leather attachments for securing to trousers. .3) Black woollen waistcoat with four gold coloured buttons, each bearing a Christian Chaplain's insignia. .4) Black woollen mess jacket with purple lapels, cuffs and epaulettes. Black nylon fabric lining. Gold crucifix on each lapel. Major's insignia on each epaulette. Gold coloured buttons each bearing a Christian Chaplain's insignia. .5) Black fabric bow tie with clear plastic clips for fastening to a collar.Handwritten on trousers' manufacturer's label in black ink: '556101'army chaplain, uniform, mess dress, major thomas b. williams

The bodice is of a style from the Victorian Era and so provides a good example of women's clothing from that time. Although it appears to have been made at a later time the lace possibly came from an earlier time period. It is of historic interest as it was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.The item is of significance socially as an example of women's clothing in the Victorian era.A short, waist-length bodice most likely made as a performance costume. It is representative of a Victorian bodice style though the lacing used indicates that it would not have been worn in those times due to its revealing design. Flexible metal stays provide shape to the bodice at the front and back. Sleeves are elbow length and lined with cream fabric. The bodice has a lace collar and the sleeves are trimmed with the same lace. Small gold coloured beads are stitched to the flower centres of the lace pattern. The burgundy coloured satin has an embossed floral pattern. The lace is of interest as it is from an older time period and being beaded would be especially sought after. Machine and hand stitched.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, satin bodice, beaded lace, victorian era, metal stays, terang & district co-op

Dark cream coloured dress with bodice and gathered waltz length skirt. Back opening on bodice with six hooks and eyes. Back opening on skirt with two hooks and eyes at waist. Bodice lined with ivory coloured cotton. Short puffed sleeves. Frill around bottom of skirt is edged with purple trim top and bottom. Frill around neck front and back. Decorative purple loops on sleeves and around neckline. Dress worn with a decorative overskirt, (see 11400.124), hand made. 1860's dress worn in 1920 by Ava Jane Hall, granddaughter of W.Lansell. Photo taken by Bartlett Bros in the 1920's. The gown was worn to a ball in the Bendigo Town Hall in 1920.costume, female, ball gown

Clothing. White linen camisole with peplum 8.5 cm deep. Round lace yoke at the front, with a panel for a ribbon insertion. Some evidence exists on the right front, that once there was a pink ribbon - possibly silk, but now there are only a few threads left. The insertion panel continues around the back neck edge. Two panels of three .5 cm tucks run from the neckline to the waist of the centre back. Front opening, with two 1 cm pearl buttons still evident, and a cotton tape and casing at the waistline. ON each side of front opening, a group of five pintucks, 7 cm long run from the waistline toward the bustline.All items belonged to Margaret Ann McLean.costume, female, white linen camisole.

Large 75cm tall plastic doll with curly blonde hair. Her eyes close when she is laid on her back. She is dressed in a cream muslin dress with vertical inserts of white braid. It is also trimmed with wide cream cotton lace on the bodice and hem and burgundy insert on the bodice. A burgundy sash is around her waist. Underneath the dress is a cream cotton pintucked petticoat trimmed with various cream laces and cream cotton bloomers trimmed with cotton lace and white satin bows. She is wearing black socks and brown canvas shoes with plastic soles. There is also a cream muslin bonnet, heavily trimmed to match her dress with a burgundy bow and a white muslin bow.toys, dolls, plastic

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.Black silk satin, lace and beaded pelerine from c.1890. The pelerine features a silk high stand collar covered in black lace. It secures around the neck and down the centre front to the waist by seven hook and eye closures. A black lace frill extends down the centre front from the throat to the centre front tip of the garment. The shoulders feature a heavy, intricately beaded floral design open sleeve through which the arm would be visible. The sleeve finishes around the elbow in a point, however the beading hangs down to below the hip in a loose fringe. At the back from below the shoulder, the garment shapes in to finish in a tapered 'V' shape over the wearer's coccyx. There is a hand stitched "M" in white thread on the inside lining of the pelerine near the neck.pelerine, brighton, barone, seaview

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

The dress was worn by Gladys May Moutray when she married Alan Tieman at St. John’s Anglican church Port Fairy in 1941.Home made wedding dress with attached train and lining/petticoat. Cream crepe over sewn in rayon lining. Material covered buttons x 7 with fabric loops on each wrist of long sleeves. Hook and eye (hand sewn) at back of neck closure and side closures of lining and dress. Velveteen ruffles around edge of train. Velveteen flower accent at front and back waist with Cornelli embroidery. Shirring at top of shoulders. Press studs at wrist closure. Dress L 134cm, W shoulders (flat) 32 cm, hem (flat) 80 cm. Attached train, L 134cm, W 164 cm. Sleeves, L (inside arm) 46 cm.female costume dress, wedding, gladys may tieman, alan tieman, gladys may moutray

A bodice belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle. st ninians, george ward cole, bodice, late 1800s, brighton, margaret morrison ward cole

This gown dated to c. 1910-1910Long sleeved full length dressing gown of cream coloured satin. Front opening with three passementerie buttons at centre front with fabric ties at waist (60cm). Ties split into two parts at halfway point Each tie is tied at the end with a thin cord and finished with two tassels with cord covered beads. Garment, including long sleeves, is fully lined with cream coloured satin with decorative stitching pattern.Rounded neckline at back with stand up collar (5cm) decorated with lace. Lace fabric panel across shoulders at front and back. Both sides of front opening have a border (7cm) from shoulder to hem. Neckline dips to V shape above waist. Panels decorated with piping. Front panels lined with cream coloured embroidered lace netting to top button. A different patterned lace lines the top part of the opening panels and extends across the neckline at the back.Two hanging loops attached inside shoulders at top of sleeves. Long sleeves of cream coloured lace fabric with double layer of satin lining. Each sleeve has a panel of decorative fabric from the top of the shoulder to the wrist (same decorative fabric as that used for border of front opening). Satin cuff (12 cm) scalloped edge above wrist. Inside cuff edge of sleeve is lined with lace fabric with a row of pleated net inserted at hemline at wrist. Front inside on LHS has a pocket handstitched to the lining, (30cm X 24 cm). Pocket has decorative pleated ribbon edging.costume, female, long sleeved dressing gown

This photograph was taken at the Mission to Seafarers, Melbourne, from the Celia Little Room looking into the kitchen. It was published in the Port of Melbourne Quarterly (July-September 1959) held in the Mission's archives. The little girl is Rosamond Kent, granddaughter of Padre Oliver.Frank Leslie Oliver served as chaplain at the Mission to Seafarers Melbourne for 30 years from 1930 - 1960, including time served as chaplain with the Royal Australia Navy aboard HMAS Australia. He was a live-in chaplain and was supported by his entire family, including wife Moira, for whom a memorial window exists in the chapel. It shows the contribution of the members of the Ladies Harbour Lights Guild providing the comfort of home to visiting seafarers.Black and white photograph of four women plating up and serving several meals in the Mission to Seafarers kitchen. They are being assisted by a young girl, Rosamond Kent (daughter of Beverley and Robin Kent - Beverley was the only daughter of the Revd. Frank and Mrs. Moira Oliver), who is holding a white jug in her right hand. She is positioned on the right of one of the women, who is on the furthest right of the photograph. The woman on the far right is wearing a string of pearls. The three women that can be seen from the waist up are wearing nice clothes, two with aprons (one is hidden by Beverley Kent). The head of the fourth woman is the only part of her that can be seen as she is positioned behind the woman on the left-hand side.On the back of the photograph there are two names: one is undecipherable and the other says 'Ro Kent' to signify Beverley Kent. There is also a number 5 in the top left corner with what appears to be a tick underneath it.kitchen, food, vinegar, mission to seafarers, celia little room, ladies harbour lights guild, pearls, aprons, plates, jugs, necklace, lhlg, children, rosamond kent

This coat was issued to Airman Bernard Farley in 1976 as an initial issue of uniform. Bernard was enlisted in the Royal Australian Air Force in Warrnambool on 26th January 1976. This item is a Royal Australian Air Force uniform that was issued for the airman Bernard Farley. It has historic and social significance as an item of local military history. It is also in near perfect condition.RAAF Blue Gaberdine Greatcoat/Overcoat. Double Breasted. Belted at waist. Partly lined inside body; sleeves fully lined. Two vertical pocket openings at belt height give access to large inner pocket and to separate inner clothing. Double line of 5 Gold coloured plastic(?) buttons with Crown and Wingson on left and right front of coat. Single black plastic button on inside of coat immediately behind top left gold button. Epaulettes on shoulders are attached at outer end and have a small gold coloured button and button hole attachment at inner end; 'RAAF' sewn in lighter blue thread on outer end of each epaulette. Sleeves have 3 small gold buttons on cuffs.Attachment inside collar reads; A.G.C.F. (Australian Government Clothing Factory) Vic 1976. Broad Arrow Symbol. 8405.66.013.6603. Size 3L. No. NAME. Attachment inside lower left reads; handwritten, 17481, E746813, 3L,30560. 27.Blue Stamp - S broad arrow Nraaf, great coat, royal australian air force, r.a.a.f., air force, uniform, coat, bernard farley, farley, airman, warrnambool, warrnambool rsl

Clothing. Women's cream coloured cotton vest with fold over collar at front edged with gold coloured cord. Deep V neckline at front. Centre front opening is fastened with six X 1 cm white buttons with gold pattern, and six button holes. On each side of the front opening are three fleur de lys patterns of appliquéd cord in brown, gold and cream. The lower edge of the front sections are edged with gold coloured cord. Back section of light brown cotton fabric. Front is lined with light brown cotton fabric. Satin ribbed ties (40 cm X 4 cm) attached on inside side seams at waist level. Vent (20cm) in centre back from hem.costume, female, women's cream coloured cotton vest

Cream silk, woven in a jacquard style, featuring a floral design. Fully lined with cream silk satin. A 4cm deep, stand-up mandarin style collar. Eight metal hook and eyes fasten the front in a concealed way. Heavy cording, finished with pearl trimmed tassels,a double inverted pleat, 22cm long at the centre back hemline. Three darts at shoulders giving a 'sleeve-like' shape. Lower edges of which are elaborately corded. A 12cm'slit' at the lower edge seam with the front panel gives more flexibilty to the wearer. Tassel head and decorative 1.5cm ''ball'' are woven in a ''turks head'' style. A 2.5cm wide silk ribbon, attached at centre back, and possibly tied around the waist.A card with the cape is hand written - ''For Historical Soc.if wanted, From M.Bush's Collection. Could have been from Mrs. Mueller's. Gift from Mrs. E.G.JARRETT''costume, female, cream silk evening cape

Porcelain figurine of a doctor holding a baby. The figure is male in appearance, and is wearing a long white coat which is enclosed at the collar and extends below the knees. The figure is wearing brown trousers and black shoes, and is standing upright with legs together. The figure has black hair, an exaggerated protruding nose, and has a serious expression, looking slightly upwards. The figure is holding a baby by the waist in his right hand, supporting the baby's feet with his left hand. A small Certificate of Origin is attached to the figure's left arm by a short length of green ribbon. The certificate is signed by the artist and indicates the piece was made in Italy. The base of the statue, between the figure's feet, is painted with the inscription 'PoG'. Underside of base is painted with the inscription '72/17'1/ITALY'.

1. Khaki Woollen jacket. Four front pockets. The front is held shut with four shiny buttons. AMF Motif. Epaulettes have 3 pips each (Captain) and shiny badge "AUSTRALIA". The arms have a triangular colour patch, bisected, having a black triangle over a red triangle. On the collars are brass badges of the 17th Prince of Wales Light Horse. 2. Trousers Woollen khaki. Brown buttons on fly. Side pocket and pressed metal buttons around waist. 3. Lanyard - purple. 4. Bandolier, brown leather. Five Ammo pockets, brass buckle. 5. Belt - leather, brown. Brass, two pin buckle. Brass fittings to add a sword and shoulder strap.4. Written on back of Bandolier = L.W. Baker R. Heath 4/3152.passchendaele barracks trust, uniform, pre and post ww2, army

1. Shirt - light khaki colour cotton/polyester fabric - short sleeves, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. Left sleeve - oval fabric patch, embroidered "Rising Sun Badge" "THE AUSTRALIAN ARMY" - fabric patch, embroidered, crossed rifles. Right sleeve - fabric patch, embroidered, Australian Coat of Arms - Warrant Officer 1st Class. White cotton manufacturers label, back, below collar - illegible. 2. Trousers, Khaki colour wool/polyester fabric. Service Dress style with fob pocket, two side pockets, one back pocket with button down flap. Plastic buttons, metal zipper fly, khaki colour polyester fabric waist and pocket linng. White manufacturers label back pocket lining. Manufacturers information on label: black ink print. 2. "ADA 4500299219/ 2005/ NSN: 8405 66 140 7088/ size w.82il 78/ name/ service no./ 50% wool 50%/ dry clean only (P)/ repress on original/ creases, damp cloth/ or medium to hot/ steam iron/ MADE IN AUSTRALIA"uniform, army, service dress

Uniform issued to SGT. "McCLAREN M". Reg No. 3/52075 2 FLO REGT R.A.A. 1. Coat - khaki colour wool fabric uniform great coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with button. Back has full length inverted pleat and lower vent with two buttons concealed closure. Buttons are gold coloured plastic with metal shank with raised emblem - crown over cannon carriages artillery. Double half belt with three buttons back at waist. Two front inset pockets with flap. Manufacturers stamp on light brown coloured cotton half lining, sleeves beige colour lining. 2. Beret - black colour wool felt with black colour cotton fabric lining and black colour leather trim. Two white cotton manufacturers labels inside on lining.Manufacturers infrmation. 1. Purple ink stamp "46/^" Black ink stamp "D^D". 2. Crown label - black embroidery "BERET/ Mnfrs/Pty Ltd/ Victoria/Australia. SIZE 7 1/2 " . Side label - black embroidery "REGIMENTAL NO/ NAME" Handwritten black ink "3/52075/SGT McLAREN. M./ 2 FLO REGT. R.A.A." uniform, army, great coat, m. mclaren

Uniformissued to and worn by D. Angus.1. Shirt - camouflage jungle pattern green and brown colours, polyester/cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flap, green plastic buttons. Left shoulder patch with Rising Sun, Crown and 'THE AUSTRALIAN ARMY". Two rank insignia on sleeve - one stripe - Lance Corporal, Cotton manufacturers label, green with black print information, very faded. 2. Trousers - camouflage jungle pattern green and brown, polyester/cotton fabric. Green colour plastic buttons. Five button fly, two front inside pockets with two button down flaps. two side pockets, button down belt loops. Waist and pocket lining - polyester/cotton fabric. Green cotton manufacturers label on side pocket lining.1. & 2. Green cotton fabric label information - black ink print. 1. "ADI/VICTORIA 1989/^/ 8415.66.130.0028/ SIZE 100 S/ NAME/ SERVICE NO/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO OT IRON/ DO NOT STARCH/ DO NOT BLEACH" Handwritten red ink "ANGUS" . 2. "ADI P/L/ VICTORIA/ 1996/ 6/ 8415.66.130.004 ?/ SIZE 92S/ NAME/ SERVICE NO/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON/ DO NOT STARCH/ DO NOT BLEACH."uniform, army, camouflage work dress\

1. Jacket - Khaki colour wool serge fabric, battle dress style, belted at the waist with metal buckle. Green colour plastic buttons. Collar, shoulder epaulettes, two front pockets with button down flap. Shoulder sleeve insignia, navy blue colour with gold embroidered lettering "ROYAL AUSTRALIAN ELECTRICAL AND MECHANICAL ENGINEERS". Rank Insignia - lower sleeve - Warrant Officer, Class 1. Manufacturers white cotton fabric label, inside left pocket. 2. Trousers - Khaki colour wool serge fabric. green plastic button, metal zipper fly, Fob pocket, two side pockets, one back pocket with button down flap. Manufacturers white cotton fabric label, back inside waistband.1. & 2. Manufacturers information - black ink print "BERENSEN PTY LTD/VICTORIA 1961/62/ NAME/ SERVICE NO./ DRY CLEAN ONLY/ PRESS IN ORIGINAL/ CREASE LINE/ USE DAMP CLOTH OR/ STEAM IRON/ MEDIUM TO HOT RANGE/ CREASE SET BY SIRO SET. Black ink stamp "DM FIELD/ WO2/ 313679".uniform, army, battle dress

Uniform issued to "W.O.1 D.M. Field" 313679 - Regimental Sergeant Major.1. Jacket - Khaki colour wool/polyester fabric. Service dress style old plastic buttons, Collar, shoulder epaulettes, four front pockets, top with buttons and two metal press studs on flap, lower button down flap. Sleeve insignia Australian Coat of Arms embroidered on patch, gold, green, blue, red, black and white for W.O.1. Buttons have raised emblem, globe, horse and crown R.A.E.M.E. Green polyester fabric lining with manufacturers label on inside left. 2. Trousers, Khaki colour wool/polyester fabric, service dress style, With fob pocket, two side pockets and one back pocket. Green polyester fabric waist and pocket lining with manufacturers white cotton label inside on back pocket.Manufacturers information on labels - black ink print. 1. "CARBONE APPAREL/ VICTORIA/ 6/ DRY CLEAN ONLY/ RE-PRESS USING IRON AND/ DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ CREASE UPPER HALF OF/ LAPEL ONLY./ SERVICE NO/ NAME" Handwritten blue ink pen "2332/ FIELD" . 2. Print and information on label - illegible.uniform, army, service dress, wo1 d.m. field

"Herbert Rex WILLIS" Reg No. 342872 Service Details. Refer Cat No. 5231.31. Jacket - Khaki colour, wool serge fabric, Battle dress style, belted at the waist with metal buckle and brown plastic buttons. Collar, shoulder epaulettes, two front pockets with concealed button down flap and sleeve cuffs. Shoulder insignia - with yellow lettering - "ROYAL AUSTRALIAN ELECTRICAL & MECHANICAL ENGINEERS". Rank insignia on sleeves - brown, white and red, - Warrant Officer Second Class. Service Ribbons above left pocket L-R, Vietnam Campaign Medal. Long Service Medal, South Vietnamese Medal with clasp "60-". Light khaki colour cotton twill fabric lining. Manufacturers white cotton twill fabric label - inside on left pocket lining. 2. Lanyard - dark blue colour cotton cord with knots. 1. Manufacturers information on label - black ink print "REGIMENTAL NO./ NAME", Red ink print "M.TX/IZE 5". On pocket lining - purple ink "D^D/ MADE IN AUSTRALIA/ 1954. On collar lining - handwritten, black ink pen "WILLIS" .uniform, army, battle dress, rex willis

Items made up with full weight for use with school groups to show what carried & weight in Vietnam era.Complete kit green colour. .1) Vietnam era main back pack with webb belt, water bottles & basic pouch. 1. Webb belt. 2. Basic pouches, ammunition x 2. 3. Water bottle carriers x 3. 4. Water bottles x 3. 5. Cup, canteen steel, inside water bottle carrier. 6. Webbing harness. 7. Toggle rope. 8. Machete. 9. Machete scabbard. 10. Bayonet US M16. ) 1608.2 11. Bayonet Scabbard.) .2) Vietnam era basic webbing kit worn on waist with shoulder harness. 1. Back pack large. 2. Webb belt. 3. Water bottles x 3. 4. Wattle bottle carriers x 3. 5. Basic pouch, ammunition.military equipment - army, containers - military, drink consumption, webbing

Items issued to Capt T McCAW VX93 enlisted in the 2nd AIF on 27.10.1939, he was discharged on 19.2.1947 with the rank of Capt in 2/2nd Field Regt. He is also listed with a Regt No 350309 so assumably he enlisted again going by the uniform on Cat No 1488.2. Service ribbons are, 39 - 45 Star, Africa Star, Pacific Star, Defence medal, British war medal, Australian Service medal, Efficiency decoration.Service dress, post WWII. .1) Trousers, kahki, waist buckles and buttons intact. .2) Shirt, light kahki, long sleeved, cotton, buttons intact, made by “Rexbilt” .3) Tie, light kahki colour .4) Jacket, Dress, Service, kahki, gold coloured metal buttons, 2 x shoulder patches “Royal Australian Artillery”, 2 x sets of “Captains rank badges, 3 to each shoulder, 2 x collar epaulette badges, 6 x service ribbons WW2 and Efficiency ribbon, 2 x “R” badges (Retired Officer) .5) Cap, peak, leather strap, RAA hat badge, kahki. .6) & .7) Socks, pair, kahki. .8) & .9) Shoes, pair black .10) Belt, kahki with brass buckle.Inside coat and pants sewn in. “M TX”. Inside hat, “Commonwealth Clothing Factories Melbourne” “S56 71/8uniforms-army, military equipment

This product was introduced in an era where the "silky smooth" look was in vogue. From the 1920s on, American and British film stars set the tone of how clean cut (hero type) masculine look attracts the opposite sex faster and in greater quantities than the "unkempt" or natural maintained look. This look was bold and "polished" and had the intended projection that the hair matched the character of "I look after myself and have a high opinion of physical appearances". As fashion goes this slick and well maintained look has circled many times, in and out of history and in Australia in the 1950s this was a prime example. The liberation of the stereo type of both sexes occurred in the 1960s when the freedom loving "hippie culture" had a marked affect upon the city inhabitants but not so strong among rural males. Sexism was still rife in that time frame.This jar of Brylcreem was a part of the (masculine) rural scene for a longer period than that found in the larger towns and cities. The long held "men are men" and "women are women" distinction between the sexes lingered on more in rural areas because of the perceived physical differences, mainly "strength" and perceived tasks such as "men only" activities (heavy farm/mining/construction). The jar of Brylcreem maintained the respectable male look for those special occasions when males "dressed" up and looked clean physically and well behaved (to show respect to the women folk)This glass jar with a glued on,red background, label detailing the product Brylcreem (a men's) hairdressing ointment is empty of its original product. It has been contoured on each side to allow for a man's fingers to comfortably and firmly grip the jar. This form would allow even "greased up" hands to maintain control. The glass thickness is far greater than needed and also added the extra stability to the standing jar. The shape of the jar is a latent attempt to emulate the physique of a fit young man (small waist, expanded and muscled mid rift and large shoulders). The jar does not distract from viewing its contents (clear glass). It has a black gloss screw (on/off) lid made from mild grade steel. The jar holds approximately 200 grams of a thick molasses textured product. On the front red Label; in large white letters "BRYLCREEM" underneath this is in smaller silver print "THE PERFECT HAIRDRESSING" underneath this is a banner type motif with a crown at the top and a black letter "B"in the centre. Below this and in much smaller print are printed in black script "BEECHAM (AUSTRALIA) PTY. LTD. MELBOURNE VICTORIA M A Imen's deportment, toiletries, men's hair styles, physical appearances