Four photographs on a page from an albumViews at Port Said - I Bridge II hotel III Torpedo boat Resting on manoeuvres - Cairo Egypt Jan 1915ww1, world war 1, a.i.f, australian, port said, cairo, egypt, resting

Two photos on page from an albumworld war i, ww1, australian imperial forces., egypt, women, 4th light horse, 4th regt, camp

photoworld war i, ww1, australian imperial forces., posed, horses, horses

Light horse on transport shipworld war i, ww1, australian imperial forces.

Two photographs on a page from an albumSinai desert Damaged plane being towed in Grave of Lt. ....world war i, ww1, australian imperial forces., aeroplane, plane, world war 1, horse, horsemen, biplane, german, grave, sinai desert, tow

Used with British No.4 MK1 Infantry rifle. Issued to British soldiers in World War Two (WWII)British No.4 MK 2 bayonet with scabbard. The No. 4 Mk. II was a simplified version of the No. 4 Mk. I which had a distinctive cruciform blade. The Mk 2 bayonet did not require the milling cuts required to create the cruciform blade flutes. Blade length 203mm. The plain spike gave rise to the nickname 'pig-sticker'.world war two, wwii, bayonet, british

Identification has been given as follows: Young women: (?) Elizabeth Cooper, Ilma Bodley, "Queen" Avis Andrews, Marion Fair, Lynette Elliott. Names of girl and boy attendants not known by donor. The Queen Carnival was a fundraiser for the Holy Trinity Tennis Club. The Queen Carnival Coronation was held in the Canterbury Memorial Hall on 11 June 1940. Mrs F Eastwood was the trainer and the Honorary Secretary of the tennis club. The donor Mary Holborn married Geoffrey Stroud Clucas in 1946 in Surrey Hills. The photo documents a social fundraising practice common in the early 20th century. Queen carnivals were also popular in New Zealand. In both countries they were particularly common during World War I and in the years after, when they were used to raise funds for returned soldiers. The first such carnival is believed to have been held in Napier, New Zealand, in 1913. The carnivals were not always annual events, and were held in various locations throughout a year.Black and white group photo of 5 women, 2 girls and 2 boys in formal costume mounted on cardboard which has been roughly trimmed. The 'Queen' is seated in the centre and the 2 young girls and 4 young women are standing beside her. The 2 'pages' seated in front of her on the edge of her train. The photo appears to have been taken in a hall. REAR: "Holy Trinity Tennis Club Queen Carnival / June 11 / 1940 / M Clucas / 33 Jurang St / Balwyn"sport, tennis, holy trinity anglican church, 1940, clothing and dress, queen carnival, mrs mary clucas, miss mary holborn, mrs f eastwood, elizabeth cooper, ilma bodley, avis andrews, marion fair, lynette elliott, canterbury memorial hall

The author lived locally. 361p; This book deals principally with experience after the second world war in an environment of tertiary education. It testifies to the unprecedented pressures imposed on such resources by the "information explosion" which accompanied the phenomenal developments in education, science and industry. Title page: signed by the author: Axel Lodewycks Front Endpaper: Book given to me by /Axel as I spoke to him / about his life & home in / Mont Albert and the the Bull / family and Medlow. / 1985 & 1990 / J F Hall361p; This book deals principally with experience after the second world war in an environment of tertiary education. It testifies to the unprecedented pressures imposed on such resources by the "information explosion" which accompanied the phenomenal developments in education, science and industry.Title Page: signed by the author, Axel Lodewyeks. Front end paper: Book given to me by / Axel as I spoke to him / about his life & home in / Mont Albert and the Bull / family and Medlow. / 1985 & 1990 / J F Hall(mr) karel axel lodewycks, university of melbourne - library - history, college librarians - victoria - melbourne, baillieu library, world war- 1939-1945, (mrs) jocelyn f hall

Donor identifies the following: Parish priest - Dr W M Collins Queen - Molly Baker Attendants - Marg Wise, Lola Sans, Gertie Baker Flower girls - Madge Wise, Molly Brown, Rita O'Sullivan Probably taken in Our Holy Redeemer Hall, Mont Albert Road, Surrey Hills.This is one of only a few photos in our collection which are evidence of Queen Carnivals which originated as fundraising events. They were particularly popular in both Australian and New Zealand during the early 20th century. They were particularly common during and after World War I when they were used to raise funds for returned soldiers. It is currently the only photo in the collection of a social event connected to Our Holy Redeemer Church and the only one which includes Dr William M Collins who was the parish priest from 1933-1941. Dr Collins was a significant figure in the Catholic Church in Melbourne in the first half of the 20th century. REF: The Advocate: The first priest-editor by Fiona Power; Kairos Catholic Journal Volume 22, Issue 16. - 2 September 2011": Summary: Born in Kilmore in 1884, William Collins attended South Melbourne College and then the University of Melbourne, where he assisted in the formation of the Newman Society of Victoria. After graduating in arts in 1911, he worked at the Melbourne Public Library and the Education Department. In 1912, at the age of 28, he went to Rome, where he studied for the priesthood at Urban College. He obtained doctorates in philosophy and theology and was ordained on 3 June 1917. He returned to Melbourne and was appointed curate at St Mary’s, West Melbourne, and St Francis’, Lonsdale Street. In 1918, Dr Collins became editor of The Advocate. He remained in the role for seven years. Dr Collins was parish priest of Dandenong, Daylesford, East Malvern, Surrey Hills and Kew, and administrator at St Francis’. He died in 1959 and a Requiem Mass was held at Sacred Heart, Kew. Black and white photo of the participants in the Queen Carnival arranged on a stage in a tableaux of the coronation of the Queen. To the right are the parish priest and the archbishop and there is a man at the bottom of the stairs centre front of the stage. Guests are seated at a table to the right of the stairs and to the left of the stairs is a table with floral arrangements and other objects. "1938" hand-written on the original photo in upper LH corner.festivals and celebrations, queen carnivals, our holy redeemer church, dr w m collins, rev william m collins, (miss) molly baker, (miss) marg wise, (miss) lola sans, (miss) gertie baker, (miss) madge wise, (miss) molly brown, (miss) rita o'sullivan

Identification has been given as follows: L to R: front: Derek Manley and (?) Jeff Holland; Queen: Leila Hanslow; young women: Connie Eastwood, Mary Clucas (nee Holborn), Hazel Bodley, Olwyn Powys. Girls: L - unknown; R - Barbara Fair. The Queen Carnival was a fundraiser for the Holy Trinity Tennis Club. The Queen Carnival Coronation was held in the Canterbury Memorial Hall on 11 June 1940. Mrs F Eastwood was the trainer and the Honorary Secretary of the tennis club. The donor Mary Holborn married Geoffrey Stroud Clucas in 1946 in Surrey Hills.The photo documents a social fundraising practice common in the early 20th century. Queen carnivals were also popular in New Zealand. In both countries they were particularly common during World War I and in the years after, when they were used to raise funds for returned soldiers. The first such carnival is believed to have been held in Napier, New Zealand, in 1913. The carnivals were not always annual events, and were held in various locations throughout a year.Black and white group photo of 5 women, 2 girls and 2 boys in formal and / or mock-Elizabethan costume. The Queen is seated in the centre and the 'page boys' are seated in front and on her train. The young girls and young women are standing beside her. The photo appears to have been taken in a hall. REAR: "Holy Trinity Tennis Club Queen Carnival / June 11 / 1940 / M Clucas / 33 Jurang St / Balwyn"sport, tennis, holy trinity anglican church, 1940, clothing and dress, miss mary holborn, mrs mary clucas, miss connie eastwood, miss hazel bodley, miss olwyn powys, miss leila hanslow, mr derek manley, mr geoff holland, miss barbara fair, queen carnivals, mrs f eastwood, canterbury memorial hall

Identification has been given as follows: LHS 'page': Jeff Holland (?); RHS 'page': Derek Manley; Queen: Leila Hanslow; young women L to R: Olwyn Powys, Hazel Bodley, Mary Clucas (nee Holborn), Connie Eastwood. Girls: L - Barbara Fair; R - Unknown. Gentlemen not identified. The Queen Carnival was a fundraiser for the Holy Trinity Tennis Club. The Queen Carnival Coronation was held in the Canterbury Memorial Hall on 11 June 1940. Mrs F Eastwood was the trainer and the Honorary Secretary of the tennis club. The donor Mary Holborn married Geoffrey Stroud Clucas in 1946 in Surrey Hills. The photo documents a social fundraising practice common in the early 20th century. Queen carnivals were also popular in New Zealand. In both countries they were particularly common during World War I and in the years after, when they were used to raise funds for returned soldiers. The first such carnival is believed to have been held in Napier, New Zealand, in 1913. The carnivals were not always annual events, and were held in various locations throughout a year.Black and white group photo of 6 men, 5 women, 2 girls and 2 boys in formal and / or mock-Elizabethan costume mounted on cardboard which has been roughly trimmed. The Queen is seated in the centre and the 2 young girls are seated either side and slightly in front of her. The 2 'pages' and the men and other women are standing evenly divided either side of her. The photo appears to have been taken in a hall. REAR: "Holy Trinity Tennis Club Queen Carnival / June 11 / 1940 / M Clucas / 33 Jurang St / Balwyn"sport, tennis, holy trinity anglican church, 1940, clothing and dress, miss connie eastwood, miss hazel bodley, miss leila hanslow, miss olwyn powys, miss barbara fair, jeff holland, derek manley, queen carnival, mrs mary clucas, miss mary holborn, mrs f eastwood

Badge produced as a souvenir of the Geelong Gala Day of 1922. This may have some connection with the peace celebrations for the end of the First World War.GEELONG / 1922 / GALA DAY STOKES & SONS / MELB.world war i

Blanket label from the RSS Mill, Geelong for the John Monash rug.RSS Mill rug label from the John Monash rug.THE GEELONG R.S.&S. WOOLLEN MILLS / PURE / WOOL / THE / John Monash / RUGworld war i, returned soldiers and sailors mill, label, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000) logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), monash, lt gen. sir john gcmg, kcb, vd

This table runner was made by Corporal Herbert Burdekin during the First World War around 1916 while he was recovering from a bullet wound. Herbert joined the 8th (Reserve) Battalion of the West Yorkshire Regiment (Leeds Rifles) in November 1914 and was deployed to France in April 1915. In July 1916 he received a gunshot wound to the arm and was sent home to England to recover, during which time he crocheted this table runner. He returned to France in early 1917 and was wounded a second time by a gas shell on 23 July 1917. Herbert likely never fully recovered from his exposure to gas during the war. He received a medical discharge in November 1918 due to "debility caused by war service" and died only a few years later in 1922, aged 26. His widow Mary and young daughter Hilda moved to Australia and settled in Brighton, with Mary living at 4 Collins Street until her death in 1966.Hand crocheted table runner featuring an interlocking diamond pattern in cream, pale purple and pale yellow. Bordered by pale yellow fringe.first world war, world war i, herbert burdekin, crochet, table runner, army

Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. The allies established a base at Thessaloniki in 1915. BHS records indicate that this cushion cover was among a collection of items received from the Harkaway studio of Brighton-born artist Jessie Traill following her death in 1967. During the First World War, Jessie served for three and a half years in hospitals in England and France with the Voluntary Aid Detachment. As she did not serve in Thessaloniki, where this item was made, it is unlikely she purchased it herself, but may have received it as a gift.Black velvet cushion cover featuring the embroidered image of a white and yellow dove bearing red, white and blue ribbons along with red and pink flowers. Embroidered in pale yellow are the words "Souvenir de Salonigue / 1916".cushion cover, 1910s, first world war, world war i, thessaloniki, jessie traill

Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. The allies established a base at Thessaloniki in 1915. BHS records indicate that this cushion cover was among a collection of items received from the Harkaway studio of Brighton-born artist Jessie Traill following her death in 1967. During the First World War, Jessie served for three and a half years in hospitals in England and France with the Voluntary Aid Detachment. As she did not serve in Thessaloniki, where this item was made, it is unlikely she purchased it herself, but may have received it as a gift.Black velvet cushion cover featuring the embroidered image of a white and yellow dove bearing a draped French flag, alongside a spray of red and pink flowers. Embroidered in pale yellow are the words "Souvenir de Salonigue / 1916".cushion cover, 1910s, first world war, world war i, thessaloniki, jessie traill

The Collins No. 2 Woollen Mill building dates from around the 1930s, however related buildings at that site were first constructed from around 1918, that was the Marnock Vale Wool Scouring Works. The Union Woollen Mill founded in the 1870s by William Henry Collins, a major Geelong industrial enterprise, was among the local firms which flourished during the First World War period. From 1914-1918 Collins Bros. concentrated on equipment for the A. I. F. However, afterwards Collins Bros. Pty. Ltd. specialised in the manufacture of flannels and blankets. From 1920 to 1938 the output was increased by fifty percent, and the number of employees rose to 200. The Collins Bros. No. 2 Mill was established in Bridge Street, Newtown. The proprietary brand 'Physician' became well and favourably known throughout Australia source: Heritage Victoria The Collins Bros Mills No. 1 and No. 2 hired over 250 people, and produced between 40,000 and 60,000 blankets for both the Australian market and for overseas export. Collins Bros closed both mills in 1974.Landscape photograph mounted on board showing a group portrait of staff seated and standing together in front of the Collins No. 2 Woollen Mill, Bridge Street, Newtown. Buildings, a chimney, towers, tanks, farmland, a car, powerlines and dirt roads are shown in the background.

Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13

Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork

Phil BERRY (1963 - ) Born Ballarat Completing a Master of Arts at the University of Ballarat (now Federation) in 2012, he workes as a sessional staff member for the Arts Academy. Artist Phil Berry recalled ‘As a child I spent the majority of my holidays at my uncle and auntie’s. Uncle Jack was a prisoner of War at Changi during World War 2. Repatriated to Australia he was emaciated and clutched his prize possession, an old spoon. Part of his daily life during the extreme hardship of the camp, the spoon was a symbol of his survival, a constant in extreme uncertainty.’ ‘Home again Jack married, started a family and embraced peace. A kind and gentle man, I was fortunate to have known him. The coming of peace had given back what war had nearly taken away.’ This item won the Lucato Peace Prize and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painted canvas depicting a spoon. Phil Berry studied at the University of Ballarat Arts Academy (later Federation University) and undertook sessional lecturing at the Arts Academy.art, artwork, berry, phil berry, philip berry, lucato peace prize, prisoner of war, available, spoon, cutlery, war, arts academy, alumni

Murray MEAD Artist's Statement: Impression attracts me due to its potential for presenting how one person ses one particular part of the world at one particular time in exquisite stylizaton and character. My works explore the nature of the 'individual' and how we perceive others and are in turn, seen ourselves in a given instant in time. I circumvent the tendency of individuals to adopt masks ab when confronted by cameras. I wnt to capture a fleeting moment in paint when that facde is momentarily breahed. I like the fact tht painting is a laborius medium that allows me to utterly stylize the image. In an otherwide realistic caricature I focus on capturing and coveying the subject's unrehearsed and elicited expression and emotion. My works are of individualistic responses from those who view them. From one person's explosive snort of amusement to another's quiet contemplation of how they too are seen by strangers and close friends - all are equally valid connections. photography, scuplture, murray maud

p.145.non-fictionWhy did the Suez War ever come to pass? Why did Eden, against public opinion and without sufficient military capability, decide to invade Egypt? When Gamal Abdel Nasser decided to nationalize the Suez Canal, Britain and France reacted dramatically, beginning a chain of events that ultimately led to war. But why did Nasser nationalize the canal in the first place? And what part did the United States of America play in sparking the conflict that resulted in war? Paul Johnson skillfully and clearly explains the roots of the war, the many different political factors involved, the resultant invasion and its repercussions. First published in 1957, The Suez War walks us through a conflict that many historians feel should never have taken place, and one that Johnson argues has exposed i(t)he real weakness of Britain i never again can we play our unique and honourable role as keeper of the worlds conscience.suez crisis - 1956, united kingdom - foreign relations - egypt

p.410.fictionBeau Geste is an adventure novel by British writer P. C. Wren, which details the adventures of three English brothers who enlist separately in the French Foreign Legion following the theft of a valuable jewel from the country house of a relative. Published in 1924, the novel is set in the period before World War I. It has been adapted for the screen several times. england - fiction, french foreign legion

p.407.fictionCharles Kingsley's Westward Ho! is the novel after which the English seaside village was named. The story follows the adventures of Amyas Leigh, an obstinate young man who decides to go sailing. He settles for a certain period in the Caribbean islands searching for gold and succeeds in making a little fortune. He then decides to go back to England by the time of the Spanish Armada, a sixteenth-century Spanish fleet that intended to invade England and overthrow Queen Elizabeth I for rivalry over colonies in the Netherlands, the Atlantic and the Pacific. Much of the novel describes the struggles between the two world powers, picturing the continuous naval battles that they engaged in. Amayas becomes greatly concerned when the Spaniards abduct his brother Frank Leigh as well as an admired local beauty named Rose Salterne. Furthermore, Amyas's life turns into a sad tragedy when he is further struck by a thunderbolt that costs him his eyesight. Generally, Kingsley gives the story a religious touch by making the war between England and Spain equally appear like a war between Protestantism and Catholicism, particularly when he shows how English hostages are often burnt at the stake by the Catholic Inquisition. england - fiction, spanish armada

p.312.fictionWorld War I vet Forest Stanley returns home to California to find his father's ranch in jepardy of being sold to an Eastern capitalist. Being a veteran he has a one year grace period to pay off the mortgage, and he does so with the help of the daughter of the very man who wants to buy the land for himself. ranch life - fiction, western fiction

Index, ill, maps, appendices, p.351.non-fictionRepublished in full, this edition features a new foreword by Bruce Haigh, colour reproductions of the original maps that were hand-drawn under Monash's supervision, and new photos. It also includes a memo from General Rawlinson congratulating Monash on the performance of the Australian Corps: 'I feel that no mere words of mine can adequately express the renown that they have won for themselves and the position they have established for the Australian nation not only in France but throughout the world.'world war 1914-1918 - campaigns - france, world war 1914-1918 - australian involvement

Appendix, p.327.non-fictionI followed them on a journey into nightmares, as what seemed to be a simple escape plan (simple? A lunatic escape plan of infinite complexity and unlikelihood, more like) transmuted and transformed' Neil Gaiman, from the foreword Captured during the First World War, Lieutenant E.H. Jones and Lieutenant C.W. Hill are prisoners of war at the Yozgad prison camp in Turkey. With no end to the war in sight and to save themselves from boredom, the prisoners hit upon the idea of making of a makeshift Ouija board to keep themselves entertained. But Jones, it turns out, has a natural skill for manipula. world war 1914-1918 - campaigns - middle east, world war 1914-1918 - prisoners of war

Ill, maps, p.299.non-fictionMonash in his own words . . .Long before this letter can possibly reach you, great events which will stir the whole world and go down in history will have happened, to the eternal glory of Australia and all who have participated. - John Monash, 24 April 1915These extraordinary, intimate letters from General Sir John Monash to his wife and daughter, record his experiences throughout World War I, from landing at Gallipoli to leading decisive battles on the Western Front. Monash describes with great candour the challenges of ordering the lives of tens of thousands of troops.world war 1914-1918 - personal recollections, australian army - correspondence