PhotographFLESQUIERES HILL BRITISH CEMETERY 57c. L.15.c 25 world war 1, anzac, ww1, british cemetery, flesquieres hill, graveyard

The Empress of the Sea is historically and archaeologically significant as it was one of Donald Mackay's famous wooden clipper ships ie: representative of a particular design or type. It was also associated with both the Black Ball and White Star Lines of Australian Packets, which carried thousands of immigrants from Britain to Australia.Photograph of an original water colour painting of the burning of the sailing ship 'Empress of the Sea' by Charles Dickson GregoryFront: Burning of the Empress of the Sea, C. Dickson Gregory. Back: nilempress of the sea, watercolours

Flooding of the Yarra Valley, including that section of the Yarra bordering Kew and Kew East in the north and west of the municipality, was a regular occurrence. Extreme flood events of the Yarra River are recorded to have occurred in 1891, 1901, 1916, 1923 and 1934. The Municipality of Kew's response to these floods was to enact planning decisions restricting residential development in flood prone areas following the floods of 1916, 1921 and 1934. While floods continued after the development of the Upper Yarra Reservoir (construction 1948-57), the regularity and extent of these inundations diminished. Original, large sepia photograph showing men, women and children who have gathered on a grassy verge, probably farm land, to look out across the flooded Yarra Valley at Willsmere, North Kew. In the medium distance are three houses that are largely submerged by the flood waters as well as a number of Eucalypts. Judging by the clothes of the spectators, the date might be 1901 or 1916, but probably the latter due to the hats worn by a number of the women. Inscribed reverse: "Gift of Kerrie Woollard (KCC) (P)C.1923yarra river valley, kew east (vic.), floods, willsmere

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 5 Riverside Drive, Kew East by Margaret Picken.5 RIVERSIDE DVE., KEW EAST FLETCHERS PICKEN (c) 2002artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 5 riverside drive -- kew east (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 4 Walbundry Drive, Kew East by Margaret Picken.4 WALBUNDRY DVE., KEW E / PICKEN (c) 2003 / FLETCHERSartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 4 walbundry drive -- kew east (vic.)

Driver's Licence, Australian Military Forces, Cpl C Pooley V27954

Vietnam warCream pugaree. Chinstrap with clip. Transport corps badge. Army standard green. Curled up on right side.Name on inside leather rim- C. J Challis. Batch 2slouch hat, pugaree, transport corps badge

A silver trophy with round handles that protrude from the top on a plastic trophy standBALLARAT 1955 2nd PRIZE C GRADE V.S.R. PIPES & DRUMSvsr, pipes and drums

Government issue desk. Manufactured (perhaps 1970s)It has second level contributory significance as a furnishing that has remained at the lightstation to demonstrate its more recent working operations.Wooden desk with metal frame. Dark grey vinyl top, three drawers on left-hand sde with metal handles. Second drawer has filing inserts.Right-hand front leg on black sticker. "C. of A. / D.O.T. 147110"

For medical emergencies at Gabo Island. Unsure if ever used. The portable, manual resuscitator kit is contained in its original green vinyl, hinged case that has corner protectors and two metal front fasteners. Information on the case indicates that it is an ‘Air CIG Viva Resuscitator’. It was used for manual force feeding oxygen into a person’s lungs with the use of a breathing bag, and there are instructions for using the resuscitating bag. The kit was produced by the Commonwealth Industrial Gases Limited, Alexandria, NSW, a company active between 1935 and 1994. An identical kit, which has been accurately dated to 1951, remains at the Cape Otway Lightstation . Another identical kit is held by the Ambulance Historical Society Victoria.Both kits have first level contributory significance for their historic values and provenance.Resuscitator box, green vinyl, hinged handle at top. Two metal fasteners on front, metal plated corners on lid. White thread stitching around edges. Case contains a resuscitator kit.On case "Air CIG Viva Resuscitator. "On sticker "C. of A. D.O.T. 141545"

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned, wide link chain necklace from the Sarah Coventry Jewellery range, featuring circular makers mark tag.On circular makers mark tag, "SC", on reverse "(c) Sarah Cov". sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces

At the time of the 1982-83 bushfire season FCV firefighters wore either navy blue issue overalls or their own clothing, generally a checked flannel shirt and jeans. Uncomfortable safety boots and hardhats were issued. The CFA had switched from white overalls to their distinctive yellow kit by 1983. In about 1980, in a far-sighted corporate move for the time, Alan Threader, who was the Chairman of the FCV, established a departmental safety committee, which he personally chaired. The Committee, among other things, wanted to upgrade fire safety clothing. Alan also initiated a radical colour idea after a work trip to the UK in about 1981 and brought home a small sample swatch. Alan believed that the now distinctive bright yellow-green was a good colour contrast to the Victorian bush which is a blue-green hue. Trevor Brown from Stores Branch scored the task to make the change and letters were sent to the UK seeking information about the pigment. The FCV worked with the Commonwealth Dyers Association and Cushen Clothing to replicate the shade on cotton drill, which presented darker when it was treated with the flame-retardant chemical, Proban. The first of the new Kermit Suits were rolled-out in late 1984, and the stylish colour was initially registered and patented to the Department. But it's also fair to say that the new gaudy shade of apparel wasn’t universally popular with staff. The lime green overalls were an Australian first, and forest agencies in other states followed a few years later. In the early 1990s, armed with a pair of dressmaker’s scissors, the baggy one-piece Kermit boilersuits were tailored by Peter Billing from Fire Protection Branch and Trevor Brown in conjunction with the family-owned business, Top Level Workwear, which saw numerous enhancements and prototypes. The two-piece Kermit suits were available in the late 1990s after many years of argy-bargy and complaints from field firefighters. Protective overalls Two types - early FCV (c 1983) and later CNR (1992) forests commission victoria (fcv), protective clothing, safety equipment

This scanned and labelled image has been copied from an original image lent from the LDHS collection in June 2001; copied by John O'Sullivan, the great grandson of Patrick and Ellen O'Sullivan.Black and white photograph of O'Sullivan's saddlery/harness-maker shop in Sussex Street, Linton. Photograph is believed to have been taken during the 1930s or 1940s (dated by Bennett home next to the saddlery, which was built around 1928)."Patrick O'Sullivan's Saddlery, Sussex Street, Linton c.1930-1940s".patrick o'sullivan, ellen o'sullivan, john o'sullivan, saddlers, sussex street linton

Set of two different books, but with the same content about the Westinghouse Traction Brake Company, pamphlet 2412, titled "Westinghouse S6A and S6B Electric Compressor Governors" (known as Beetle back Governors). Each book contains 4 typed sheets on instructions and the working of the governor and six photograph illustration sheets. .1 - has been copied possibly from .2 and bound into a manila folder with a large "W" and "Westinghouse Traction Brake" labels stapled to the right hand side. .2 - is an original Westinghouse document dated 1916. Document Re typed by the MMTB 1955..2 - has C. Hodgson Trams Sheds" on the inside of the front cover.trams, tramways, westinghouse, compressors, governors, tramcars, air compressors

Four page knitting pattern booklet featuring black and white text and colour images. The colour cover features an image of a man wearing brown shoes, brown corduroy pants and a cream knitted jumper.front: [printed] SIRDAR / Alpaca / Classique / 7430 / PRICE / CODE / Cfashion, design, knitwear, home made, wool, pattern book, sirdar

Four page knitting pattern booklet featuring black and white text and colour images. The colour cover features an image of a woman wearing a knitted jumper, corduroy skirt and tights.front: [printed] SIRDAR / Multi Yarns / 7427 / PRICE / CODE / Cfashion, design, knitwear, home made, wool, pattern book, sirdar

Four page knitting pattern booklet featuring black and white text and colour images. The colour cover features two images of the same woman dressed in different knitted tops.front: [printed] SIRDAR / Alpaca / Classique / 7431 / PRICE / CODE / Cfashion, design, knitwear, home made, wool, pattern book, sirdar

Four page knitting pattern booklet featuring black and white text and colour images. The colour cover features an image of a woman wearing a knitted cardigan.front: [printed] SIRDAR / Multi Yarns / 7426 / PRICE / CODE / Cfashion, design, knitwear, home made, wool, pattern book, sirdar

Four page knitting pattern booklet featuring black and white text and colour images. The colour cover features two images of the same woman wearing different knitted tops.front: [printed] SIRDAR / DOUBLE CREPE / 7424 / PRICE / CODE / Cfashion, design, knitwear, home made, wool, pattern book, sirdar

Four page knitting pattern booklet featuring black and white text and colour images. The colour cover features an image of a woman wearing black pants and a knitted jumper.front: [printed] SIRDAR / Alpaca / Classique / 7386 / PRICE / CODE / Cfashion, design, knitwear, home made, wool, pattern book, sirdar

Reverend Malcolm Cecil Whitridge Gooden was Vicar at St Paul's Church of England, Linton between 1930 and 1932. He was known as a very good organist, and organ recitals given by him were widely attended by members of all denominations.Black and white photograph of a man in long clerical gown holding a book with both hands at waist."Rev. Gooden C of E Vicar faithfully yours Arthur 1930"reverend gooden

Black and white photograph showing, on the left, a small white weatherboard shopfront with an iron roof . There is no verandah but two windows and a central doorway. On the right of the photo is the old Blacksmith's Forge and residence (formerly Wishart's). Photo taken around 1982, on the corner of Sussex and Gillespie Streets in Linton."Remains of Preston shop, cnr Sussex & Gillespie Streets. c. 1982".preston shop, sussex street linton, gillespie street, business, 1982, main street, forge, blacksmiths, preston family, wishart family

13 August 1843 First application for the Bushy Park run appeared in the “Port Phillip Gazette”. It was taken up by Angus McMillan, who took up the Boisdale run across the Avon River at the same time, for his employer Lachlan Macalister. This house was built in 1848. March 1844 Licence to Bushy Park granted to McMillan. It consisted of 16,000 acres. Late 1840s Bushy Park homestead built for McMillan by Andrew Martin and Matt McCraw. High local historic significance as associated with major pioneer and a very old white settlement in Gippsland.A square shaped timber house, with a corrugated iron roof over shingles. It has a verandah that covers both the front and sides of the house. The house is contructed of redgum timber, and internally has four rooms.National Trust of Australia Plaque - Bushy Park Homestead - Class 'C'mcmillan, angus, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, victorian era, moe, historical village, wellington shire, avon river, boisedale, briagolong, dargo, murdoch mackintosh, national trust, andrew martin and matt mccraw., latrobe valley, old gippstown heritage park, gunaikurnai, latrobe city council

When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Piece of china, small section of plate with the " Black Ball Line" insignia, has "SC" and possible "H" of the word SCHOMBERG inscribed on a ribbon banner, Artefact Reg No S/62. Recovered from the wreck of the Schomberg.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, china plate

Two page document headed 'Cohn Bros. Limited offer to purchase preference shares in A. H. Smith Limited'. The offer appears to be dated 15th Dec 1960. On the reverse of Page 2 are some pencilled notations.bendigo, industry, cohn bros., cohn bros. cohns limited.

Letter from William Salter declaring himself off the Sick fund of the Court as he is able to follow his usual employment. Dated 18.12. 1865. Signed by William Salter and H. L. Atkinson, MD.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, william salter, h l atkinson.

Note dated ?2/73 from H L Atkinson listing the members who have received medical attendance during the past fortnight. There are nine, but only Carter and Brown are readable. Signed HL Atkinson.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, carter, brown, h l atkinson