A range of musicals, house plays, drama performances, primary and secondary year level productions, from 2002 and 2015.For access or permissions regarding these materials contact the archive [email protected] encased in paper or plastic cases, labelled with relative musical or theatrical production. Includes recordings of High School Musical, A Midsummer Night's Dream, I Never Saw Another Butterfly, Shakespeare's World, The Somerton Man, Go Noah, Fiddler on the Roof, The Unlikely Friends (2002), Hansel and Gretel. For access or permissions regarding these materials contact the archive [email protected], drama, arts, musical, bialik college, judaism, 2000s, 2010s

Photographed by Pat Grainger, volunteer during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, exterior of chapel apse - detail of brickwork, windows and crossmissions to seamen, built environment, pat grainger

Human Archetypes, The Uncanny Valley, and Inorganic Human Forms The work interrogates the recurring concept of humankind’s fascination with replicating herself in her own image. Just as the Judeo-Christian God is said to have created humans in his own image, we replicate ourselves in art and then science. We seek to make an artificial intelligence that may well be fraught with our own survival as a species, and we refine these creations until we can no longer tell if they are human or facsimilie. Even when this is impractical; when a non-human robotic form may well be better suited to the task, we persist in making our new companions in human form. So much so that when our creations develop their own ability to create human forms, they inherently seek perfection of human characteristic when no such thing exists, and all humans are flawed. My work takes the human and reverses this process, seeking to see how dehumanising one can make the subject of portraiture before it becomes ‘the other’. In doing so, I look for what makes us human, and how we portray or present various aspects of humanity and human endeavour as stereotypical archetypes. I have used, as a paying subscriber, the artificial intelligence presented in the Adobe Creative Suite, which is ethically sourced from Adobe’s own stock collection which itself has been purchased from artists, as a launchpad for this exploration, thus invoking concepts of meta - where the AI works on a project that attempts to dissect the very reasons and underlying foundations of humankind’s desire to create AI in the first place. Some of the work touches on the idea of a human/AI connection, extending to the concepts of an interspecies symbiosis, and whether a human could experience a genuine love of a non-organic human form, and vice versa. Clayton KEEFE Completed a Bachelor of Visual Art at Federation University Arts Academy in 2023.Colour photograph of metal arm and hand holding a wine glass, in front of a window.clayton keefe, available, photography, ai, alumni

Maryanne was born in Melbourne in 1960. While she was very young her family moved to Ballarat, Victoria, where she was educated. She attended the Victorian College of the Arts in Melbourne from 1979 to 1981 and graduated with a Bachelor of Arts (Fine Arts) Painting. She undertook further studies at the University of NSW graduating in 1984 with a Graduate Diploma in Professional Studies (Painting). She commenced a Master of Arts candidature in 1996 at the University of Ballarat converting this to a PhD candidature in 1997, receiving her Doctor of Philosophy in 2000. Her first major award was the Blake Prize that she won jointly in 1983 with the painting " Easter in my Room", now part of the collection of the Australian Catholic University, Ballarat Campus. Maryanne has worked as a Sessional Lecturer at the Arts Academy, University of Ballarat (1999 - 2003), the Department of Fine Art and Design, Monash University, Melbourne (2000 - 2005) and the Faculty of Humanities and Social Science, Latrobe University, Bendigo Campus (2008). She was a Lecturer in the Faculty of Arts and Science, Australian Catholic University, Melbourne and Ballarat campuses (2003 - 2004). She is currently (from 2006) a Lecturer in Drawing and Painting in the Department of Fine Art, Monash University, Melbourne. Collections of her work are in various galleries including the Art Gallery of Ballarat and Federation University, Ballarat.women of note, maryanne coutts, educated in ballarat, university of ballarat, master of arts, doctor of philosophy, blake prize, university of nsw, victorian college of the arts, department of fine art, monash university, australian catholic university, latrobe university bendigo university, federation university, art gallery ballarat

Three of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Photos of jazz musicians mounted on heavy card. Taped caption reads '16 Sunday afternoon jazz concert in Chapel, 1988' Also several other photos of musicians and performers.missions to seamen, arts and entertainment - music, mission arts centre, jazz

One of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Crowds on foreshore for Tall Ships Bicentenary celebration as seen from roof of Mission. Pylon of Centenary Bridge, Station Pier, and police in view (Police established operations at the Mission for the event)missions to seamen, celebrations fetes and exhibitions, police, mission arts centre