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Mont De Lancey
Domestic object - Mincer, Loveload, Unknown
A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A small vintage cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a white enamel coated funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'Loveload London 1'domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers -
Mont De Lancey
Domestic object - Mincer, Universal, Unknown
A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A vintage cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'2 UNIVERSAL' is stamped on the front of the mincer. Stamped on the front side of the handle - ' L. F&C. NEW BRITAIN. CONN.U.S.A.' On the inside of the cast iron handle is stamped - 'PATENT 12 1897. PAT.MAY 15.1909. 4.18. 1899. D.R.ENG 10'...... and several other numbers which are hard to decipher.domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers -
Mont De Lancey
Domestic object - Mincer, Beatrice
A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.'Beatrice' brand vintage cast iron mincer with a red wooden handle with two attachments. It can be screwed to a table or bench, secured tightly by a two pronged claw. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is slightly shaped near the main body of the mincer.'No. 318' 'Beatrice'meat mincers, domestic objects, kitchen equipment, cooking equipment -
Mont De Lancey
Domestic object - Mincer, Husqvarna Scania
A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A vintage cast iron mincer with a brown wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'No 3 Scandia'domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers -
Mont De Lancey
Domestic object - Mincer, Universal, Unknown
A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A vintage cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.British Made National. 25domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers -
Mont De Lancey
Domestic object - Mincer, Universal, Unknown
A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved. There are three mincing attachments tied with string.'UNIVERSAL' is stamped on the top of the mincer. Stamped on the front side of the handle - ' L.P. F&C. NEW BRITAIN. CONN.U.S.A.' On the inside of the cast iron handle is stamped - 'PATENT 10.2.1897. PATENT.MAY 15.1900. 4.18. 1890...... and several other numbers which are difficult to decipher.domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers -
Bialik College
Work on paper - Bialik Primary School Upgrade Architect images
Bialik Primary School Upgrade March 2014 Level One as created by Ron Unger Architects. No descriptive labels. Looks like ECC and outside pathways.84 x119cm Colour printed boards of plansNo descriptive lables -
Robin Boyd Foundation
Furniture - Ladder-frame bookcase, Bruce Anderson
This wrought iron "ladder-frame" bookcase, which includes a drop-down table, is located in Suzy's bedroom. A second "ladder-frame" bookcase with desk is located in Penleigh's bedroom (item F085). They were both designed by Bruce Anderson - in the past they have been incorrectly attributed to Clement Meadmore. This type of furniture was featured in 'The Age' Small Homes Service and a similar one was featured in 'The Age' Dream Home Exhibition in 1955. From 1947 to 1953, Robin Boyd was the director of The Small Homes Service, set up by the Royal Victorian Institute of Architects in conjunction with 'The Age' and he produced a weekly article for 'The Age'.Wrought iron black frame with 10 ladder slots, and 3 cross brace frames, with 4 timber shelves. In the centre, there is a drop down table to use as a desk. Shiny metal feet, rubber covering top of metal frame. bruce anderson, robin boyd, dream home, small homes service, walsh st furnishings, ohm2022, ohm2022_39 -
The Beechworth Burke Museum
Animal specimen - Red-Winged Blackbird, Trustees of the Australian Museum, 1860-1880
The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches but on this specimen are rather dull and the feathers are not as glossy black as they are in other images. It is mounted accurately but the feathers appear to be ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Red-Winged Blackbird is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. The colouring of this particular specimen identifies it as male.[torn] page 58 / Tag: A. 4423taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater -
Bendigo Military Museum
Souvenir - SOUVENIRS, FRAMED
Souvenirs collected from the Battlefields of Gallipoli, Pozieres and Fromelles by PETER SIMMONS A43266 (RAAF) Souvenirs - collection of 17 items from the battlefields of Gallipoli, Pozieres and Fromelles. Items include bullet casing, shrapnel, equipment, items and stores, Adhered to backing cardboard with a putty like, pressure sensitive adhesive (Blu Tack). Item labels - black ink on white adhesive paper labels. Frame - timber, with deep edge, cardboard backing board.Handwritten - black ink on white adhesive labels top L to R. "BULLET CASING/ FOUND GALLIPOLI/ 2009" "REMAINS OF RUM JAR, GALLIPOLI" "GALLIPOLI SHRAPNEL" 2nd Row L to R "PEBBLES FROM ANZAC COVE/ 2009" "SHRAPNEL/ FROM/GALLIPOLI 2009" 3rd Row L to R "AUSTRALIAN/TRENCHING TOOL/ FROMELLES 2009" "STONE FROM/ UNDER/ HILL 60 YPRES" 4th Row "BULLET CASING/ POZIERES/ BATTLEFIELD 2009" 5th Row "SHRAPNEL/ FROMELLES/ FOUND 1993" 6th Row L to R "CANTEEN/ HANDLE/ FROMELLES" "AUSTRALIAN/ EQUIP BUCKLE/ FROMELLES BATTLEFIELD/1993" "END FROM EQUIP/ STRAP/ FROMELLES/FRANCE" souvenirs, ww1, gallipoli, battlefields -
Port of Echuca
Decorative object - Wooden Picture Frame, 1903
This picture frame was hung in the Bridge Hotel in the upstairs display that was assembled in the 1970s and can be seen in some of the photographs taken upstairs over the decades in the Port Collection. A round wooden photo frame decorated with carved circles with a sepia circular photo of young woman with voluminous hairstyle inside it. She has a triple strand of pearls around her neck. At the bottom of the photo if written Talma & Co, Swanston St, Melbourne. A brown string like a shoe lace is threaded through 2 hooks to hang it from.'Part of her mother's effects, K Robertson, born 1886 carved this frame as a girl probably around 1903. Subject not known, a friend perhaps.' written on the back of the photo. bridge hotel, k robertson, talma & co, picture frame -
Bendigo Military Museum
Leisure object - CARDS, PLAYING, C. WW2
Playing cards of Japanese aircraft, black & white, design backing. .1) 9 of Clubs: 97 Dive Bomber like US Douglas A-24. .2) 10 of Club: 96 Mitsubishi H/Bomber - Army. .3) Jack of Clubs: 97 Kawasaki Flying Boat - Navy. .4) Queen of Clubs: Fiat BR-20 H/Bomber - Army.toys - games, documents - cards, military history - recreation, passchendaele barracks trust -
Glenelg Shire Council Cultural Collection
Print, Cape Nelson at Sunset, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four seagulls on a blue, orange and yellow diamond-shaped grid. The seagulls are created through black outline and shading. Seagulls are in various poses, all with wings extended. The grid alternates from blue diamond shapes to those which fade from orange at the top to yellow at the bottom. The grid is surrounded by a blue and white cloud-like border.Front: 12/20 Cape Nelson at Sunset. Catherine Taylor Back: 43 -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1880s to 1910’s
This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. The bottle’s shine has been worn from around 3/4 of its body, indicating that it has been resting horizontally on an abrasive surface, perhaps in the ground or on a river or sea bed. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. Brown, brown glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ nipple-liker bump in the centre. Bottle is straight from base to half height then tapers to a shoulder over the next quarter, than almost straight up to the mouth. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, brown glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker, ginger beer bottle -
Bendigo Historical Society Inc.
Ephemera - GREETING CARD WITH BEST LOVE, 1900
Greeting Card With Best Love: Embossed Plastic like material with horseshoes, clasped hands and hand painted flowers with 'With Best Love' on the front. The plastic is attached to the card with gold thread which opens in the centre to reveal a round print of a lighthouse and sail boats. The card is inscribed with 'Many Happy Returns Of The Day' and a poem in silver print. Box 625ephemera, mementoes, birthday cards, birthday greeting card. -
Bendigo Historical Society Inc.
Photograph - HANRO FLOAT EASTER FAIR 1934
Copies (2) of original photo: Print attached to back of photo: 'The Hanro float in the Easter Procession circa 1934. The girls were Hanro employees, Maisie Kelly is on the left, but the names of the other three are unknown. Image shows four girls sitting on corners of float. Float has windmill like structure, paper flowers attached to sides. 1920's ?bendigo, institutions, easter procession, bendigo easter fair, procession, maisie kelly, hanro, float -
Bendigo Historical Society Inc.
Photograph - PORTRAIT - 2 WOMEN - AMBROTYPE
Photograph - black and white - Ambrotype. This is two photo's in 2 frames that were joined, now broken in 2. The two women, they look like mother and daughter, photo taken with same table cloth, holding same flower, the outfits are similar, the material on the sleeves on both are the same. Photo book/frame is leather bound, inside the frame is gold embossed.person, family, mother and daughter, ambrotype. portrait 2 women. -
Bendigo Historical Society Inc.
Photograph - ELMA WINSLADE WELLS COLLECTION: PHOTO OF ELMA WINSLADE WELLS
Photograph - black and white - postcard. A portrait of a woman. Written on the back. ' I cannot go myself. So wish you a Happy Christmas, so I am sending you my photo, and shall be with you in spirit. Lots of Love and Best Wishes for all. EWW (looks like EWW). So assumption is then that this is a photo of Elma Winslade Wells.person, individual, wells family (elma), elma wells. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LIGHT GREY KID LEATHER ELBOW LENGTH GLOVES, Late 1800-1900's
Clothing. Light grey kid leather gloves, with a sueded 'chamois like' finish feel. A 12 cm long plackett at the wrist, fastens with three .7 mm, rounded pearl buttons. Six rows of fine machine stitching fan out across the back of the hand, giving the effect of three pin tucks. Top edge of the gloves is gently curved.costume accessories, female, light grey kid leather gloves -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: LETTER FROM KELLY TO SAMUEL CARR, 02/05/1897
Document.KELLY & ALLSOP COLLECTION. Carbon copy of a letter written by ? Kelly to Samuel Carr, Kalgoorlie, dated 2 May 1897. Two pages 745 and 746 of a carbon copy book. Hand writing is faint and hard to decipher. In part it relates to the estate of Carr's late father. First part of signature at bottom not decipherable, but the rest looks like Kelly.? Kellybusiness, stockbroker, kelly & allsop, kelly & allsop collection, samuel carr, letter, kelly -
Bendigo Historical Society Inc.
Photograph - CLOONAN FAMILY COLLECTION: PHOTO OF LARGE WEDDING PARTY, Circa. 1880
Photograph - black and white. Photograph of a wedding party. Bride standing in full length wedding dress, groom sitting on her left. Groom wearing bow tie and 3 piece suit. Looks like a family photo, parents, bridesmaids, best men, 2 young girls and a toddler. 14 adults (include bride and groom) and 3 children.R.Vere-Scott, Hannan St., Kalgoorlie, W.A.person, family, wedding portrait, cloonan family collection. -
Dutch Australian Heritage Centre Victoria
Decorative Fork
Highly decorative silver-coated object in the shape of a four-pronged fork. A sailing ship forms the top of the handle. The handle (or stem) has 2 curlices on each side. The main section depicts a homely interior in which a seated woman plays the harp, a man stands listening and a child sits on the potty. The whole is surrounded by raised vine-like patterning. A very tiny triangle is engraved in the point of the fork at the back. -
Hume City Civic Collection
Straight Jacket
Straight jacket, sleeveless, made from two thicknesses of calico with red and blue stripe. Edges bound with bias-cut calico. Garment is shaped like waistcoat and wraps around with two long ties. The upper yoke is reinforced with a third layer of cloth cut from the selvedges. The ties are made from separate pieces and sewn on at the lower edge.Nonecostume, sunbury asylum, george evans collection -
Hellenic Museum
Amphora, 1050 - 600 BCE
Cypriot White Painted Ware from Cypro-Geometric/Cypro-Archaic PeriodThe inside of the mouth has two dark black bands, the rim has a zigzag painted on the outer rim. The neck has a frieze of cross-hatched diamonds. The shoulders are centred with cross-hatched chequerboard triangles flanked by wing like shapes. the painted twin loop handles have two cross-hatched diamonds. (neck chipped and heavily repaired). cypriot -
Archive of Vietnamese Boat People
Vietnamese Boat People - Pulau Bidong, 1979
The couple from this photo has gone through great hardship in the period they spent as refugees. They fled Southern Vietnam (Ca Mau) after the Vietnam War in late 1979 when the chinese have invaded and settled in Vietnam. They came on the #91 boat called Minh Hai 375 and arrived at the island on 10/22/1978. Prior to that they were ambushed by pirates who tried to rob, rape and completely take advantage of the vulnerable state the refugee people in. They recall having to purposely sink the boat so that they can be allowed into the country.This photo is great evidence to the family value Vietnamese refugees hold in the period of the period of fleeing the poor conditions that exists back in their country. People put their life online just to HOPE for a better life. Family portrait of a couple and first born child (son) in front of what look like their home at the time. This was taken at 1979 on the island called Pulau Bidong. It's a photo which has been laminated onto a light blue backing paper. The photo's corner has also been rounded with hand written label stating; 'Pulau - Bidong 1979' pulau - bidong 1977 -
Bendigo Historical Society Inc.
Photograph - JOHN JONES COLLECTION: CONSERVATORY GARDENS
Early photograph of the Conservatory Gardens beside the Bendigo Creek. Palm trees are very small and only one statue beside the Conservatory. A line of horse drawn vehicles are parked along the street. W. H. Oakley, Undertaker is across the street and Dimond Bros. Photo Enlargers is beside them. The Gardens are surrounded by a metal fence with a lattice like filling.place, bendigo, conservatory gardens, john jones collection - conservatory gardens, w h oakley, dimond bros -
Kew Historical Society Inc
Photograph - Grace Tabulo at 'Fairyland', c.1960
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence.The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction.Large, original black and white print positive of the owner of 'Fairyland' Grace Tabulo, with two visiting children who watch a pet myna bird take food from Mrs Tabulo's mouth. The room, like the rest of the house (and garden) includes numerous mementos and decorative items. While there is no marking to the reverse, it may be that this photo was professionally taken by a press photographer.Nilgrace tabulo, fairyland, 57 malmsbury street -
Kew Historical Society Inc
Photograph - Grace Tabulo at 'Fairyland', c.1960
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence.The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction.Large, original black and white print positive of the owner of 'Fairyland' Grace Tabulo, with two visiting children who watch a pet myna bird take food from Mrs Tabulo's mouth. The room, like the rest of the house (and garden) includes numerous mementos and decorative items. While there is no marking to the reverse, it may be that this photo was professionally taken by a press photographer.Nilgrace tabulo, fairyland, 57 malmsbury street -
Kew Historical Society Inc
Photograph, Agricultural Equipment, c.1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Agricultural equipment, ca. 1910-ca. 1920. An elaborate piece of farm machinery powered by a small engine. The four-wheeled unit has a tank and a hose. The purpose of both is unclear. Like a number of glass negatives in the Collection, this plate has been reused. The original photograph shows houses in a streetscape. In the distance is an advertisement for starch, roughly painted on a fence.agriculture, glass negatives, farming equipment -
Beechworth Honey Archive
Wax Melter
Antique wax melter made by Pender Bros. Pty Ltd. Wooden wax melter on heavy metal frame. At the back is a metal chute/cylinder with a tap. Lots of metal-work on the back- looks like an attachment to run through hot water. On side is a wooden baseless box with a lid. Inside wax melter is four strong metal compartments.wax, melter, beechworth honey, wax, melter, beechworth honey