View of Kalorama gap taken in 1907 showing Eliza Hand outside Beulah Tea Rooms, Briartys Coach, Dodd's Grocery cart and Meat Cutting cart. In foreground Fred Jeeves is standing and Theo Hand on hay. Mountjoy is in the background.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.The Kalorama Gap in 1907. The coach road comes from right behind old stump. The shop was Hand's Beulah Tea Rooms soon to become the Mt Dandenong North Post Office. Big woman in black was Mrs Hand. wagon was Dodd's Grocery cart. "Mountjoy" on hilltop. The wagon with man was the first coach on the mount (Briartys). Small cart was Dodd's meat cutting cart. Horse at sledge was "Blossom" boy at her head was Fred Jeeves. Boy on sledge was Theo hand. Elm trees in centre of picture with Prices sign advertising shop and newsagency above them.mountjoy, beulah tea rooms, fred jeeves, theo hand, dodd's grocery cart, cart, coach, briartys

Gloves, ladies, white, kid leather. "Maclellan and Co" Made in France. Has fine stitching around seams, 4 mother of pearl buttons along wrist split and decorative stitching of 3 parallel lines on top of glove. Size 6 1/2flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Camisole. Sleeveless. 5cm wide embroidered lace edges the neckline and arm holes. A 7cm wide peplum, with a spoke stitched hem. Three lace loops are sewn into the back of garment, two of which enclose the blue bird, and pink flower embroidery. Machine stitched.costume, female, underwear

Pair of child's leather boots. Fawn leather on upper, brushed cotton lined, wool rubber sole and heel. Decorative tan leather and stitching around upper. Silver coloured zip on arch with decorative stitching to toe. Stiff toe puffs and heel supportsOn sole ink stamped 'LEATHER UPPER COTTON LINED FIBER INNER SOLE WOOL RUBBER SOLE' Under decorative tan leather on upper Ink stamped '2 585 SIZE 9' On inner sole Ink stamped 'WRAY'S NATURAL FORM FOOTWEAR MADE IN ENGLAND"

Worn by Heather Godden in the 1950's.Total of four pairs of gloves - Pair of long cream leather gloves, with three pearl buttons, with decorative stitching. Pair of cream kid leather wrist gloves. Pair of brown leather wrist gloves. Pair of long white evening gloves with decorative stitching. gloves,

Boots issued to Brian CLEREHAN VX91862, refer cat 5269.2 for his service details..1) Brown leatherboot, left foot, no shoelace, black stitching with metal tacks and metal toe. boot with hard soles. .2) Brown leather boot. Right foot, brown cord laces, black stitching with metal tacks and metal toe. Hard soles Inscription on sole “9/5, N741, LO421,1943” both bootsarmy uniform, 2nd new guinea infantry battalion

This appears to be a draft copy of half- yearly reports on these students, possibly handed to each teacher to make comments from which the class teacher compiled the final report.An unofficial record of these students, as the final report sent home to parents would be the official record. It is an example of the reord keeping used in the 1960s.Blue exercise book containing hand written reports on each student in class 4C3. Includes thumbnail photograph of each student. Not dated (circa 1960s).Written on cover: '4C3 / Comments / [name of teacher] / Lawler?'preston technical school, pts, reports, report writing, student records, nmit,

A gimlet is a hand tool for drilling small holes, mainly in wood, without splitting. A gimlet is always a small tool made of a piece of steel of a semi-cylindrical form, hollow on one side, having a cross handle at one end and a worm or screw at the other. A similar tool of larger size is called an auger. Early settlers in Moorabbin Shire had to be self reliant as they established their farms and built their homes using tools like this gimlet. 2 x small hand tool with a screw point, grooved shank, and cross handle for boring holes early settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools, blacksmiths

Yields information about the crew management and rosters used on a Begonia Festival Sunday.Set of 12 typed sheets of the roster or timetables for "Sunday 2nd March 1958", Begonia Festival, of the various tram runs for crews detailing the time they sign on, what services they operate, times, meals, who relieves or takes them, and times finishing. Has some hand written notes. Tables or runs for 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, Extras A, to K and Fc, Notes a Hc extra - c for conductor?In pencil in top right hand corner "Supt"trams, tramways, rosters, shifts, inspectors, timetables, crews, ballarat, begonia festival

White cotton camisole with short sleeves edged with 3cm cotton embroidered and cut work lace. Square neckline edged with two bands of embroidered and cut work lace. Bodice gathered onto a 9 cm deep peplum with rounded fronts. Three hand stitched button holes and two pearl buttons.costume, female, underwear

Cream coloured hand knitted woollen baby pants. Cream cotton ribbon tie at waist. Crocheted edge on legs. Stocking stitch on lower part with three pattern rows on top half back and front. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby pants

This item was collected as a souvenir of a fund raising concert at the National Vietnams Veterans Museum. The entertainers who performed signed the hat : Marcia Jones, Lisa Edwards, Mae Parker and Wendy Stapleton. A fur felt khaki Army slouch hat with a seven fold khaki band (puggaree). the brim of the hat is bound in cross grain ribbon and turned up left hand side with a leather chin strap and internal leather band. The brim of the hat is stitched to the side of the hat. There are four signatures in black ink on the brim.On the brim of the slouch hat are the signatures :Marcia Jones, Lisa Edwards, Mae Parker and Wendy Stapleton. uniform, slouch hat, clothing, entertainers, nvvm, performers, fund raising

Grey cotton gloves. Knitted jersey fabric. Three rows of stitching, 8,8,7.5 cms long on the back of the hand. A 7.5 cms opening at the inner wrist, is fastened with a press-stud which has a flat grey 1.25cm "button type" finish. Size 9 1/2. May be men's wedding gloves.Cotton, Made in West Germany.costume accessories, male, grey cotton gloves

Hand made black leather shoes with leather bow at instep. Short strap with button hole. Black bakelite button on metal ring rivetted to shoe. Size 11 stamped on sole. Leather sole and heel nailed to shoe. Fine machine stitching on top edges of shoe and down to sole from instep.Size 11 stamped on sole

This style of geared drill was commonly referred to as an egg-beater drill and was first patented in 1838. During the late 19th century these drills became more common due to the development of mass production. Users also began to mount the drill onto a frame. This allowed greater control over the drill and removed the need to be holding it in both hands. This gave the operater greater control over the item to be drilled. The drill could be easily removed when required. This item is an example of a domestic woodworking tool commonly used before the widespread use of power tools. The construction of the basic wooden frame also demonstrates the ingenuity of early pioneers and tradesmen in adapting tools to suit their own needs.A metal hand drill which has been mounted on to an improvised wooden stand. hand tools, mass production, egg beater drills

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Nude woman in unzipped overalls with river and city buildings behind her.Signature bottom right hand corner. number 327 in top left hand corner.bookplate, keith wingrove memorial trust, printmaking, australian bookplate design awards

final stage of Patties Lakes Cycling Tour organised by Frank Daly, shows cyclists on Roadnight Street , Stock Street on the right hand side . Other photos 04027.1 riders in Roadknight Street Lakes Entrance approaching and crossing the finish line with Mourilyan Street on the left. Photo 04027.2 cyclists crossing the finish line on Roadnight Street , Stock Street on the right hand side Black and white photograph taken at the final stage of Patties Lakes Cycling Tour organised by Frank Daly, shows cyclists on Roadnight Street , Stock Street on the right hand side . Other photos 04027.1 riders in Roadknight Street Lakes Entrance approaching and crossing the finish line with Mourilyan Street on the left. Photo 04027.2 cyclists crossing the finish line on Roadnight Street , Stock Street on the right hand side sports, cycling, recreation

Handmade running spikes worn by Pen Gilbert, winner of the open event at the Exhibition Oval c. 1922. She was not allowed to wear them in the final event because it was unknown for women to wear spikes.Associated with an Orbost identity and well-known local family.A pair of leather running shoes with spikes on the soles, with leather lacing and white stitching through metal eyelets.running-shoes running-spikes athletics sport women-sport

Originally built by John Hill, a shoemaker at Kangaroo Ground around 1878. In the late 1970s when our Society was the Shire of Eltham Historical Society, an offer was made to the Society regarding use of an old cottage at Christmas Hills. The cottage sat beside Watsons Creek just outside the then Shire of Eltham but following municipal restructuring it now lies within the Shire of Nillumbik. For various reasons the offer ultimately lapsed. At that time some research on the cottage was carried out for the Society by Keith Chappel as part of a larger research project that he was doing. Keith’s notes were taken from Lands Department records and showed that the property was the subject of a permissive occupancy of Crown land comprising the creek reserve. In 1903 a Miner’s Right of one acre in area was granted to Edwin Samuel Birch. In 1907 Birch applied to purchase this land but was unable to because it was part of the creek reserve. The documents show that the cottage existed at that time. Upon Birch’s death in 1932, his daughter, Honor Mary Birch was granted a permit to occupy the residence. Honor Mary Birch, known as Nora, was born 1900, the daughter of Edwin Samuel Birch and Honor (nee Young). In 1939 she married George Henry Williams (aka Henry). Honor died 8 July 1976. Her siblings were Margaret Martin (dec), Bert Birch and Brigidene Brinkkotter. In her will she gave and bequeathed “all the improvements on the land held by me at Christmas Hills under Permissive Occupancy from the Department of Land and Survey consisting of the house property thereon and all the contents of the said house to my nephew Brian Joseph Martin of Christmas Hills aforesaid farmer”. The will described the property as a four room, five square house, about 100 years old with enclosed verandah, including kitchen, combined lounge dining room, bedroom and store room; built of ‘bush slabs’ with a corrugated iron roof. A dairy had been erected in 1935. After her death, the property was acquired by the Melbourne Metropolitan Board of Works in 1978. The property is listed on the Victorian Heritage Database HO200-Hill, later Birch farm complex, 945 Eltham-Yarra Glen Road, Watsons Creek and described as: The house has a steep but simply gabled roof form clad with corrugated iron, vertical adzed hardwood slab front wall construction, split palings to the gable ends; rubble freestone chimney at one end (with added gsi flue), pole-framed Graeme Butler & Associates, 2006: 101 Shire of Nillurnbik Planning Scheme Amendment C13 Heritage Assessments verandah (rebuilt?); six-pane double-hung sash windows; T&G bead-edge boarded ledged & braced door; and paling clad rooms added at verandah ends. A slab-clad large fireplace is at the north corner of the house, with a gsi upper cladding added and an internal lining of rubble stone. The rear facade is different construction, being drop-slab, and sits beneath a rear skillion addition to the main gabled form: this may be more recent construction. The house appears to have been once set up for public display and may have been recreated in part for that purpose. Outbuildings are reached by a track along the east side of the house, including what may have been a creamery (typical standard inter-war design clad with corrugated iron and lined with 1938 Lysaght Queens Head Australia galvanised sheet iron) and a paling clad gabled out-house. Timber outbuildings of differing eras are to the north-west of the house, with pole framing and paling infill construction and Redcliffe brand corrugated iron. Post and rail (front) and split paling (rear) fence remnants line the front boundary. Pepper trees part of house yard landscape49 born digital images (includes one panoramic stitch and nine frames from drone video)birch cottage, christmas hills, early settlers, edwin samuel birch, honor mary birch, john hill, watsons creek

The silk card were created by French women during the First World War. The women would create these in there homes as a way to earn an income during the tuff times. The silk mesh was embroidered by the women and was later sent to factories to be placed on the cards. According to the Australian war memorial website there were 10 million of the cards made between 1914-1919. This card in particular was sent from John (Jack) McIntyre to his mother for her birthday. J. McIntyre served in the first world war, first arrived in Egypt in 1915, then to the Western front in France in July 1916. He was servery injured during his time in France and was sent to the Hospital in England. After the war finished Jack travelled back to Australia and lived in Lara with his brother and sister.This card is significant as it is a reflection on the communication between families during the First World War. It also is a symbol of the way women in France made their money during the tuff timesA birthday card with silk on the front of the card. It has pink flowers stitched into the silk and says 'happy birthday'On the front it has 'Happy Birthday" "Remembrance" On the first page in the inside "Remembrance" "To mother" "From Jack" "France 1918" On the second page in the inside: "Wishes are nothing; t'is the heart That in the few lines dwells And says to those from us apart More that the greeting tells" birthday card, mother, son, mcintyre, world war 1, ww1, happy birthday, handmade, silk, embroidered

Macleod High School Prefect's badge and pocket from Rosemary Isaacs (nee Davies). Embroidered pockets were sewn onto school uniform as a sign of student seniority and responsibilityA personal memento of responsibility at school.Green woolen pocket with stitched school crest and motto. Badge with school crest and motto, enamel on metal."Prefect" on each item.macleod high school, rosemary isaacs, rosemary davies, prefects badge

This banner was produced by the Gay Solidarity Group (GSG) for use in the first Mardi Gras, one of the events held as part of the Day of International Gay Solidarity, held on 24 June 1978. The banner was displayed on the side of the truck that was used in the Mardi Gras. It was subsequently used in numerous protests and demonstrations by GSG into the late 1980s.White text on green canvas backing, ends folded and stitched with red cotton, reinforced by black tape.

The evolution of the stiff shirt collar occurred in the 1830s when the detachable collar was "invented." At this time, the detachable collars were simply normal shirt collars like you’d see today, but sold separately from the shirt itself and needed to be kept in a container to keep them clean and accessible. The detachable collars were a way to avoid the weekly laundry. Because collars and cuffs were both the most visible parts of shirts and the parts most likely to get dirty, separating them allowed people to do the shirt equivalent of only washing your armpits after you go to the gym. That meant that the main body of the shirt could remain soft while the collar and cuffs that were visible could be starched and shaped. The popularity of detachable collars and starched collars, in general, began to fade in the 1920s and 30s. As shirt styles began to change. The advent of central heating, lighter weight fabrics, and a more relaxed social attitude to fashion all contributed to making men’s clothes more comfortable and less formal.An item that was used to store detachable men’s shirt collars from the early 20th century at a time when men's fashion was more formal and how a person dressed especially for formal occasions dictated a person's social standing. The subject item comes from a time that gives a snapshot into the past at the social norms of the time.Collar box, leather, cylindrical, includes strap, buckle, stitching and cardboard lining and man's white collarCollar inside box marked "CF652 Rexbilt Size 16 1/2 x 1 3/4" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, collar box, men's collar box, men's collar, leather collar box

Linen shoe bag with pink edging. Has a dog stitched on bag and the word shoes. Circa 1920. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Adjustable metal operating table with black padded vinyl cushioning white sheet with red cross stitchedDenyer "Major" Model Head End Control 234 Melbourne Australiadenyer operating table

Remembering the White Building, 2017 Clare McCracken As Cambodia rapidly urbanises, it is the urban poor that are forcibly removed from their homes to make way for shiny new apartment towers they cannot afford. In 2014 during a residency at the White Building, a medium-density slum in central Phnom Penh, Clare stitched pocket-sized cross-stitches of the ornate bricks of the building over the top of cross-stitch patterns of Angkor Wat. She gifted these tiny works to the residents she met - something they could take with them as a reminder of their community when it was demolished. In 2017, as the Cambodian government demolished the building, Clare created another series of the works: in memory of a community that had now been destroyed.Wangaratta Art Gallery CollectionA textile artwork that is made up of 4 cross stitch squares with each square a different colour and design.clare mccracken, cross stitch, textile

Green wool felt pennant with stitched side seam and white cotton tape tie sewn in seam.Front: JEPARIT / VIC. / SIR ROBERT MENZIES PARK Back: Lake Hindmarsh / JEPARIT / VIC.jeparit, victoria