Local artistEtched clear glass

Sculptural portrait of John Murray, President of the Old Colonists' Association, Ballarat.john murray, johm paul murray, old colonists' association ballarat, old colonists' hall, entrance, sculpture

half moon bay, elizabeth presa, child, boat, water, poem, bayside city council, public art, scultpure

David Wood, Spirit of place 2021, galvanised wrought iron, 375 x 300 x 300 cm. Bayside City Council Art and Heritage Collection. Commissioned 2021public art, sculpture, reeds, spirit of place, david wood, elsternwick park, phragmites australis

‘Quartet’ is designed by the late Junee Gurney (1909-1984), who lived in Bayside for many years and was the wife of Alex Gurney, creator of the 'Bluey and Curley' cartoons. The work made posthumously based on her design and was carved by David Glyn Davies.Junee Gurney, Sculpted by David Glyn Davis, Quartet 2002, sandstone, 185 x 90 cm. Bayside City Council Art and Heritage Collection. Commissioned 2002Sandstone Public Art Commission located in Landcox Park, Brighton Eastsculpture, public art, landcox park, family, figures, junee gurney, david glyn davis, quartet

Alnis Ansons (1928-2015) was introduced to architect Kevin Knight in the lead-up to the opening of the Brighton Municipal Offices in 1961. The architect, on seeing some relief work in the artist’s home, asked Ansons if he would attempt an ambitious 70 square metre work within the council building which would wrap around the lift shaft of the three storey building. The tight deadlines and budgetary constraints imposed on the project impacted on the artist’s process but, in adapting to these limitations, Ansons developed a bold and original technique for producing commercial ceramic works. The mural, which symbolises the people of Brighton at work, worship and play, is constructed from hundreds of individual ceramic casts that have been treated with an engobe, similar to an underglaze, to produce a myriad of colours. The pieces were then fired only once, and grouted with copper grouting from top to bottom, creating a three-dimensional effect on the central column in the council chambers. Ansons was assisted during the installation by his future wife, Ralda, who was tasked with holding the pieces in position as they dried, to prevent them from sliding or shifting.Alnis Ansons, Brighton Council Chambers Mural 1961, ceramic. 750 x 595 cm. Bayside City Council Art and Heritage Collection. Commissioned c. 1960Circular ceramic relief mural around lift well in Brighton Council Chambers. The work begins on the ground floor of the Brighton Library, through to the mezzanine level up to the Chambers. mural, public art, alnis ansons, brighton council chambers, brighton library, ceramic, kevin knight, bayside chambers, bayside city council

Alan Marshall (1902-1984) was an Australian writer, storyteller, social documenter and author of 'I Can Jump Puddles'. He lived for many years in Sandringham. This work was commissioned by Sandringham Council and unveiled in May 1985 at the opening of the new Sandringham library.George Luke, Alan Marshall 1985, bronze. Bayside City Council Art and Heritage Collection. Commissioned 1985Cast bronze head of Alan Marshall. The head is mounted on a cement pedestal with a bronze plaque with inscription at the front. Located at Sandringham Library, Corner Waltham Street and Chalmers Avenue, Sandringham.alan marshall, george luke, scultpure, portrait, bust, sandringham, library, writer, social documenter, australian author

Charles Douglas Richardson, The tired dancer 1909, patinated plaster, 59 x 42 x 45 cm. Bayside City Council Art and Heritage Collection. Donated by the artist 1931.patinated plastersculpture, human figure, dancer, tambourine, charles douglas richardson, cd richardson, c douglas richardson, plaster

This work is a plaster maquette of a large bronze statue of politician and land speculator Sir Thomas Bent by Margaret Baskerville that is located on the corner of Bay Street and Nepean Highway, Brighton.Margaret Baskerville, Sir Thomas Bent c.1911, patinated plaster, 55 x 49 x 49 cm. Bayside City Council Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.patinated plaster thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, land speculator, speaker, local government, councillor, member of lower house, portrait

Edith Cavell was an English nurse based in Belgium who had been killed by German officers for conspiring to help in the escape of allied soldiers. This work is a plaster maquette of a large memorial marble bust by Margaret Baskerville that is located at Kings Domain on Birdwood Avenue, Melbourne. Although commissioned in 1917, the memorial was not completed until 1926 due to both the difficulty of obtaining Carrara marble from Italy after the war and the increasing number of Baskerville’s other commissions.Margaret Baskerville, Edith Cavell c. 1926, plaster, 82 x 49 x 28 cm. Bayside Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.plasteredith cavell, bust, sculpture, nurse, world war i, margaret baskerville, melbourne, berkendael medical institute, red cross, brussels, plaster

Baskerville’s Echo references the Ancient Greek myth of the nymph Echo. The goddess Hear punished Echo for misusing her gift of voice by ensuring that she could only echo the voice of others. Echo falls in love with Narcissus, who spurns her and instead falls in love with his own reflection in a pool and drowns trying to reach it. Grieving, Echo fades away until only her voice remains.patinated plasterecho, female, figure, margaret baskerville, ancient greek myth, nymph, sculpture, relief, plaster

marblewild fruit, female, figure, fruit, charles douglas richardson, sculpture, marble, c douglas richardson, cd richardson

patinated plastertempus fugit, time flies, sundial, figure, female, charles douglas richardson, c douglas richardson, cd richardson, relief, sculpture

patinated plasterfaces, relief, charles douglas richardson, memories, genius, scupture, cd richardson, c douglas richardson

It is known that we choose our family before we are born, for me I get a great deal of comfort knowing this, for me it is very true. I was adopted at birth, I have always known this. My mum is my best friend, she is my confidant in times of sadness and pain. She is my guiding light in times when I have lost my way. I share everything with her as she does me. She is my hero, especially now that I have my own children, seeing the sacrifices she has made along the way and is still sacrificing so much for our wellbeing. I celebrate her daily for all she does, we celebrate together the wonderful things that we achieve on a daily basis no matter how small they appear to be. She is always there for me – how privileged I am to have her in my life. I met my birth mother once I had children of my own, I understood what a sacrifice it must have been to give me up. The first words that I muttered out of my mouth when I met her was, “I am so proud of you, and thank you”. She was quite baffled by this and then I explained. Through your unconditional sacrifice I have been given a wonderful life, the doors have been opened to me in so many ways. I have been loved unconditionally and have had the devotion of my mum and dad behind me all the way – how blessed I have been. The dual figures that I have weaved signify my mothers, my mum is holding a babe in arms a gift from the universe. My birthmother is present within this figure, her face is at the back of my mums head. She wasn’t physically there during my many years without her, yet spiritually she never left. This figure is a homage to my mothers, a recognition of respect and admiration, to hold them in great esteem, adulation and worship. Lisa Waup, 2016emu feathers, parrot feathers, ostrich feathers, tapa cloth, fibre, crow’s feet, parrot feet, parrot wings, possum fur, seeds, raffia, woodmother and child, sculpure, weaving, lisa waup, torres strait islander, gunditjmara, indigenous, handcraft, chosen before birth, adoption, emu, feather, possum, mother, child

marblesculpture, figure, cross, charles douglas richardson, cd richardson, c douglas richardson, marble, penitent, sorrow

plasterlady of the lilies, bust, sculpture, flowers, margaret baskerville, lilies, plaster, portrait

bronzehead, face, male, whistling, sculpture, jeffery wilkinson, bronze

bronzehorse, animal, sculpture, jeffery wilkinson

digilass and acubond sculpture, public art, bathing boxes, brighton, bayside, james voller, martin street

Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.bronze Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.sculpture, public art, newspaper, hampton, bayside, william eicholtz, bronze

LED light, laser cut metal Located in the entrance to Bayside Gallery, Corner Wilson and Carpenter Streets, Brighton, Victoria 3186.sculpture, public art, installation, feather, neon, lights, peter kennedy, play on words, light as a feather

powder coated steelsculpture, lenton parr, darien

powder coated steelsculpture, lenton parr, lesath

Jeffery Wilkinson, The swimmer c.1950s, cast 1999, bronze, 162 x 250 x 46 cm. Bayside City Council Art and Heritage Collection. Commissioned 1999.bronze Public Art Commission located on Beach Rd, north of Hampton Life Saving Club, Hampton, Victoria.swimmer, female, sculpture, public art, bronze, hampton, beach road, jeffery wilkinson, coastal art trail

Public art commission located at Progress Park on the Black Rock Foreshore.Inscribed with text that is an extract from a verse sung by Lithuanian displaced persons sailing to Australia having fled their homeland after Russian occupation following World War II. The text is in an ancient Runic typeface, translated in English, reads: "Faustas Sadauskas created Beacon two thousand [and] four years / Let the Blowing Wind Who Taketh the Ship Away Take Me Away".beacon, sculpture, faustas sadauskas, bayside coastal trail, marble, public art, black rock, foreshore, beach road, progress park, ship, rudder