Alan Marshall (1902-1984) was an Australian writer, storyteller, social documenter and author of 'I Can Jump Puddles'. He lived for many years in Sandringham. This work was commissioned by Sandringham Council and unveiled in May 1985 at the opening of the new Sandringham library.George Luke, Alan Marshall 1985, bronze. Bayside City Council Art and Heritage Collection. Commissioned 1985Cast bronze head of Alan Marshall. The head is mounted on a cement pedestal with a bronze plaque with inscription at the front. Located at Sandringham Library, Corner Waltham Street and Chalmers Avenue, Sandringham.alan marshall, george luke, scultpure, portrait, bust, sandringham, library, writer, social documenter, australian author

Charles Douglas Richardson, The tired dancer 1909, patinated plaster, 59 x 42 x 45 cm. Bayside City Council Art and Heritage Collection. Donated by the artist 1931.patinated plastersculpture, human figure, dancer, tambourine, charles douglas richardson, cd richardson, c douglas richardson, plaster

This work is a plaster maquette of a large bronze statue of politician and land speculator Sir Thomas Bent by Margaret Baskerville that is located on the corner of Bay Street and Nepean Highway, Brighton.Margaret Baskerville, Sir Thomas Bent c.1911, patinated plaster, 55 x 49 x 49 cm. Bayside City Council Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.patinated plaster thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, land speculator, speaker, local government, councillor, member of lower house, portrait

Edith Cavell was an English nurse based in Belgium who had been killed by German officers for conspiring to help in the escape of allied soldiers. This work is a plaster maquette of a large memorial marble bust by Margaret Baskerville that is located at Kings Domain on Birdwood Avenue, Melbourne. Although commissioned in 1917, the memorial was not completed until 1926 due to both the difficulty of obtaining Carrara marble from Italy after the war and the increasing number of Baskerville’s other commissions.Margaret Baskerville, Edith Cavell c. 1926, plaster, 82 x 49 x 28 cm. Bayside Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.plasteredith cavell, bust, sculpture, nurse, world war i, margaret baskerville, melbourne, berkendael medical institute, red cross, brussels, plaster

Baskerville’s Echo references the Ancient Greek myth of the nymph Echo. The goddess Hear punished Echo for misusing her gift of voice by ensuring that she could only echo the voice of others. Echo falls in love with Narcissus, who spurns her and instead falls in love with his own reflection in a pool and drowns trying to reach it. Grieving, Echo fades away until only her voice remains.patinated plasterecho, female, figure, margaret baskerville, ancient greek myth, nymph, sculpture, relief, plaster

marblewild fruit, female, figure, fruit, charles douglas richardson, sculpture, marble, c douglas richardson, cd richardson

patinated plastertempus fugit, time flies, sundial, figure, female, charles douglas richardson, c douglas richardson, cd richardson, relief, sculpture

patinated plasterfaces, relief, charles douglas richardson, memories, genius, scupture, cd richardson, c douglas richardson

It is known that we choose our family before we are born, for me I get a great deal of comfort knowing this, for me it is very true. I was adopted at birth, I have always known this. My mum is my best friend, she is my confidant in times of sadness and pain. She is my guiding light in times when I have lost my way. I share everything with her as she does me. She is my hero, especially now that I have my own children, seeing the sacrifices she has made along the way and is still sacrificing so much for our wellbeing. I celebrate her daily for all she does, we celebrate together the wonderful things that we achieve on a daily basis no matter how small they appear to be. She is always there for me – how privileged I am to have her in my life. I met my birth mother once I had children of my own, I understood what a sacrifice it must have been to give me up. The first words that I muttered out of my mouth when I met her was, “I am so proud of you, and thank you”. She was quite baffled by this and then I explained. Through your unconditional sacrifice I have been given a wonderful life, the doors have been opened to me in so many ways. I have been loved unconditionally and have had the devotion of my mum and dad behind me all the way – how blessed I have been. The dual figures that I have weaved signify my mothers, my mum is holding a babe in arms a gift from the universe. My birthmother is present within this figure, her face is at the back of my mums head. She wasn’t physically there during my many years without her, yet spiritually she never left. This figure is a homage to my mothers, a recognition of respect and admiration, to hold them in great esteem, adulation and worship. Lisa Waup, 2016emu feathers, parrot feathers, ostrich feathers, tapa cloth, fibre, crow’s feet, parrot feet, parrot wings, possum fur, seeds, raffia, woodmother and child, sculpure, weaving, lisa waup, torres strait islander, gunditjmara, indigenous, handcraft, chosen before birth, adoption, emu, feather, possum, mother, child

marblesculpture, figure, cross, charles douglas richardson, cd richardson, c douglas richardson, marble, penitent, sorrow

plasterlady of the lilies, bust, sculpture, flowers, margaret baskerville, lilies, plaster, portrait

bronzehead, face, male, whistling, sculpture, jeffery wilkinson, bronze

bronzehorse, animal, sculpture, jeffery wilkinson

digilass and acubond sculpture, public art, bathing boxes, brighton, bayside, james voller, martin street

Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.bronze Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.sculpture, public art, newspaper, hampton, bayside, william eicholtz, bronze

LED light, laser cut metal Located in the entrance to Bayside Gallery, Corner Wilson and Carpenter Streets, Brighton, Victoria 3186.sculpture, public art, installation, feather, neon, lights, peter kennedy, play on words, light as a feather

powder coated steelsculpture, lenton parr, darien

powder coated steelsculpture, lenton parr, lesath

Jeffery Wilkinson, The swimmer c.1950s, cast 1999, bronze, 162 x 250 x 46 cm. Bayside City Council Art and Heritage Collection. Commissioned 1999.bronze Public Art Commission located on Beach Rd, north of Hampton Life Saving Club, Hampton, Victoria.swimmer, female, sculpture, public art, bronze, hampton, beach road, jeffery wilkinson, coastal art trail

Public art commission located at Progress Park on the Black Rock Foreshore.Inscribed with text that is an extract from a verse sung by Lithuanian displaced persons sailing to Australia having fled their homeland after Russian occupation following World War II. The text is in an ancient Runic typeface, translated in English, reads: "Faustas Sadauskas created Beacon two thousand [and] four years / Let the Blowing Wind Who Taketh the Ship Away Take Me Away".beacon, sculpture, faustas sadauskas, bayside coastal trail, marble, public art, black rock, foreshore, beach road, progress park, ship, rudder

bronzesculpture, swimmer, female, figure, guy boyd, public art, bayside, bayside city council, australian bicentennial project, guy martin à beckett boyd, bronze, city of sandringham, indigenous resource garden, bluff road, sandringham

The bluestone is laid on crushed yellow ochre sandstone, with the base encircled by indigenous flowering plants. Each rock represents one of the six clans that made up the Boon wurrung. For thousands of years, Boon wurrung women and children congregated in this area during special periods in spring and summer. The area was rich in seafood and had fresh water wells dotted around it. Among the Banksia trees that provided shelter, grew indigenous plants and flowers through which the women made garlands to wear in their hair.boon wurrung, blossom, sculpture, public art, indigenous, bayside indigenous coastal trail, ellen josé, ellen jose, bluestone, sandstone

Arguably Margaret Baskerville’s most famous work, the bronze statue of politician and land speculator Sir Thomas Bent was Baskerville’s first public commission and a significant turning point in her career. Originally located in the centre of the Nepean Highway, in Brighton, it became somewhat of signpost for many Melbournians until it was relocated to the corner of Bay Street in 1980.The statue of Sir Thomas Bent is of historic and social significance to the State of Victoria. The statue is historically significant for commemorating Bent's long, active and infamous political career in Victoria. He was responsible for many important speculative ventures both within his electorate and in the wider context of Victoria. Although not without thought for personal gain, Bent was a committed advocate of public utilities, railways, roads, tramways and gasworks. The statue is historically significant as the first large public commission given to a woman sculptor in Victoria. This work helped the sculptor, Margaret Baskerville, preserve her name as Victoria's first professional woman sculptor. The statue is socially significant as testimony to the late nineteenth century land boom and the financial and political corruption and scandals that accompanied it. https://vhd.heritagecouncil.vic.gov.au/places/12614bronze and granite thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside

The fountain was commissioned by Elizabeth Beazby, daughter of Sir Thomas and Mrs Bent, and unveiled 27 October 1913 by Mrs Wilson, Mayoress of Brighton.The fountain is of historical interest and aesthetic significance. The memorial is a good example of the smaller commemorative work of sculptor Margaret Baskerville. The memorial commemorates the wife of notable local resident, Sir Thomas Bent, who was a long-standing parliamentary representative, Mayor of Brighton and Premier of Victoria from 1904-1909.bronze and granite thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside, mrs bent, memorial, fountain, drinking fountain, cherubs, elizabeth bleazby

politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside, thomas bent, unveiling, ceremony, mayoress, sculptor, councillor wilson, crowd, 1913, nepean highway, mrs bent, elizabeth bleazby, fountain, memorial

The Springthorpe Memorial is an elaborate late 19th century memorial located within Boroondara General Cemetery. Harold Desbrowe-Annear designed the memorial for the Melbourne doctor John Springthorpe, in honour of the doctor’s wife. Construction began in 1897, and the memorial was unveiled in 1901. Rare postcard showing details of Mackennal's sculpture on the monumentOn the sarcophagus is sculpted group of figures by Bertram Mackennal. This close-up of two of the figures shows an angel leaning over the representation of Dr Springthorpe’s wife. The postcard is historically interesting in that it shows the wreath, which is now missing.springthorpe memorial, boroondara general cemetery, funerary monuments, postcards -- kew (vic.)

The British Army 14th/20th King's Hussars was affiliated with 20th Australian Light Horse Regiment [date ?] . This affiliation carried over to 8th/13th Victorian Mounted Rifles in 1948 and is now maintained in the affiliation of the Queens Royal Hussars and 4th/19th Prince of Wales's Light Horse following various amalgamations and linkings.Rare example of a gift between British and Australian regiments.Metal figurine on a turned wooded base depicting an hussar. Wraparound inscribed plaque on base."Presented to 8th/13th Victoria (sic) Mounted Rifles by all ranks 14th/20th King's Hussars on the occasion of the presentation of our new Guidon / 12 June 1982"20th light horse, 8th/13th victorian mounted rifles, queens royal hussars, 14th/20th king's hussars