.1) George Edgar Godlip Yung seated on a swing and two children, possibly grandchildren Alice (b1914) and Grace (b1915) Watson. Note bridge in background so perhaps Peterborough? .2) A family outing to the beach on a cold, windy day. Uncle Ted was Charles Edward Smith, an Anglican minister and the son of George Henry and Emma (b Keys) Smith and a sister of Clara Emma Yung (b Smith). On the left of the photo is George Edgar Yung, his brother-in-law and most likely the lady on the right is his sister Clara. They are rugged up for the day. Note the steel tips on 'Clara's shoes. Two black and white photographs at Warrnambool Beach..1) G E Yung ;( crossed out - Alice and Grace) Watson .2) Uncle Ted and partywarrnambool, warrnambool beach, charles edward smith, clara emma yung, george edgar godlip yung, peterborough

Rose Series postcard No. P 4016 titled "Elizabeth Street & Flinders St Station, Melbourne", showing W5 class trams 742 and 737, both on route 18 in Elizabeth St looking south from Bourke Street. It is a very busy and congested scene with motor and horse-drawn trucks, cars, cyclist and pedestrians. Note the man in a peaked cap in the bottom right-hand corner - a Chauffeur? There is advertisement for "War Saving Certificates" on the balcony of London Stores. Other retailers in Elizabeth Street are Brash's music and Wittner Shoes. The new Royal Bank building is visible on the corner south east corner of Collins Street. Yields information about a busy scene in Elizabeth Street Melbourne in the 1940's .Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, elizabeth st, tram 742, tram 737, w5 class, world war ii, route 18

Polyester shirts plus a green tie and epaulets were the only form of dress unform issued to FCV staff. In later years a brown tie was available. Blue work overalls and safety boots were issued for bushfire work. These were replaced with the now familiar bright green overalls in about 1984. There were no dress pants, jumpers, jackets or shoes issued. This led to a long running dispute between the staff association and the Commission over departmental uniform policy at the time. David Parnaby was a District Forester and accomplished cartoonist who provided insightful and humorous commentary on uniforms through the Victorian State Forester’s Association Newsletter.Example of early staff uniform.Green polyester tie with yellow stripe and round FCV logo. Green FCV epaulet to be worn on polyester shirt as dress uniform. uniforms, forests commission victoria (fcv)

John Oxley was a shoe and butchers’ knife manufacturer, who was listed in Whitecroft UK in 1822 . By 1825, he was based in Hollis Croft. John apparently died in about 1837. He had two sons – George (1808-1879) and James (1811-1881) who took over the business. George moved to Indianna, USA and in 1868 James continued to manufacture 'Cooks’ and palette knives and steels" Oxley’s trade mark was a butcher’s knife crossed with a sharpening steel (and the letters ‘JO’). The firm stayed in the family until 1960. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools . This strong steel knife is typical of the type used by early settlers in Moorabbin Shire c1900Heavy duty curved steel knife with a wide blade encased in 2 thick leather straps secured with steel rivets Blade ; James Oxley with Trade Mark - a butcher’s knife crossed with a sharpening steel (and the letters ‘JO’). scratched into leather handle ; J EVANSknives, sheffield steel, oxley james ltd. , leatherworkers, saddles, horses, bootmakers, shoes, boots, builders, carpenters, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd,

Collector says - "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Note from collector-"For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Tan and brown plaid fringed travel rug. Albany Woollen Mill/Travel Rug/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, rug, albany, albany woollen mills

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, red, blue, green and blackOnkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, teal and brownAn Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Plaid travel rug, double-sided , fringed , brown and orangeThe Seal of Quality/"Onkaparinga" /Pure Wool/Manufactured in Australia by Onkaparinga Woollen Co.Ltd/Owner___wool, blanket, blanket fever, travel rug, onkaparinga

When Andrew Black took occupancy of the shop ate 589 Swanston Street, Carlton, he was unaware that a few years earlier it had been the scene of a murder and became known as the 'pyjama case murder'. On 1st September 1934, the body of an unidentified woman dressed only in pyjamas was found near Albury, NSW. For the following decade it remained an unsolved mystery until 1944 when Tony Agostini was arrested and confessed to killing his wife. At the time of the murder, the Agostinis were living in the building, where Andrew later ran his shoe repair business. While the case was newsworthy in 1944, the Carlton shop featured in Melbourne's newspapers.A photograph of a portion of a newspaper article about a 1944 cold case murder in Melbourne.carlton, swanston street, andrew black, shoe repairs

This image shows High Street, Wodonga in the late 1950s to early 1960s. The view is taken looking southwards towards the Water Tower at the end of the street. Businesses visible in the image include Currans Shoe Store, Greens Shoe Repair, a barber store, Pat's Ladies Hairdresser and Beauty Parlour, Albury Drycleaners, Jim Costello's, Bye's Butchery, Cafe, Astor Electrical goods and Victorian Producers. It is an enlargement of a Rose Series postcard. This photograph is representative of many images representing High Street, Wodonga as it developed over time. The Rose Series of postcards is a series of postcards of scenes from around Australia and some international ones as well. They were produced by the Rose Stereograph Company, which was the business of Victorian photographer George Rose (1861-1942). In 1880, George, aged 19, founded his business in Victoria, and soon became famous for producing stereographs, or stereo views. His early images included the landing at Anzac Cove, Ned and Dan Kelly’s Armour (taken at trial in 1880), The Duke & Duchess of York and their daughter Princess Elizabeth and Phar Lap winning the Melbourne Cup. When stereographs lost popularity during the 1920s, Rose switched to the production of postcards and decorative cards. He and his team of photographers took thousands of photos of scenery around Victoria and beyond, and the postcards became iconic images of Australian life. The Rose Stereograph Company Collection comprising more than 100,000 items was auctioned by Lloyds in June 2021. This image shows the main street of Wodonga and allows us to trace its development over time.A large photo printed on canvas. It shows High Street Wodonga in the late 1950s, looking southwards towards the water tower.high street wodonga, wodonga businesses, wodonga 1950s

Artwork. Norman Penrose collection: large brown folder with wide black spine containing a page from Water Life with coloured sketches of the Murray Cod, the Azure Kingfisher and the Swamp-hen. A page from the Herald-Sun, Feb 13, 1955 with ladies shoes on one side and the third article of a series of Lawrence of Arabia on the other. Notes and drawings of Ionic Order (Erectheion - Athens. North Portice). And Doric Order (Temple of Theseus. Athens. 5th Cent BC). Also Corinthian Order (Choragic Monument of Lysicrates. Athens). Plan of the Parthenon. Notes on perspective. Notes and illustrations on the Development of Buttress.drawing, pencil, norman penrose collection, water life, notes on drawings, herald-sun, ionic order, corinthian order, doric order

Photo of SEC Bendigo No. 6 crossing Mitchell St, north bound for North Bendigo, while a bogie tram waits to depart Charing Cross, east bound for Quarry Hill. Three SEC crew members standing by the front of the bogie tram and an inspector crossing the road near No. 6. Has part of the fountain in the view. Also in the photo are The Beehive building, and advertisement for Dewars whiskey and a shop front for "Ezywalkin" shoes. The bogie tram has a SEC roof advertisement "Electricity Best for cooking". Kodak cardboard mount slide, taken by Peter Moses, Jan. 1969.On the rear of the slide "Jan. 1969 Bendigo:" in blue ink, "P. Moses" in black ink and other side of the slide in red ink “22”.tramways, trams, bendigo, charing cross, tram 6

Diggers & Mining. Stores at the diggings. GLORIOUS NEWS!! THE LITTLE WONDER has OPENED a BRANCH STORE near the CONCERT HALL, EUREKA, with an IMMENSE STOCK of - Boots, shoes and clothes. A splendid assortment of Jewellery, watches and Clocks. A superb collection of Musical Instruments and Elegant Musical Clocks with Mechanical Figures. NOTE the ADDRESS!:- LITTLE WONDER, Poverty Point, Balaarat, near the concert Hall Eureka and at Queen's Arcade, Melbourne. Bank price given for gold. Slide reads: An advertisement from the Gold Diggers' Advocate, May 20, 1854. Markings: 17 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Demonstrates how tramcar braking performance could be measured mid 1990's.Original chart outputs of brake testing carried out by Met Tram (Mal Ashworth & Les Jeans) on tram 671 on 20/2/1996 - following installation of composite brake shoes. From a machine set up to measure de acceleration. 275.1 - Test results for 25psi and 39 psi application - driver WAD - 125H x 820 long 275.2 - test results for full service application - 125H x 600 long. Photocopy of charts made at the time. Images of charts added 22/10/2013 See Fares Please! March 1996various notes regarding pressures etc. on chart.tramways, trams, w4 class, brake charts, testing, tramcar brakes

Australian Rules football had been played in the Bacchus Marsh area from at least the 1870s. The first meeting to form a club was held in Bacchus Marsh in 1874 but it was not until the 1880s that regular matches were played in the district. In 1912 it was decided by representatives from a number of football clubs in the district to form a football association to better organize and promote the development of the game in the district. Hence by 25 May 1912 the Bacchus Marsh District Football Association was formed comprising the following clubs: Bacchus Marsh, Deer Park, Melton, Parwan, and Maddingley. This image shows the delegates from the various clubs to the newly formed association. The individual people in the image have been specifically identified but the clubs they represented have not. The unnamed umpires in the image have been identified by the honorary historian and statistician of the Australian Football League Umpires Association, David Flegg. Left, Fred Lucas (Goal Umpire), centre, Evan James (Field Umpire), and right, James Smith (Goal Umpire). The date of this image is 9th August 1913. Newspaper reports in the Bacchus Marsh Express on 9th August confirm the participation of these umpires in a Bacchus Marsh versus Melton match on this date. The match took place at Maddingley Park, which appears to be the location where the picture was taken.This item has historic and social significance as an image of one of the early sporting administrators of Bacchus Marsh and District. It is a typical example of group photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. It reflects the pride local districts invested in their local sporting clubs. A sepia photograph mounted on a cardboard mat, showing a group of sixteen men arranged in three rows in a park setting. Twelve men are dressed in suits, collars and ties, a thirteenth man is wearing a uniform coat with epaulettes. Several of the men are wearing ribbons which may indicate their membership of the Association, and/or their status as delegates. In the front row, three men are crouched, two wearing white coats over their suits, and holding white flags, denoting their role as goal umpires. The middle man, the field umpire, is wearing long-sleeved top, shorts, socks and laced-up athletic shoes. On the front, under the photo, hand-written, the words: Delegates 1913. Bacchus Marsh District Football Association. Beneath the title: Top Frank Winderlich. H Connors (s deleted). G.Coburn. P. McDonald. McKenzie? Grant Morton. Edgar Smith. Mid: Roy Edwards. J.J.Barry Snr. Ross. Robert Dugdale. Cunningham. J.B. Doherty. Bottom Row. Not inscribed but have been identified as VFL accredited umpires. Left, Goal Umpire Fred Lucas, centre Field Umpire Evan James, right Goal Umpire James Smith. On the back: Hand-written: Executive members of the First Football League (formed 1912). Given by E.Kight. E. Kight Grant Street Bacchus Marsh. On a white label: Miss Gwynne Moore. australian rules football, bacchus marsh district football association

BHS CollectionPhotocopy of a photo of J Semmens General Store, Long Gully, Bendigo. Under the photo is printed on white paper Cnr Creeth & Eaglehawk Road near present Fish Shop. The photo shows the store with the name J Semmens Draper, Grocer, Imperial Cash Store, Hay & Corn Store, Lead & Oils, Boot & Shoe Warehouse. In front of the store is a cart with the name on it with an employee standing at the horse's shoulder, three other employees in front of the store and a horse and buggy with someone sitting in the buggy. Various items are hanging from the edge of the veranda. There is a printed border around three sides of the page.bendigo, history, long gully history group, the long gully history group - j semmens general store

The District nurses are leaving from their Melbourne District Nursing Society (MDNS) Nurses Home, which was situated at 39 Victoria Parade, Collingwood. Their MDNS uniform dresses and coats depicted are grey, and a red Maltese cross is attached to the centre of the headband on their grey brimmed hats. The Sisters will visit MDNS patients and provide nursing care to them in their homes.From its founding in 1885 until 1891 the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS) worked from their own homes which were located in the vicinity of their areas (districts). In November 1891 MDNS was able to rent a two story terraced house at 66 Cardigan Street, Carlton, at £65 a year, which contained accommodation for three Nurses and one pupil nurse as well as being used as their Headquarters. They left from their Nurses Home each morning and returned at the end of their shift to write up their book work before retiring for the day. Three years later they moved into a larger terraced house at 49 Drummond Street Carlton which was rented at ‘a very moderate rental’. There was a Board room, apartments for the Nurses and pupil nurse, a large dispensary which patients could attend each evening to have prescriptions signed and bottles refilled with ‘homely remedies’ and elixirs, which were administered for e.g. to Consumptive cases. Doctor’s prescriptions were filled at the Pharmacy. Cupboards containing donated blankets and bedclothes for needy patients were kept in this room, and it was here where the Nurses kept their equipment and nursing bags which were refilled at the end of each shift ready for any emergency, and for the next day. A list of Doctors the Nurses could call was kept by the telephone. The home also had a kitchen where nourishing soup was made and distributed twice a week to the needy. Milk was also distributed when needed. In 1902 they moved into rented premises at 188 Leicester Street, Carlton and two years later, in 1904, to premises at 5 Royal Terrace, Nicholson Street, Fitzroy. They remained there for ten years and an Auction of furniture was held before their next move giving an idea of some of the contents: - Carpets, linoleum, walnut and oak sideboards, dining tables, walnut dining suite, Vienna chairs, walnut bedroom suite, cedar wardrobes, chests of drawers, duchess chests, bedsteads and bedding and general furnishings were for sale. In June 1914 at last the Society had sufficient funding to purchase their own terraced premises, ‘Floraston’ 39 Victoria Parade, Collingwood which was their Headquarters and Nurses Home. In 1926 the After-Care Home for recovering patients, (later called After-Care Hospital) was built by the Society next door, at 45 Victoria Parade; the District nurses continued to live at No. 39. In November 1953 the District Nursing Division moved into their new Headquarters and Nurses Home at 452 St. Kilda Road, Melbourne. In 1957 the two divisions legally separated and the District division became the Melbourne District Nursing Service. As District expanded, and now with outlying districts to service, and with a fleet of District cars, their trained nurses (Sisters) lived in their own homes and visited their closest District Centre each morning to collect their work for the day, and returned at the end of their shift to do their administrative work. A small black and white photograph showing a side on view of Matron Lydia Shaw who is smiling. She is standing outside the Nurses Home of the Melbourne District Nursing Society (MDNS), and is wearing a white long sleeved belted uniform dress, white stockings, shoes, and a veil over her short dark hair.. She is standing to the left, outside the front gate of the building watching a group of district nurses about to leave the Home. The group are on a path behind the four trained nurses (Sisters) most visible who are dressed in grey belted long sleeved coats which have lapels. They are wearing grey brimmed hats with a Maltese cross in the centre, flesh coloured stockings and black shoes. The first two Sisters are side by side and have just stepped onto the pavement; the one to the right is smiling and slightly turned toward Matron Shaw. Under their coats, both these Sisters are wearing grey scarves around their necks. There is a square concrete column behind Matron Shaw, and another to the right of the nurses. From the right column three metal vertical fence bars are seen with shrubs behind them. Part of a building and doorway can be seen behind the nurses. A brick wall and path is seen on the far left of the photograph.The date 1934 as well as the name of Matron Shaw, Sister Jones and Sister Tupper were hand written on the back of the photographnurses, matron, uniform, melbourne district nursing society, mdns, nurses home, rdns, royal district nursing service, matron lydia shaw, sister dorothy tupper, sister jones

Document titled "Tramway Maintenance Minutes of Conference - April 26 and 27 1951", attended by SEC Head Office Officers, representatives from Bendigo and Geelong. Opening note on page 2 - that the discussions should be based on the SEC operating the tramways indefinitely. Topics covered - tyres and wheel centres, truck maintenance, suspension bearings, bearing metal (white metal), motor armatures, carbon brushes, air receivers, overhead equipment, tracks, car renovation - painting, gold lining, roof, floor treatment and covering, trolley wheels, purchase requisitions, spare parts, supplies, brake shoes, timber, castings, tramway drawings, patterns and a summary of action. Has a list of attendees.Yields information and demonstrates SEC Meeting minutes about discussions between the three Provincial operators about tramcars and operations.Minutes - 26 duplicated foolscap sheets pinned (was stapled poorly) in the left hand corner.trams, tramways, minutes, sec, geelong, ballarat, bendigo, tramcar equipment, maintenance, trackwork, overhead, painting, trolley wheels, brakes, motors

Contents: • Recording Our History by Jim Connor • Our Next Meeting - 2.00pm Saturday 10th June 2023 • Heritage Walk - Saturday 1st July 2023 - Research Valley South Side • Eltham Horse and Pony Club by Tony Brocksopp • What’s Happening by Liz Pidgeon • Frank’s New Shoes by Jim Connor • Many Hands Make Flags Fly!! By Terry Beaton • A Catalogue of Killings by Richard Pinn • Early Land Sale Documents • Annual General Meeting - Saturday 15th April 2023 • Eltham Cemetery Stories by Liz Pidgeon o Anne Hunniford, (Burgoyne) nee Hamilton, 1813-1899, Pioneer o Anne Jane Hunniford 1855-1927, Post Mistress The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society

Coloured picture of a boy wearing a blue & white sailor suit paddling across a stream. He is holding a girl's hand as she walks over the stepping stones in the stream. She is wearing a pink dress & hat and black stockings & shoes. The boy has a pole in his hand. On the bank of the stream is a large tree and some grazing sheep. At the back is a grey building. The picture is mounted on cardboard. 'Horner's Magazine, River of Life Series, MP274, MP275, MP276, & MP277 is written in pen on the back. The picture is titled 'Playmates'. At the top of the picture is printed 'zhorner's Penny Stories 'River of Life' Series No 1. 15.1.1910.personal effects, greeting cards, malone collection, malone collection, greeting cards, horner's magazine river of life series

Standard Army issue used in Vietnam to protect medical items from wet. Soldiers also often stored other things they valued, like letters and photographs, in them to keep them dry.A green plastic bag with the name and list of items and instructions in yellow. A brown shoe lace tie at the top of the bag. A plastic pouch with partitions for various items goes inside the green sleeve. The contents of the pouches are: 4 x Sanax Phthalyl Sulphatiazole tablets for dysentery, 2 x Sanaz Compound Codeine tablets for pain, 2 x Sanax detergent impregnated cloth, 2 x gauze bandage (3" by 6yd), 1 x Sanax absorbent cotton, 1 x Instructions for Savlon Antiseptic cream, 2 x triangular bandages all things commonly used for general first aid.D (broad arrow) D 524/65 Outfit First Aid/ General Purpose D (broad arrow) D Made by Sanax Pty Ltd, 223 Bay Rd, Sandringham, Victoria 524/65 Out At First Aid General Purpose first aid, medical, medication, bandages, kit, vietnam

Bisque porcelain figurine of a male doctor holding a medical instrument. The doctor has grey hair and is in surgical attire, with white gown, gloves, surgical hat and mask. The cuffs of his brown trousers, and his black shoes, are visible below the gown. The doctor is wearing glasses on the end of his nose, and holds a surgical tool in his right hand. The figurine is standing on a base with a painted green stripe across the centre, and is supported by a pillar at the back which is decorated with decorative orange and black squiggly lines. Orange and black squiggly lines also feature on the front of the base. Handwritten lettering on a sticker on underside of base reads 'FF'.

Yields information about Sturt Street east end in the late 1920's or early 1930's with motor cars and people.Black and White photograph mounted on heavy cardboard backing. Image titled "Sturt Street Ballarat", with a view from the median strip looking east with an ESCo tram at the bottom of the street. Has a number of motor vehicles in the photo, probably late 1920's early 1930's. Prominent in the photo is the store, Suttons store along with and "Indian Store", Alf Dawson - ironmonger, The Courier , and Seidel Bros shoes and boots. Has 7 Velcro dots on rear and marks where mounting devices have been removed on the rear. Note image scanned in two runs through a scanner, resulting in the shading in the image file. trams, tramways, sturt st, suttons, esco

Yields information about the appearance of Bridge St and No. 33 in 1949.Digital image from the Wal Jack Ballarat Album of a photograph of No. 33 westbound in Bridge St, with destination of Sturt St West and hand make Auxiliary board "S'pats" Wal's album notes the tram was travelling to St. Patrick College Sports. Photo Wal Jack 30-10-49. In the background are Ezywalkin shoes, Cocking Men's and Boys Wear, Roberts Health Service, advertisement for Robur tea and a cafe. A number of motor vehicles behind the tram. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat No.33 in Bridge St to St Pats sports Sunday 30-10-49" and in top right hand corner, Wal Jack stamp with "T115" written in.trams, tramways, bridge st, st patricks, tram 33

Yields information about Bridge St Ballarat and its associated shopping strip.Digital image, black and white, two images, of No. 30 in Bridge St. 4605.1 - at Stones Corner, enroute to Mt Pleasant with Rodda's, Gill & O'Keffe, C.W. Pennan, ANZ Bank and other shops in the background. Note the signal lamps on the right hand side of the photo above the tram stop sign and how the overhead was arranged at this junction. 4605.2 - at Grenville St end, with Faulls Shoes, Suttons HMV and other shops in the background. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No.30 Bridge and Main" and "No. 30 Bridge St up end".trams, tramways, bridge st, mt pleasant, tram 30

Painting: 'John Donnelly at 9 years old, Blackwater Town'. Inscribed on top panel of stretcher: 'JOHN DONNELLY AT 9 YEARS / OLD / BLACKWATER TOWN'. A full length portrait of a male child in dress coat, vest, breeches and buckled shoes holding a shuttlecock and early racquet (probably a battledore). Next to figure is a hat placed on a chair. Oil painting on canvas, stretched on wood frame, and fitted with a velvet mount and bevelled wood hanging frame. Scratched into stretcher: 'ETL79'. Adhesive stickers on stretcher state:'2#' and '407'. Materials: Wood, Metal, Oil paint/Pigment, Canvas/Cotton, Adhesive label, Velvettennis

Set of two Black and white negatives of track construction in La Trobe St during 1950. .1 - Looking east from Queen St. Has the Argus building in the view. Both tracks have been constructed and the concrete foundation poured pending the top asphalt layer, a building selling Skoda cars, .2 - Looking west from Queen St with a tram crossing in the background in William St. Photo shoes the method of track construction - timber sleepers with the rail bolted to the sleeper. Pending concerting. In the background is The Mint and terrace houses on the left. There is a billboard for 1949 movie, "The Bribe". Photo not in Wal Jack Melbourne album.trams, tramways, la trobe st, track construction, trackwork, queen st