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Bendigo Military Museum
Domestic object - COAT AND HAT RACK, Pioneer Comforts Fund, c. 1921
This item was placed in what was originally the "Writing Room" of the Soldiers Memorial Institute Bendigo when it was opened in 1921. After the renovations to SMI 2016 - 18 it was placed back in the same position. This room is now called the "Building and RSL History Museum.Coat and hat rack timber construction rectangular shape, has six hangars at top and six at the bottom. Each hangar holds two items, top hangars are different style to the bottom. A small silver oval plaque is central at the bottom.On the plaque, "Presented by the Pioneer Comforts Fund"brsl, smirsl, comforts -
Mission to Seafarers Victoria
Print - Reproduction of a painting, Blest Were The Wise Men by Daphne Allen, Early 20th Century
Little known as this print was discovered in an old cabinet in the vestry of the Chapel of St Peter. Possibly a donation meant to be framed or possibly an item used at Port Melbourne Mission which at times ran Sunday school services at the turn of the 19th and 20th C.Allen a child prodigy was a significant popular religious artist. This print is a good example of her work.Appears to be a fine quality full colour reproduction of a nativity scene with angels wise men and madonna in the style influenced by late Pre -Raphaelites mounted on heavy card with printed name of artist at left and printer initials at right and title in centre. see imagenativity scene, daphne allen, artwork-paintings -
Eltham District Historical Society Inc
Photograph, View of 'Willis Vale', Greensborough, 1906, 1906c
'Willis Vale' home of the Partington family is shown in this photograph as well as the area now known as Partington's Flat. The area was owned and farmed by the Partington family from the 1870s. Willis Vale was destroyed by fire in the 1960sBlack and white photograph copy originally located in a magnetic style album titled 'Greensborough Bypass 1990s 5' suffering significant degradation. No information contained in album or on reverse of photos except where noted. Relocated to archival photosafe storage.greensborough, partingtons flat, partington family, willis vale -
Eltham District Historical Society Inc
Photograph, Painting, Greensborough, Arthur Elliott (1889), 1906c
Shows Main Street Greensborough with the Methodist Church in upper right corner, Lower Park and bluestone bridge in foreground.Black and white photograph copy originally located in a magnetic style album titled 'Greensborough Bypass 1990s 5' suffering significant degradation. No information contained in album or on reverse of photos except where noted. Relocated to archival photosafe storage.greensborough, main street, arthur elliott -
Glen Eira Historical Society
Album - Album page, Balaclava Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 22 of Photograph Album - five black and white photographs of different styles of houses (2 photos for 2 houses and 1 for the last) with addresses written under each photograph and Balaclava Road written on the top right hand side.Hand written Balaclava Road [top right of page] / 6 BALACLAVA ROAD [under top left photo] / 6 BALACVAVA ROAD [ beside top right photo] / 73 BALACVAVA ROAD [under middle left photo] / 73 BALACVAVA ROAD [on top of middle right photo] / 239 BALACVAVA ROAD [under bottom photo] / 22 [bottom right]trevor hart, caulfield north, balaclava road, cars, mansions, houses, verandahs, cast iron work, balconies -
Bendigo Historical Society Inc.
Ephemera - CHRISTMAS GREETING CARD
Christmas Greeting Card: Embossed flap style Blue and white card. Blue lace and Ivy borders inscribed: Á merry Christmas with a poem. Hand written in ink is To: Emily From: Her Mother with best love. Box 625ephemera, mementoes, christmas cards, christmas greeting card -
Coal Creek Community Park & Museum
Music Book, The Victoria Music Books
Music book, "The Victoria Music Books, Pieces for advanced performers for the pianoforte", By various composers. The cover has a cream background with bold black printing; down the left side are Baroque-style grotesques enclosing a portrait of a young Queen Victoria.Olive M. Walter -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Larkspur', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Polychrome, repeat pattern of a flowering tree among meadow flowers with scrolling green and blue acanthus leaves. Sample is a later Morris-style wallpaper block reproduction by Sanderson & Co from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
National Wool Museum
Textile - Quilt, Domestic Wagga, Mrs E Faulkner, 1943 - 1947
Donated to the Running Stitch collection by Mrs Faulkner of Bendigo after she saw the exhibition curated by Murray Walker at the Museum of Victoria in 1985 of memorabilia. Mrs Faulkner sent the wagga down on the train and Lois Densham picked it up from 'Travellers Aid' at Spencer Sreet station. Mrs Faulkner made this wagga for her father in his later years when a hot water bottle was considered too dangerous and a blanket was not warm enough.Printed cretonne cover of yellow and orange flowers, covering a wagga style quilt made of two standard size wheat bags opened out and stitched together. An opening in the cover has been tacked down to reveal the jute lining.quilting - history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), faulkner -
Whitehorse Historical Society Inc.
Clothing - Jacket
'Laurentino' red jacket, casual, with flap pockets & black buttons with brass colour stars pressed on. Sleeves have buttoned cuffs and jacket has a band at waist. Panels from jacket flaps down front .Style is denim jacket.'Laurentino'costume, female -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Willis, Barbara, 1951c
Original photo taken during honeymoon of Ron and Barbara Willis 1951Black and white photograph of the entry to Lakeside Motel, Marine Parade. View shows cottage style units clad in weatherboard with tiled roofs. Sign at entry has small model of a caravan, advertising caravan sites. Lakes Entrance Victoriamotels, advertising -
Mt Dandenong & District Historical Society Inc.
Photograph, The Rock, Olinda, c1921
Close up photograph of 'The Rock', a popular tourist destination at Olinda since the late 1800s. The Rock is situated adjacent to the old Olinda Golf Course. The views from The Rock have now been overgrown. This postcard style photograph is c1921. Written on back in pen: The Rock Olinda.olinda, the rock, olinda -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - VMR uniform c.1948
This uniform was worn by members of 8/13 Victorian Mounted Rifles from its formation in 1948 until replaced by battle dress and braided yellow lanyard. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Khaki World War Two style service dress jacket with two-colour platted lanyard, metal buttons, rising sun collar badges, metal 'Australia' titles on epaulettes. Teamed with khaki webbing belt. Mounted on half mannequin.uniform, citizen military forces, cmf, armour, vmr -
Bendigo Historical Society Inc.
Programme - Seventh Day Adventist Collection: School
Programme of SDA School drama 'Pilgrims Progress' by John Bunyan, Small black & white paper program, pamphlet style, 8 pages (2 A4 sheets of paper with double-sided print.) held together by 2 staples in middle. education, seventh day adventist church -
Tennis Australia
Racquet, Circa 1969
A Sport Style Tourney Black Supreme tennis racquet, with string whipping around shoulders, and leather handle grip with X-formation perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Fibre, Adhesive tape, Stringtennis -
Kew Historical Society Inc
Photograph, Cr. D.S.M. Norris, Mayor [of Kew] 1943-4, ca. 1944
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of a mayor of Kew. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.mayors of kew (vic), australian photographers - c stuart tompkins, cr. d. s. m. norris, kew (vic.) — municipal collection -
Sunbury Family History and Heritage Society Inc.
Photograph, Roman Catholic Presbytery
M.G. Gregor was staying at the Sunbury Presbytery when she wrote a message on the flip side of this postcard to her niece on 23rd June 1912. She may have been employed there as a housekeeper.The Catholic Presbytery was built at a cost of 1315 pounds and opened on 25th February 1912. Father Gallivan was the first priest to reside in the new Presbytery. The Presbytery is adjacent to Our Lady of Mount Carmel in Macedon Street.A post card of a non-digital sepia photograph of an Edwardian style brick house with a tiled roof and a return verandah. The house has a picket front fence. A handwritten message dated June 23rd 1923 is written on the flip side of the card.catholic presbytery, catholic church, our lady of mount carmel catholic church, father gallivan -
Surrey Hills Historical Society Collection
Photograph, 10 Pembroke Street, Surrey Hills
‘Eignbrook’ at 10 Pembroke Street was built 1904. Until the 1950s this area was the highest spot in the metropolitan area and ships in the Bay could be seen from ground level and views extended almost 360 degrees. A number of homes of this Edwardian period had viewing towers, the one in the photo being that of ‘Maroondah’ at 12 Pembroke Street. Photo taken by W V Hill. Courtesy: Mr William (Bill) Dempsey. Original sepia photograph of a weatherboard home in the Queen Anne style. It has a steep pitched iron roof. It has a woven wire fence across the front of the property and decorative gates. Mounted on white cardboard photo taped on 2 corners.Back of photo is inscribed “Hills, 10 Pembroke St, Surrey Hills”. Card has written underneath the photo, “10 Pembroke St, Home of Hills family, built 1904”pembroke street, house names, surrey hills, hills family, 'maroondah', 'eignbrook', (mr) w v hill, (mr) william (bill) dempsey, journalist, queen anne style, (mrs) annie hill -
Surrey Hills Historical Society Collection
Photograph - Digital photo
Digital reproduction of a black and white photograph of two brothers with their aunt sitting on a park-bench style seat, one man standing behind them, all outside on the verandah of a brick veneer house with white, wrought iron balustrade to their left.family portraits, siblings, brick veneers, wrought iron -
Mont De Lancey
Pickle Jar, late 19th Century
From the home of the late W.J. SebireLidded silver and glass ornate pickle jar on a stand with a three pronged silver pickle fork. Heavy glass patterned jar, silver lid has grapes and leaves decoration with an ornate patterned knob. It is of the style of the late 19th Century.New York. pattern of grapes and leaves on lidpickle jars, food storage jars, forks -
Woodend RSL
Leather Purse, Circa Mid 20th Century
An example of military accoutrement. Well worn small dark brown leather purse with press stud button and envelope style flap opening. The ‘female’ element of the press stud has come loose from the leather but is still connected to the ‘male’ element of the press stud. military accoutrements, wallet, purse -
Melbourne Tram Museum
Ephemera - Ticket/s, Melbourne & Metropolitan Tramways Board (MMTB), Set of 12 MMTB 60c tickets, 1979 - 1980
Set of 12 MMTB 60c tickets, printed on off white paper, details printed with in red ink, some different styles, with the bus number, date and bus type written in ink on the back of the ticket. Used between 1979 and 1980.trams, tramways, mmtb, buses, tickets -
Bendigo Historical Society Inc.
Domestic Object - GILLIES COLLECTION: BOWL
White porcelain bowl with green edge. Round mark on side Gillies Bros. Pastrycooks Bendigo and a pie inside. On the bottom ''Duraline'' super vetrified ivory, Grindley Hotelware co, England. Loftus Moran style Melbourne 12-59.business, retail, gillies -
Bendigo Historical Society Inc.
Domestic Object - GILLIES COLLECTION: SAUCER
White porcelain saucer with green edge. Round mark on side Gillies Bros. Pastrycooks Bendigo and a pie inside. On the bottom ''Duraline'' super vetrified ivory, Grindley Hotelware co, England. Loftus Moran style Melbourne 12-59.business, retail, gillies -
Kew Historical Society Inc
Headwear - Green & Black Felt Hat, Lucelle Hats, 1950s
Lucelle Hats advertised itself from the late 1940s to the 1960s as a high-class millinery business situated at 80 Castlereigh Street, Sydney. The style of the hat conforms to the generally smaller and flatter styles promoted as fashionable in 1950s periodicals. Interestingly velvet and felt hats were by the mid-1950s being advertised as suited to mature women. As the wearing of hats became more infrequent in the post-war period, this was the demographic that remained committed to wearing hats.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Woman’s half hat constructed of bands of olive green and darker green felt ending with a loose bow at the rear.Label: Lucelle Hats. 80 Castlereagh St. Sydney. Phone: BW 7555lucelle hats, milliners - sydney (nsw), hats, women's clothing accessories, australian fashion - 1950s -
Surrey Hills Historical Society Collection
Photograph, Home and surgery of Dr William Langley Carrington, 174 Union Road, 1935
The building was erected in c 1913 as a home / surgery for Dr James L Blakie (1868-1937), who originally lived / practised across the road. It was designed by architect Arthur William Plaisted (1890-1965) and is an early example of attic-style Californian bungalow style. Dr Carrington ( 1900-1970) succeeded Dr Blakie and practised at 174 Union Road from 1930-1970. Now known as the Surrey Hills Medical Centre.Black and white photo of the surgery and home of Dr and Mrs William Langley Carrington at 174 Union Road on the corner of Guildford Road, Surrey Hills.. The exterior of the building is decorated with paper lanterns around the windows and veranda for the Empire Day celebrations in 1935. The building is 2 storey, of brick construction with a tiled roof and front porch. It has a bay window front right. Shadows indicate the photo was taken early morning in winter.medical services, guildford road, union road, dr william langley carrington, mr arthur plaisted, dr james landells blakie, californian bungalow, dr bill carrington -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1985
The RDNS Sisters are both holding the 1st day Cover Envelope issued by the Australian Postal Department in 1985 to commemorate the founding of the Melbourne District Nursing Society on the 17th of February 1885. A stamp is in the right hand top corner of the envelope. The main body of the stamp is pale blue. On the top of the stamp, written in deeper blue/grey, are the words "Centenary of District Nursing Services 1985" Below this, and to the right, is a pale bone colour original sign on a metal fence which reads, in white capital letters, "Melbourne District Nursing Society" Standing on the left in the foreground is a MDNS Trained nurse (Nurse) in her long grey uniform frock with white collar, cuffs and belt. She is wearing a grey helmet style hat which has a white hat band with a red Maltese cross in the centre. Her black shoes can also be seen. She is holding a bicycle; only the front wheel and part of the frame and the handlebars, which have a brown nursing bag strapped to them, can be seen, The nursing bag and handlebars cover part of the MDNS sign. At the bottom of the stamp, on a strip of white background, are the words in capital letters "Australia 33c". Below the stamp is a rectangular1st mark. On the left half of the envelope are some sketches of several two storey buildings either side of a set of steps. Some adults and children are standing on the steps as well as in the foreground; some are sketched and others dressed in various coloured clothing. In the foreground right in front of steps, stands a lady with her hair drawn up and wearing along grey frock and white apron; partly seen against her right side is a small child dressed in brown. Sister Willie Fleming is the Supervisor of the RDNS Sunshine Centre and Sister Phillipa Kariko is Supervisor of Essendon Centre. They are wearing their RDNS uniforms of white short sleeve blouses under royal blue V neck tunic style frocks. The RDNS insignia is round and has royal blue writing on a white background. In Melbourne in 1885 it was recognized that skilled nursing was needed to care for the sick poor in their own homes. On the 17th of February a meeting was held with prominent Melbourne citizens, five gentlemen and fourteen ladies. ‘Dr. Caffyn and Rev. Charles Strong explained the objects and scope of District Nursing Societies that had been formed in towns in UK’. On that day the Melbourne District Nursing Society (MDNS) was founded, the first District Nursing Service in Australia. Subsequent meetings were held to form a Committee and to draw up a Code of Rules of the Society. It was decided only nurses who had attended a Nurses Training School at a Hospital and were fully qualified would be employed by the Society, and that the Nurses would keep a daily journal of their work. After interviewing several candidates, the first Nurse, Mrs. Ferguson, was employed with a salary of £100 per annum and commenced work on the 1st of May 1885. She was employed for three months initially, but this was soon extended, “on the understanding she will make arrangements to live in the more immediate vicinity of her district”. A Doctor was consulted before any person was seen. In rotation, a member of the Superintendence Sub-Committee supervised the Nurse’s visits and could assist to alleviate some of the poor social conditions they found. Though only Trained nurses were employed, the term ’Nurse’ was used in those days, not the term ‘Sister’ that is used these days. A second Trained nurse, Mrs. Joanna Cannon, was employed in late 1885, with a trial period of six months which was extended. The two Nurses worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bags containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses as necessary. From its inception the Society was at the forefront of health care and liaised with Doctors. They provided high quality nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. They educated their patients, and their carers, in the curing and prevention of disease; teaching the importance of hygiene, cleanliness, ventilation and good nutrition. They taught them, by verbal instruction and demonstration, how to make poultices, to make and apply bandages, apply medical appliances such as splints; and the Nurses supplied milk, beef tea and they cooked soup when needed. As the work increased a third Nurse was employed but this was arduous work, particularly in the heat of summer and many Nurses only remained with the Society for several months. A Midwifery Service commenced in August 1893 with Nurse Fowler the first trained Midwife. She had previously worked with the Society carrying out General nursing. The Society expanded its areas using public transport and with the Society purchasing bicycles in 1903, before procuring its first cars to cope with the influx of patients during the Spanish influenza epidemic in 1919, though these were sold in 1927 due to their poor condition..A Motor Auxiliary was formed in 1929 to take Sisters to patients, and some Sisters used their own cars; even a motorcycle was used by one Sister in 1933. All these forms of transport were intermingled and in the early 1950s, and now as Melbourne District Nursing Service, seven Ford Prefect cars were bought followed by twelve Ford Anglia vehicles in 1955. Having received Royal patronage; the now Royal District Nursing Service (RDNS) had its own fleet of Holden vehicles by the mid 1960s and the Motor Auxiliary ceased operating in 1971 as by then all staff employed were required to have a driving licence. Seat-belts had been introduced to Victoria in 1959 and District fitted them to their cars from 1962, even though they did not become compulsory until 1970. The Holden vehicles were replaced with grey Holden Torana vehicles. After several years the fleet was changed to white Toyota Corolla vehicles. The Melways Directory of maps was introduced in 1966, which was a boon to the Sisters, though it was a few years before it went beyond Seville, so a large paper map was used by the Sisters visiting patients in the areas passed Seville. By 2009 there were 598 cars in the fleet and the Sisters travelled 9 million 200,000 kilometres – this is equivalent to 12 trips to the moon and back. Over its years of expansion the RDNS Trained nurses (Sisters), continued to visit patients in their homes and gave best practice care in many fields of nursing, and to people of many cultures. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as Amputees, those with MS, MND, Guillan-Barre Syndrome, Poliomyelitis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary. On the left of the black and white photograph is Royal District Nursing Service (RDNS), Sister Willie Fleming, who has curly blonde hair, and on the right, Sister Phillipa Kariko, who has short dark hair. They are standing outside Essendon RDNS Centre.. They are both wearing their RDNS summer uniform of dark V neck tunic style frocks, with emblazoned RDNS insignia on its upper left, over short sleeve white blouses, Each are holding an envelope with writing, sketched buildings and figures on the envelopes left side, and a stamp is on the upper right corner. Below the stamp is writing in a rectangle. Behind the Sisters is a brick wall with them hiding some of the white capital letters of the words 'District Nursing Service' and 'Essendon Centre'. Windows and part of the fascia of the building is seen behind this.Handwritten informationmelbourne district nursing society, melbourne district nursing service, mdns, royal district nursing service, rdns, rdns centre, sister willie fleming, sister phillipa kariko, rdns 1st day cover centenary envelope -
Brighton Historical Society
Clothing - Dress, c. 1974
This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1870s
This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt with ripples in glass, tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. Marks on heel. Uneven base. Bubble on side and top of lip. Sediment on inside surfaces. Two score lines, one half way down body, one near base. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base