The Schreder HP 14T is a variant of an all metal single seat sailplane designed by Richard Schreder of USA in the 1960s. The HP14T featured a ‘T’ tail in place of ‘V’ tail of the HP14V. The design was marketed to home builders in kit form. The Museum’s Schreder HP14T (VH-GIB) first flew on 31 August 1974. It has recorded 280 hours in the air from 239 launches to 28 January 1989, the date of its last flight. It is understood that VH-GIB was partly constructed in North America and completed in South Australia by C.G.M. Coxon. Ownership passed to the Georgeson Syndicate of Rockhamption, Queensland and later to Warren Mayfield of Victoria. Warren Mayfield donated the glider to the Museum in April 2002. All metal single seat glider sailplaneRegistration lettering on rudder and fuselage sidesaustralian gliding, glider, sailplane, schreder, coxon, georgeson, mayfield, slingsby, bache, waikerie gliding club

This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo

MOBA2 is a 15 metre sailplane designed by Gary Sunderland, who was an aeronautical engineer working for the Department of Civil Aviation (Australia) and a member of the Victorian Motorless Flight Group (VMFG). The design gave effect to ideas that he developed circa 1970 for an aircraft that he could build himself. He entered a 13 metre wingspan version of his MOBA design (MOBA2B) in an Australian Gliding sailplane design competition that was announced in 1970. The competition called for sailplane designs with a maximum wingspan of 13 metres that could be built by amateurs in a small workshop with limited tools and facilities. In 1973, Gary’s MOBA was judged by the competition panel as equal best with the other outstanding submission, which were chosen from a field of 19 entrants. However, after gathering further information and deliberation by the competition panel neither of the two outstanding designs were chosen as the winner. Notwithstanding the outcome, in 1974 Gary proceeded built his glider to the original 15 metre design. The wing was equipped with camber changing flaps that were permitted under special standard class rules for the 1974 world championships. Changes were made along the way in the light of construction experience and the completed glider was given the designation MOBA2C. The glider first flew on 12 December 1979. It was never flown in standard class competition as by the time the glider was built the special 1974 rules were revoked and wing flaps were no longer permitted in that class. However, Gary flew MOBA2C in the Australian national gliding competitions held at Benalla in the summer of 1979 / 1980 competing in the open class. After adjustment to the aileron gearing during initial trials MOBA2C was found to fly well and in competition produced performances believed to be better than contemporary standard class sailplanes but not as good as the open class machines. The glider was later modified in a number of respects including amongst other things the installation of spoilers located just forward of the wing flaps and by increasing the chord marginally at the wing root. With these changes the glider type was given the designation MOBA2D. The last recorded flights occurred in February 1996 at which time MOBA2 had flown an aggregate of 401 hours and 59 minutes during its 297 launches. Its operational life was brought to an end due to expansion of the foam in the wings causing distortion of the wing surface.The MOBA2 is a notable home built 1970s sailplane design that featured a number of innovative elements including composite construction without the need for expensive jigs, nose cone canopy and asymmetrical placement of control column.Composite single seat glider / sailplane finished in bright yellowRegistration "GVI" on fuselage; Kangaroo, Australian Flag and VMFG decals on vertical stabiliseraustralian gliding, glider, sailplane, moba2b, moba2c, sunderland, moba2d, victorian motorless flight group, vmfg

The Hall Cherokee II glider is an American design for amateur construction from plans. The designer was Stan Hall (1915-2009), a professional engineer, who gained extensive experience in the United States aviation industry during World War 2 including the programs for military gliders. He continued to work as an engineer for aircraft manufacturers and as a consultant to the industry after the war. He was active in gliding and, in particular, the home built sailplane movement. The Cherokee II was one of about 10 glider designs that he produced: it came out in 1956. It is understood that over 100 Cherokee gliders have been built. In Australia the number is possibly 10 or 11. The Hall Cherokee VH-GVO was built by R.D Meares of Caringbah, New South Wales. The glider was registered as VH-GVO on 11 October 1973 and given serial number “GFA-HB-82” by the Gliding Federation of Australia. The Logbook for VH-GVO appears to be a complete record of the flying history; in aggregate 210 hours 40 minutes in the air from 331 flights. The first test hop occurred on 29 July 1972 at Camden, New South Wales. VH-GVO was last flown on 22 July 1986. Many of the flights recorded are of one or two hours duration. The glider was last inspected and certified as airworthy and in a reasonable condition at the Hunter Valley Gliding Club in July 1986. Since that time, until transferred to the Australian Gliding Museum, the glider was in storage. Structural restoration work has been completed on the fuselage and one wing. However, inspection of the other wing revealed extensive damage to the ribs and spars and consequently a decision was taken to make it a static exhibit. The exhibit is an example of home built construction of a type that has proved popular amongst amateur glider builders.The Hall Cherokee (formerly registered as VH-GVO) is a single seat wooden home built glider. The glider is constructed from wood, plywood, fabric and metal fittings, all commercial grade except for main wing fittings, pulleys, cables and bolts. The fuselage is simple with four main longerons and bulkheads with diagonal bracing. The wing has two identical solid spars which form a geodetic structure, hence the leading edge is non-structural. Registration VH-GVO – serial number GFA-HB-82 australian gliding, glider, sailplane, hall, cherokee, meares, hunter valley gliding club

The aircraft (Serial Number 159 – registration VH-GNT) was assembled by RAAF Richmond Gliding Club from a kit manufactured by Schweizer Aircraft Corporation, Elmira, New York State, USA, in 1963. First flown 21 December 1963. Served at RAAF Base, Richmond, NSW, until December 1978 at which time it had recorded 1981 hours from 9870 flights. The aircraft was sold to Peter Fitzgerald and moved to Gosford and later on, to Queanbeyan where it was stored under cover until April 1983. It was not flown between 1978 and July 1983. In 1983 the glider was sold to Harold Walton. A Certificate of Airworthiness inspection was done by various members of the Canberra Gliding Club where minor repairs were made. On 24 July 1983, it first flew on the airworthiness certificate test flight at Bunyan, NSW, the home of the Canberra Gliding Club. In service at Bunyan until November 1986 the hours flown increased to 2078 from 10249 flights. A certificate of airworthiness inspection was completed on 11 April 1987 but the aircraft was apparently only recorded a few more hours by 9 January 1998 when it last took to the air. When donated to the Australian Gliding Museum in January 2020, the aircraft was in storage at premises of the donor, Harold Walton, at Walkerville, South Australia.This aircraft is the only one of the 258 SGS 2.22s produced by Schweizer to come to Australia. It is a good representative example of the SGS 2.22 type which featured metal construction for production of a robust club trainer. The aircraft apparently played a useful role over many years at Richmond and Canberra.High wing two seat utility glider of metal construction with fabric covering.Registration letters ‘GNT’ on each side of vertical stabiliseraustralian gliding, sailplane, glider, schweizer, raaf, richmond, fitzgerald, walton, canberra, bunyan.

Bought by Phil Rogers, Australian Army no. 2790936 during his time of service in South Vietnam (1969-1970) to celebrate the birth of his son.Donated to the museum by the serviceman himself. This commemorative jacket demonstrates the poignant personal sacrifices made by those in service as significant family events continue at home in their absence.Child's bomber-style jacket made of khaki camouflage print polyester, hand embroidered. Purchased in South Vietnam in 1969 by Phil Rogers, Army No:2790936, B Company 6 RAR, and posted home on the birth of his son Brett 31/08/1969.Back: My daddy is in Vietnam/Vung Tau, 69-70/ Viet Nam plus a labelled map of Vietnam. Sleeves: Golden dragons Front: Tiger's head, Crossed South Vietnam flag and USA flag.commemorative clothing, children, family, vietnamese craft, craft, souvenir

Part of the Neil Ernest Swainston Collection, a set of National Service Documents from call-up notice to Certificate of Discharge.This soft-covered yellow pocket book is an example of those issued to all National Servicemen sent to Vietnam. Thirty-six pages long, this 3rd edition was published in June 1969 by the Commonwealth of Australia. Contents cover general information such as an overview of the organisation of the Army; details about training, transfers and conditions of service; guidance about military courtesy, dress, writing home and badges of rank.national service, army, conscription, vietnam war, swainston

Stathi Raftopoulos is pictured at his home cinema at his residence in Sylvander Street North Balwyn. In 1949 Stathi Raftopoulos imported the first Greek film into Australia, entitled 'Voice of the Heart'. It was screened at Nicholas Hall in Lonsdale Street. Stathis went on to become a travelling picture show man showing Greek films to the Greeks in regional centres around Australia. He later established a film distribution and exhibition company, The Cosmopolitan Motion Pictures, in partnership with Mr Panayioti (Peter) Giannoudis. With the advent of television in the 1950, former suburban picture theatres were being closed down. Stathi and Peter took over many of these cinemas to show imported Greek films to the post WWII burgeoning Greek community.A coloured photograph of a man seated on a red theatre seat in a home cinema. Posters, photographs and film memorabilia are displayed on the three surrounding wallsWritten on the back : 520/BAhome theatres, greek movies

An advertising poster for the 1955 All Nations Festival which was presented by the Australia Red Cross Society, Victorian Branch. Nina and Olga Black participated in the festival and were featured on the poster (seated at front first and second from left) wearing Greek traditional costumes. Other recognisable national costumes are Scottish Piper and Dutch.The event held in 1955 by the Australian Red Cross promoted multicultural Australia and members of the Ithacan Philanthropic Club participated. It was the period of post WW2 mass migration which saw many nationalities making Australia their home.Photocopy of a poster for the 1955 All Nations Festival. Consisting of a group 3 men and 6 women dressed in different national traditional dress. There is a Red Cross symbol either side of the group.THE AUSTRALIAN RED CROSS SOCIETY / VICTORIAN DIVISION/PRESENTS THE / 1955 ALL NATIONS FESTIVAL / ST. KILDA CRICKET GROUND - SUNDAY, 27TH FEBRUARY 1955folk dancing, national costimes

Ithacan Naki Raftopoulos (centre) served in the Civilian Military Forces during WW 2 and is pictured with Arthur Pantatzis (left) and Theo Spirakos (Spirason). A number of Ithacan Greek men and Australian born men of Ithacan descent served in the Australian defence forces during World War 2. Some saw active service whilst those who had not become naturalised were recruited into the Civilian Military Forces as 'Allied Aliens' and served the war effort on the home front.A black and white head and shoulders photograph of three men in Australian army uniform, wearing peaked caps. army

Young Greek born men who had migrated to Australia were recruited to the defence forces during World War 2. Pictured is a group belonging to Civilian Military Forces. Standing, second from the right, is Nakis (Nick) Raftopoulos.During the period of the second world war, Ithacans who were unnaturalised were recruited into the Civilian Military Forces as 'Allied Aliens' and served the war effort on the home front. Naturalised Ithacans saw active service.A black and white photograph of nine men in army uniform at a camp. Five men are standing behind the other four who are sitting in front.

Black shellac phonograph record with red Regal label. A side: Knock at the Door - artist: Fred Douglas, baritone, with orchestra. B side: Show me the way to go home - artists: The Two Gilberts, with orchestra.Reference number G8404 Has a J. Albert and Son Royalty Stamp, Australia, on A side of label. Colour is red white and green.

Street and Road Maps of the City of Bendigo Borough of Eaglehawk and surrounding Districts of Huntly, Mandurang, Marong and Strathfieldsaye, in color. Drawn and compiled by Wesley C Harry, Bendigo. Publisher: Cambridge Press, Bendigo. ISBN: 9598608.2.2. 68 pages. Photographs, Illustrations & maps. Photos include: Bendigo buildings, scenery mines, streetscapes, parades, pioneer leaders of Bendigo. Many advertisements throughout. List of Justices of the Peace, hospitals, homes for the aged, schools, churches. Page 58: Copy of ''Freedom of the City to the Australian Survey Regiment'' proclamation, 14th June 1970. Maps cover an area of some 169 sq. miles (43,772 hectares). Origin of the name Bendigo. Information on the five Wards of Bendigo, and their councilors. Revised Edition 1986Wesley C Harrybook, bendigo, bendigo & district maps, bendigo and districts map, buildings, streetscapes, historical pictures, advertisements, historical information, commisioners camp, sandhurst

Ill, maps, p.127.non-fictionCome see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal narratives

Index, ill, maps, p.376.non-fictionSigi Siegreich and his family were expelled from their home when the Germans invaded Poland in 1939. By the end of 1942, his parents and 167 members of his extended family had been exterminated in the death camps of Treblinka, Belzec and Auschwitz. Fifteen-year-old Sigi was first enslaved in the labour camp at Skarzysko-Kamienna and later at Czestochowa, where he met Hanka, a young girl and fellow prisoner who would eventually save his life. After the war ended, Sigi and Hanka married and began to rebuild their lives. Their daughter Evelyne was the first Jewish child born to Holocaust survivors in Katowice, Sigi's home town. Thanks to a chance meeting with a childhood friend in Munich, Sigi and his family eventually ended up in Melbourne, Australia, where he established a successful import business.holocaust survivors - australia - history, holocaust - poland - 1939-1945

Index, bibliography, notes, ill, map, p.404.non-fictionBy March 1942, the Japanese had steamrolled through Malaya, laid siege to Singapore, and bombed Darwin with the same ferocity they had dealt Pearl Harbor. Nothing could stop them. Their next step was inevitable, surely: the invasion and occupation of Australia. Meanwhile, as Australian prime minister John Curtin was battling with Winston Churchill to get troops back from overseas to defend their homeland, he was also positioning to ensure the United States would be there with us to fend off the approaching enemy. And at home, people pitched in as best they could and in any way to frustrate the invader. They all played their part, torn between 'she'll be right' and near panic. On Our Doorstep is the story of how Australia and Australians - the government, the military and the people - prepared to face this calamity, and the events that persuaded them of its probability. In the end, Japan found it had stretched itself beyond the reliability of its supply line, but had it ever intended to invade Australia?world war 1939 – 1945 – campaigns – south west pacific, australia - politics and government - 1939-1945

p.610.fictionIn the aftermath of the Great Depression few opportunities existed for working-class boys, but at just eighteen Danny Dunn has everything going for him: brains, looks, sporting ability and an easy charm. His parents run The Hero, a neighbourhood pub, and Danny is a local hero. Luck changes for Danny when he signs up to go to war. He returns home a physically broken man, to a life that will be changed forever.world war 1939-1945 - veterans - fiction, bars - australia - fiction

ill, notes, p.234.non-fictionThe dark clouds returned and gathered about the boy. His eyes grew distant, and he began to tremble. He heard not only shells exploding, but the cries of dying men . . . He was stumbling over churned earth, looking into the face of an officer, bloodied red as the poppies, ripped apart in the Flanders mud . . . A small boy, an orphan of the First World War, wanders into the Australian airmen's mess in Germany, on Christmas Day in 1918. A strange boy, with an uncertain past and an extraordinary future, he became a mascot for the air squadron and was affectionately named 'Young Digger'. And in one of the most unusual incidents ever to emerge from the battlefields of Europe after the Great War, this solitary boy was smuggled back to Australia by air mechanic Tim Tovell, a man who cared for the boy so much that he was determined, however risky, to provide Young Digger with a new family and a new life in a new country, far from home.world war 1914-1918 - children - biography, henri tovelle

index, ill, maps, p.343.non-fictionThe the compelling story of Lieutenant Joseph "Darkie" Maxwell DCM, MC and Bar, VC – the second highest decorated Australian soldier of the First World War."A flash blinds me... We are lost in a chaos of flying mud... Smoke, filth,confusion, racket! I spit and splutter and swear... Oh Christ! I think I'm flamin' well dead." This is the compelling story of Lieutenant Joseph "Darkie" Maxwell DCM, MC and Bar, VC – the second highest decorated Australian soldier of the First World War. Meticulously researched by historian John Ramsland, Maxwell's colourful life is traced from his childhood on the Hunter coalfields until his death at age 71 in a soldier's settlement home in Matraville Sydney. Maxwell was a vivid storyteller who wrote Hells Bells and Mademoiselles, telling of his experiences in the war. In telling Maxwell's story, Ramsland has uncovered many forgotten documents to piece together an extraordinary life of an extraordinary man.wold war 1914-1918 - campaigns - western front, joseph maxwell - biography

index, bibliography, ill, maps, p.210non-fictionBy August 1918 fortune was on the side of the Allies: America was increasing its contribution of troops and equipment substantially; the morale of the German Army was sinking as it failed to deliver the desired 'knock out blow'; and Haig found a new confidence, firmly believing that the Allies could at last push the Germans out of France and Belgium. This volume of the best-selling 'VCs of the First World War' series covers the fifty days of the Allied advance from 8 August to 26 September 1918. Arranged chronologically, it tells the story of the 64 VC winners during this period. The recipients came from any countries including Britain, Canada, Australia and New Zealand: some never lived to know that they had been awarded to their extraordinary bravery, while others returned home to face an uncertain future. This is their story.world war 1914-1918 - personal narratives, world war 1914-1918 - victoria cross

Index, bibliography, notes, ill, maps, p.628.non-fictionThe Australian experience of war in all its complexity - from the homefront as well as the battlefront - as the men and women who experienced it chose to understand and remember it. The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac legend. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible. This book brings together all the dimensions of World War I. Combining deep scholarship with powerful storytelling, this book brings the war years to life: from the well-known battles at Gallipoli, Pozieres, Fromelles and Villers-Bretonneux, to the lesser known battles in Europe and the Middle East; from the ferocious debates over conscription to the disillusioning Paris peace conference and the devastating Spanish flu the soldiers brought home. We witness the fear and courage of tens of thousands of soldiers, grapple with the strategic nightmares confronting the commanders, and come to understand the impact on Australians at home and at the front of death on an unprecedented scale. A century after the Great War, this book brings lucid insight into the dramatic events, mass grief and political turmoil that makes the memory of this terrible war central to Australia's history.world war 1914-1918- australia - history, world war 1914-1918 - social conditions

Index, bibliography, notes, ill, p.349.non-fictionSurprisingly, as we near the 100th anniversary of the legendary Gallipoli campaign, this is the first book solely dedicated to one of its key battles - that at Lone Pine, where Australian and Turkish soldiers fought an ultimately futile battle that claimed thousands of lives in incredibly close quarters. Seven Victoria Crosses were earned by Australia's Anzacs in the intense four days of fighting, in pursuit of a flawed strategy to distract Turkish forces from larger incursions, which themselves failed. David W. Cameron has pulled together first-hand accounts from the men and women involved (including from the Turkish army) to detail what transpired and to follow some of their personal stories throughout the ordeal. By including the stories of non-combatants, such as engineers, nurses, sappers, commanders and more, he not only gives due credit to those who labored in support of the troops, but provides a wider understanding of the mammoth undertaking of such warfare. Many Australians travel to the Lone Pine Memorial and Cemetery each year to commemorate Anzac Day and remember the fallen - this work of popular history highlights the fate of those who fought on the very ground where they gather. Most Australian have heard of Lone Pine. Too few know why. Over four days in August 1915, Australians and Turks were thrown into some of the fiercest fighting of the war, on a small plateau in Gallipoli known as Lone Pine. Thousands of lives were lost. Seven of Australia's nine Gallipoli VCs were earned during brutal hand-to-hand combat in dark tunnels and in trenches just metres apart, bombarded by terrifying volleys of grenades. The Battle for Lone Pine is the first book devoted to this cornerstone of the Anzac legend, drawing on unforgettable first-hand accounts scratched into diaries and letters home. The stories of the diggers, as well as the engineers, nurses, sappers, commanders and more, provide an invaluable record of the battle and serve as moving testimony to their courage in appalling conditions. Today, pine trees are planted in remembrance around Australia. In Gallipoli, the Lone Pine Cemetery and Memorial attracts large crowds to commemorate Anzac Day. David W. Cameron's absorbing history reveals the fate of those who fought on the ground where they gather. 'David Cameron not only leads the way for the battalions of books on Australia in World War I to come in the next six years, he sets a standard for authors to emulate'world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - battles - lone pine

ill, maps, p.166.non-fictionOn 28 June 1915, young James Martin sailed from Melbourne aboard the troopship Berrima - bound, ultimately, for Gallipoli. He was just fourteen years old. "Soldier Boy" is Jim's extraordinary true story, the story of a young and enthusiastic school boy who became Australia's youngest known Anzac. Four months after leaving his home country he would be numbered among the dead, just one of so many soldier boys who travelled halfway around the world for the chance of adventure. This is, however, just as much the story of Jim's mother, Amelia Martin. It is the heartbreaking tale of the mother who had to let him go, of his family who lost a son, a brother, an uncle, a friend. It is about Amelia's boy who, like so many others, just wanted to be in on the action.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - child soldiers - biography

Index, bibliography, notes, ill, p.179.non-fictionOver 60,000 Australians and Americans captured by the Japanese during World War II toiled and died to build the Bridge over the River Kwai. Respected military historian Linda Goetz Holmes tells the story of one man's survival in Japanese labor camps during WWII. Amazing photographs, taken secretly by other prisoners, chronicle this dark history of Allied troops in the Pacific theatre of war.world war 1939 – 1945 - prisons and prisoners – australia, burma thailand railway

Index, notes, p.231.non-fictionWhy everything you think you know about Australia's Vietnam War is wrong. When Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every misconception. He wasn't alone. In Australia's Vietnam, Dapin reveals that every stage of Australia's commitment to the Vietnam War has been misunderstood, misinterpreted and shrouded in myth. From army claims that every national serviceman was a volunteer; and the level of atrocities committed by Australian troops; to the belief there were no welcome home parades until the late 1980s and returned soldiers were met by angry protesters. Australia's Vietnam is a major contribution to the understanding of Australia's experience of the war and will change the way we think about memory and military history.vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 – history

Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women

Ill, p.267.non-fictionIt's 1967 and Jethro is a 20-year-old Aussie lad who is about to take up his new posting in Vietnam. Five months later Jethro is on his way home in a medic chopper with a third of his body blown away: one leg is amputated, his right hand and half of his left hand - gone. And so begins Jethro's journey back to a whole life. This is the story of a wounded soldier and what happens to survivors.vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 – personal recollections – australia

Ill, p.135.non-fictionPictorial essay depicting social conditions in Australia during the First World Warworld war 1914-1918 - military policy, world war 1914-1918 - social conditions - australia

Index, ill, p.208.non-fictionRationing - Red Cross - Women's role in wartime - Japanese midget submarines - Clothes rationing - Coalminers' strike - Censorship - Ration books.australia 1939-1945 - social conditions, world war 1939-1945 - social aspects