Showing 1849 items
matching wooden frame
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Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, FRAMED, C. 1941
... with green border with tan wooden frame, glass front, white cardboard... wooden frame, glass front, white cardboard backing & silver wire ...Photo, black / white of 2/1 Corps FD SUY COY RAE. Taken in Sarafand, Middle East, 5.1941. All members in summer dress, head gear, shirts with rolled up sleeves & shorts. Mounted with green border with tan wooden frame, glass front, white cardboard backing & silver wire hanging strap at rear.photograph, 2/1st, middle east, rae -
Bendigo Military Museum
Pamphlet - PAMPHLET WW2, FRAMED, C.1942 - 45
... . Framed with cream border & brown inner edge. Brown wooden frame.... Brown wooden frame with glass front, fawn paper backing ...Pamphlet in Malaysian with interpretation in English. Pamphlet is orange with black print. Interpretation is yellow with black print. Was distributed over Borneo during WWII asking local people for their assistance to aid USA planes in distress. Framed with cream border & brown inner edge. Brown wooden frame with glass front, fawn paper backing with wire hanging strap. Printed below interpretation: “PRESENTED BY 440502 CPL J W MOFFAT NO 4 R.A.A.F. AIRFIELD CONSTRUCTION SQUADRON” pamphlet, usa, planes -
Bendigo Military Museum
Certificate - SHIRE CERTIFICATE WW2, FRAMED, C.1946
... . Tan wooden frame, glass front, white cardboard backing & wire... leaf border, mounted on dark green border. Tan wooden frame ...Refer Cat No 3911 re Millington.The Call To Arms 1939 certificate presented to L G MILLINGTON by citizens of Axedale & Districts. Photo of King George between Union Jack & Australian flags at top. Cream background with various badges, green leaf border, mounted on dark green border. Tan wooden frame, glass front, white cardboard backing & wire hanging strap. Bottom RHS signatures by: Chairman, Hon Secretary on 28.6.1946 In black texta on backing: B HOPGOODcertificate, shire, axedale -
Glenelg Shire Council Cultural Collection
Painting, Down the Street, 1977
... the centre of the dirt road. Framed in gold painted wooden frame.... the centre of the dirt road. Framed in gold painted wooden frame ...UnknownView of a building on a country street. The building is large, and in 3 sections, two of which may be shops. The building on the corner has a verandah and balcony over the footpath, and may be a pub. Two people lean on the wall to the right of the building. One man in overalls and carrying a bag walks along the centre of the dirt road. Framed in gold painted wooden frame.Front: B Malloch '77 (lower left) (brown paint) Back: 1977 - (yellow sticker, upper right) Mer-ger Galleries, Picture Framing sticker, order no. 1057 (sticker, lower centre) "Dow...E Street" (blue pen on sticker, lower left, torn) -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Portland Centenary Celebrations, 1934
... -reflective glass in brown and gold wooden frame.... under non-reflective glass in brown and gold wooden frame. Front ...Promoting the 1934 centennary celebrations, Portland, 1934.Colour lithographic print showing a man and a woman in stylised mid-nineteenth century dress, portrayed in an early 20th century style, overlooking Portland Harbour. Text states "Visit Portland/ The first Victorian Settlement/ during the Centenary Celebrations/ from 15th to 23rd November 1934. Framed under non-reflective glass in brown and gold wooden frame.Front: (no inscriptions) Back: (no inscriptions)lithograph, centenary, 1934, portland -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
... painted wooden frame, with glass.... painted wooden frame, with glass. Front: Robert Ulmann (lower ...Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph, Mrs. Jane Henty, 1984
... of this item. Framed under glass in wooden frame.... are the details of the donation of this item. Framed under glass in wooden ...Displayed at History House. Original presented by Edward Henty Smallpage to Stokesley in around 1934Black and white photograph of a standing woman in 19th century dress. Her dress is a dark colour and she is wearing a white cap with trailing lace/fabric back. She is posed in a room with floral wallpaper, standing behind a chair with her hands clasped in front of her. At bottom of frame are the details of the donation of this item. Framed under glass in wooden frame.Front: PRESENTED TO THE TOWN OF PORTLAND BY THE PARISH COUNCIL OF STOKESLEY, ENGLAND 1984 (typed, upper case). Mrs. Jane Henty, wife of the Hon. Stephen George henty, M.L.C. The first white woman in Portland, the earliest permanent settlement in the State of Cictoria, Australia. Born at Stokesley, 8th February 1817, daughter of Captain Walter Pace. Landed at Portland, June 1836. Died at Hamilton, Victoria, 3rd February 1906. This portrait is presented on the Centenary Anniversary of the foundation of Victoria, 19th November 1934, by her Great Grandson, EDWARD HENTY SMALLPAGE, M.B., Ch.M. (Syd), F.R.C.S. (Eng).henty, jane henty, portrait photography -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Lyperanthus nigricans (Red Beak Orchid), 1972
... on burgundy), framed under glass in wooden frame with gold detailing.... in wooden frame with gold detailing. Front: CEW/72 (lower left) (red ...Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two views of orchids. Large green leaf at base from which a long stem rises with leaves unfurling along its length. View on left depicts two red and white flowers unfurling; plant on right depicts three flowers. Mounted in double matt (grey on burgundy), framed under glass in wooden frame with gold detailing.Front: CEW/72 (lower left) (red pencil) Back: 77 (upper left) (pen) Lyperanthus nigricans 'Red Beak orchid' (sticky label and pen, top left)collin woolcock, botanical, woolcock collection, cema -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - watercolour - copy, South Africa from Ferry
... wooden frame. Picture is a view looking down into a valley... frame, a 4cm plus white mat and framed in a brown wooden frame ...Painted by George RosenkranzThe watercolour has a thin black border around it, a 1 cm brown paper frame, a 4cm plus white mat and framed in a brown wooden frame. Picture is a view looking down into a valley with a pointed top mountain in the centre of the picture. Blue skies with a bird flying in right side. front of mountain are a couple of trees, rocks, grass and plants.george rosenkranz, south africa -
Bendigo Historical Society Inc.
Painting - A view near Ballarat, Norman Penrose
... brown wooden frame. Norman Penrose Collection ... is under glass in a light brown wooden frame. Norman Penrose ...Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "A view near Ballarat." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A few trees at bottom right-hand and a couple of houses in the background. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "A view near Ballarat" phone 36420. Address: 14 Barkly Terrace, Bendigo. In red chalk within a circle No. 22. norman penrose, artist, teacher, ballarat -
Yarrawonga and Mulwala Pioneer Museum
Wash Board
... Wooden jointed frame secured with metal nails.On one side..., Mulwala Wash Board Wooden jointed frame secured with metal ...Used on wash days to scrub clothes by hand.Wooden jointed frame secured with metal nails.On one side there is a light metal rippled surface attached.The other side has wooden slats.noneclothes, washing, washboard, laundry -
Tatura Irrigation & Wartime Camps Museum
Deck Chair - childs, 1940's
... Wooden folding frame with 5 adjustments. Green, black... Tatura the-murray Deck Chair - childs Wooden folding frame with 5 ...made and used by internees at Camp 3Wooden folding frame with 5 adjustments. Green, black, orange, yellow, blue and white striped canvas attached at top and front forming a seat.deck chair, camp 3 wood work, gisela bissinger nee wied -
Tatura Irrigation & Wartime Camps Museum
Deck Chair, 1940's
... Wooden folding frame with 3 adjustments and 2 armrests... Tatura the-murray Deck Chair Wooden folding frame with 3 ...made and used by internees at Camp 3Wooden folding frame with 3 adjustments and 2 armrests. Light and dark green and red striped canvas attached at top and front forming a seat.deck chair, camp 3 wood work -
Tatura Irrigation & Wartime Camps Museum
Photograph - framed, Bill Purcell Photos, Tatura Milk Chairman's Race
... Brown and gold wooden picture frame. Photograph of 8 racing... Brown and gold wooden picture frame. Photograph of 8 racing ...Photograph of Tatura Milk Chairman's 2 year old handicap distance 1000 metres.Brown and gold wooden picture frame. Photograph of 8 racing horses and jockeys about to pass the winning post. Small inset of winning horse.horse racing tatura, tatura milk horse racing -
Wodonga & District Historical Society Inc
Functional object - Sanyo 'Sensor Touch' Colour Television, Sanyo Australia Pty. Ltd, c. 1980s
... wooden veneer frame and exterior. 53 cm or 20 inch screen... 'Sensor Touch' colour television with a faux wooden veneer frame ...The Sanyo ‘Sensor Touch’ television was assembled in Wodonga. Sanyo was one of the international companies that set up business in Wodonga in the 1970s as part of the decentralisation of industry. It continued operation into the 1980s. The Sanyo Australia Pty. Ltd. factory in Wodonga opened in 1974 with 35 staff and production peaked in 1976-1977 when it employed 360 people. In the first ten years 350,000 televisions were assembled from Japanese parts, however by 1984 the number of staff had reduced to 112 and the factory closed in 1987. All Sanyo televisions were then imported from Japan.The Sanyo ‘Sensor Touch’ television has local, state and national significance as it is thought to have been assembled in Sanyo Australia's factory in Wodonga. Sanyo was one of the international companies that set up business in Wodonga as part of the decentralisation of industry in Australia in the 1970s-1980s.Large Sanyo 'Sensor Touch' colour television with a faux wooden veneer frame and exterior. 53 cm or 20 inch screen (diagonal measurement)."SANYO / Sensor Touch / Telecolor" on the proper left side panel. "9 / 2 / 7 /28 /10 / 3 / 1 / 0 / AV" for the channels on the proper left panel. "COLOUR / BRIGHT / ONE / BUTTON / COLOUR / PULL-ON / VOLUME" under various buttons on the proper left panel. sanyo, colour televisions, televisions, sensor touch television, wodonga, sanyo australia pty. ltd. -
Clunes Museum
Painting - PASTEL DRAWING
... covered gold inner frame and light brown wooden outer frame..., glass covered gold inner frame and light brown wooden outer ...Pastel drawing of a black and white dogs head, glass covered gold inner frame and light brown wooden outer frame with mottled effectSticker 38 Pencil writing on back "Ölsen No.1"pastel, art, olsen -
Kyneton RSL Sub Branch
Artefact, Commemorative plaque, 2001
... Round wall plaque. Metal plate centred on wooden turned... wall plaque. Metal plate centred on wooden turned circular ...Round wall plaque. Metal plate centred on wooden turned circular frame.Front: Outer ring, 100years service to the nation. 1901 - 2001 Inner ring, Teamwork. Courage. Initiative. Centre, Rising sun emblem, The Australian Army. Back: Market Link Solutions Canberra Australia Kyneton RSL. S/B Donated by Don Radleyplaque -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED
... . Photo is in brown wooden frame with glass front & fawn paper... in centre, 1 lower in front. Photo is in brown wooden frame ...Photo, black / white, 6 soldiers in uniform without head gear. 3 standing at rear, 2 seated in centre, 1 lower in front. Photo is in brown wooden frame with glass front & fawn paper backing. Photo is mounted with brown / gold border & features NCO's who survived the Messines Armentiers Battle. D Coy 38th Battalion AIF.Information on cardboard marker at bottom of photo identifies 2 members: 1. Centre front: R H LUXON (Cpr) 2. Seated RHS: Harry W SHELTON (CQMS) In black texta & black ink on backing: Trust 31 On stickers front / back: No 56soldiers, framed photographs, group portraits -
Kiewa Valley Historical Society
Sand Sieve - Tobacco Farming, Early 1970
... in seed beds. Rectangular wooden frame with tin attached on all 4... seed in seed beds. Rectangular wooden frame with tin attached ...Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The sand sieve was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Used for sifting sand over the sowing of tobacco seed in seed beds. Rectangular wooden frame with tin attached on all 4 sides. Tin has been punched randomly to form ragged holes about 20 mm apart. A wooden beam has been attached vertically to the frame and extends upwards to form a handle tapered towards the end. Tin is nailed on. tobacco. kiewa valley. mongans bridge. vannucci. sand sieve. rossaro. -
Warrnambool and District Historical Society Inc.
Cross cut saw
... . The blade is affixed to the bottom end of a wooden frame with two.... The blade is affixed to the bottom end of a wooden frame with two ...This saw is used for cutting curved edges of timber. It could have been used in the home or for commercial building purposes. The hand-held saw has largely now been replaced by electrically-operated machines. This item has no known local provenance but it is an interesting example of a hand-held tool of the past.This is a hand saw with a thin serrated metal blade. The blade is affixed to the bottom end of a wooden frame with two upright pieces and a cross piece affixed to the upper part of the frame. The top part of the frame has a piece of plaited rope stretched across. The top part of the frame has two wooden handles. The blade is somewhat rusted and the wooden parts and the rope are stained. vintage tools, history of warrnambool -
Warrnambool and District Historical Society Inc.
Functional object - Railway Clock, Wilson Brothers, Clock Makers, Warrnambool, 1890s
... in a metal frame with wood surrounds The wooden frame is attached... The wooden frame is attached to a wooden rectangular box ...This clock is believed to have come from the Warrnambool Railway Station. The Railway commenced in 1890 and the station was opened in 1897. The clock was made by Wilson Brothers, a prominent manufacturing watch and clock- making business in Timor Street, Warrnambool in the second half of the 19th Century.This item is of considerable significance as an early Railway Clock in Warrnambool. Railway Clocks were important in the 19th century as prominent time pieces for the general community to use to establish the time of day.This is a clock with a circular face behind glass enclosed in a metal frame with wood surrounds The wooden frame is attached to a wooden rectangular box with a curved bottom. The box has a metal clip for attachment to a wall or a board. The metal face is white with black painted Roman numerals, which are damaged, and black printing. Minute markers are indicated. The hands are metal. All the metal is rusted.Wilson Bros Warrnamboolwarrnambool railway station, wilson brothers warrnambool -
Warrnambool and District Historical Society Inc.
Photograph - Framed Photograph of the Islands in the Hopkins River, Jordan Studios, Warrnambool, 1911
... This is a black and white photograph in a wooden frame... This is a black and white photograph in a wooden frame with a patterned ...This photograph shows the islands in the Hopkins River in 1911. This section of the river is in the Allansford area, near Jubilee Park (Hopkins River Caravan Park). It was, and still is, a picnic and fishing spot. On one of the islands is an unmarked grave which may be that of Jemima Christine Allan, the first wife of one of the first European settlers in the Allansford area, William Allan. She died in 1842. The photograph was taken by Jordan Studios so the photographer may be either Joseph Jordan, one of the best-known Warrnambool photographers of the past, or his son Arthur, also a well-credentialled photographer.This photograph is considerable historical importance, showing a section of the Hopkins River in the Warrnambool region in 1911.This is a black and white photograph in a wooden frame with a patterned edging. The photograph is inset with a gilt metal edging and enclosed in glass. The backing is wooden with a wire cord for hanging. The photograph shows the river with islands covered in vegetation. On the river are two boats, one wuih four occupants standing up in the boat and the other with two occupants. In the ccntre of the photograph is a tree stump and a dead tree.The Islands Hopkins River Warrnambool 1911 Jordan Photohopkins river, jemima allan, jordan studios -
Warrnambool and District Historical Society Inc.
Photograph - Framed photograph of Warrnambool 1887, Town Panorama. Warrnambool Queen's Jubilee 1887, 1887
... This is a black and white photograph in a brown wooden... in a brown wooden frame and enclosed in glass. The photograph has ...This is a framed photograph of a panoramic section of the Warrnambool township taken in 1887 to commemorate the Jubilee of the reign of Queen Victoria (1837-1887). The photograph is taken from Booval Hill (Liebig Street north) and shows the fencing in that area with groups of people in the foreground posing for the photograph. The panorama covers Liebig Street and Raglan Parade and includes private houses, a windmill and three tanks, St. John's Church, St. Joseph's Church, Tattersalls Hotel and the Saleyards.This photograph provides us with historical information on a section of the Warrnambool township in 1887 and is a valuable resource for researchers.This is a black and white photograph in a brown wooden frame and enclosed in glass. The photograph has a gilt metal edging outlined with ornate kite-shaped pieces on the corners and depicts a section of a town from an elevated position. At the top of the photograph is a crest in a shield shape and at the bottom is another shield shape containing the title of the photograph. The left centre section of the photograph is splotched or water-stained.Warrnambool Queen's Jubilee 1887warrnambool 1887, queen victoria's jubilee -
Clunes Museum
Photograph - PHOTOGRAPH CLUNES 1860, CIRCA 1860
... MOUNTED IN WOODEN FRAME WITH BOLD EMBOSSED TRIM. CRITERION QUARTZ... REPRODUCED PHOTOGRAPHS MOUNTED IN WOODEN FRAME WITH BOLD EMBOSSED ...COLLAGE - CLUNES IN THE 1860's SIX REPRODUCED PHOTOGRAPHS MOUNTED IN WOODEN FRAME WITH BOLD EMBOSSED TRIM. CRITERION QUARTZ MINING COMPANY, PORT PHILIP & COLONIAL GOLD MINING COMPANY, VICTORIA QUARTZ MINING COMPANY. VIEW OF CAMP HILL , VIEW OF PORT PHILIP MINE SIGHT, VIEW OF THE LEVEL SIGHT OF BATTERY SEEN ON THE SIGHT ALONG STATION FLAT ROAD.local history, photographs, mining and township -
Tatura Irrigation & Wartime Camps Museum
Photograph, Ellis/Bartlett Wedding, 1901
... chain around her neck. Photograph is in a wooden frame... chain around her neck. Photograph is in a wooden frame ...The photograph is of James Henry ELLIS and his bride Blanche BARTLETT on their wedding day in 1901 in Tatura.Black and white photograph is of a seated groom in suit with white bow tie. Bride is standing, wearing a two piece suit, pin tucked blouse, a large hat and gloves. She is wearing a long chain around her neck. Photograph is in a wooden frame with decorative moulding and gold mat around photograph. Frame has been gilded. Glass is covering the photograph.james henry ellis, blanche bartlett, tatura locals -
Flagstaff Hill Maritime Museum and Village
Photograph - Ship, Monkbarns, ca. 1924
... . Rectangular wooden frame has an inner gilt frame around a wide... sailing ship under sail, bow facing viewer. Rectangular wooden ...This photograph was taken in about 1924 as it approached Newcastle, New South Wales before the sailing ship Monkbarns was converted for use as a hulk. The steel-hulled, 3-masted fully rigged ship was built in 1895 by Archibald McMillan & Son at Dumbarton in Scotland. It was 267 feet long, 40.1 feet wide and 23.5 feet deep. In 1914 John Stewart & Co. owned ten sailing vessels, one of which was the Monkbarns, but by the end of the first World War, the fleet had only four vessels survived the war, including the Monkbarns. The Monkbarns traded across the world. Some of the destinations included Port Adelaide, Table Bay in South Africa, Liverpool, Sydney, London and New York. Her last commercial voyage was in 1926. Overall, the ship traded for 32 years before it was converted in Spain in 1927 for use as a hulk for carrying coal. There were several owners of the ship over its lifetime. They were - 1895, first owner, Charles Webster Corsar, Liverpool - 1902, the owner was D. Corsar & Son, Liverpool - 1909, owned by John Hardie & Sons, Glasgow - 1911, John Stewart & Co., Liverpool - by1915, James A. Young, London - 1926, L.H. Wilson, Liverpool - 1927, Ballener Espando (Brunn & van Lippe, Tonsberg).Photograph, black and white, of the ship "Monkbarns" , a steel hulled sailing ship under sail, bow facing viewer. Rectangular wooden frame has an inner gilt frame around a wide, natural bark matte. The lover edge of the matte has a decorative rectangular cut-out surrounding an inscription with the ship's name. On the back is a handwritten inscription about the ship and the presentation of the photograph..Front: "MONKBARNS" Reverse handwritten in pen: "PRESENTED TO A.F. WATSON / FOR S.S.V. BY / CAPT. F.K. BAXTER / 74 VERDON ST/ WILLIAMSTOWN " Reverse: "STEEL SHIP MONKBARNS / 1771 TONS REGISTER / 267 x 40' X 27'2" Draft / Build 1895 by McMillan, Dumbarton, Scotland / Converted to a hulk in /Spain 1927. / Photo taken in - Converted from NEWCASTLE N.S.W. about 1924"flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, monkbarns, sailing ship, newccastle, new south wales, hulk -
Port Melbourne Historical & Preservation Society
Document - Illuminated address of thanks and appreciation to John Ambrose Kitchen Esq from 19 employees, Fergusson & Mitchell Illum, 22 Jan 1885
... wooden frame.... painted edging. Covered by glass and in gold painted wooden frame ...Illuminated address of thanks and appreciation to John Ambrose Kitchen Esq from 19 employees, on the occasion of the amalgamation of J Kitchen & Sons Ltd and Apoloo Company Ltd; dated Jan 22 1885. Beautifully handwritten with colourful passionfruit flowers painted around in an oval; further gold, red and blues painted edging. Covered by glass and in gold painted wooden frame.industry - manufacturing, arts and entertainment - visual arts, memorials, j kitchen & sons pty ltd, pental products pty ltd, symex holdings ltd, unilever australia (holdings) ltd -
Geelong Football Club
Photograph of Geelong Football Club's Four A.N.F.C. Carnival Representatives, 1969
... White painted wooden frame with glass front. White mounting... A.N.F.C. Carnival Representatives, 1969 White painted wooden frame ...Championship played at Adelaide in June 1969, Title won by Victoria. Peter Walker Born: 12/06/1942 From: Beeac Height: 183cm Weight: 76kg Natural kicking foot: Right Guernsey number: 34 First senior match: Round 3, 1960 v Fitzroy at the Brunswick Street Oval After taking time to settle at senior level, he found his rightful place on the half-back line. Once he gained confidence, he became a champion, dashing player who could mark above taller opponents and swing Geelong into attack instantly with fine disposal. His duels with Darrel Baldock of St Kilda were outstanding during the 1960s. He always played the game fairly and followed coaches’ instructions to the letter. Total Brownlow Medal votes: 32 Premiership team selection: 1963 Captain: 2 matches (1969) Club Best & Fairest: 1965 Runner-up in club B&F count: 1963 Third in club B&F count: 1967 Fifth in club B&F count: 1968, 1969 Eighth in club B&F count: 1964 (equal) GFC Hall of Fame inductee (2002) GFC Life Membership (1968) Career span: 1960-69; 1971 Total matches: Premiership 159, Interstate 9 Total goals: Premiership 1, Interstate 0 Finals matches: 15 Finals goals: 0 Last senior match: Round 11, 1971 v Richmond at Kardinia Park Died: 08/07/2010 John ‘Sam’ Newman Born: 22/12/1945 From: Geelong Grammar Height: 189cm Weight: 94kg Natural kicking foot: Right Guernsey number: 17 First senior match: Round 3, 1964 v Fitzroy at the Brunswick St Oval The champion ruckman/forward-pocket/back-pocket became a valuable centre half-forward late in his career. He was a magnificent high mark and a great handball exponent. His ability to maneuver his body into correct position at ruck contests and in marking duels was equal to that of Graham Farmer. He worked hard to overcome severe kidney and ankle injuries to play 300 matches for Geelong in a magnificent 17-season span. Total Brownlow Medal votes: 85 Captain: 41 matches (1974-75) Club Best & Fairest: 1968, 1975 Runner-up in club B&F count: 1974 Third in club B&F count: 1965, 1970, 1976 Fourth in club B&F count: 1969 Fifth in club B&F count: 1973, 1979 Seventh in club B&F count: 1967, 1977 All Australian selection: 1969 GFC Team of the 20th Century selection (back pocket) GFC Hall of Fame inductee (2002) GFC Hall of Fame Legend GFC Life Membership (1971) Career span: 1964-80 Total matches: Premiership 300, Night/Pre-Season Series 4, Interstate 8 Total goals: Premiership 110, Night/Pre-Season Series 4, Interstate 1 Finals matches: 12 Finals goals: 4 Last senior match: Second Semi Final, 1980 v Richmond at Waverley Park Information provided by Mr Col Hutchinson GFC HistorianWhite painted wooden frame with glass front. White mounting card surrounds the photograph. Black and white photograph of John 'Sam' Newman, Ivan Morris, A.R. Jack Jennings and Peter Walker standing in front of a wire fence. Above on the mounting card states "GEELONG FOOTBALL CLUB" and the supporting text below provides context for the photograph. Wire on the back for hanging.peter walker, john newman, sam newman, ivan morris, a.r. jack jennings -
Kiewa Valley Historical Society
Photo - 1909 Football Team
... wooden frame. The embroidered piece is backed by masonite... the embroidery is a brown wooden frame. The embroidered piece is backed ...The Roper family lived and farmed in the Kiewa Valley. They may have sent their son, Bert, to C.G.S. (Caufield Grammar / Camberwell Grammar School). The Roper family were early settlers in the Kiewa Valley.Glass cover of a Black & White Photo of a boys football team with 'V' jumpers, white shorts and 2 footballs with 'C.G.S / 1909' written on them. The photo is attached to an embroidered cotton backing allowing the photo to be seen through an oval shape cut out in the middle. Around the embroidery is a brown wooden frame. The embroidered piece is backed by masonite with the framer's name attached.On the back of the photo, handwritten: Dear Mother / Wishing you a very / happy birthday on the 29th October / From Bert. Miss Roper / Call ... On the back of the masonite: Heatherley & Horsfall, Picture Framers & Mount Cutters ...football. roper family. bert roper. c.g.s.. kiewa valley. embroidery. -
Glenelg Shire Council Cultural Collection
Print, Nancy Malseed, Bird Trip, 1973
... , in a black wooden frame with glass glazing.... background. Mounted in a dark green matt, in a black wooden frame ...UnknownThree separate images of birds. Top image is six large abstract birds with 12 birds in background (upper centre). Centre panel contains 3 birds in flight, brown against a grey background. Lower panel contains 3 walking birds, black and white against a brown background. Mounted in a dark green matt, in a black wooden frame with glass glazing.Front: 3/20 Etching and roll-up (lower left) "Bird Trip (centre) N. M. Malseed (lower right) (pencil) Back: (no inscriptions)