Legacy organised many events and activities for Legacy widows to enjoy. This is a day trip to Warrandyte Hotel on 9 June 1992. Names have been written on the back of one, including Julie, Charlotte, Mollie Thiele (in pink dress), Dorothy (in blue with red scarf), Jean, Gwen at Warrandyte Hotel. Newsletters of the time show the number and variety of activities that Legacy provided for the widows. Example attached is from January 1993.A record of activities for widows to attend and enjoy together.Colour photo x 2 of widows trip to Warandyte Hotel in 1992.Handwritten on 01937.1 'Julie, Charlotte, Mollie, Dorothy, Jean, Gwen, Warrandyte Hotel 9/6/1992' in blue pen.widows, daytrip, activities, widows outing

Wreath laying ceremony for Legacy widows at the Cenotaph at the Shrine of Remembrance in 2002. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The photos show the crowd at the Cenotaph, President A. W. Parkes laying a wreath followed by the president of the widows club on behalf of the Widows' Clubs (name unknown). More photos at 00733. From the building work in the background it is when the Shrine was undergoing redevelopment and expansion.A record of a ceremony at the Shrine in 2002.Colour photo x 4 of wreath laying at the Cenotaph.Printed on back widows, widows' sunday, pilgrimage, wreath laying ceremony

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $10. The badge was for sale in 2022. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Circular Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with sky blue enamel around a torch and wreath, the word Legacy and the date 2022. It is on a white card with blue printing showing it's value of $10. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week

The photograph shows the Vic Public Transport Cricket Assoc. team dated Jan. 2001 in Melbourne. Names: Rear - S Bell, M.D'Roza, V. Augustus, A Barakat, D Peterson, C Meagher, M. Lambert, R Marks, C Anastasi Front - C Nicholson, B Taylor, B Finnigan (Mgr), C Sharp (Capt) A Lambert (L/Member) T Finnigan (V/Capt) Absent - R DeRozario.Yields information about the Vic Public Transport Cricket Assoc. team for Jan. 2001.Colour photograph with plain back and team member names.cricket, sports, public transport

Set of two sheets of tickets for the Sandringham - Beaumaris tramway. The tramway operated from 1926 to 1931 when it was cut back to Black Rock. Tickets are printed for the various available sections and by each division for various fares, but without actual ticket numbers. See reference pages 129 - 130 for details and various figures for examples. The second sheet shows tickets that came into operation following a fare rise on 1/2/1928.Yields information about the paper tickets used on the Sandringham to Beaumaris Tramway.Set of two foolscap sheets with 21 paper tickets glued to them along with pencil or ink notes.tickets, vr, vr trams, victorian railways, sandringham to black rock, beaumaris

Shows H class tram number 57, east bound in Flinders St with the Flinders Street Railway station in the background. Has a number of horse drawn vehicles in the view along with motor cars and trucks, some of them doing a hook turn. A policeman is on point duty. Photo taken after Flinders St converted to electric trams from cable trams in 1927. Commercial print from a SLV photo.Yields information about the location, the streetscape and the trams and vehicles in use at the time. Original photo taken from a Rose Series - Southern Cross Series No. 5. See State Library of Victorian Collection - H2011.27DBlack and white photograph of Flinders St Station Melbourne, late 1920's with H class tram 57 in the view."RSCP 327" & "C1929" in pencil and "H57" in red ink on rear.tramways, h class, trams, tram 57, flinders st, flinders st station, horse drawn vehicles, mmtb

Photograph shows a group of three tramway inspectors, seven office or management staff, a grip man and conductor on a cable tram set possibly at ? depot prior to the closure of the cable system in October 1940. Related to Reg Item 6122, a large group photo taken with the same background location. The Poster see Reg Item 6368 contains this photo - "Official & Clerical Staff at Clifton Hill - last line to operate"Yields information about the type of uniforms or office clothing worn by cable tram staff prior to the closure of the cable tram system.Photograph - Black and White of a group of 12 cable tram employees - Inspectors, Office staff and crew 1940trams, tramways, cable trams, car houses, inspectors, grip men, conductors, clothing, suits, clifton hill

The photograph shows the trailer or saloon car from a cable tram set at car house or depot. See Reg Item3692 for a photo of the car set or train. The National Library notes in its collection - Decorated dummy and car which, electrically illuminated, traversed the Melbourne cable tramways in celebration of peace, on the evenings of Monday and Tuesday, the 14th and 15th July, 1919. Has a illustrated card published by the Tramway Board 1919. Yields information about a decorated cable tram trailer and the interior of a car house.Photograph - Black and White - decorated cable trailer - Peace - World War 1 in a car house or depottramways, trams, decorated trams, cable trams, world war 1, car house, depot

The set of three colour prints shows various stages housing Geelong trams 2 and 28 by their donor when he was living in Canberra. 1 - tram 2 being winched into position with the frame of the shed to house them being built - 20/6/1991 2 - Temporary truck for Geelong 2 before unloaded - 25/5/2004 3 - Showing the "shed" housing the two trams - 26/5/2004.Yields information the reconstruction of two Geelong trams in Canberra before being gifted to the BTM.Set of three colour prints on Kodak paper with dates on rear.Two have the date and details on rear.tramcars, tram 28, geelong 2, geelong 28, tram 2

The photograph shows SEC Ballarat tram No. 19 at the Sebastopol terminus shortly after arriving. The pole is yet to be reversed, though the destination has been set for Lydiard St North. The Royal Mail Hotel is in the background. Note the departure clock on the tram stop pole - see second image - appears to be set for a 20 min service at 2mins etc past the hour. Photo by I K Winney of Sydney, 12/1949.Yields information about tram 19 and the Sebastopol terminus.Black and white photograph with photographers details on rear."Car No. 19 at Sebastopol terminus, Ballarat 12/1949, I K Winney"tramcars, sebastopol, tram 19, albert st., royal mail hotel, clocks

Shows railways, cable and electric tram lines c1922. One of a number of maps produced by Sands McDougall of Collins St. Includes the Zoo horse tram lines. See acquisition and Research note by Duncan McAuslan. See items 2885, 6573, amd 6917 for other editions. On inside cover has current postal rates (including a war surcharge) and places worth visiting and on the rear cover, is an advertisement for Imperial ink.Yields information about Melbourne c1922 and its public transport lines. Produced by Sands and McDougall Pty Ltd of Collins St Melbourne. Folded sheet of paper 6 sections wide x 6 sections or folds deep contained within a green paper cover titled "Map of Melbourne and Suburbs showing Tramways, Railways, Streets, postal districts, Quarter-Mile Radii etc", showing both cable and electric tramways. maps, melbourne, cable trams, tramways, railways, horse trams, vr trams, sands mcdougall, zoo horse tramway, mmtb

Photo, an Official MMTB photograph, shows a safety zone concrete prow with a set of flashing lights at the intersection of Collins and Spencer Sts. In the view is W2 305 (Route 12, South Melbourne Beach). The tram has large experimental roof ventilators and two White Wings Tomato sauce adverts on the end panels. In the background are the Victorian Railways Spencer St buildings. Photo used in the 1961 MMTB Annual Report.Yields information about Safety zones and W2 305.Black and White photograph on plain paper.In ink on rear "Collins & Spencer"tramways, collins st., spencer st, safety zone, w2 class, tram 305

The Greensborough Hotel is on the corner of Main Street and Hailes Street Greensborough. This drawing show the proposed design of the building, originally to be named the Farmers' Arms (see sign over door) and built on the site of the original hotel of that name. It was renamed after the original Greensborough Hotel (on corner Grimshaw and Church Streets Greensborough) burnt down in 1923. Despite many renovations and refurbishments, the Greensborough Hotel is still a recognisable landmark in Greensborough today.The Greensborough Hotel is one of the few buildings to survive the redevelopment of Greensborough in the 1970s.Digital copy of line drawinggreensborough hotel, main street greensborough, farmers' arms hotel

The photograph shows a Northcote 6 window cable tram trailer being hauled by two horses to a new home - to act as a summer house for Cr. Plant of Northcote. The tram was replaced by larger cars when the MMTB took over the Council-operated tramway. The photo appeared in The Sun News-Pictorial on 11/5/1923 - page 20 - see second image. Also appeared in Trolley Wire Dec 1985 issue.Yields information the disposal of a former Northcote Council cable tram trailer.Black and white photograph with a plain back and digital image.tramcars, tramways, cable trams, northcote, sale of trams

-1 Forking Hay into Chaff Cutter. Bill Cunningham is child c.1940 -2 Little Boy Bill Cunningham with Grandfather Herbert Wettenhall Carrs Plains about to feed sheep c.1940 during drought. -3 Bill Cunningham walking towards chaff cutter powered by motor. -4 Bill Cunningham with Chaff Cutter in background at Carrs Plains. Shows Hay being brought in Hay and Conveyor Four Farming photographsfarming

The net belonged to Florence Emily Grylls. She enlisted in the AAMC reinforcements as Staff Nurse on 20.6.17 age 29 years. Embarked on 30.6.17 and disembarked Bombay on 30.7.17. She nursed at 3 different hospitals. Hospital with Influenza serious on 17.10.18. Embarked for Australia 28.2.19. Discharged from the service 17.1.20. Letters in the records show that she worked at Caulfield Repatriation Hospital after the war. Refer 03 her brother John.White cotton mesh with muslin top section & edges Tapes & string at corners for suspendingnetting mosquito, equipment, military use

1970 C.R.B. Plan of Survey of Part of Crown Portion 12 Section 4 Parish of Nillumbik, County of Evelyn Eltham-Yarra Glen Road, Shire of Eltham Shows Surveyor field notes, property ownership and building type and construction. John L. Roberts, Licensed Surveyor as noted 4 June 1970 Amendments in black by John L. Roberts, L.S. 20-12-76 See also EDHS_05783 (1958)eltham-yarra glen road, 1970, 1976, a.f. munday, brougham street, dalton street, eltham, eltham clinic, g.t. & e.a. donnelly, jarrold cottage, l.m. jarrold, m.s.m. skipper, main road eltham, map, maria street, matcham skipper, mobil service centre (eltham), mobil service station, napoleon street, survey plan, white cloud cottage, country roads board

Aboriginal artist Leann Edwards before heading to USA to show her artwork to the world. Ten of her paintings launched by expatriate Australian gallery owner Mary Harbour Lakes Entrance Victoria. Also three colour photographs of Leann Edward paintings Dolphins, Kangaroo Bed Head,Balranald Pub displayed at Nungurner January and February 1996 numbers 04119.1, 04119.2, 04119.3 size 15 x 10 cmColour photograph of Aboriginal artist Leann Edwards Also three colour photographs of Leann Edward paintings aboriginals, arts and crafts

The photograph shows VR tram 25 with uniformed tram crew standing on the ground beside the driver's cab entrance with the driver holding a hand rail. On the left is part of a chemist shop verandah and a picket fence. VR 25 originally operated on the broad gauge track from St Kilda Station to Brighton, then in 1919 was converted to standard gauge to operate on the Sandringham to Black Rock line. The location of this photograph is the Black Rock terminus.Yields information about VR tram 25Black and white photograph with notes on the rear.In biro on the rear "Melbourne K J Magor No. per K Train 1110 aBx"vr tram, tram 25, uniformed crew, picket fance, st kilda station, brighton, sandringham, balck rock, broad gauge, standard gauge, terminus

The photograph shows a cable tram set, trailer No. 336, with the Abbotsford Hotel Johnston Street in the background. The former hotel stood on the south side of Johnston Street opposite Trenerry Crecent. The tram has the destination of "Lonsdale St." Adjacent to the hotel is a billboard advertising the "Vote Yes" campaign for the abolition of Hotel licenses - see reference - the referendum was lost. Photographer Eric Victor Copeman - see second reference for the history of the hotel.Yields information about Johnston Street cable tram services and the Abbotsford Hotel.Black and white photograph with notes on the rear.On rear in ink "Cable tram Collingwood Melbourne Vic (21.9.38)"tramways, cable trams, johnston st, abolition, tram 336, hotels, trams, abbotsford

Bonnie Fagan's County is Wadawurrung. Most of her early learning about her Aboriginality came from the father.Aboriginal dot painting telling the artist's learning journey. Bonnie Fagan wrote of this work: "Ochres reflect my connection with the land of my traditional Wadawurrung Country. Yellow ochre forms the background and white ochre defines my pathway, showing where I have traveled from my past and where I am heading in my future. I use reddish ochres for the larger dots along my pathway to show my footprint and for the smaller dots that ripple outwards to show how I've had some influence, either good or bad. The white lines show my pathway with an entry point from my past marking the start of my journey, a middle part showing were my life will continue. Through the middle part, my teenage years, the pathway is very windy. These years were sometime quite difficult and I struggled. The two circle areas symbolize two chapters in my life, first as a child and then as an adult, when I've felt mostly positive and safe. They are periods when I've been very open to learning, gathering knowledge from people and experiences that I trusted, and the circles within the circles symbolize the layers of support, of experience, of connection and of learning that I experienced. Strong visual symbols at the base of the painting under the first circle area represent the key figures in my learning through my childhood: my father (represented by the traditional symbol, of a man with a spear) and my mothers with me as a small child, The spirit of my paternal grandmother, my Nan, hovers above my childhood circle and near the pathway through to my teenage years, showing the strength of her influence and how she was always there guiding me." (Robyn Brandenburg and Jacqueline Z, Wilson [Eds] Pedagogies for the Future: Leading Quality Learning and Teaching in Higher Education, Sense Publishers, The Netherlands, 2013, pp40-41)bonnie fagan, bonnie chew, wadawurrung, artists, artwork, aboriginal

The port facilities in Warrnambool Bay were in constant use from the first years of Warrnambool’s settlement but there were also difficulties for the shipping trade – a small and unsafe anchorage, the lack of loading facilities and little natural protection from the southerly gales. From the 1870s on there was local agitation for some sort of Breakwater to be built and an Andrew Kerr design was approved by the Warrnambool Council but no funds were made available from the Victorian Government. Throughout the 1870s the building of a Breakwater was a major political issue in the district with preliminary work being funded and started in 1874. In 1879 the Government agreed to a further inspection of the area and an official report. Sir John Coode (1816-1892) was commissioned to make this report. He had come to Australia in 1872 to advise on harbour construction. Coode recommended a 1800 feet long Breakwater and wharf connected to the shore and it was this proposal that the plan described herein and drawn up in 1879 was to accompany. The original plan was eventually modified because of the cost and a Breakwater was completed in 1890 under the direction of the engineer, Arthur Dudley Dobson, with extensions early in the 20th century. This plan is of great interest as it shows in simple graphic form the original plans proposed by Sir John Coode for the Warrnambool Breakwater. It is therefore of great historical importance. The Breakwater was not the maritime success that it was hoped it would be but it is today a significant feature of our foreshore. This is a Plan drawn up in 1879 by Victorian Harbours to accompany Sir John Coode’s Report on the proposed Warrnambool Breakwater. The chart detail is hand-drawn and hand-tinted on canvas with the names of places, geographical and marine features and local points of interest added in print. The edges of the chart are rubbed and the chart is somewhat faded and dirty but the main colours of red, green and brown are still clearly discernible. The title of the plan is printed in an oval inset at the top of the chart. The plan shows two possible Breakwater designs, one from the Borough Surveyor (Andrew Kerr?) and one from Sir John Coode.Victorian Harbours Warrnambool Plan to accompany Sir John Coode’s report Dated 28th Feby 1879 warrnambool breakwater, andrew kerr, sir john coode, arthur dudley dobson, warrnambool, warrnambool harbour, warrnambool history, warrnambool beach

Joseph Jordan was born in 1841 in Leicester England and spent over a decade in India with his regiment. In 1867 he gained first prize for his views of Indian scenery. He followed the same profession when he came to Victoria in 1884 and set up a professional photographic studio in Warrnambool He became very well known in the Western District for family photographs as well as official photographs of local councillors and groups as well as views of local scenery. This album is one which was advertised in 1901. Of the two albums in the collection they seem to consist of a core number of the same photographs with others included in the selection. The business was taken over by his son Arthur around 1917. This album includes a number of professionally taken photographs which give a high quality view of Warrnambool and the popular spots around the district at the turn of the century.Faded Maroon cloth over card cover with title in gold lettering on front cover. Advertisements for local businesses inside front and back covers. The album contains a number of black and white photographs from around Warrnambool, including the Titan crane at the Breakwater, banks of the Hopkins, Stephens Coachbuilders, Grand Annual Show, panorama of Warrnambool and Suspension Bridge on the Merri. All are mounted on card. It includes advertisements of J J O Mullane, Bay View Hotel, Hopkins Hotel, T Redford, Royal Hotel, Robinson and Morse, H D Stewart & Co, F Uren.2142 in grey lead inside front cover.warrnambool, joseph jordan, views of warrnambool, photograph album of warrnambool, views of warrnambool 1891

Henry James (1860-1932) was an agent and auctioneer. Record secretary of the Snowy River Shipping company. Shire councillor. Foundation member of Butter Factory.Henry James was a prominent Orbost identity who was very much involved in the local community.Invitation to James, H. (Mr) to the opening of Federal Parliament by the Prime Minister Edmund Bartonon 9 May 1901. Framed in wood, white paper with print of the young queen on a horse holding court. Colour invitations shows a young woman with armour and sword dismounting from a white horse in front of an older woman who has a crown in front of her. Several other women look on. The room is hung with heraldic bunting and shields, including one of the Union Jack and one showing the Southern Cross. The older woman is dressed as Britannia, and her shield and trident are at rest beside her.Printed: His Majesty's Ministers of State for the Commonwealth of Australia/ request the honour of the presence of... / in the Exhibition Building, Melbourne, on Thursday, 9th May, to witness/ the Opening of the Parliament of the Commonwealth./ Edmund Barton/ Prime Minister invitation 1901 parliament james-harry federation snowy-river-shipping-company

Founded in1903 when William E.Sessions and some of his family took over E.N.Welch Co. in Forestville. E.N.Welch Manufacturing Company used a local foundry to produce their castings. The foundry owner's son,William E.Sessions, took an interest in horology and ,along with other Sessions family members, bought controlling interest in the E.N.Welch Company., which was a joint stock corporation formed July 6th 1864 to succeed an older private firm who made clocks under the name of E.N.Welch. Elisha N. Welch (1809-1887),had been making clocks at a factory on East Main Street Forestville Conneticut after taking over J.C.Browns bankrupt business around 1856.Under William Sessions management the firm produced all components of their clocks including movements,cases,dials,artworks and castings.In 1930 the company expanded to produce electric clocks,timers for radios,televisions and other devices as well as their traditional brass mechanicial movements.In 1956 Sessions was absorbed by another company while retaining the name and in 1969 the business went into liquidation.Clock is made of black wood with Corinthian style columns,three set on each front corner. These are black metal, and show remains of gilt paint on top of columns.On the base of the clock is carved decoration with similar carvings on each of the four corners of square around clock face.Dial is cream with Roman numerals. the hands are set in gilt centre piece.Below the 12 is the name WELCH.The glass dial cover is edged in gilt. It is spring wound and has settings-day/night,1/2 hour strike(hour on gong -1/2 0n bell), Cathederal Gong, turn back hands. THE SESSIONS CLOCK COMPANY. Successors to the E.N.WELCH MANUFACTURING COMPANY.Forestville.Conneticut.United States of America.mantle clock, the sessions clock company, forestville conneticut united states of america

Fob (or pocket) watches were developed in Europe in the 16th century and gained wide usage during the mid 18th century until World War 1 when the wristwatch was invented. These watches were designed to be carried in a small pocket and attached through the means of a 'fob' which could be a chain or made from a variety of materials such as leather. Their popularity peaked in the nineteenth century where they were an important part of middle and lower class society as well.This item is of social significance as fob / pocket watches were valued as an essential object in all levels of society. For some occupations, such as the railroads, it was a necessary tool of the job. Steel York Lever open face pocket / fob watch dated between 1940-1960. The dial has an inner pewter circle, outer minute divisions and a circular insert and hand to show the seconds. The numbers are finely edged with a black line and the hands are two coloured. The back of the watch is patterned with fine lines and three rectangle shapes. The words 'ANTIMAGNETIC' are on the front of the watch. Anti-magnetic watches began to be made at the beginning of the 20th century as mechanical watches were affected by magnetic fields. The 'lever' set on watches was a requirement for railroad watches. It required a two step process for the hands to be adjusted. The front dial of the watch has the words 'YORK LEVER', 'ANTIMAGNETIC' and 'MADE IN GERMANY'. flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, fob watch, pocket watch, watch, horology, time keeper, york lever, anti-magnetic, made in germany

The Dead Man’s Penny is a commemorative medallion which was presented to the next-of-kin of the men and women from England and the Empire who died during World War One. The Dead Man’s Penny was accompanied by a letter from King George V, stating ‘I join with my grateful people in sending you this memorial of a brave life given for others in the Great War’.[http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny/] Popularly known as the "Dead Man’s Penny", because of the similarity in appearance to the somewhat smaller penny coin. 1,355,000 plaques were issued, which used a total of 450 tonnes of bronze, and continued to be issued into the 1930s to commemorate people who died as a consequence of the war. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] It was decided that the design of the plaque was to be picked from submissions made in a public competition. Over 800 designs were submitted and the competition was won by the sculptor and medallist Edward Carter Preston with his design called Pyramus, receiving a first place prize of £250.[http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] They were initially made at the Memorial Plaque Factory, 54/56 Church Road, Acton, W3, London from 1919. Early plaques did not have a number stamped on them but later ones have a number stamped behind the lion's back leg. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] Ted Cannon's plaquette does not have a stamped number. Ted Cannon was a gifted artist and cartoonist who studied at the Ballarat School of Mines Technical Art School. During the Battle of Pozieres on the Western Front Ted Cannon worked with the Scout Platoon sketching the enemy's gun emplacements. Ted proved invaluable to the Brigade and brought he came under the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. The effects of the late Ted Cannon were returned to his parents. These were an autograph book, three brushes, prayer book, housewife, whistle, book, hymn book, curios. Another listing gives his effects as "identity disc, letters, photos, wallet, 2 books, Mexican Dollar, 1 cent (Ceylon), 3 German Straps, Fountain Pen, Cigarette-holder, Franc Note, 50 centimes Note, devotional book, mirror, rosary, scapula, metal ring, two combs, book of views, nail clippers, badges, tie clip, Egyptian stamp.[http://recordsearch.naa.gov.au/scripts/Imagine.asp?B=3202589] Ted Cannon was an only child. It is not known how the 'Dead Man's Penny' came into the ownership of the donor, but it is thought that it may have been left in a house owned by the donor's mother. Further information on Ted Cannon can be found at http://bih.ballarat.edu.au/index.php/Edwin_J._Cannon and http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916Large bronze medallion or plaquette featuring an image of Lady Britannia surrounded by two dolphins (representing Britain’s sea power) and a lion (representing Britain) standing over a defeated eagle (symbolising Germany). Around the outer edge of the medallion are the words ‘He died for freedom and honour’. Next to Lady Britannia is the deceased solider’s name, with no rank provided to show equality in their sacrifice. (http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny) The plaque was distributed throughout the British Empire, and the first plaques were distributed in Australia in 1922 "Returned home" by W. & O. Mayne, 2013. ted cannon, edwin joseph cannon, cannon, world war 1, world war

Accurate charts were imperative for sea farers to sail their vessels safely from one side of the world to another. The British Admiralty published many charts and updated them frequently. Specialists were employed to gather information such as depth soundings to give the navigator as many helps as possible. At regular intervals the charts had to be updated with the amount of adjustment needed to a compass to allow for magnetic variation.This chart is significant for its association with incoming and outgoin ships for trade and passengers in the late 19th century.Admiralty Chart of Port Phillip, Victoria, South Coast of Australia. It shows navigation buoys, lighthouses, tides and money other details. It was surveyed by Commander Henry L. Cox R.N. in 1864. Published by Admiralty August 19th 1865. Corrections were made by Staff Commander E.J. Stanley R.N. in 1874. The West Channel was surveyed b J.B. Mason , Engineer, in 1899. Published and cartographed in Admiralty, London, England in 1897, supervised by Capt G H Richards R N Hydrographer. Chart was updated in 1899. Sold by W D Potter Agent for Admiralty Charts 145 minorities.Printed: "Port Phillip" "Australia - South Coast, Victoria"flagstaff hill, warrnambool, maritime-museum, flagstaff hill maritime museum & village, shipwreck coast, chart, australia, south coast, port phillip, admiralty, 1899, navigation, cartography, cartographer

This timber fragment is from the shipwreck of the SCHOMBERG (1855). The bow of the ship broke off after an unsuccessful salvage attempt to tow her off the Peterborough reef. At the wreck-site the submerged hull points north towards the beach but the front section is missing. Parts of the bow have been carried away by the eastward bearing ocean currents and have come ashore on the western coast of New Zealand’s South Island. Don Charlwood writes in Wrecks & Reputations (1977) that in 1871 “a piece of wreckage over 20 feet long and 12 feet wide was brought out” by land from its remote location at Tauperika Creek. In 1875 “an even larger section was brought out by sea”. It was suggested at the time that these relics of a large wooden sailing ship were from the wreck of the SCHOMBERG some 20 years earlier on the Victorian coast. “To corroborate the theory”, Charlwood continues, “a piece was sent to Halls of Aberdeen [the ship’s builders in Scotland]. They identified it as having come from the ship they had launched with such pride in 1852.” Charlwood, whose great-grandparents were passengers on the SCHOMBERG’s fateful maiden voyage, acquired some samples of the wreckage timber recovered in New Zealand, and brought them back with him to Australia. In 1976 “comparison was made of timbers from the New Zealand find and timber from the remains of the hull at Peterborough. They proved to be from the same ship.” The extraordinary journey of these pieces of wood from the once mighty clipper ship SCHOMBERG came to an end in 1984, when they were given to Flagstaff Hill by the author, and reunited with other shipwreck timbers and copper bolts from the vessel that are on display at the Maritime Village. The shipwreck of the SCHOMBERG is of State significance - Victorian Heritage Register S612The artefact is a small piece of wood that was broken from the timbers of the shipwreck of the SCHOMBERG (1855) and carried by the eastern currents to New Zealand (1875). It has 2 drilled holes that show faint screw marks and no metallic residue (possibly for patent treenails). The top surface is rounded, of a dark colour, and showing clear grains that have been worn smooth by the action of the sea. There is a reddish stain on the timber where breakage has occurred. The wood appears to have been strong in its original condition but is now light to lift and soft and crumbly at its exposed edges. The artefact is in fragile condition.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwreck timber, don charlwood, ‘wrecks & reputations’