Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson, montsalvat

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson, montsalvat

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

This bottle contained castor oil or cod-liver oil and has a hand finished top. It would have been bought at a local chemist or in a larger city on a shopping expedition.Historical: Found inside the walls of a Tawonga South farm house having been left there when the house was being built. Change of bottles - shape, glass stopper, manufacture and use. Aesthetic: Display showing shape and colour due to the affect of sunlight.Clear glass bottle with manganese/purple tinge caused by sunlight. Hand finished top. Joins in glass on each side but not continuing to opening. Straight sides from the base to a little more than half way up. Sharp taper to neck which is straight and long to lip and opening. Cork stopper.Bubbles in glass. chemist, castor oil, codliver oil, tawonga south, aurora parmesan

The pendulum weight was used to define a vertical line. Being so large and heavy it was possibly used from a tower or a dam. It was held by one end of a wire and measured any tilt of the structure in any direction.Possibly used on the Kiewa Hydro Electric Scheme during the construction of the dam walls and Electric Powerline towers.Cone shiny brass pendulum weight with cylinder shape that i hollow at one end. The hollow is threaded inside. The part that fits the hollow end is missing.pendulum weight, measurement, kiewa hydro electric scheme

This photo was taking during construction of the tailrace tunnel between West Kiewa Power Station and Mt. Beauty. Much of the area was unstable and timber supports were erected prior to concreting. The tunnel was commenced in 1941 and completed in 1952. It brings water from the power station into the open tailrace at Mt. Beauty and then into the regulating pondage before discharge into the Kiewa River.Shows method of construction for supporting walls and ceiling of tunnel with timber, size of tunnel (note worker on upper level), and conditions in the work place during construction in the 1940's/50's - note the timber ladder to gain access to the upper level.Black and white photographHand written on back of photograph "Tunnel face at Tailrace showing Arch Drive".tailrace, power station, water, construction

In 1940 Field Headquarters for the Kiewa Scheme were established at Bogong with office, workshop facilities and accommodation for workmen, staff and some families constructed. (There had been a 'tent camp' on this site in 1939 but was destroyed by bushfires) Construction of accommodation continued until 1947. A total of 40 houses plus a hostel for single staff, post office, police station, medical centre and primary school all with water and sewerage and electricity supply. The staff hostel was known as Kiewa House and is now occupied by the Education Department. Lake Guy was named after Mr. L.T. Guy who was the Resident Engineer in charge of construction work and associated activities on the Kiewa area. He held this position from 1939 to November 1946 when he was transferred to Head Office.This photograph is an excellent historical record of Bogong Village in about 1945. It shows the layout of the town in the fairly steep terrain, the workmen's camp between the houses and the lake foreshore, the Commissioner's Lodge on the hill behind the Village, the walkway through the dam wall can be seen to the left of the spillway, the dam is on spill and note damage to the large trees is still evident from the 1939 bush fires. The Commissioner's Lodge was lost in the 2003 fires and the camp buildings were in service until 1962, when they were removed and the site converted into a public picnic area with lawns and gardens.A Black and white photograph"Lake Guy and Bogong" hand written on back of photograph.kiewa, accommodation, lake, dam, bogong

The West Kiewa Tunnel (tailrace tunnel) was commenced from both ends in 1947. Very difficult conditions were encountered in the driving of this tunnel and this meant the immediate provision of support and later the lining of the tunnel with concrete. Work proceeded steadily and the breakthrough of the two headings occurred on 22nd July, 1950.This historical photograph shows in detail the amount of work necessary to stabilise and support the tunnel walls before lining with concrete. No solid rock was found and the tunneling proceeded through decomposed boulders, gravel and clay, hence the necessity for support and concreting. Black and white photograph showing the timber support, prior to lining with concrete, in the West Kiewa tunnel.Timbering in West Kiewa Tunnelwest kiewa, tailrace, tunnel

This camera was made for the mobile photographer and the camera manufacturer Kodak was at the peak of production. Mr. George Eastman, the company's founder, who invented roll film, which could withstand the outdoor activities and therefor replaced photographic plates. In 1900, the Box Brownie camera was first released Kodak's motto was' "You push the button, we do the rest," The film used in this camera was Kodak Verichrome 620 introduced in 1936 and only went out of production 2009. This camera was a vintage 1970s one. Between 1963 and 1970 the company sold 50 million of this type of camera. The production of smaller and more user friendly digital cameras, mainly from Japan finally nailed the coffin lid on the Kodak Company. Ironically, one of Kodak's engineers called Steve Sasson, devised a camera that could save images using electronic circuits. The images were transferred onto a tape cassette and were viewable by attaching the camera to a TV screen, however Kodak tried to maintain its photographic film products beyond its "use by date". In1975 Kodak becomes the first company to make a digital camera, however the Japanese manufacturers could make smaller and more compact cameras ending Kodak's monopoly and eventual demise.This particular "box brownie" was used by Margaret Shefford, nee Turner, who with her husband retired, in the 1980s, to Mount Beauty. The camera was purchased in the 197's and used on their cruise to England. The significance of this item is that at the time of its introduction to Mount Beauty the camera was a "state of the art", for general public, camera introduced by an ever increasing influx of retirees. This identifies the Kiewa Valley not only as an attraction for sightseers and overseas tourists but also retirees. The social implications of this trend will continue to provide a broader requirement for medical and other facilities geared up to the requirements of an aging population. As a lot of cities in Australia have increasing levels of violence (mainly drug related) rural "retreats" are becoming more sought after by sections of "the gentle populous"This is a black metal rectangular camera, rounded on the ends and has silver colored fittings(stainless steel) and a small leather handle on hinges the left side (facing the lens). The folding lens and shutter component fold out from the main compartment. Two metal arms swing out and hold the lens and collapsible lens body to the required length. When not in use this collapsible (folding) lens extension is fastened to the main body structure providing security and preventing damage to the folding material. The camera has a collapsible eye piece or view finder at the top end. The right hand bottom end has a cylindrical film wider (polished steel). Inside there are two cylindrical cavities, one holding the roll of unexposed film and the other (winder) end a cylinder onto which the unexposed film is wound through for each picture frame. There is a locking mechanism to hold the folding lens structure to the main box structure. See KVHS 0419B for its carrying caseNo external makings but when the lens is folded out it exposes manufacturing information on metal base around the lens " Kodette II B I shutter"(B= Bulb and I= Instant), underneath this, in larger print, is "'FOLDING 'BROWNIE' SIX - 20" below the lens and in smaller print, "made in Great Britain" and underneath this "by KODAK ltd"kodak kodette ii, folding brownie camera, photography, hobby personal item, tourist gadgets.

This photo is of a ward - probably the female ward, as there a many floral arrangements - of the original hospital at Tawonga. This was situated at the corner of Ryders Lane and Kiewa Valley Highway. The building was transported from Bonegilla where it was originally a part of the Bonegilla Military Hospital. The hospital was opened on 24th September, 1949 with a capacity of 12 beds, but was later increased to 35 beds by enclosing the verandahs on 3 sides of the building. 'Add ons' provided theatre, offices, stores and a nurses home. Construction was commenced by the Hospital and Charities Commission with considerable input from the S.E.C., providing the removal and re-erection of the building, the accommodation for nursing staff and carried all work necessary to make the building operational as a hospital. Up until this time the nearest hospital was at Yackandandah. The hospital remained on this site until 1961 when a larger, more suitable building was purchased in Mt. Beauty from the S.E.C.A photographic record of a typical open plan style ward in that era. There were no private rooms. There are portable screens stored at the end of the room to provide "privacy" at the bedside when needed. There is a fan on the wall for cooling. Depicts the rather primitive conditions of that era when compared with todays standards.Black and white photograph of a ward in the Tawonga District Hospitalhospital, ward, tawonga

The Olivetti company was founded in Italy in 1908.This particular typewriter is a Olivetti Lettera 22, oblique front stroke and portable manufactured after 1950. The 1950s and 1960s was a time when British manufactured goods were still purchased by many Australian consumers. The later 1960s onwards, there was a shift, mainly in the cities, to European made goods. The invasion of Japanese manufactured goods was relatively slower, especially in rural areas. The demand for long lasted and dependable merchandise was in the rural area still the most important criteria. The ease of setting up this typewriter and its compact mobility was its major benefit to trades people and travelling professionals, e.g. rural doctors, other medical professionals, accountants, lawyers and educators. This item facilitated the growing numbers of professional nomads requiring a relatively light office stationery package e.g. travelling novelist, writer, businessman and academics. This typewriter needed no electrical or battery power to operate it. Outback Australia, where at this point in time, was still relatively isolated from a good available electrical power reticulation and battery power, and therefore could not be totally measured as a highly efficient office environment.Although this typewriter was purchased from a business in Penrith, Sydney, N.S.W., it is significant that it travelled easily to the Kiewa Valley, demonstrating the mobility of certain sections of the community. This typewriter was designed by an Italian industrial designer, Marcello Nizzoli, in line with the art deco style of the 1930s and the colour and flexibility of the vibrant 1950s. The underlying theme of manufacturing in the 1950s was to produce equipment that was more efficient than what was inherited from the earlier period of 20th century. Improvements were made to this Olivetti typewriter by Giuseppe Beccio by reducing the number of parts made from 3,000 to 2,000. This reduction of parts and therefore cost of production was the major principle of the Japanese manufacturing juggernauts of the post World War II era. Efficiency and low costs material was becoming prime factors in the success of rural industries from the 1960s. Competition from overseas producers was starting to affect rural industries and the removal of the large range of tariff protection, especially rural products, required not only a shift of farm management but a more efficient cost savings modus operandi. This Olivetti Lettera 22, oblique front stroke portable (weighs 4kg) mechanical typewriter has a coral coloured plastic casing. The keys are made of black hardened plastic with white lettering, numbers and symbols (imperial fractions, and pound). It has a QWERTY keyboard as opposed to the Italian QZERTY. It has a lever to move the ribbon between black, neutral (for mimeograph stencils)and red colours (a red key is provided for highlighting specific words,letters or symbols) . This machine is fitted with only a black ribbon. It has a black rubber paper rollers and chromed metal parts on the carriage way. It has four rubber feet underneath the main body. On the left side of the roller there is a lever to adjust the roller from fixed (when mobile) through 1,2 and 3 line space gradients. This model has a key for zero but not one for the number one (uppercase letter l is used) see KVHS 0459 for the carrying bag.On the cover over the ribbon wheels letter strikers has a plate marked "Lettera 22" and the back plate behind the paper roller and in front of the paper supports has a silver metal label marked "olivetti made in great britain".commercial, mobile office equipment, mechanical typewriter

Paperback; xii, 356 p. : ill. ; 27 cm.[written on flyleaf] With very best wishes, Pam Baragwanath. 17-11-2000mechanics' institute, social customs

Paperback; 84 p. : ill., ports ; 30 cm.ISBN 064612403buildings, monuments, social customs, art, culture, conservation

The Warrandyte Historical Society aims to collect, preserve and present the town's history. This books draws on the archival and memorabilia resources of the Society and other sources to paint a portrait of the township, its landscape, buildings, organisations and community.Warrandyte holds a significant place in Victoria's gold mining, art and settlement history.ISBN 9780992429102warrandyte, anderson's creek

Three colour photographs of Heritage Week featuring the brickwork of the former Police Residence and current home of Eltham District Historical Society at 728 Main Road, Eltham. Highlights the use of 'English Bond' on headers and stretchers alternatively and 'Colonial Bond' on one course of headers and three courses of stretchers.heritage week, eltham, courthouse, brick laying, wall, sign, activities

Colour photograph of painting, 'Steeple Chase at Eltham, March 27 1862'. Painting owned by Dr Ken Le Versha, Castlemainehorses, horse racing, art, paintings, eltham