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Bendigo Historical Society Inc.Photograph - DUDLEY HOUSE COLLECTION: PHOTOGRAPHS & NEGATIVES OF MRS. GLEN'S BIRTHDAY DUDLEY HOUSE
Dudley House Bendigo 2 Coloured Photographs & Negatives of Mrs Glen's Birthday. Attending Wes. Harry, June Parry, Mrs Glen, Jack Hattam & Alex Stone. (First Committee Members of the Bendigo Historical Society.) a. Mrs Glen is cutting the cake could be celebrating her ?98th Birthday. b. Wes Harry, June Parry & Mrs Glen (blowing out the csndles on her cake) Bendigo Historicl Society Members celebrating Mrs Glen's birthday Dudley House Bendigo.bendigo, history, dudley house bendigo mrs glen -
Eltham District Historical Society IncPhotograph, Harry Gilham, Renovations to Eltham State School No. 209, Dalton Street, Eltham, 1994
What had been the entrance to the Principal's office since when the extensions along the north wall of the 1875 building were in place (removed 1994). The thickness of the lower wall at tis section was 70cm (2' 4"). This was the 'North' door over which years of correspondence showed the need to put a porchway over it to prevent cold winds blowing over the gallery section of infants (Grades 1 / 2).Handwritten (HG's) information and details in blue ink on reverse sidedalton street, eltham primary school, renovations, building construction, buildings, eltham state school no. 209 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Lights, candle snuff, c1900
A candle snuffer is an instrument used to extinguish burning candles. This is accomplished by smothering the flame with a small metal cup that is suspended from a long handle, and thus depriving it of oxygen. The use of a candle snuffer helps to avoid problems associated with blowing hot wax. Candle snuffers are still commonly used Churches. Prior to the introduction of gas and electricity, candles and kerosene lamps were used for lighting in households after sunsetEvery Early settlers depended on candlelight after sunset and candle snuffs were a safe, clean and efficient way to extinguish the candle flameThis candle snuff has a brass handle with a turned polished wood tip. The brass cup, that is placed over the flame to extinguish it, is decorated with an engraved brass moth.early settlers, pioneers, moorabbin, bentleigh, ormond, market gardeners, lights, lamps, candles -
Australian Commando Association - VictoriaNew Zealand's Secret Hero's: Don Stott and Z Special Unit
The incredible tale of ‘Z’ Special Unit – a group of mainly New Zealand and Australian commandos and saboteurs who parachuted into enemy-occupied territory to fight the war, sometimes single-handedly.The story begins in Greece, with the extraordinary sabotage feats of Don Stott and his friend Bob Morton. Stott’s success in blowing up the strategically crucial Asopos Viaduct was one of the greatest such exploits of World War II and changed the course of the war in Greece”.Soft cover 168 pagesww2, australian special operations, australian special forces, australian commandos, new zealand commandos -
Ballarat Heritage ServicesDigital Photograph, Old Gateway, Vire, France, October 2016
The Old Gateway or the Saint-Sauveur Gateway (13th Century). After the old regime it had, for some time, served as a Town Hall. In august 1944, the US troops, eager to facilitate truck traffic provisioning the frontline, wanted to blow up this tower. It was saved by the energetic intervention of Mayor Andre Halbout. The town plan of 1946 rerouted Chaussee Street, which now passes to the north of the tower. The south tower, its twin, disappeared in 1788.Colour photograph of the Old Gateway, Vire, Franceold gateway, vire, france -
Orbost & District Historical Societyaxe head
Inspected by archaeologist, Joanna Freslov on 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt.This is able to withstand repeated impact, and and so was suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were some of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This artefact is an exaample of the stone tools that Aboriginal people used.A dark stone handmade Aboriginal axe head.aboriginal axe-head stone-artefacts tool -
Orbost & District Historical Societyaxe head
Inspected by Joanna Freslov, archaeologist 2.6.2008. -unusual axe head. Ground-edge tools are made from fracture-resistant stone, such as basalt. This axe would able to withstand repeated impact. The stone would have been dug or found and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. Ground-edge tools could be held in the hand, or fashioned to be fixed onto a haft or handle.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This stone axe head is an example of a ground-edge tool used by the early Indigenous people in Eastern Australia.A handmade stone Aboriginal axe head.aboriginal tool aboriginal stone-artefact -
Orbost & District Historical Societyaxe head
Inspected by Joanna Freslov, archaeologist 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basaltwhich is able to withstand repeated impact, and is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rockThe necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Eastern Australia.A handmade stone Aboriginal axe head.aboriginal tool stone-artefact axe-head -
Orbost & District Historical Societyaxe head
Inspected by Joonna Freslov, archaeologist 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt which is able to withstand repeated impact, and is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Eastern Australia.A handmade stone Aboriginal axe head. Finger grips are clear.axehead aboriginal tool stone-artefact -
Flagstaff Hill Maritime Museum and VillageContainer - Medicine Glass, ca. 1887 to early 20th century
This small medicine glass has ho manufacturer's or owner's marks. It has no side seams, the base is slightly concave, the embossed inscriptions are inside the glass, the clear glass has slight imperfections and ripples, and the glass is slightly opaque below the lip; these features point to the glass being blown into a mould, partially set, and spun between that mould and an internal mould that had the embossing on it, called a turn-mould process. The lip was then ground to be smooth. The process was patented in 1887 with the title of "Mold for blowing turned bottles".This medicine glass is significant as an example of medical equipment that has a design still used today. It is significant also for having the embossing inside the glass, which was likely produced by the turn-mould method of bottle (and container) making.Medicine glass or dose cup; clear glass with small imperfections and ripples in the glass, no side seams and a slightly concave base. All embossed marks are inside the glass. The imperial measurements are in graduated scales for tablespoons, teaspoons, and ounces and drachmas. "OUNCES DRACHMS" "TABLE TEA"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, medicine glass, measuring glass, dose cup, medicine dispensing, medicine measurement, sambell pharmacy warrnambool, sambell chemist and dentist, internal embossing, glass embossed inside, 20th century chemist, blown glass, two-piece mould, turn-moulded glass, turned bottles -
Bendigo Historical Society Inc.Document - BENDIGO TOWN HALL - THE BENDIGO CHORAL SOCIETY, 8 July, 1919
Bendigo Town Hall - The Bendigo Choral Society - Eighth Grand Concert, 8th July 1919. (Nett proceeds for Soldiers' Memorial Institute.) Artists: Miss Winnie Mayberry, Dorothy Penfold, A.R.C.M., Myrtle Knight, Mr John Danks. Conductor: Mr W C Frazier, A.R.C.O. Pianiste: Miss Muriel Hyett, L.A.B. Admission- 2/2 Reserved. 1/1 Ordinary. Subscribers may book at flights on and after 3rd July without extra fee. Holders of 2/2 tickets may also book without fee. Holders of 1/1 tickets may book paying the difference, 1/1. Patron: His Worship the Mayor Cr. Ambrose Dunston. President: Mr H M Leggo. Vice-Presidents; Sir John Quick, Cr W Beebe, Mr Oscar Flight, Mr E S Cahill, Mr D Berriman, Mr A L Bolton, Mr G E Bolton, Dr W J Long, Dr O Penfold, Mr J G Oliphant, Mr Alf E Wallis, Mr A Whitehead, Mr W Watts. From the performing Members: Mr E H Collett, Mr A W McGibboney. Conductor: Mr W C Frazier, A.R.C.O. Sub-Conductor: Mr E A Miller. Pianiste: Miss Muriel Hyett, L.A.B. Treasurer: Mr W H Dolphin. Librarians: Mr R J Druid and G L McCoy. Auditors: Mr H T Bayton & Mr D H Holden. Committee Office Bearers with Mesdames T Scott & Chisholm & Misses Colgan, Gail Field & Wheaton & Messrs Sleeman, Jeffery, McClure, Brown, F J Walter & Frank Wittscheibe. Programme. 'Gloria' 12th Mass, 'Allegro Moto Vivace', 'My Heart is Weary', 150th Psalm, 'Blow, Blow, Thou Winter Wind', 'Land of Hope and Glory', 'Resting Place', 'Vesta', 'Hungarian Rhapsody', 'Eri tu' (Un Ballo in Maschera), 'O, Little Snowflake', 'Ave Maria', 'The Hunting Song', 'God Bless Our Splendid Men.' The Bendigo Choral Society. Has for its primary object, the desire of giving all those interested in this beneficial branch of Musical Culture, the opportunity of learning by becoming members, and hearing by becoming subscribers, the fine Choral works of the great composers. We feel that the splendid qualities of our gifted conductor, Mr W C Frazier, are becoming more and more known to the public of Bendigo, and it is the constant Endeavour of . . . .Bolton Bros. Printers Bendigoprogram, theatre, the bendigo choral society, bendigo town hall - the bendigo choral society - eighth grand concert, 8th july 1919. (nett proceeds for soldiers' memorial institute.) artists: miss winnie mayberry, dorothy penfold, a.r.c.m., myrtle knight, mr john danks. conductor: mr w c frazier, a.r.c.o. miss muriel hyett, l.a.b. admission- 2/2 reserved. 1/1 ordinary. subscribers may book at flights. holders of 2/2 tickets may also book. his worship the mayor cr. ambrose dunston. president: mr h m leggo. vice-presidents; sir john quick, cr w beebe, mr oscar flight, mr e s cahill, mr d berriman, mr a l bolton, mr g e bolton, dr w j long, dr o penfold, mr j g oliphant, mr alf e wallis, mr a whitehead, mr w watts. from the performing members: mr e h collett, mr a w mcgibboney. conductor: mr w c frazier, a.r.c.o. sub-conductor: mr e a miller. pianiste: miss muriel hyett, l.a.b. treasurer: mr w h dolphin. librarians: mr r j druid and g l mccoy. auditors: mr h t bayton & mr d h holden. committee office bearers with mesdames t scott & chisholm & misses colgan, gail field & wheaton & messrs sleeman, jeffery, mcclure, brown, f j walter & frank wittscheibe. programme. 'gloria' 12th mass, 'allegro moto vivace', 'my heart is weary', 150th psalm, 'blow, blow, thou winter wind', 'land of hope and glory', 'resting place', 'vesta', 'hungarian rhapsody', 'eri tu' (un ballo in maschera), 'o, little snowflake', 'ave maria', 'the hunting song', 'god bless our splendid men.' the bendigo choral society. has for its primary object, the desire of giving all those interested in this beneficial branch of musical culture, opportunity of learning members subscribers mr w c frazier -
Melbourne LegacyDocument, About In Flanders Fields and the man who wrote it
A memo from Legatee Frank Doolan about the poem In Flanders Field and the discussion about the correct wording. There was some discussion about whether it was 'poppies blow' or 'poppies grow'. The article was from 'The Star Weekly' of Toronto about the John McCrae poem. The poem is significant for legacy as the final verse mentions the torch that is used in the Legacy logo. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.Details about the poem that inspires the torch symbol of Legacy. The information was collected to record the lives of prominent legatees in a folder.Photocopy of an article in 'The Star Weekly' of Toronto and a memo dated 7/8/1973 from Legatee Frank Doolan about the article.poems, torch -
Flagstaff Hill Maritime Museum and VillageContainer - Glass Jar, Nestle, 1920s
This glass jar once contained Australian-made Nestle’s Malted Milk. The jar carries the company’s familiar logo. This jar would have originally had a screw-top metal lid. The large jar may have been used in a canteen, hospitality business or hospital due to its capacity. The jar was owned by Dr W.R. Angus, surgeon and oculist, who lived in Warrnambool with his wife and growing family for over thirty years. It may have been purchased from the Nestle factory in nearby Dennington. The jar was donated by his family and is part of the W.R Angus Collection. Nestles Malted Milk powder is usually added to either hot or cold milk as a nutritious drink supplement. The powder is a combination of evaporated whole milk powder, malted barley and wheat flour. Nestle began in 1867 and its products were available in Australia since the 1880s. Australia had become Nestle’s second-largest export market by 1906 and by 1908 Nestle had set up business in Australia. The Nestle factory in Dennington, Warrnambool, opened in 1911 and was the world’s largest condensed milk plant. For over 100 years the factory produced dried milk powder from the produce of local dairy farmers. It was a major employer for the district until an announcement was made on May 2019 by its recent owner Fonterra that it was closing its Dennington site for financial reasons. This Nestle Malted Milk jar is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys. It is part of the W.R. Angus Collection, which is notable for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. It is also connected through its manufacturer Nestle. which had a branch in Warrnambool from 1911 to 2019, overlapping the time when the Angus family resided there, from 1939 to the 1970s. The jar is also significant as an example of the early-20th-century food found in local households and businesses, and could have been purchased from the local Nestle factory.Round tall clear glass jar with a wide mouth, short neck and straight sides on a cylindrical body. The jar has been blow-moulded in two pieces with a side seam running from the base to the top of the lip. There are air bubbles in the glass, and the base has been ground flat. The outside of the mouth is threaded. Inscriptions are moulded on one side and there is a round logo with text around an image of a mother bird with three young birds in a nest. The jar once contained Nestles Malted Milk and was made in Australia around the 1920s. The jar is part of the W.R. Angus Collection.Inscription: “PREPARED / IN AUSTRALIA” and “TRADE MARK / REGISTERED” Logo; “NESTLES MALTED MILK” around image [bird feeding young in next]flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, nestle, malted milk, glass jar, nestle jar, nestle malted milk, dennington, nestle australia, w.r. angus collection -
Orbost & District Historical Societycover, 1911
Crochet covers for milk jugs, teacups and bowls were produced to repel the dreaded Australian blow fly. They were typically decorated with Australian flora and fauna and commemorative motifs and sometimes edged with beads, shells and other three dimensional forms, not only for appearance, but also to weigh down the crochet so it would stay safely in place on the jug. The three dimensional parts were stiffened with sugar syrup, or sometimes starch, paraffin or gelatine. The main sources for crochet cover and other needlework designs available to women were in journals, magazines and pattern books. In the first half of the 20th century women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food. Small square milk jug cover that has been hand crocheted with crown, flag and date patterned into centre. It has a red, white and blue beaded fringe.cover milk-jug-cover handcraft tableware -
Eltham District Historical Society IncPhotograph, Harry Gilham, Renovations to Eltham State School No. 209, Dalton Street, Eltham, 1994
What had been the entrance to the Principal's office since when the extensions along the north wall of the 1875 building were in place (removed 1994). The thickness of the lower wall at tis section was 70cm (2' 4"). This was the 'North' door over which years of correspondence showed the need to put a porchway over it to prevent cold winds blowing over the gallery section of infants (Grades 1 / 2). The much maligned, by smoking, chimney after the annex was removed during te 1994-1995 renovations which included relocating the administration and staff offices.Handwritten (HG's) information and details in blue ink on reverse sidedalton street, eltham primary school, renovations, building construction, buildings, eltham state school no. 209 -
Geoffrey Kaye Museum of Anaesthetic HistoryMachine - Insufflation anaesthesia machine
In 1913, Mark Cowley Lidwill designed a machine for the purpose of mechanical or insufflation anaesthesia. The Lidwill machine was a portable machine weighing 7kg that could easily be packed into two small bags. The machine involved compressed air being delivered to an ether vaporiser. An ether/air control device allowed varying concentrations of ether to be delivered. The ether vaporiser could be immersed in hot water to prevent cooling and the ether temperature was measured. From the vaporiser, the ether/air mixture went through a trap bottle, then to a crude mercury blow-off valve and subsequently to the patient.Large leather suitcase style bag divided into two levels containing and insufflation anaesthesia machine.insufflation, mark cowley lidwill, thoracic surgery, positive pressure -
Flagstaff Hill Maritime Museum and VillageDomestic object - Bottle, c. 1850's - 1900's
Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020 The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in our Collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases etc before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s-1900s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. 1850's Pontiled Black Glass Stout/Porter/Ale Beer Bottle, solid colour brown glass,concave base with Pontil scar, tapering slightly wider towards shoulder then inwards towards neck; ring of glass just below opening cork and wire type.Label "c.1850's "Stubby ale" hand made in England flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, brown glass bottle, handmade glass bottle, handmade beer bottle, handmade late 19th century bottle -
Parks Victoria - Gabo Island LightstationAnemometer
This device was used to measure surface wind speed and direction. This anemometer was located on a concrete pad outside room 2.15 on a steel pole. The pole was considered unsafe and the anemometer was relocated to it's current position. When lowering the pole it fell over and was badly damaged. The Bureau of Meteorology donated it to the museum. It was then repaired and restored. The central pole on which it is mounted is galvanised iron pipe painted black. The anemometer, a portable device that manually measures wind speed, was a necessary instrument once common to all weather stations. The arms are attached to a vertical rod and as the wind blows, the cups rotate, making the rod spin. The stronger the wind blows, the faster the rod spins. The anemometer counts the number of rotations, or turns, which is used to calculate wind speed, surface wind and direction. They were designed to be durable to withstand the corrosive environment and strong winds expected at coastal sites such as those at Gabo Island. Anemometers existed in the nineteenth century and their design was improved by various experts including John Robinson in 1846, John Patterson in 1926, Brevoort and Joiner in 1935 and Derek Watson in 1991 who added wind direction measurement to its functions. This example was made for the Bureau of Meteorology by the Melbourne instrument company, Synchrotac, which became registered and incorporated on 26 July 1966. It is now displayed inside the building. A good example of its kind, the anemometer has first level contributory significance for its historic value and provenance to the lightstation.Anemometer and tripod stand. Three cupped brass discs on rotating arms fixed to turned brass cylinder shaped shaft. Beneath discs is a lead directional wind arrow attached to a rotating arm. A wooden three legged stand with central supporting pole of black painted hardwood and attached to a white painted marine ply circular base.Under wind cups: " SYNCHROTAC / MELB. / ser.no.70/372 / MADE IN AUSTRALIA." Above wind direction arrow: "C.OF.APT..../ SYNCHROTAC / MELB ? MADE IN AUSTRALIA / ser.no.70/372" -
Glenelg Shire Council Cultural Collection
Book, Vanda Savill, 'Tha' She Blows -Old ships, Old salts & Old Days of Whaling & Sealing', 1980
White plastic bound book, front and back covers made from marine blue card, silver whales and text on front cover, silver seals and text on back cover. Text of book handwritten. -
Bayside Gallery - Bayside City Council Art & Heritage CollectionSculpture, Faustas Sadauskas, The Beacon, 2003
Public art commission located at Progress Park on the Black Rock Foreshore.Inscribed with text that is an extract from a verse sung by Lithuanian displaced persons sailing to Australia having fled their homeland after Russian occupation following World War II. The text is in an ancient Runic typeface, translated in English, reads: "Faustas Sadauskas created Beacon two thousand [and] four years / Let the Blowing Wind Who Taketh the Ship Away Take Me Away".beacon, sculpture, faustas sadauskas, bayside coastal trail, marble, public art, black rock, foreshore, beach road, progress park, ship, rudder -
Ballarat Tramway MuseumPhotograph - Digital image Set of 7, John Theodore, c1973
Yields information about the activities inside the depot by the BTPS showing difficulties and the provision of overhead troughing.Set of 7 digital images scanned from 35mm slides of early activities at the BTPS depot c1973. .1 - Noel Forster assisting another member adjust the brakes on a bogie tram inside the depot. .2 - cleaning old paint off a bracket arm with a kerosene blow torch. .3 - repainted trolley pole base at the depot .4 - interior view after the troughing has been positioned. .5 - ditto .6 - view of the depot from the overhead truck - 26, 28 and 40, one road yet to be commenced. .7 - interior view of the depot with workers - Peter Rees, Andrew Cook and Graeme Jordantrams, tramways, btps, trackwork, depot, tramcars, overhead, tram 26, tram 27, tram 40 -
Ballarat Tramway MuseumMap, Survey and Mapping for MMTB, "Map of Melbourne's Trams and Bus routes and all night services", Jan. 1967
Fold out sheet coloured map, 12 portions or folds, - title - "Map of Melbourne's Trams and Bus routes and all night services" map shows trams lines, route numbers, terminal points, bus routes, railway lines, blow up of city area with places of interest and key. On rear details, places of interest, suburb index, index to routes, first and last services, Sunday am services, all night bus services and locations of depots and head office. 2nd copy added 11-8-2006. Images of document - scanned to A3 size and overlapping added 30/10/13 On rear "out of date" stamp and 1 "cancelled" stamp - red ink.trams, tramways, melbourne, map, tram & bus services, all night services -
Flagstaff Hill Maritime Museum and VillageTool - Caulking mallet, Mid 19th to early 20th centuries
The subject item is a vintage Nautical Shipwrights Ship Boat Caulking Hammer Mallet, Unusual Small Size. These mallets were routinely used in the 1800s when ships were made of wood. This mallet was used with caulking irons to drive the oakum (caulk) between the ship's bottom planking to seal them up. The mallet has slots to dampen the vibration of the mallet blows on the user's elbows. The head is made of a very hard wood, possibly Lignum Vitae or another dark tropical wood. The item seems to be of a very early design with the two preened-over metal rods for reinforcing the head. Item appears to be of early manufacture by an unknown maker from the mid to late 19th century and is significant as tools of this era are quite rare. This tool is also significant as it gives an insight into how ships made of wooden planks were made sea-worthy by inserting caulking material between the boards thereby making the vessel watertight. Caulking Mallet Wooden with iron ferrules on each end. Wooden head with two large bolts passing through body. Stamped W Milne. James S Steele tool box.Stamped W Milne & James S Steele tool box.mallet, flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, caulking mallet, caulking, james steele, shipwrights tools -
Flagstaff Hill Maritime Museum and VillageDomestic object - Bottle, 1850's - 1900's
This bottle is sometimes referred to as a black glass 'Gallon' bottle. It is used for storing and transporting liquor such as stout, porter or ale. Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020. The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in our Collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases and other medical issues before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s-1900s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. Bottle, glass, solid dark brown (black), round, matt surface. Glass ring below mouth, neck is slightly bulbous, seam line around shoulder, body tapers slightly inward from shoulder to base. Base is concave with pontil mark. Bottle has a white mark down the side. No inscription. Generally used for storing stout, porter or ale.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handmade bottle, handmade english beer bottle, pontil bottle, black glass, gallon -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1850's - 1900
This bottle is sometimes referred to as a black glass 'Gallon' bottle. It is used for storing and transporting liquor such as port or madeira. Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020. The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in Flagstaff Hill Maritime Museum collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases and other medical issues before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. Bottle, glass, solid dark purple (black), round, matt surface. Glass ring below mouth, neck is slightly bulbous, body tapers slightly inward from shoulder to base. Base is concave with pontil mark. Bottle has no inscription. Generally used for storing port.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handmade bottle, handmade english beer bottle, pontil bottle, black glass, gallon, purple bottle, ale bottle, porter bottle -
Orbost & District Historical Societyaxe head
Inspected by Joanna Freslov, archaeologist 2/6/2008. Genuine Aboriginal axe head up to 2000 years old. Possibly came through trading from western district. Stone tools were used for a variety of purposes, in ways similar to those of the steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt.This stone is able to withstand repeated impact, and and wqas generall used for stone axes. The stone was dug or found and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Victoria.Small grey oval-shaped axe head.axehead stone-artifact aboriginal tool -
Orbost & District Historical Societyaxe head
Inspected by Joanna Freslov, archaeologist 2.6.2008. Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt. This is able to withstand repeated impact making it suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of a stone tool used by the early Indigenous people of Eastern australia.A handmade stone Aboriginal axe head.axe-head aboriginal tool stone-artefact -
Melbourne LegacyDocument, Legatee Frank Doolan notes on the Flanders Field poem, 1970s
Photocopy of an article in the 'You asked us' section about 'Flanders Fields, and the man who wrote it' published in The Toronto Star 13 November 1971. The article discusses the controversy surrounding the wording of the first and penultimate lines and claims that poet John McCrae originally originally wrote 'grow' but changed it to 'blow' when asked to by the editors of 'Punch'. The photocopy of the article was supplied by Legatee Ken Rabling. Legatee Frank Doolan signed the note he wrote to accompany the photocopy and dated it 7/8/73. An item from Legatee Frank Doolan, who was on the archive committee and made attempts to collate the history of Legacy. An example of the ongoing controversy surrounding the disputed wording. The poem 'In Flanders Field' was the inspiration for the torch of the Legacy Badge with McCrae's call to the reader to take up The Torch, as the organisation did by looking after the widows and families of fallen soldiers.01302.1 Handwritten signed note in blue ball point, address stamped in black. 01302.2 Photocopy of a page from 'The Star Weekly', Toronto, Canada dated 13 November 1971.01302.1 Top right hand side 'Box 16'poem, history -
Warrnambool and District Historical Society Inc.
Functional object - car lantern, Joseph Lucas Ltd. Birmingham, England, Lucas King of the Road Lantern, c.1930
This lantern or lamp was used for lighting an automobile or motor cycle in the 1920s or 1930s. It could also have been used in a household or carried by a person. It was made by the English firm of Joseph Lucas Ltd., a business founded in 1860 which originally made scoops, buckets and plant holders. In 1875 it began the production of lamps and in the early 20th century made automotive components. Today after having merged with a North American company it makes components for the automotive and aerospace industries. The term 'King of the Road' was reserved for products that were regarded as the most prestigious and the ones commanding the highest price. This lamp was advertised as one that 'will not blow out in the toughest gale'.This item is retained as an interesting example of the lighting used for cars and bicycles early in the 20th century.This is a metal lantern which is much rusted but which may have been chrome or nickel plated. It has a lighting mechanism enclosed in glass, a handle on the top, a winding screw on the side, an oil container and a metal plaque on the base. LUCAS No. 636 KING of the ROAD JOS.LUCAS LTD. B'HAMcar components, automobile lighting, lucas industries, -
Melbourne Tram MuseumPhotograph - Cable tram gripman's compartment with levers, K McCarthy
Photograph shows part of the preserved cable grip car number 1 and trailer car number 1 in a large glass covered display case in Russell Street behind the (then) Melbourne Museum and State Library. The photograph shows the gripman's compartment with two brake levers and the central grip lever. At the top of the photo above the levers is curved metal beam to which a block and tackle were fastened to lift and lower the grip into the tunnel. At either end of the compartment is a knee high board with whole at the top that fitted into slots between the end traverse seats to stop winter drafts blowing across the gripman's feet. Yields information about cable tram componentsBlack and white photograph with note on rearIn ink "29" and "K McC"cable trams, russell street, melbourne museum, state library, draw bar, tie rod, pin, safety chain, trailer coupling
