The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Theatre programme for a production of The Arcadians in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the arcadians, mark ambient, a.m. thompson, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatrical programme for a production of The Toreador in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the toreador, ivan caryll, lionel monckton, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Maid of the Mountains in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the maid of the mountains, harold fraser-simson, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, kew civic hall -- cotham road, city of kew, theatre memorabilia

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Maid of the Mountains in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. arthur dear collection, kew light opera company, kew recreation hall, theatre - victoria, theatre - kew, the maid of the mountains, harold fraser-simson

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for the Australian premiere of Goodnight Vienna! in the Kew Recreation Hall by the Kew Light Opera Company. The 12-page programme includes profiles, a cast list, a musical synopsis, and advertisements. goodnight vienna!, george posford, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Music programme for a Chamber Music Concert by the Kew Philharmonic Society, presented in the Kew Recreation Hall. kew philharmonic society, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. A form outlining how subscriptions can be made for the Kew Philharmonic Society. The undated note states that the Society has three concerts per year. It is noted that rehearsals are held in the Kew Music Centre, Beresford Street, Kew. The form includes details of entitlements for ticket holders and annual fees.kew philharmonic society, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Special Memorial Concert programme honouring the founder of the Orchestra, the late Dr. A.P. Ehrenfeld.arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme, a. p. ehrenfeld

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Concert program for the twenty-seventh subscription concert by the Kew Philharmonic Society in the Kew Recreation Hall in 1955.arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Concert programme of the second subscription concert for 1958 of the Kew Philharmonic Society. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme produced by The Little Theatre Guild for Master of Arts by William Douglas Home. The production was held at St. Chads, Martin Street, South Yarra in November and December 1951.The programme includes a cast list. 4 pp.arthur dear collection, the little theatre company, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme for a performance of N.C. Hunter's Grouse in June by The Clarendon Players. The performance in the Kew Recreation Hall was held on 18 December 1958. The programme includes a cast list and a synopsis. The final page acknowledges those members of the Kew Theatre Guild who performed in the cast.the clarendon players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme for performances by The Young Theatre of Peter, Peter, Pumpkin Eater by Martha B. King in the Arrow Theatre, the Kew Recreation Hall and the Oakleigh Town Hall. The programme includes a cast list, cast profiles, a synopsis and information about the activities of the Young Theatre Movement. 4 pp.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, the young theatre

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Count Your Blessings in the Kew Recreation Hall in April 1953. 4 pp.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Curtain Up by Philip King in the Kew Recreation Hall in 1954. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.arthur dear collection, curtain up, philip king, kew repertory players, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Love in a Mist by Kenneth Horne. The performances took place in the Kew Recreation Hall in November 1956. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.arthur dear collection, love in a mist, kenneth horne, kew repertory players, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Programme issued by The Kew Repertory Players for a performance of Night Was Our Friend by Michael Pertwee. The performances took place in the Kew Recreation Hall in March 1956. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.night was our friend, michael pertwee, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, kew repertory players

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Fools Rush In by Kenneth Horne. The performances took place in the Kew Recreation Hall in June 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.fools rush in, kenneth horne, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Heaven and Charing Cross by Audrey Danvers-Walker. The performances took place in the Kew Recreation Hall in March 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.heaven and charing cross, audrey danvers-walker, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

Stella Dunn played Nanny, a senile old woman, in 'Gamma Rays' in April 1976 when she was a sprightly 82 year old.1. - Program - Jade coloured card with dark blue typeface, 2. - Photos -photographic paper. 3. - Review - photocopy paper. 4. - Roneod duplicate on foolscap paper.2. - Typed information on Stella Dunn glued onto the back of the photo, reverse side of photo has typed paper glued on as well as remnants of masking tape 3. - Photocopy of a review of The Effects of Gamma Rays on Man-in-the-Moon Marigolds on page 6 of the VDL (Victorian Drama League) newsletter 'Theatrecraft' April 1976. Includes photo of Sue Lukis as Tillie. 4. - Prompts Newsletter No 2 19th March, 1976. – Typed. Includes information on next production, reminders of happenings and forthcoming events and the Moomba Drama Festival results 1976, 170, bill cherrey - director, fred merryweather - set construction, michael bond - lighting, george bugge - sound, max brooks - photography, cast - stella dunn

Adapted, produced and acted by members of the HTCY Group, Heidelberg Theatre Company Youth, The group was formed under the umbrella of the Heidelberg Theatre Company, their first production was in 2001. Members are 16 - 24years.All items in good conditionheidelberg theatre company., htcy, heidelberg theatre company youth, the wizard of oz by frank l. baum adapted by ryan purdey, directors morgan thomas-connor & julian adams, 2016, 416

The Adult Education Association Drama Group originally staged Liliom at the Union Theatre, University of Melbourne on Saturday, 3rd November, 1951, at 8pm and on the 8th November it was re-staged by them as the opening production of the The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc. in the Eistedford Hall, Ivanhoe. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre.Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre Company. Photo from unidentified newspaper of the director of Liliom by Ferenc Molnar, Joy Youlden.an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951 and restaged at the Eisteddfod Hall, Ivanhoe as the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. The Adult Education Association Drama Group performers, backstage workers and technicians staged the play at the Eisteddfod Hall in Ivanhoe. Local Councillor E.A. Carlyle attended and addressed the audience. Reg Rudd is described as director-producer. He announced another Repertory evening in February. Inagural production under the name of The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc., staged in the Eisteddfod Hall, 14 Ivanhoe Parade, Ivanhoe, Victoria, Australia on the 8th November, 1952.All items in good condition. Original and one colour photocopy of hand drawn sketches for the Prologue and Scenes 2 and 3 settings in blue biro with watercolour washes on ecru paper. On the back side of paper with scene sketch of Act 1. Photo – Joy Youlden - Small black and white cutting from unidentified newspaper on newsprint which has yellowed, Cutting has been glued onto ecru A4 paper sheet. Sketch for Scene 6, The Land Beyond, and Sketch for Scene 7, Julies House 16 Years later, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Sketches for Scene 4, The Railway Embankment, and Sketch for Scene 5, Behind The Shop, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Handwritten detail of scene numbers and names, name of producer, theatre company AEA (Adult Education Association) Drama Group Show and place, Union Theatre.eistdford hall, fern matthews, city of heidelberg repertory group, adult education association drama group, liliom, liliom by ferenec molnar directed by joy youlden, 1952, 1

Written, produced and acted by members of the HTCY Group, Heidelberg Theatre Company Youth, The group was formed under the umbrella of the Heidelberg Theatre Company, their first production was in 2001. Members are 16 - 24years.All items in good conditionhtcy, htc, heidelberg theatre company, king arthur, director, director sam howard

Adapted, produced and acted by members of the HTC Youth Group, Heidelberg Theatre Company Youth Workshop, The group was formed under the umbrella of the Heidelberg Theatre Company. A Saturday morning Acting Workshop for children aged 7 to 14 years was organised and run by Alice Bugge at the Theatre and a production was mounted bi-annually under her direction.from the 1980s until 2001. All items in good conditiondirector alice bugge, cinderella, youth workshop, htc, heidelberg theatre company

1986, 238, director alice bugge, youth production, heidelberg theatre company inc.

1984, 222, director deirdre oliver, craig mclaughlin, stephen hall, youth production

1982, 215, director anne lynch, youth production, heidelberg theatre company inc

1980, 202, youth production, director louise permezel, heidelberg theatre company inc

2019, heidelberg theatre company inc, directed by gayle poor, 429, artspace artist - anne lucas, artspace curator - teresa schipano, arty played by henry smith, jay played by robbie nicholson, bella played by aimee sanderson, gert played by cat jardine, louis played by liam gillespie, eddie played by seth kannof, grandma played by lindy yeates, ass director catherine christensen, production coordinator maureen mcinerney, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, stage assistant janine kerwood, lighting design emma fox, sound design rob wanless, set design gayle poor & owen evans, costumes wendy drowley, costumes assistant catherine christensen, props melanie belcher & maureen mcinerney, set decor mal cother, lighting operator jarrod catt, sound operators rob wanless & harry gravell, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review cheryl threadgold, htc 2018 awards: best performances in a main role claire benne (private lives) & claire abagia (blue stockings): best performances in a supporting role libby kaye (private lives) & juliet hayday (blue stockings), vdl awards: gold award for an actress in a minor role – venetia macken (angustias in the house of bermuda alba), 2018 bill cherrey award bob tyres

2019, heidelberg theatre company inc, directed by terese maurici, 431, artspace exhibitor textile art community art space, artspace curator - teresa schipano, freddie filmore/henry f potter & others played by liam gillespie, jack laurents/george bailey played by mark yeates, sally applewhite/mary bailey played by llaaneath poor, mycroft fry/clarence the angel played by tim camilleri, lana sherwood/violet bick & others played by paula mcdonald, harry heywood/harry bailey & others played by gavin baker, bobby b sharpe /pianist played by jack stringer, wally watson/foley artist played by phil holmes, dolores birdwhistle/floey assistant & others played by kadey mcintosh, musical director jack stringer, production coordinator jim thomson, lighting design emma fox, set design phil holmes, sound engineer andrea cole, stage manager karen dowling, pianist/vocal coach jack stringer, costume design wendy drowley, choreography llaaneth poor, foley props phil holmes, props jim thomson & phil holmes & terese maurici, set painter mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator emma fox, rehearsal prompt ryan purdey, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein