Donated by the Friends of the Sale Regional Arts Centre, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Donated by M. Parasiuk and K. Alcock, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Donated by B. & J. Gurling, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Donated by Simon Gregg, 2013Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Donated by John Leslie OBE, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Donated by Phillipson Fletcher Pty Ltd, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased with the assistance of the Caltex Victorian Government Art Fund, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Donated by Peter Synan OAM, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Donated by C & B SmithHand-coloured wood engraving on cardgippsland, artwork, permanent collection

Donated by Simon Gregg, 2013Hand-coloured wood engraving on papergippsland, artwork, permanent collection

S.s.Casino crowded with tourists returning after sailing around the bay during Terang Day. The couta boats in full sail possibly did the same thing Hand-coloured photograph of ship and wharfship, boat, sea, river, s.s.casino, couta boats, moyne

This photograph is of “The Crags” an area on the coast half way between Port Fairy and Yambuk. The name is an abbreviation of McKechnies Craigs/Crags owners of property in the vicinity. it is close to ancient aboriginal campsites but these are not accessible to the public. Because of the nature of the geology in this area this photograph shows a seascape that it is not possible to see now.Hand coloured photograph used as postcardThe Crags Port Fairyseascape, sea, beach, the crags, mckechnie’s crags or craigs

British 1757 - 1815Hand coloured etching [for the Shakespeare Gallery]Titled and inscribed

Britain - Australia 1804 - 1881Hand coloured Lithograph - Birds of Australia

John GOULD (1804-1881) English ornitologicalmartist who published a number of monographs on birds.Framed, hand coloured lithograph. Published by John Gould. The mount has a hand coloured border. The plate id from "Birds of Asia" LL JGould & HCRichter del et lith centre Cypselus Infumatus, Sclat. Walter; Imp.available, palm roof-swift, bird

Item relates to Una Frankling.Postcard, rectangular shape, cardboard, hand coloured."Souvenir of the welcome given to the British soldiers at Charleroi 18th November 1918"documents - postcards, military history - souvenirs

See 2962Copy taken from a hand coloured lithograpgdiggings, tools, windlass

This plan is associated with former Ballarat School of Mines Student Richard Squire (1875-1876). Gift of the Squire FamilyPaper on linen large plan. Hand coloured.mount mercer, gold mining, squire's, gold, mining, plan

Hand coloured sewerage plan: Barkly St plans, sewerage plans, percy everett

Photograph of Warrnambool Harbour 1920 probably hand colouredflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Artist Vida Pearson of Ross Creek; given to school by the family of Old Collegian Andrew Craig Noonan. Andrew attended the school 1983 - 1989. Works titled 'Proteaceae' and Butterflies and Angels'. Modern ArtGift of the family of Andrew Craig Noonanlarge framed works of art; hand coloured linocuthandwritten on reverse: In loving memory of / Andrew Craig Noonan (died 21/7/1992) / and in grateful and sincere thanks / for the love, care and support / given to us by the staff of / Ballarat and Clarendon College / Ron, Pam and Damien 20/2/1993andrew craig noonan, wildlife art society of australasia, wildlife artist of the year

Sent by FRANK BARNES (AIF 4156) to UNA FRANKLING of Harcourt. Refer Cat No 2380 for details re Frank Barnes service.Rectangular postcards, hand coloured photographs of South Africa.2402.1 “Under the Oaks, Royal Hotel, Hout Bay CA” 2402.2 “Birds, Groote Schour, CP” 2402.3 “Clifton-on-Sea, CP”documents - photographs, postcards

sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour

Murray WALKER (1937- ) Born Ballarat, Victoria Described as one of Melbourne's Figurative Expressionists Murray Walker educated at the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1952 and 1953, followed by the National Gallery School and RMIT Art school, Melbourne between 1858 and 1859. He studied at the Slade School of Fine Art (London) from 1960 to 1962, with a Summer School at the Academia della Belle Arti, Perugia, Italy in 1961. Myth, narrative and people form an important place in the work of Murray Walker, and he has worked in many mediums including printmaking, painting, collage, assemblage, ceramics and tapestry design. Humour and storytelling are a feature of his work Figurative ExpressionismGift of Dr Graeme Williams OAMFramed hand coloured pen drawing of a number of life modelsavailable, alumni, life models, nude, life drawing

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook Mayoral duties on occasions when their husband was unavailable. Mayoress Craig was born Grace Adeline and was a highly respected teacher at Bendigo Girl's School and Bendigo High School. Grace Craig was the first lady to have an official part in the traditional induction of Mayor ceremony. Framed, oval photographic studio portrait. Hand coloured detail.Mrs A.S. Craig / Mayoress 1956 - 57 / 1963 - 64 / Eric (? aslington )grace adeline, mayoress craig, mayor craig, washington photographer, city of bendigo, city of greater bendigo portraits, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Ewing was born Victoria Keighley in East Melbourne. Her father Edward Keighley was one on the district's earliest mine managers and part owner of the Rose of Denmark Mine. Framed, oval photographic studio portrait. Hand coloured detail.Mrs W Ewing / Mayoress 1925 - 26 / Vincent Kelly / Bendigovictoria keighley, mayoress ewing, mayor ewing, vincent kelly photographer, city of bendigo, mayoress portrait