Black and white photographWritten on back of photograph, "Quamby" Nth. Rwd. 1910. "R.F.M. Photo" handwritten on frontagriculture

Mounted print of "Greensborough 1889 painted by Arthur Elliott". Shows Main Street Greensborough with the Methodist Church in upper right corner, Lower Park and bluestone bridge in foreground.A view of rural Greensborough 1889.Print of painting, mounted on masonite.main street greensborough, arthur elliott

Five coloured photographs of grave of William McLachland in Stawell Cemetery 1806-1889 with new headstone. He discovered the first Gold in Stawell in May 1853. Taken 9/3/2018.

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Historic BuildingsB/W Photo of original photograph, Tonkin's Grocer and Produce Store, Learmonth St. c 1910, people in front, produce visible on footpath and in windows.buninyong, learmonth st., tonkin's grocer, brydon & hedrick building, bluestone cafe

The Geelong Harbour Trust Band was one of five brass bands existing in the Geelong area in the early 1900's. They were quite successful in competition under the direction of conductor Mr Harry Shugg. After their conductor, Harry Shugg left to conductor the Malvern Tramways Band in 1915, the band merged with the Geelong Municipal Band to become the Geelong City Band.This postcard is significant as it provides a historical window on this (former) brass band and their achievements. The postcard is also significant as it is part of a series of four in the VBL's collection which have Mr Harry Shugg (conductor) as a central figure.Rectangular black and white photograph printed on a postcard.Front: "GEELONG HARBOUR TRUST BAND, Winners of Double Event, Ballarat, 1910, B and C Grades On a Complete Set of Higham Clear Bore Band Instruments. LYONS, Sole Agend, 256 Bourke St., Melb.geelong harbour trust band, geelong, victoria, brass band, victorian bands' association, harry shugg, geelong city band, geelong municipal band, victorian bands' league

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers

Researched by Ken James for the Surrey Hills Historical Society using material in our collection, files at PROV, Trove research and some material from Ancestry.com.au The various iterations of the Progress Association span the period 1889 to 2015 but not continuously and with slightly differing names.There have been eight Progress Associations in Surrey Hills since 1899. This includes details regarding committee members and issues of concern over this period. They included issues around economic, social and civic betterment. Cloth tape binding of 190 pages with illustrations with includes bibliographical references and an index. community organisations, surrey hills, citizen participation, associations, citizens' associations, community development, civic improvement, (mr) ken james, surrey hills progress association, surrey hills association

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Illustration - colour engraving printed onto white card, titled "Princes Bridge" showing the planned St Paul's Cathedral, Flinders St Station, Princes bridge with cable trams and the Yarra River with steam powered boats. On rear - "Engraving of Prince's Bridge and St Paul's Cathedral, Melbourne 1889" with a note that it was drawn before the completion of the cathedral the design shows in that intended by the Architect, William Butterfield and that it was from the collection of St Paul's Cathedral.trams, tramways, yarra river, st pauls cathedral, melbourne, greetings cards

Very poor quality photograph.Catalogue card reads, "Ringwood Arbour Day, 1910. Assemblance outside the old hall about 5 p.m."

Original Photo courtesy of Melbourne WaterFramed Black and White Photo of Whitehorse Road, Mitcham, in approx 1910 showing St Johns Roman Catholic Church - School (Church 1872-1952 and School 1872 - 1931) in centre, the School Teachers Cottage at left (1902 - 1935)and Mitcham's first Police Station (1888 - 1950) on the right. In the background in the extreme can be scene the original Mitcham Railway Station (1882)In the foreground is what was known as 'The Great 3 Chain Road' now Whitehorse Road (Maroondah Highway).st john's catholic church mitcham, whitehorse road, mitcham, school teacher's cottage, mitcham police station, mitcham railway station, great three chain road, melbourne water

3 copies of photographs (1 large, 2 small postcards of the same scene, one with a circular vignette). Written on the back of one Postcard: "Methodist Church in Ringwood opposite Railway Station and Mechanics Institute where Town Hall now stands c 1910. Photo by L.F.East" Written on back of other pstcard: "Ringwood 1910 from Railway Station looking across Whitehorse Roade. Photo L.F.East."

E Broome seated in a horse drawn vehicle outside Brooms Federal Coffee Palace Esplanade Lakes Entrance Victoria c 1910. Also another view of Broomes Federal Coffee Palace showing crowd at front of building flimsy jetties along foreshore 04327.1, 10 x 15 cmBlack and white photograph of a postcard showing E Broome seated in a horse drawn vehicle outside Brooms Federal Coffee Palace Esplanade Lakes Entrance Victoria c1910. Also another view of Broomes Federal Coffee Palace showing crowd at front of building flimsy jetties along foreshore businesses, shops, social history, transport

The unveiling of the William Wallace Statue in 1889; biography of William Wallace; biography of sculptor, Percival Ball.The Unveiling of the William Wallace Statue demonstrates the importance and loyalty to Scottish heritage of Ballarat people in the nineteenth century. 01Small coloured photograph of the Wallace Statue. Ref: The National Trust for Scotland. Newspaper Articles: 02 Ballarat Courier 12/9/1997, "Celebration of Battle's Anniversary". 03 Chambers Encyclopedia, Vol.X., 1892, "Wallace, Sir William", 04 The Ballarat Courier, 24/5/1889, 05 The Ballarat Star,24/5/1889, 06 Ballarat Star, 25/5/1889, 07 The Ballarat Star, 25/5/1889, "The Statue of Sir William Wallace" "Unveiling Ceremony" 08 "William Wallace", Wikipedia, 2011, 09 Percival Ball, Sculptor, Wikipedia, 2011. 010 Ball, Percival, Australian Dictionary of Biography,2006-2011.Ballarat Courier newspaper article, 12/9/1997 in blue biro, top left corner. Chambers Encyclopedia, Vol X, in black biro. Research by R. D. Mosman, April, 1997, FBBG logo. Courier Newspaper article, 24/5/1889 in black biro, research by R.D.Mosman, April, 1997. Photocopies taken by the Clark Centre 19/2/2002. Transcription of articles by John Garner. william wallace, percival ball, unveiling of wiliam wallace statue, statues in the ballarat botanical gardens, statue of a scottish hero, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, statues, wallace

News Paper articles from the Pleasant Creek News & Stawell Chronicle about the Three mine mentionedYellow front Cover and Orange Rear Cover with Black Plastic Spine.Amalgamated Moonlight Junction Company 1889- 1893 Moonlight Consols Quartz Mining Company 1886 - 1888 Moonlight Extended Quartz Mining Company 1886 - 1892 Mine Manager Report From the Pleasant Creek News & Stawell Chronicle (Also Known as the Stawell News & Pleasant Creek Chronicle) Compiled by Greg Cameron for the Stawell Historical Societystawell gold mining

Catalogue card and back of photograph reads, 'Ringwood Arbour Day 1910. Cr. Rouget, Mayor of Lilydale opening the tree planting ceremony'.

Book - families social histories, maps, photograps Map - block numbers town names physical / geographical featuresFarming and social history of pioneers of the Powlett River are prior to the establishment of the State Coal Mine at Wonthaggi. Significant land marks, buildings and photographs are included. Dark green cover with oval artists impression of Powlett river and bridge Associated map which covers the parishes plus key places of interestlPioneers on the Powlett and at Wonthaggi 1878-1910 Barbara R Moyle 2015 Early History of Settlement Map - Parish names, significant sitesfarming, pioneers of wonthaggi and district, wonthaggi families

Notice at cemetery 1889Wooden notice board, painted, black border, cream background, with raised black writing, stating rules of conduct of visitors to cemetery funerals. Signed by F. Hickox, Secretary, 1889. Metal angle brackets, painted black, situated top and bottom, year painted on bottom bracket."Notice is hereby given that visitors at funerals are not allowed to crowd around graves to the exclusion of mourners and friends of the deceased. This regulation will be strickly enforced by the Sexton. By Order of the trustees, Fred P. Hickox, Secretary, Janry 15th 1889"clunes cemetery, noticeboard

This booklet was given to subscribers to the Warrnambool Standard newspaper as an almanac for the year 1910. These Standard Almanacs were published annually from 1875 to 1930. They contain much local information on Warrnambool and district about the businesses, government officials, large landowners, harbour management, banks, churches, schools, societies and organizations etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. This booklet is of high significance as it contains much valuable information about Warrnambool and district for the year 1910. It is a very important research tool for those studying and writing the history of Warrnambool and district. The copy is signed ‘G. Barber’ and was probably owned by George Barber, the son of George Barber, the well-known solicitor who opened a legal practice in Warrnambool in 1855. He died in 1879 and it appears that a member or members of his family went to live in the Maryborough area as this copy came into the collection of the Warrnambool and District Historical Society via the Midlands Historical Society. This is a soft cover booklet of 110 pages plus several pages of advertisements at the front and the back of the booklet. The cover has a white background with red and white decorations – a shield, scrolls, sun etc. The back cover has an advertisement for the Warrnambool business of Bruce and McClure and is partly torn away. The booklet shows some wear and staining. The inscription on the cover is handwritten in pencil. ‘G. Barber’ warrnambool standard newspaper, history of warrnambool, standard almanac 1910

Stephen Charman, 1821-1906 a market gardener, donated land for the first Methodist Chapel, Cemetery and School in Charman Rd Cheltenham 1855. The enrollment was 36 pupils with Mr Frederick Meeres as Teacher. 1863 the school is called Beaumaris Common School No 84 with 70 pupils and Walter Meeres as Teacher. 1869 another 2 acres in Charman Road were granted by the Education Board and brick building built . 1872 State School 84 Beaumaris was increasing enrollments and 1878 a new brick school was built to accommodate 174 pupils and the name changed to Cheltenham State School No.84 1894 Mentone State School No.2950 amalgamated with Cheltenham SS No.84. 1910 the buildings were in disrepair, overcrowding was increasing and renovations were made 1912 with further additions in 1925 and 1937. Post WW11 extra prefabricated Classrooms were added as enrollment increased to 1038 in 1955.. Cheltenham East State School 4754 was opened as housing development spread over the City of Moorabbin . (J.Larson Sandringham HS) The boys wearing round collars are from the Methodist Children's Home Cheltenham 1892-1953 that was situated on land now Southland Shopping Centre 1855 Stephen Charman donated land to the Methodist Church so that a School could be established to educate the children of the early settler market gardeners and farmers in the Cheltenham area . Education was valued by the general community and as well as schools they established mechanics Institutes and Libraries in Moorabbin Shire. Cheltenham State School No. 84 was among the first schools in Melbourne2x Black & White photographs of pupils at Cheltenham State School Charman Rd. c 1910-1920 a) Cheltenham State School No 84 c 1910 b) Cheltenham State School No.84 c 1910-1920 Grade 6a) Handwritten Cheltenham ( Charman Rd ) School / probably about 1910 b) " Charman Road School / taken probably between 1910 & 1920cheltenham primary school, methodist children's home cheltenham 1892-1953, city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b., bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, cheltenham state school no.84, methodist chapel cheltenham, methodist school cheltenham, beaumaris west state school, meeres frederick, meeres walter, education, early settlers, cancel

These reports outline the advances in education in Victoria each year. Includes comparative statistics on results for each school. An official record of education in Victoria, covering both city and rural schools.Bound copies of "Education Report of the Minister of Public Instruction for the years 1913-1914 [to] 1924-1925". 2 volumes. Black binding with gold lettering on spine.On spine. Vol.1: "C.T.S./ EDUCATION/ REPORT/ 1910-11/1912-13". Vol.2: "C.T.S./ EDUCATION/ REPORT/ 1913-14/1924-25"education, victoria, education reports, collingwood technical school, cts, nmit,

Small oblong blue & beige cardboard ticket. Probably unused (space for member's name is not filled in). Ticket is for year ending 31st December1910, to be issued to [non-playing] band member on payment of 2/6 subscription. Ticket authorised by W.J. Todd, Hon Sec. A small hole has been punched through upper left corner.Text: Linton Brass Band. / MEMBER'S TICKET / Issued to / For Year ending 31st December, 1910. / SUBSCRIPTION, 2s 6d. / W.J. Todd, / Hon. Sec.brass bands, musicians

Black and white photographs (2 copies - 1 original, 1 copy)Typed below photograph, "Ringwood Railway Station from Station St. looking north west. Old state school in background at Right. (App. 1910)".

Florence Nightingale is a key figure in nursing history. [The Glaswegian coat of arms is not often seen, especially with an English banner, rather than Latin.]Florence Nightingale is a key figure in nursing history, and the possession of her statuette could potentially signify spiritual, cultural or social beliefs of the owner of the object. Additionally, the factory mark could provide an international connection to the collection at large.White ceramic statuette of Florence Nightingale, right arm missing hand w/ glue residue, hollowware with flat-back base, small hole on back of statuette, coloured Glaswegian coat of arms upon the front face of base, gold gilded trim on top and bottom of statuette base. 'Let Glasgow Flourish' [Glasgow Coat of Arms] / 'Florence Nightingale 1820-1910' [Description of depiction of statuette] / 'Alex Maclaren & Sons Glasgow' [Factory Mark]. florence nightingale, glasgow, uk nurses, crimean war