Showing 274 items
matching after the battle
-
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Chiltern, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Reverse: CHILTERN ? / (SAME (illegible), SAME PAPER + COLOURS AS CHILTERN PHARMACY / BOTH MAY HAVE BEEN 1981 WHEN IN YACKANDANDAH? / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Chiltern, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: CHILTERN PHARMACY / Reverse: 025 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Photograph, 1916-17
Portrait of William Edward Peach in First World War military uniform, holding a crop in front of his thighs with military kit on the ground behind him. A Beechworth postal employee who enlisted in 1915, this photograph is probably taken in 1917, as he is a corporal in the photo and was promoted to this rank in May 1917. This photograph is of historic significance as it depicts William Edward Peach, a Beechworth postal assistant who enlisted in the Australian Imperial Force (AIF) on his nineteenth birthday, 5 August 1915, which required his parents' permission. He was decorated with the military medal for his courage in battle 4/5 October 1917 at the Battle of Broodseinde Ridge near Ypres, the most successful allied attack of the Third Battle of Ypres (31 July to 10 November 1917), also known as the Battle of Paschendale, which saw the greatest loss of human life during World War One, with almost half a million lives were lost on all sides. According to the recommendation for his military medal, Peach 'displayed conspicuous courage and initiative', taking charge after his platoon commander became a casualty, handling the men 'under heavy fire with great skill'. He also assisted the Company Commander in reorganising their military objectives. The photograph is of social as well as historic significance for the Beechworth community, because it provides a direct link between local, national and international histories in relation to Australia' s participation in one of WWI's best-known battles. The record has strong research potential given the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Peach is also one of the diarists of WWI, including of this significant period of Australian military history, from 1916 to 18, which can be accessed via the Australian War Memorial. Sepia rectangular photograph printed on gloss Kodak photographic paper mounted on board. Reverse: BMM 8779 item catalogue number pencilled in right-hand bottom corner.military medal, defending australia and victoria, military service, hmat a64 demosthenes, wipers, anzac, burke museum, beechworth, ypres, australian military services, beechworth post office, first world war, wartime, our boys, belgium, flanders fields, ww1, british war medal, victory medal, broodseinde, third battle of ypres -
Warrnambool and District Historical Society Inc.
Demijohn, T. Redford and Co. (seller of contents), Early 20th century
Thomas Redford came to Warrnambool in 1864 and worked in the produce store of his uncle, Frederick Stevens, a business that had been established at the corner of Fairy and Timor Streets in 1857. In 1879 Thomas Redford became the proprietor of this business under the trading name of T. Redford and Co. Thomas Redford was a noted sportsman in Warrnambool (cricket and football) and a Town Councillor from 1884 to 1890. One of his sons, Thomas, was a Major in World War One and was killed in 1915 in the Battle of the Nek. The business of T. Redford and Co was continued after Redford’s death in 1907 by family members and ceased to trade in the early 1920s. This demijohn is of interest as it came from the business of T. Redford & Co, a business operating in Warrnambool for over 40 years. This is a stoneware demijohn with a beige-coloured base and body and a brown neck and opening. The circular opening is chipped on the edges. The name of the seller of the contents is on the opening section.‘T. Redford & Co. Warrnambool’redford family, warrnambool, t. redford & co. warrnambool -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - VMR Mess
Kurt Muller was a Sergeant Cook. He had WW11 service in the German Navy, and after migrating post war joined 8/13 VMR. Sergeants Scott, Perkins and Boogarde were ARA members of the Cadre Staff. Cambrai Day is celebrated annually by Armoured Corps regiments of the British Commonwealth. It marks the anniversary of the Battle of Cambrai in November 1917 when a force of more than 400 British Mark IV Tanks broke the defences of the German Hindenburg Line, It was the first large-scale, effective use of tanks in warfare. Cambrai turned from a battle of great success to failure, but it heralded a new type of warfare and changed the nature of the battlefield forever. The gathering at Buna Barracks Albury, Beersheba Barracks Wangaratta, Bapaume Barracks Benalla and Salamaua Barracks Cobram on 30 November 1986 was the inaugural meeting of the 8th/13th Victorian Mounted Rifles Regimental Association.Colour photograph of Sergeant Kurt Muller, Sergeants Scott, Perkins and Boogard at Buna Barracks Albury at a Cambrai Day gathering of former and serving members of 8/13 Victorian Mounted Rifles, 30 November, 1986.muller, scott, perkins, boogarde, vmr, buna barracks, mess -
Wangaratta RSL Sub Branch
Framed print, N.E. Framing Studio
The Supermarine Spitfire is a British single-seat fighter aircraft that was used by the Royal Air Force and other Allied countries before, during, and after World War II. No. 243 Squadron was a flying squadron of the Royal Air Force. Originally formed in August 1918 from two flights that had been part of the Royal Naval Air Service, the squadron conducted anti-submarine patrols during the final stages of World War I. The squadron was later re-raised during World War II, operating initially as a fighter squadron in Malaya and Singapore during 1941–42. It was briefly disbanded just prior to the fall of Singapore, and was re-formed in mid-1942, again as a fighter squadron, and fought in the Tunisian and Italian campaigns in 1942–44, before being disbanded in October 1944. In 1945, after training on transport aircraft in Canada, the squadron moved to Australia where it operated in support of the British Pacific Fleet before disbanding in mid-1946 Spitfire, also called Supermarine Spitfire, the most widely produced and strategically important British single-seat fighter of World War II. The Spitfire, renowned for winning victory laurels in the Battle of Britain (1940–41) along with the Hawker Hurricane, served in every theatre of the war and was produced in more variants than any other British aircraft.Brown timber frame with white mount containing photograph of fighter plane in sky.Spitfire by Barrie Clark Vickers Supermarine Spitfire Mk VB of 243 Squadron Royal Air Force 243 squadron royal air force, spitfire -
Wangaratta RSL Sub Branch
Photograph, SGT A R Wills
Image of burial site of Sgt Albert Robert WILLS born 16.11.1917 at Bendigo -VX 5275 He enlisted in 1939 embarked on HMT 'Ettrick" on 14/4/1940 after basic training at Puckapunyal. Disembarked in Egypt on 18/5/1940 and saw action at Bardia, Greece and Syria. Spent time in Lebanon and Ceylon before returning to Australia on 4/8/1942. On 13/10/42 disembarked at Milne Bay New Guinea and took part in the battle for Wau securing the airstrip and surrounding area after heavy fighting. Between 6-9 Feb 2/5 Bn C and D companies supported by A company spearheaded the attack engaged and defeated the enemy thus ending the battle of Wau Sgt WILLS was one of 28 men killed in action in the Crystal Creek area on 7/2/1943 and is buried at Lae War Cemetery. Black and white image of grave with white cross Cof E VX 5275 SGT A R WILLS 2/5 Aust. Inf. Bn. 7.2.43 Rear is stamped with Photograph supplied by Directorate of Graves Registration Victoria Barracks Melbourne - Buried at Laea.r. wills, vx 5275, 2/5th aust. inf. bn, new guinea -
Wangaratta RSL Sub Branch
Photographs, Admiral Graf Spee
Photographs of the German ship Admiral Graf Spee which was involved in the Battle of the River Plate, the first naval battle in the Second World War and the first one of the Battle of the Atlantic in South American waters. The German panzerschiff Admiral Graf Spee had cruised into the South Atlantic a fortnight before the war began, and had been commerce raiding after receiving appropriate authorisation on 26 September 1939. One of the hunting groups sent by the British Admiralty to search for Graf Spee, comprising three Royal Navy cruisers, HMS Exeter, Ajax and Achilles (the last from the New Zealand Division), found and engaged their quarry off the estuary of the River Plate close to the coast of Uruguay in South America. 12 black and white unframed photographs of ship at seaInscription in pencil on rear of each photographadmiral graf spee, ww2, montevideo, battle of the river plate -
Wangaratta RSL Sub Branch
Medal - Medal and plaque, H P Prest MM
Original Military Medal awarded to Harold Pearson PREST Lance Corporal 1334 - 37th Australian Infantry Battalion On the 4th October 1917 East of Ypres, Belgium for conspicuous gallantry in action - After locating an enemy machine gun which was holding up the left flank, he single handed rushed the position from a flank and bombed and killed the crew of two men and captured the gun. His promptness and courage not only saved many casualties but enabled the advance to continue.The Military Medal (MM) was a military decoration awarded to personnel of the British Army and other arms of the armed forces, and to personnel of other Commonwealth countries, below commissioned rank, for bravery in battle on land. The award was established in 1916, with retrospective application to 1914, and was awarded to other ranks for "acts of gallantry and devotion to duty under fire"Blue velvet case with satin lining containing round metal medal with attached blue red and white striped ribbon and gold coloured plastic plaquePlaque -Military Medal awarded to 1334 Lance Corporal H P Prest 37/AUST INF For Bravery in the Fieldh p prest, ww1, mm, 37th infantry battalion -
8th/13th Victorian Mounted Rifles Regimental Collection
Weapon - Gun sight, 1916 circa
This gun sight was brought home from WWI (1914-1918) by members of the 13th Battery 5th Field Artillery Brigade (Albury Battery) as a souvenir of its action in the first battle of Bullecourt April 1917. On one occasion during the battle the Battery was surrounded by a German counter attack. They dragged their guns out of the gun pits and continued firing to the flanks and rear and supported the Australian counter penetration attack which restored the situation. After the war a recreational reserve in Albury NSW was named Noreuil Park after the French village near where the action occurred.A rare object with significant connection to Albury NSW and its citizen soldiers who served with the AIF in WWI (1914-1918). The engraving gives it close association with the recreational park in Albury named after the French village of Noreuil and honouring the soldiers who fought there with great courage. Range drum portion of the sighting mechanism from an 18 Pounder field gun made of brass and other metals. The object is engraved with the word NOREUIL and the date 2.4.17.Serial No 5459; and NOREUIL 2.4.17gun sight, noreuil, albury, 13th battery -
Vision Australia
Text, Sydney Industrial Blind Institution annual reports 1912-1918, 1913-1918
Annual reports of SIBI, including an illustrated booklet for the NSW Training Centre for Blind Soldiers. During and after the Great War, the services of the Institution were pushed to the limit by the rising numbers of blinded soldiers returning from the battle front.1 volume, illustrationsOn the inside of the cover is a signed affidavit relating to a will made in 1924. sydney industrial blind institution -
Tatura Irrigation & Wartime Camps Museum
Magazine, World War 2 No 13, 1970's
Issued after WW2. Issue 13 features "The Battle of Britain" articles.Pictorial magazine Vol 1 Part 13 featuring black and white and colour pictures. Price UK 40 p Australia, NZ, SA 98 c.P. D. Lazarusworld war 2 magazine, eddy bauer, p. d. lazarus, the battle of britain -
Tatura Irrigation & Wartime Camps Museum
Documents, The Raider Kormoran, 1990
Books written after the war concerning the Raider Kormoran and HMAS Sydney's battle in the Indian Ocean with the loss of the Sydney and her crew.Green Back clear plastic folder. Photocopied pages from the book entitled The Raider Kormoran by Theodor Detmers and the Secret Raiders by David Woodward.The Raider Kormoran kormoran, hmas sydney, theodor detmers, david woodward, secret raiders, the raider kormoran -
Melbourne Athenaeum Archives
Theatre Program, The Playboy of the Western World (play) by John Millington Synge, performed by the Melbourne Theatre Company at the Athenaeum Theatre commencing 25 July 1978, 1978
John Millington Synge's plays were produced by the Irish National Theatre Society in 1905. Program notes reveal that the first performances "were the focus of some of the bitterest scenes ever witnessed in a theatre. Audience unrest ... grew to full-scale riots, and Yeats claimed that by the end of the week's run 70 police were keeping order inside the theatre, while 500 patrolled the streets outside".Unruly gatherings have been witnessed in the Athenaeum Theatre and Collins Street, such as in 1843, a year after the building was completed: "The first election for the Melbourne seat in 1843 turned into a sectarian battle between a Catholic and a Presbyterian candidate." Supporters of the losing candidate "massed outside the Mechanics Institution where the official declaration of the poll was to occur, and tried to storm the building. The police arrived and did disperse them but only to send them on a rampage throughout the town, ...("Building a Free Australia : Places of Democracy" by John Hirst, 2009)Paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, the playboy of the western world, john millington synge, athenaeum theatre, katy wild, riots -
Koorie Heritage Trust
Book, Bonwick, James, The Last of the Tasmanians : or The Black War of Van Diemen's Land, 1870
Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.400 p., 15 leaves of ports. : ill., fold-out map ; 23 cm.Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.aboriginal tasmanians. | tasmania -- history -- to 1803. | tasmania -- history -- 1803-1900. -
Plutarch Project
Trireme Replica, Paralos, circa 2005
The name Trireme comes from its distinct three rows of oars/oarsmen. The first tier of rowers were known as the Thranites, translating to Thrones. They were the most prestigious, and worked the hardest because their oars were furthest away from the water and therefore had to work harder. They were usually younger and they were paid one and a half drachma per day, half a drachma more than the other two tiers of rowers who were paid one drachma per day. After a few years working as Thranites, each was moved down into the second tier, the Zygites. Zygites derives from the word balance, as the second tier was balanced in the middle. After more years again, oarsmen were moved down into the third and final tier, known as the Thalamites. The Thalamites were consistently wet due to the proximity of their tier to the water. The water would leak through the gaps where the oars entered the ships despite the leather skins used to close the openings.This is a unique specimen made by D. Paraskevatos, in that it is the only one of its kind in the world that has been built to the exact specifications of the Athenian vessel. It was built in Melbourne and it also has historic and artistic valueWooden replica model ship that is an exact replica of the ancient Athenian trireme making it unique in the world since there's no other such replica made. Great care was exercised to ensure that it will include all functionality and detail of the ancient ship used to by the Athenians to fight in the Sea battle of Salamis and beyond. Mr Denis Paraskevatos constructed the Paralos Trireme over a period of eighteen months. Mr Paraskevatos relayed the history of his Trireme. The first Trireme was constructed in Greece by the shipbuilder Aminoklis in 704BC, originating from Corinth. The first four Triremes he constructed were ordered by a Poliykrates from Samos, thus the ships were known as Samines. Poliykrates realised he would be able to use the Triremes for his own benefit against invading pirates, as well as to engage in activities of piracy himself. The Athenians built 200 Triremes for the battle of Salamis, all constructed over a period of eighteen months. This was a huge feat, on average a new ship was build every second day. Triremes were primarily used in sea battles, however there were two unique Triremes, the Salaminia and the Paralos, which were considered Holy and only used for Ambassadors and Consulates on overseas trips. Mr Paraskevatos’ Trireme is the Paralos. The term Paralos derives from the Greek social class from the shores, or the merchant classes. Greece was divided into three basic social classes. The mountain region, the plateaus or fields bound to agriculture, and those from the shores. Paralia translates to from the shore. The Paralia were an important class in influencing the democracy. They were divergent group who would deliberately vote on the contrary to everyone else. This is how the Trireme was born. Every Trireme held between 20-50 soldiers, and either 170 or 174 oarsmen. Mr Paraskevatos’ Trireme is a 174 oarsmen ship. The role of the oarsmen was difficult and specialised. When engaged in sea battle and the wind was not enough, the navy would remove the masts and leave them on shore and solely use the oarsmen, leaving the deck clear. However when there were sufficient winds and both the sails and oars were in use the oarsmen had to show great skill in manoeuvrability. When the oarsmen were not needed to manoeuvre the ship they also engaged in battle. model, replica, paraskevatos, plutarch, ship, trireme, παρασκευάτος, πανομοιότυπο -
Chiltern Athenaeum Trust
Slouch Hat
This hat was worn by Martin Balsarini. Martin was a First World War veteran of the AIF Light Horse. He fought in the battle of Bersheeba. It is thought that Martin assembled this hat from various pieces to wear after the war on his property in Chiltern Valley. The hat is composed of different elements, including badges from various times and places and a set of emu feathers. chiltern, light horse, wwi, aif, martin balsarini -
Chiltern Athenaeum Trust
Ottoman War Medal, 1915
Ottoman War medal was give by Ottoman Empire to soldiers during WW1 for gallantry. Australian soldiers began to see these after the Gallipoli campaign particularly during the conflict in Sinai and Palestine. Martin Balsarini fought in the Battle of Beersheeba in Palestine. It is likely that he collected this medal during that campaign. This object is significant because Martin Balsarini was Chiltern Valley resident who fought in the Gallipoli campaign. This is a rare medal highly prized by Australian soldiers. Martin is listed on the Chiltern Shire Great War Honour Roll Star shaped medal with five points, inlaid with red enamel with silver edges. Large crescent moon in centre as well as Islamic patterns and writings, including calendar date. Reverse side has a pin holder inscribed with BB&co. Silver is tarnished and scratched.BB & Co. Islamic inscriptionschiltern, martin balsarini, ottoman, medal, world war one, gallipoli, beersheba, gallipoli star -
Chiltern Athenaeum Trust
Teak memorabilia taken from HMS Ship "Iron Duke", Admiral Jellicoe's flag ship, circa 1916
HMS Iron Duke was a dreadnought battleship of the Royal Navy, the lead ship of her class, named in honour of Arthur Wellesley, 1st Duke of Wellington. She was built by Portsmouth Dockyard, and her keel laid in January 1912. Launched ten months later, she was commissioned into the Home Fleet in March 1914 as the fleet flagship. She was armed with a main battery of ten 13.5-inch (340 mm) guns and was capable of a top speed of 21.25 knots (39.36 km/h; 24.45 mph). Iron Duke served as the flagship of the Grand Fleet during the First World War, including at the Battle of Jutland. There, she inflicted significant damage on the German battleship SMS König early in the main fleet action. In January 1917, she was relieved as fleet flagship. After the war, Iron Duke operated in the Mediterranean as the flagship of the Mediterranean Fleet. She participated in both the Allied intervention in the Russian Civil War in the Black Sea and the Greco-Turkish War. She also assisted in the evacuation of refugees from Smyrna. In 1926, she was assigned to the Atlantic Fleet, where she served as a training ship.WW1 HMS Iron Duke in the Battle of Jutland 1916. a Piece of wood (teak) taken from the ship HMS Iron Duke Admiral Jellicoe's flag ship, in 1916 (Jutland). Brass plate attached to wood reads as follows: From the Teak of HMS Iron Duke Admiral Jellicoe's Flag Ship Jutland 1916. ww1 the great war 1914-1918, hms iron duke, british navy, battle of jutland -
Tatura Irrigation & Wartime Camps Museum
Folder - biography, Andrew Crawford 1887-1974, September 2018
The story of Andrew Crawford covering his time in the army, life before the war, his role in the war, the 8th Light Horse regiment, covering many of the battles he was engaged in, his promotions through the ranks, and life after the war. Includes many graphic photographs and maps. In the back is a copy of a letter he send his mother in September 1918. Black covered multi ring folder containing 32 plastic sleeves with typed information.andrew crawford, 8th light horse regiment, ww1 battles, anzac cove -
Wangaratta RSL Sub Branch
Framed Print, Bombs over Darwin, 1991
On the 19 February 1942, 242 Japanese aircraft, in two separate raids, attacked the town of Darwin, ships in the harbour and the town's two airfields in an attempt to prevent the Allies from using them as bases to contest the invasion of Timor and Java during World War II. Darwin was lightly defended, relative to the size of the attack, and the Japanese inflicted heavy losses upon Allied forces at little cost to themselves. The two Japanese air raids were the first, and largest, of more than 100 air raids against Australia during 1942–43.The Bombing of Darwin, also known as the Battle of Darwin, on 19 February 1942 was the largest single attack ever mounted by a foreign power on Australia. The urban areas of Darwin also suffered damage from the raids and there were a number of civilian casualties. As a result more than half of Darwin's civilian population left the area permanently, before or immediately after the attack. Timber framed print of planes depicting the bombing of Darwin Harbour. Gold metal plaque - BOMBS OVER DARWIN Presented to Wangaratta RSL Limited Edition Print 234/1800 by James Baineswwii, bombing of darwin, battle of darwin -
Wangaratta RSL Sub Branch
Framed Photograph
... after its withdrawal. operation battle group (west) 4 iraq ...Operation Battle Group (West) was established in July 2006 and was based at Tallil Airbase in Dhi Qar Governorate. It consisted of units previously assigned to the third, and final, rotation of the Al Muthanna Task Group. It was withdrawn in June 2008.Overwatch Battle Group (West) was an Australian Army battle group that represented Australia's largest contribution to the Multinational force in Iraq. No Australian military personnel were killed in the course of the deployment, during which the Australian contingent helped train 33,000 Iraqi soldiers. Approximately 200 Australian personnel remained in Iraq on logistical and air surveillance duties after its withdrawal.Large brown timber frame with brown mount containing photograph of soldiers standing and In armoured vehicles in foreground of ancient brick fortress with soldiers across and leading to top of fortress. Gold coloured rising sun in bottom left corner and red coloured kangaroo in bottom right corner.Over watch Battle Group (West) 4 December. 2007 - June 2008 Photographer Corporal Rob Nyffeneggeroperation battle group (west) 4, iraq -
Wangaratta RSL Sub Branch
Framed Print, February 19th 1942, Darwin Harbour
Image depicting the explosion of a ship, filled with TNT and ammunition, hit during the first Japanese air raid on Australia's mainland, at Darwin on 19 February 1942. In the foreground is HMAS Deloraine which survived unscathed. On that day, 236 people were killed when 242 Japanese aircraft, in two separate raids, attacked the town, ships in Darwin's harbour and the town's two airfields in an attempt to prevent the Allies from using them as bases to contest the invasion of Timor and Java during World War II. MV Neptuna was a 5,952 ton cargo motor vessel. and was 1 of 11 sunk during the Japanese air raid on Darwin on 19 February 1942. In January 1942 HMAS Deloraine evaded an attack by the Japanese submarine I-124 north-west of Darwin and was jointly credited with the submarines' sinking after she inflicted the initial damage. The Bombing of Darwin, also known as the Battle of Darwin, on 19 February 1942 was the largest single attack ever mounted by a foreign power on Australia. Brown timber frame containing blue black and white print of ships being bombed.February 19th 1942, Darwin Harbour In the foreground the corvette HMAS Deloraine. Smoke billowing in the background is from burning oil tanks on shore, the mushroom cloud is from the explosionof the ammunition ship Neptuna. Watercolour by Tom Offordbombing of darwin, battle of darwin, 19 february 1942, ww2, mv neptuna, hmas deloraine -
Wangaratta RSL Sub Branch
Framed Print, HMAS Sydney
HMAS Sydney built by Swan Hunter and Wigham Richardson Ltd., Wallsend on Tyne, United Kingdom Launched 22 September 1934 Engaged and sunk Bartolmeo Colleom 19 July 1940. On 19 November 1941 South West of Carnarvon Western Australia she was lost at sea with all hands after engaging the German raider Kormoran. On 19 November 1941, HMAS Sydney, a light cruiser of the Royal Australian Navy with an impressive record of war service, was lost following a battle with the German raider HSK Kormoran in the Indian Ocean off the Western Australian coast. The loss of the Sydney with its full war complement of 645 remains Australia’s worst naval disaster. The Kormoran was also sunk, but 317 of its crew of 397 were rescued. The fate of the Sydney remains one of Australia’s greatest wartime mysteries; even the location of the wrecks was not established until 2008.Black plastic frame with moulded pattern with grey mount containing photograph of ship and Sydney Harbour BridgeBanner - HMAS Sydney HMAS Sydney built by Swan Hunter and Wigham Richardson Ltd., Wallsend on Tyne, United Kingdom Launched 22 September 1934 Engaged and sunk Bartolmeo Colleom 19 July 1940 Lost at sea with all hands 19 November 1941 South West of Carnarvon Western Australia after engaging the German raider Kormoran. hmas sydney, ww2 -
Wangaratta RSL Sub Branch
Framed photograph, Cpl Sperry BODSWORTH
Photograph of Private later Corporal Sperry Bodsworth born 27/8/1909. In 1940 aged 30 years he enlisted in the Army and assigned to the 2/21 Battalion. On 13/12/1941 the Battalion was deployed from Darwin to Ambon in the Dutch East Indies, now Indonesia, to form part of "Gull Force". The Battle of Ambon occurred between 30 January to 3 February, 1942. In April 1942 Bodsworth was listed as missing and on 1/6/1942 was reported as a Prisoner of War. Bodsworth was awarded a Mention in Despatches.The Battle of Ambon (30 January – 3 February 1942) occurred on the island of Ambon in the Dutch East Indies (now Indonesia), during World War II. Japan invaded and conquered the island in a few days, facing Dutch, American and Australian forces. The chaotic and sometimes bloody fighting was followed by a series of major Japanese war crimes. Allied casualties in the battle were relatively light. However, at intervals for a fortnight after the surrender, Japanese personnel chose more than 300 Australian and Dutch prisoners of war at random and summarily executed them, at or near Laha airfield. In part, this was revenge for the sinking of the Japanese minesweeper, as some surviving crew of the minesweeper took part.. Three-quarters of the Australians captured on Ambon died before the war's end. Of the 582 who remained on Ambon, 405 died. They died of overwork, malnutrition, disease and one of the most brutal regimes among camps in which bashings were routine. Blood Oath, a 1990 Australian feature film is based on the real-life trial of Japanese soldiers for war crimes committed against Allied prisoners of war on the island of Ambon, in the Netherlands East Indies (Indonesia), such as the Laha massacre of 1942.Brown timber frame containing black and white photograph of WW2 Soldier wearing slouch hatww2, gull force, ambon, sperry bodsworth, pow -
Wangaratta RSL Sub Branch
Framed Tribute, Wangaratta Picture Framers, Gull Force
On the night of 30-31 January 1942 this small force of 1131 Australian soldiers were stationed at Ambon, an island which formed part of the Netherland East Indies (now Indonesia). An invasion of approximately 20,000 Japanese overwhelmed Gull Force and the majority of the Australian soldiers were taken prisoner. The execution of 229 at Laha, starvation, over work, disease and the absence of medical supplies led to horrific loss. At the cessation of hostilities only 352 of the original 1131 had made it back to Australia. 779 members of Gull Force made the supreme sacrifice and now lie in foreign fields. The Battle of Ambon (30 January – 3 February 1942) occurred on the island of Ambon in the Dutch East Indies (now Indonesia), during World War II. Japan invaded and conquered the island in a few days, facing Dutch, American and Australian forces. The chaotic and sometimes bloody fighting was followed by a series of major Japanese war crimes. Allied casualties in the battle were relatively light. However, at intervals for a fortnight after the surrender, Japanese personnel chose more than 300 Australian and Dutch prisoners of war at random and summarily executed them, at or near Laha airfield. In part, this was revenge for the sinking of the Japanese minesweeper, as some surviving crew of the minesweeper took part.. Three-quarters of the Australians captured on Ambon died before the war's end. Of the 582 who remained on Ambon, 405 died. They died of overwork, malnutrition, disease and one of the most brutal regimes among camps in which bashings were routine. Blood Oath, a 1990 Australian feature film is based on the real-life trial of Japanese soldiers for war crimes committed against Allied prisoners of war on the island of Ambon, in the Netherlands East Indies (Indonesia), such as the Laha massacre of 1942.Brown timber frame with gold coloured inner edge containing badge and tribute on grey backgroundGull Force 2/21 Battalion Ambon Laha In memory of and tribute to the Officers and Men of "Gull Force" comprising of 2/21 Battalion and attached Units.gull force, 2/21 battalion, ambon, ww2 -
Gippsland Art Gallery
Print, Sandby, Paul (after), Battle Abbey in Sussex from Mr Wyndhams, 1780
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Battle Abbey - The Spot where Harold Fell, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Battle of Trafalgar, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Wangaratta RSL Sub Branch
Framed Photograph, HMAS Westralia
In 1943 Westralia was converted into a Landing Ship, Infantry. In this role, Westralia had a capacity of 933 soldiers, and was used primarily to transport units of the United States Army and Marine Corps. The ship arrived at Manus on 7th April 1945 befoe reaching Morotai on the 19th. The 2/24th Australian Infantry Battalion embarked for attack on Tarakan Island, Borneo. On 1 May – After preliminary bombardment by two cruisers and six destroyers ,troops of 26th Australian Infantry Brigade were landed. After the end of the war, Westralia was one of the ships at Ambon on 22 September 1945 for the surrender and occupation of the island where the 164 survivors of Gull Force prisoners had already been taken off on 10 September. She was later used for the repatriation of Australian troops, before being paid off in September 1946. The ship earned five battle honours for her wartime service: Silver frame containing black and white image of a ship at seaGold coloured plaque attached top right "HMAS Westralia" - 2/24th AUST INF BATT TARAKAN ISLAND BORNEO 1ST MAY, 1945hmas westralia, 2/24th aust inf battalion