Showing 170 items
matching archiving -- journal
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University of Melbourne, Burnley Campus Archives
Article - Photocopy, Anne Latreille, Green Grows Our Garden Book Review, 1991
A photocopied page from "Garden Journal" includes amongst the book reviews a review of AP Winzenreid's book written to coincide with the Burnley Gardens' centenary "Green Grows Our Garden". Anne Latreille, the reviewer, gives it a favourable review.Reprint from Garden Journal - review by Anne Latreillegarden journal, anne latreille, green grows our garden, burnley gardens -
University of Melbourne, Burnley Campus Archives
Article, Claire Pitts, Burnley Gardens - an Experimental Success, c. 1991
5 pages of an article from "The Australian Garden Journal" written by Claire Pitts, Vol 10 No 2 Dec 1990 / Jan 1991. The summary at the introduction to the article states "Claire Pitts focuses on some of the very diverse areas within the gardens that are the horticultural centre of Victoria, and describes how they have been modified over time." Illustrations included Claire Pitts graduated 1986, Burnley Horticultural College, Associate Diploma Horticulture (Perhaps she has done the degree since then?)5-page article by Claire Pitts from Garden Journal, Vol. 10, No. 2, Dec, 1990-Jan. 1991claire pitts, garden journal, diverse gardens victoria, associate diploma of horticulture, burnley gardens, change in victorian gardens -
University of Melbourne, Burnley Campus Archives
Article, Peter Esdale, Australia's First School of Horticulture - Burnley, 100 years of Service, c. 1991
A five paged article photocopied from "The Australian Garden Journal" by Peter Esdale. Journal dated Feb/March 1991, Vol 10 No 3. The article gives a brief history of the Horticultural College and informing readers about the courses offered in 1991. Illustrations.5-page article by Peter Esdale from Garden Journal, Vol. 10, No. 3, Feb. - March 1991peter esdale, garden journal, the australian garden journal, burnley gardens centenary -
University of Melbourne, Burnley Campus Archives
Journal, R.J. Cantrill, The Flower Garden: Colours in Autumn, 1967
Journal of Agriculture, Vol. 65, Part 4, April 1967, cover: Mr. E.T. Beruldsen, retiring Chief, Division of Agricultural Education, shares a look at the prize book with dale Moon, 1966 dux, College of Horticulture, Burnley. Messrs. W. B. Miller, Deputy Director of Agriculture (left) and T. A. (sic) Kneen, Principal look on. Article by R.J. Cantrill: The Flower Garden, Colours in Autumn pp170-173.r.j. cantrill, journal of agriculture -
University of Melbourne, Burnley Campus Archives
Print - Colour Plates, Flower Portraits
garden flowers -
University of Melbourne, Burnley Campus Archives
Photograph, Dept pf Agriculture, Victoria, Administrative Building, 1961
administrative building, dept of agriculture -
University of Melbourne, Burnley Campus Archives
Photograph, Dept pf Agriculture, Victoria, Visit by Sir Rohan Delacombe to Burnley College, 1966
students spraying fruit trees, sir rohan delacombe, pam mcdonnell, chris grice, w. nicholls -
University of Melbourne, Burnley Campus Archives
Photograph, Dept pf Agriculture, Victoria, Cherry Blossom, 1966
ornamental garden, i requini, laboratory assistant, dept of agriculture -
University of Melbourne, Burnley Campus Archives
Photograph, Dept pf Agriculture, Victoria, Department of Agriculture Colleges, 1961
the college of horticulture, the school of dairy, longerenong, the gavin gibson memorial laboratory, dookie agricultural college, dept of agriculture -
University of Melbourne, Burnley Campus Archives
Journal, New Director of Agriculture, 1967
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University of Melbourne, Burnley Campus Archives
Journal, Royal Society of Victoria, Proceedings of the Royal Society of Victoria, 1935-1945
A. W. Jessep (Principal) Associate Member. Probably all volumes his property H. W. Gepp Ordinary Member signed on most volumesscience -
University of Melbourne, Burnley Campus Archives
Journal, Australian Garden History Society, Charles Bogue Luffman and the Burnley School of Horticulture - An Update, 2019
c b luffman, c b luffmann, school of horticulture -
University of Melbourne, Burnley Campus Archives
Document, Australian Journal of Arboriculture et al, Street Tree Directory Lists, 1988
street trees, gregory moore, phillip j mcgarry, amenity trees -
University of Melbourne, Burnley Campus Archives
Magazine - Journal articles, Melbourne School of Land and Environment et al, Land & Environment, 2013
green roofs, sugar table -
University of Melbourne, Burnley Campus Archives
Magazine - Journal articles, Land & Environment, 2010
cas mclean, green roofs, nerissa hannink, luffman ponds, luffmann ponds -
University of Melbourne, Burnley Campus Archives
Journal, The Garden, 2019
gardening -
University of Melbourne, Burnley Campus Archives
Document, Royal Horticultural Society - C. B. Luffmann, 1894-1906
rhs, fellows, c b luffmann, royal horticultural society -
University of Melbourne, Burnley Campus Archives
Journal, Australian Institute of Parks and Recreation, 1972-1975
parks, newsletters, journals -
University of Melbourne, Burnley Campus Archives
Journal, Cultivating the Global Garden, 1998-1999
horticulture -
University of Melbourne, Burnley Campus Archives
Journal, Frank Read, Enriching Victoria's Rural Resources, 1960's
primary production, horticulture -
Creswick Campus Historical Collection - University of Melbourne
Archive - Alf Leslie's papers and files from his estate
20 cartons of papers , journals, folders and other items -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Mask by Karl Duldig 1921, 1921
Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back -
Stawell Historical Society Inc
Archive, Stawell Hospital Records Journal 1971 – 1975, 31/1/1971 - 31/7/1975
... grampians Archive Stawell Hospital Records Journal 1971 – 1975 Large ...Large Hand Written JournalCollins 4391stawell -
Stawell Historical Society Inc
Archive, Stawell Hospital Records Journal, 1975 – 1980, 31/8/1975 - 30/6/1980
... grampians Archive Stawell Hospital Records Journal, 1975 – 1980 Red ...Red Covered with leather trimJournal 4394stawell -
Stawell Historical Society Inc
Archive, Matthew Dalkin and Sons Produce Merchants Grocers Main Street Stawell Journal, 1870 - 1883
Folio Sized Leather Bound. Marbled End PapersHand Writtenstawell, business -
Stawell Historical Society Inc
Archive, Wheat & Bag Journal Records of Wheat Sold Harvest 1916-1917, 1916 - 1917
... grampians Archive Wheat & Bag Journal Records of Wheat Sold Harvest ...Grey-Green Cover, Brown Spine Bound.stawell, agriculture -
Stawell Historical Society Inc
Archive, Grand United Quartz Mine Journal, 1872 - 1874
Brown Cover - Gold Lettering on Red Square - "Journal"stawell, gold mining -
Stawell Historical Society Inc
Archive, C.W. Carter, C. W. Carter Large Shop Journal. Used by C W Carter General Store-Keeper Lamont Street. Stawell c 1937 -1963. Customer Purchase Record, 1937 - 1963
Customer Purchase Record. Large Shop Journal - Used by Mr. C.W. Carter - General Store keeper. Lamont St Stawell Phone 142Large Shop Journal Inside Cover - On Scalloped blue oval. Andrew Jack Dyson Pty. Ltd. Wholesale 54662 Stationers 596 - 610 Lonsdale Street Melbournestawell, business -
Stawell Historical Society Inc
Archive, George Mitchell and Sons Journal 1959 – 1965, Sept 1959 - July 1965
Large Book with heavy card cloth covered in green. Fawn Leather trimJournal Sept 1959 - July 1965stawell -
Uniting Church Archives - Synod of Victoria
Photograph, c.1979
Betty Vawser was Acting Editor of the Crucible Journal of the Northern Synod, and Alan Brownlie was a member of staff of the Church & Nation.B&W photo of Betty Vawser and Alan Brownlie seated together at a table or desk. Alan is in shirt-sleaves, Betty is in a summer dress.betty vawser; alan brownlie; the crucible; northern synod; church and nation; uniting church