Black and white photographs (3)"Written under photograph" Image 1. L to R: Joyce Embling, Bern Papworth, Hilda Emmerson, Elizabeth Baker (Granddaughter of Bob and Hilda Emmerson), President Bess Bower, Doris Green, Hon. J W Manson MLA, Flo Craigie. 1971-72. Image 2. L to R: Gordon Chapman, Win Chapman, Ian Embling, Hon. J W Manson MLA, Hilda Emmerson, President Bob Emmerson, President Bess Bower, Doris Green, Flo Craigie. Image 3. 1972/73 Ian Embling, President Eileen Mason, Hilda Emmerson.

Colour photograph - 2nd Cricket, 1978."Attached to photograph" Back Row-L to R: Peter Booth, Tim Stevenson, Peter Hirt, Matthew Atkinson. Front Row- L to R: Mark Goesling, Tony Denick, Carl Handreck, Greg Jenkinson, Simon Atkinson, Jeff Crane. Coach: Bruce Bower

Official guide to the 2000 Wilson Australia Junior Amateur Championships, and Wilson Junior Interstate teams matches. Brisbane 21-28 April 2000. Played at Indooroopilly Golf Club and Nudgee Golf Club. Victorian team Manager John Scrivener, assistant manager Bruce Harding. Team Members, Anthony Brown, Mark Leishmann, Troy Little, David Walker, Heath D`Altera, Luke Bower. Former HGC President Bruce Harding was a team official for Victoria's Junior teams from 2000-2010.28 p., brown text, plus 3 loose sheets with scores. Handwritten scores for each Victorian match throughout booklet.bruce harding, australian junior amateur championships, junior golf

Colour photograph - Staff, 1979"Attached to photograph" Back Row-L to R: Jeanette Cole, Judith Featherby, Doreen Turner, Rosemary Hill, Elizabeth Hrovda, Dianne Jones, Maureen Gray, Joanne Lawrence, Dawn Colville, Isabel Marshall. Front Row-L to R: Baden Chadwick (Principal), Stephen Gough, Tom Esala, Bruce Bower.

Colour photograph - 1st Cricket, 1978."Attached to photograph" Back Row-L to R: Dijan Dinic, Jim Pumpa, Gavin Thorpe, David Hill, Greg Smith, Gavin Williams. Front Row- L to R: Werner Birkner, Peter Last, Matty Cane, Phillip Hagger, Peter Johnson, Mark Boehme, Paul Evans. Coach: Bruce Bower

Black and white photograph - Staff, 1980"Attached to photograph" Back Row- L to R: John Duffy, Stephen Gough, Bruce Bower. 2nd Row- L to R: Tom Esah, ?, ?, Joanne Lawrence, Diane Barthing, Ken Foreman. Front Row- L to R: Rosemary Mandemacher, Isabel Marshall, ?, Baden Chadwick, Marj Smith, Maureen Gray, Margaret Beuthin. Teacher:

Established in 1906, Frank Moore soon became well known amongst discerning tradespeople for the quality & accuracy of his tools. The Company was acquired by John Shaw & Son in 1945 & James Neill & Co in 1970. Currently part of the Bower Meteorology UK Group, they still produce superb tools & measuring instruments in Sheffield. The subject item is made from high-grade carbon silver tool steel with the patented 'Firm Lock' joint, that identifies the maker as Moore & Wright.A tool used for external measurement of items made by a maker who patented the "firm lock" jointing system now used on many different types of tools in many different industries. These items are now collectible and quite rare as a result are sought by tool collectors in the USA and UK.‘Firm Joint’ external measuring calipers believed made by Moore & Wright. Impressed into the metal "L A J S" (Probably the owner and company that used the item nothing to do with manufacturing) flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, calipers, callipers, external calipers, outer caliper, pottery tools, masonry tools, glass making tools, external measurement

The main building and chalets were built by E. C. Mitchell of Stawell. He was given a 99 year lease by the shire to build his holiday house at the site of Borough Huts. David and May Mitchell took over ownership of the house and chalets. The women in the photo are May and Isabel Mitchell and the man is David Mitchell. The chalets were called "Flappers Roost", "Bower of Innocence" and "Last Resort". The two copies of the photo are taken from slight closer in and are not as clear and do not show the entire third chalet.The photo shows a collection of old buildings. Two women are standing in front of a car and a man is standing a short distance from them. A second car is parked between the main building and the huts. The building to the far right of the photo is painted in a cream colour and has a tin chimney. The other buildings are three small huts or chalets. Gum trees and a mountain range can be seen directly behind the buildings.buildings, houses

The souvenir programme was produced for the Fifth World Surfboard Riding Championships at Bells Beach, Victoria. The championships were the first international surfing contest held at Bells Beach. The finals of this event were held at Johanna Beach, also a first. The programme features an introduction by the Premier Sir Henry Bolte, Daily Programme of activities, feature articles about Bells Beach and previous World Surfboard Riding Championships plus advertisements for Qantas, Fiat, Peter's Icecream, Jantzen Surf clothing, Schweppes and Bower Boy Surfwax.The Fifth World Surfboard Riding Championships were a first for Bells Beach and also significant for the role they played in the development of Bells Beach as an international surfing venue.24 page souvenir programme, colour cover, colour black, black and white pages inside. Cover features colour drawing of a surfer riding a wave.bells beach, 1970, surfing, world surfboard riding championships, melbourne surf shop, world surfing titles, australian surfriders association, rolf aurness, tony olsson

The Satin Bowerbird is commonly located around the eastern and south-eastern coast of Australia. They reside in wetter forests and woodlands, and nearby open areas. They feed mostly on fruits throughout the year but in summer will supplement their food supply with insects and in winter with leaves. The Satin Bowerbird is most commonly known for it's practice of building and decorating it's bower. They will often collect objects of bright blue to decorate the bower including straws, clothes peg, parrot feathers, pens, marble, string, glass and bottle tops. This decoration is done by a male Bowerbird in the effort to attract females. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy Satin Bowerbird specimen has dark black/blue glossy plumage and a pale coloured bill of small size. The bird is of a medium size compared to other species of birds and has pale legs with short talons. The eyes are made of strikingly blue coloured glass which represents the violet-blue iris of this bird while living. The bird has a short tale and has been stylized in a leaning/crouched position with it's back arched upwards and head out long. This specimen stands on a small platform and there is some deterioration to the tail feathers which protrude beyond the platform which may have otherwise provided some protection. Donor - Mr. E.T. / BH. RO. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, bower, bowerbird, satin bowerbird

Black and white photograph - Grade 6A, 1956"Attached to photograph" Back Row- L to R: No names 2nd Row - L to R: Beverley Beattie, Phylis(?), Sandra LeBusque, Pamela Cowan, Lee Tonkin, Pamela Goodall, Noeline King, ?, ?, ?, ?. 3rd Row - L to R: ?, ?, ?, ?, Pauline Villaume, Judy Bower, Pat Saines, ?, ?, Ailsa Ralston, Marion Hayward. Front Row - L to R: No names Teacher: Mr Stuart

These items are probably American ). A lot of carved bakelite jewellery/buttons/buckles were manufactured in the U.S.A. The orange (red?) one is especially reminiscent of American bakelite, due to its polished look. The other one is probably butterscotch bakelite. Originally it would have been white or cream, but the plastic oxidises over time and changes colour to a butterscotch colour. The rectangular one is probably a belt slide. Some types of belts don't have any holes in them. The belt is just slid through the clasp. There is no notch in the centre bar indicating that there was never a hasp. ( Info. from Button Bower)These two items are good examples of dress accessories typical of the first half of the 20th century era.Two buckles probably made of bakelite. 1950.1 is orange/ red, circular with a metal prong. 1950.2 is a slide, rectangular shape, light salmon pink (butterscotch) with no prong.buckles dress-accessories women's-clothing bakelite

Colour photograph - Grade 5 and 6,1979."Attached to photograph" Back Row-L to R: Bruce Bower, Leanne Moloney, ?, Danny Seelane, John Bruce, Lisa Currie, James Patterson, Jeff Cook, Wendy Graham, Simon Gray, ?. 2nd Row- L to R: Darren Cook, Joanne Hansen, Dean Morton, Dijan Dinic, Lisa Moore, ?, ?, Eugene Kerr, ?. 3rd Row L to R: Peter Booth, ?, Jen James, Janine Ballinger, ?, ?, ?, ?, ?. Front Row- L to R: ?, ?.

Colour photograph - Grade 4,5,6, 1978."Attached to photograph" Back Row-L to R: ?, Danny (?), Andrew Cook, Eric Kanga, Philip Hagger, Mark Boemher, Mark Gossling, ?, Max (?). 2nd Row- L to R: ?, Paul Evans, ?, Louise Wright, Caroline Ashton, Linda Craig, ?, Peter Last, Peter Booth, Mathew (?). Front Row- L to R: Julie Kane, ?, Fiona Murray, Linda Rose, Michelle Postlethwaite, ?, Julie Fawcett, ?, Helen Johnston. Teacher: Bruce Bower

Donated by Stan McFee from Keith McIlwraith Collection.Black & White photograph of 17 members of the Phillip Island Band 1/1/1936.On back: Top L to R: - J. McLean, Bob Dixon, Frank Towns, C. Williams [Band master], Percy Double, Andy Morrison, Roy Richardson Middle Row L to R: - Keith McIwraith, Rue De La Haye, harry De La Haye, N. Cleeland, David Robb,. Bottom Row L to R:- Cess Leeson, Bryant West, Bill Bowers, Bill McLardy, Herb Watchorn . Names provided by Murray De La Haye November 2022the phillip island band, brass bands, stan mcfee, keith mcilwraith collection, phillip island

Awarded to Alan Bowers (A236814) who was a R.A.A.F. dental mechanic who serverd during WWII including service in Darwin, and then continued in the R.A.A.F. for some years after the end of WWII The Royal Australian Air Force (and all Commonwealth Air Forces) Long Service and Good Conduct Medal: Awarded to NCOs and ORs of the RAAF (RAF, RCAF etc) for 15 years service. A cupro-nickel plated medal, the obverse features the sovereign's head, the reverse features the crown and eagle emblem of the RAAF (and RAF). Officers are eligible for the award provided they have served a minimum 12 years in the ranks. The riband is dark blue and maroon with white edges. This medal ceased to be awarded in Australia in 1975 when it was replaced by the National Medal (and sbsequently the DFSM and DLSM) in the Australian system of honours and awards. http://www.heritagemedals.com.au/medals-1/service-long-service/air-force-long-service-and-good-conduct-medal.html History of the RAAF Dental Branch It took six years following the formation of the RAAF in 1921 for the first Dental Clinic to be established at Point Cook, Victoria. On 10th June 1927 Flying Officer James Carl Rosenbrock commenced work as an RAAF Dental Officer for the FlyingTraining School at Point Cook. As personnel numbers were still relatively small, Rosenbrock was also responsible for the dental care of all Victorian RAAF units, which involved treating members at 1AD Laverton, as well as Air Force Headquarters at Victoria Barracks in Melbourne. As Army Dental Officers were currently caring for RAAF personnel at Richmond, NSW, the Senior Dental Officer of the 3rd Military District in Victoria (SDO 3MD) requested through the military board that a similar arrangement be established, where that the newly appointed RAAF Dentist provide part time dental services to the Army units stationed at Queenscliff. This was seen as an effective reciprocal arrangement, with both units having a Dental Officer in attendance for, in total, around 3-4 weeks a year. Rosenbrock continued to serve as the sole RAAF Dental Officer until the middle of 1933, when the Air Board asked for his service to be terminated following ‘behaviour unbecoming of a RAAF officer'. He had borrowed several sums of money, of around 40 Pounds or so, from junior ranks on base (as well as from the Regimental Sergeant Major) and had failed to pay the money back. He was replaced by a fellow Victorian, FLGOFF Norman Henry Andrews, on the 18th Sep 1933, who went on to become our first Director of Dental Services, and was instrumental in establishing the organisations and conditions of the Branch that are still present today. Through a fair amount of persistence and hard work on the part of Norman Andrews, the RAAF Dental Branch began to expand from 1937, with the introduction of 2 additional positions, at RAAF station Richmond, and at the FlyingTraining School at Point Cook. This gave the RAAF 3 uniformed Dental Officers, which was expanded to 5 in the months leading up to WW2. 4 of these Dental Officers were based in Victoria and 1 at Richmond, with the other two RAAF units being cared for by the Army (as in the case of Pearce in WA) or by civilians (as in Darwin). With the sudden increase in RAAF personnel required at the outbreak of WW2, the number of RAAF Dental Officers increased dramatically, from 5 in 1939, 28 in 1940, 64 in 1941, 147 in 1942, 193 in 1943, 219 in 1944, and peaking at 227 in 1945. RAAF Dental Officers were required to work in a variety of locations, both in and out of Australia. Between 1940 and 1942 a massive construction programme occurred, with new dental clinics being established around Australia. Priority was given to aircrew training units in order to get these personnel dentally fit for operational deployment, but Dental Officers could equally find themselves posted to recruit depots, fixed stations, medical clearance stations, mobile dental sections, and RAAF and civilian hospitals. RAAF Dental Officers were posted to the large dental centres at Ascot Vale (Vic) and Bradfield Park (NSW) when first appointed, where they received military and clinical training, before being deployed to their needed location. Mobile Dental Units When Japan entered the war in 1941, the rapid deployment of troops to northern operational areas with less than ideal dental fitness was extremely high. As a result, the RAAF deployed a range of mobile dental units, either alone or with medical sections, to support the increasing number of isolated deployed personnel within Australia and overseas. There were three types of mobile unit used: a. Mobile Dental Unit – relied on using either a semi-trailer to get around or by building a surgery directly on to the truck chassis, and installing hydraulic chairs, units, x-rays, and laboratory equipment. They were able to move around between small units, such as RAAF radar stations, where they could plug into the local power supply and work immediately. b. Transportable Dental Units – used for stops of longer duration, where field equipment was carried in panniers from one unit to another by road or rail and housed in whatever accommodation was available at the destination. They were often carried within Australia on Tiger Moths and Dakota aircraft. c. Itinerant Dental Units – in some areas, the dental equipment was installed at the RAAF unit and the Dental Officer and their staff would travel from unit to unit, using the equipment available at each location. RAAF Dental BadgeAs the war developed in Europe, it soon became obvious that the RAF Dental support was not capable of supporting the increasing numbers of RAAF aircrew that were being sent for service with the RAF, with only enough Dental Officers available to provide one to every 2000 men ( instead of the preferred 1 to 600). As a result, the RAAF provided a mobile dental unit, fitted out in a caravan and pulled by a Ford V8 Coupe, to travel around England in support of RAAF personnel at various squadrons. Some degree of tact was needed to ensure that the RAF did not take this as a comment on the treatment they were providing, but it proved successful in maintaining a satisfactory state of dental fitness in RAAF personnel, and a second mobile unit was soon dispatched. They were also set up with a laboratory on board as well as the surgery, which was a major difference between the RAF and RAAF, as the RAF did not provide dentures for their troops (the RAAF would, providing they had served for 6 years). In 1943 the RAF was no longer able to provide Dental support to Australian troops in the Middle East, which resulted in the need for a transportable dental unit to be deployed from Australia. It functioned in a similar manner to the RAF, by moving from one squadron to another. It served in the Middle East and Africa, from Cairo across North Africa, to Italy, and eventually back to England to treat returned prisoners of war. GPCAPT Norman Andrews The growth and development of the RAAF Dental Branch owes a debt to one man in particular, GPCAPT Norman Andrews. As the second RAAF Dental Officer to enlist on 18 Sep 1933, Andrews became the principal architect of the structure and organisation of the RAAF Dental Branch leading up to and during WW2. Until early 1940, the RAAF Dental Branch was administered by the Director of Medical Services (Air), which placed it under the control of the Army Medical staff. The Army would provide their Inspector of Dental Services for advice whenever needed. In April 1940, the RAAF Medical service separated from the Army, resulting in the control of the RAAF Dental Branch shifting back to the RAAF. Andrews became the first Director of Dental Services, when the position was created in 1943 as recognition of the higher profile the Dental Branch was now playing in the RAAF Medical service. Until this time, Andrews's title had been as the Dental Staff Officer to the RAAF Medical Service. Andrews was responsible for the establishment of the war-time structure of the Dental service, establishing new dental centres at all major bases, creating mobile and transportable dental units, ensuring the continual growth of the Branch, maintaining professional development of staff through the establishment of a professional journal, and by organising renowned lecturers to speak at RAAF bases. He also believed in visiting as many dental units as possible to see for himself what conditions were like and to talk first-hand to staff in remote units. His itinerary during the war years, both in and out of Australia, shows a large number of trips in a variety of modes of transport in order to reach remote areas where units were serving. He was promoted to GPCAPT in July 1944, as the numbers of Dental Officers soon peaked at 227 towards the end of the war (1 GPCAPT, 9 WGCDRs, 60 SQNLDRs, and 157 FLTLTs). After the war, with the reduction in RAAF personnel required in uniform, the Dental Branch also reduced its numbers significantly. By 1947 there were only 18 Dental Officers serving (many part-time), with 1 GPCAPT, 1 WGCDR, 10 SQNLDRs, and 6 FLTLTs, and only 13 by 1950. With the decrease in Branch personnel numbers, the ‘powers to be' saw fit to reduce the Director of Dental Service rank to WGCDR, and as a result Norman Andrews found that in order to continue serving in the RAAF he would have to wear a reduced rank. This appears to have been a contributing factor in his decision to discharge at the relatively early age of 43 and accept an administrative job as Director of the Victorian Government's School Dental Service. Norman Andrews holds the proud honour of being the founder of the RAAF Dental Branch, which during the war was instrumental in educating servicemen of the importance of dental health and maintaining the dental fitness of troops in a variety of areas. Dental Orderlies (Assistants) The dental orderly mustering was first introduced in 1937. Until that time, medical orderlies were assigned to assist the Dental officer with their duties. As early as 1931 it had been noted by both RAAF and Army Dental Officers working in Victoria and Richmond that a lot of the troubles they were having would be solved by appointing a permanent Dental Orderly. Often they would find that the medical orderly they were assigned was a different one each day, and as a result the administration and work in general was very inefficient. By 1937, with the increase in Dental Officers to 3, it was realised that a Dental Orderly mustering needed to be created. Dental Mechanics/Technicians Before WW2, dental laboratory work was provided by civilian laboratories, as most RAAF units were stationed around metropolitan areas. At this time, service personnel were still required to pay for their own dentures, unless they had served for six years or had their dentures damaged during performance of their duties. In July 1940, mainly in response to the development of more remote RAAF dental units and the increasing demand for dental prostheses, the Dental Mechanic mustering was established. Unfortunately there was a very limited pool of civilian dental mechanics to recruit from, and as a result the RAAF set up a training school at Laverton (which was later moved to Ascot Vale) in June 1941 which conducted an intensive 6 month course in Dental mechanics. Dental mechanics were quickly in demand. In all fixed and mobile dental units at least 1 Mechanic was supplied for each Dental Officer, and indeed the RAAF supplied Dental Mechanics throughout all its deployments, something the RAF were unwilling, or unable, to do. Two grades of dental mechanic existed: the Senior Mechanic (with the rank of NCO), who was competent in all phases of laboratory work; and the Junior Mechanic, who could only handle routine work and not more advanced denture work. The progression to Senior required a further trade test in techniques including setting up, clasp-forming, casting and backing teeth. During the course of the War, two special courses were held for Mechanics. The first, directed at senior mechanics so that they could instruct others, was in 1942 when Acrylic Resin was first introduced as a denture base material, as an alternative to the current option of vulcanite. Later, towards the end of the War, a ‘refresher' course was provided for those that had served for the greatest period of time in order to allow them retraining in techniques that they had not practised during their service and which were common in civilian life. This included cast base dentures, crowns and bridges, partial dentures, and retainers. Towards the end of the War, a course was held with WAAAF trainees to train them as Mechanics. However, as the War was soon to end they never had the opportunity to progress within the mustering to become Senior Mechanics. The RAAF Dental Branch has survived 75 years of turbulence, with reviews of its viability occurring regularly every few years from as early as 1937. The Branch continues to provide excellent service to the ADF community and, despite reduced manpower, will continue to play an important role in Air Force Health operations. http://www.defence.gov.au/health/about/docs/RAAFDental.pdf40cm cupro-nickel plated medal, the obverse features the sovereign's head, the reverse features the crown and eagle emblem of the RAAF (and RAF). A23814 BOWERS.A. A. F.r.a.a.f long service medal, r.a.a.f good conduct, r.a.a.f. dental service medal

Colour photographs of the War Memorial at Koroit. koroit, koroit war memorial, rising sun, j.c. allan, craik, a. keane, j. mason, v. noonan, o'donnell, osborne, j.k. paton, barr, bowers, bowman, c. brown, r. castle, j.l. devlin, j. doolan, j. douglas, t. dwyer, w.e. freeman, freckleton, m. goggin, harris, kevan

Black and white photograph - Grade 1C, 1951"Attached to photograph" Back Row- L to R: (?) Oliver, (?) Oliver, John Pottenger, Gary Stewart, ?, ?, Lyndan McKeon, Terry Riley, ?, ?, Ken (?), Peter Tindal. 2nd Row - L to R: Anne Wausherson, ?, Faye Marshall, ?, Carol Hancy, Carol Hampson, Carol Pavey, Diane Close, Sylvia Johnson, Meryn Longmrye. 3rd Row - L to R: Margaret Strachan, Jennifer Young, Ailsa Ralston, Judith Bower, Mary Lloyd, ?, ?, ?, Judith Hill, Phylis Hagen, Annette Harns. Front Row- L to R: Murray Coulthard, Ray Brown, ?, ?, Peter Connell, ?, Robert Morris. Teacher:

Helen Isobel Janet Mack was born to parents Gilbert Bailee Nicol and Lizzie (or Lillie) Mary Nicol (nee Jellie) at Woodford, Victoria or Rose Hill Warrong, in approx. 1895. Her mother's parents were James and Sarah Jane Jellie (nee Bower) Her father's parents were Gilbert and Jane Boili Nicol (nee Jelllie) She lived her life here at least until her first marriage. She firstly married a Mr LIndsay and they had two daughters - Helen and Jane. They were later divorced. On 16th February 1935, Helen married Ronald William Mack (a pioneering family of Warrnambool) at the Registry Office in Collins St. Melbourne. They had a son James. It appears Helen lived at 52 Banyan St, including while her husband was absent, until her death. Her husband Ronald William Mack was born in Warrnambool in 1904. He joined the Australian Imperial Forces and was based in the Middle East during some of WW11 and returned to Warrnambool in approx 1943 due to injury. He was involved in the community, and politics and was elected to the Legislative Council in 1955. Janet died on 10th April, 1957, aged 55 years, her funeral leaving Christ Church on April 11th. Her husband had erected in Christ Church, a Memorial Stained Glass window in her memory. Her husband was eventually Knighted (in 1967) while he was Minister for Health of which his main focus was on the mentally ill and the aged. He was then Sir Ronald William Mack. First wife of Sir Ronald William Mack. Stained glass, lancet window, north wall, Hammond Fellowship Centre, Christ Church. Depiction of the Nativity with Mary , Joseph and the infant Jesus"Peace... Goodwill Towards Men"/ To the Glory of God/ and in memory of Helen Isobel Janet Mack,/ who died on 10th April 1957./ The gift of her husband.

Photocopied page - partial Parish map of Ringwood labeled The East Estate, showing street names and properties marked with names of individual owners or businesses.Page titled The East Estate by 1927 Part of Township of Ringwood, Parish of Ringwood, County of Mornington, Scale: Four Chains to One Inch. L.F. East blocks are marked by red outline. J. Blood blocks are marked by blue outline. Other names include B.C. Hutchinson & Co., The Victorian Brick & Ornamental Tile Coy., Ltd., The Ringwood Brickmaking Coy., Ltd., R. Davidson, J. Williamson, W.E. Bower, H. Jennings, G.J. Sims, J. Smallman, J. Horne, J. Lindsay, J. Kay, H. Unverhan, B.C. Hutchinson, M.A. Williamson, J.S. Woodworth, J. Price, C. Medew, S.W. Burchett, B.J. Hosking, D.J. Rogers, C. Wheeler, H. Frost, G.G. Miller, L. Winchcombe. Streets include Dublin Road, Illoura Road, Alexandra Road, and Bedford Road.

These photographs were taken at a Commanding Officer Handover Parade at the Army Survey Regiment, Bendigo in 1985. LTCOL Jorge Gruszka was the CO of the Army Svy Rgt from 1982 to 1985 and handed over LTCOL Don Swiney MBE. LTCOL Swiney’s appointment was from 1985 to 1987. See item 6475.14P for additional photos taken at the parade.This is a set of six photographs of a Commanding Officer Handover Parade at the Army Survey Regiment, Bendigo in 1985. Photographs .1P to .5P were printed on photographic paper and scanned at 300 dpi. Photograph .6P is on 35mm negative film and scanned at 96 dpi. The photographs are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1985, L to R: MAJ Kym Weston, MAJ Bob Roche, CPL Lyall Camp, LTCOL Jorge Gruszka, CPL Peter Johnson, SGT Terry Danger, SGT Bruce Bowers, SPR Dave Wright, SPR Michael Arnott, SGT Mick Hogan. .2) - Photo, black & white, 1985, L to R: LTCOL Don Swiney MBE, RSM WO1 Bob Mason, LTCOL Jorge Gruszka, MAJ Bob Roche. .3) - Photo, black & white, 1985, L to R: MAJ Mick Byrne, CAPT John South, unidentified, SSGT Steve Egan, CPL Brian Fauth, LTCOL Jorge Gruszka, LTCOL Don Swiney MBE, RSM WO1 Bob Mason. .4) - Photo, black & white, 1985, L to R: MAJ Kym Weston, CAPT Roger Rix, unidentified, CPL Terry ‘TJ’ Wicker, unidentified, SPR Rob Straube, LTCOL Jorge Gruszka, LTCOL Don Swiney MBE, RSM WO1 Bob Mason. .5) - Photo, black & white, 1985, L to R: MAJ Daryl Hockings CSM, LT Greg Oaten, CPL David Jobe, CPL Brian Johnson, 2LT Kathie Ryan, CPL Bob Thrower, LTCOL Jorge Gruszka, LTCOL Don Swiney MBE, RSM WO1 Bob Mason. .6) - Photo, black & white, 1985, L to R: MAJ Terry Edwards, unidentified (x2), SPR Roger Graf, LTCOL Jorge Gruszka, LTCOL Don Swiney MBE, RSM WO1 Bob Mason, MAJ Bob Roche, unidentified..1P to .6P – There are no personnel identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

1951 Ballarat Teachers’ College offers a two year trained Primary Teachers’ Certificate for the first time. (BTC Handbook 1965) December 1955 Ballarat Teachers’ College held its first Graduation Ceremony. The words of the Graduation Hymn were written by Mavis Canty. (BTC Handbook 1965)Light blue cover with dark blue and yellow text, back cover cream soft covered annual magazine of the Ballarat Teachers College. Includes yearly events. The Ballarat Teachers' College 1955 Second Year Students and Staff photo includes (left to right): Back row: C. ussing, R. Flavell, R. Jones, P. Dawson, W. Hughes, B. Williams, F. Tinney. 2nd row: B. Jones, B. Hancorne, R. Potter, I. Neilson, K. Holloway, I. Pritchard, G. Maggs. 3rd row: C. Handreck, Keith Hamilton, J. Carter, L. Harper, E. Lynes, J. Rae, B. McCleary, M. Joyce, J. Matthews, B. Harrison, E. Lewis, B. Moore. 4th row: D. Thompson, M. Bone, J. Cotter, C. Bolte, D. Powrie, L. Edge, S. Edwards, D. Cleary, B. McIntyre, F. Dridan, B. Connellan, L. Martin. 5th row: A. Nailon, M. McCallum, E. Medwell, M. Meagher, J. Butler, E. Dobson, J. Black, M. Anderson, W. Hanstock, M. Harris, G. Bowers. 6th Row: M. Casey, M. Crocker, B. Heath, W. Hall, U. Dempster, J. Burns, I. Bradshaw, J. Sanders, M. Williamson, Z. Walker, J. Brehaut, B. Boadle. 7th row: M. Fraser, Howard Pattenden, J. Gould, M. Byrne, A. Hancock. J. Murphy, M. Morgan, E. Ingleton, V. Rance, M. Walker, J.M. Blair, R.R. Reed. Front Row: J.M. Hill, J, Fox, A.H. Linton, Bob Croft, Ted Doney, Monica Miller, T.W.H. Turner, Mavis Canty, Alan Sonsee, E.O. Walpole, C.A. Pryor, C. Rodger, G.A. Jenkins. Has autographs on inside of back cover: John M Blair, Margaret R Chasey, Elizabeth Constable, Jean W Black, George A Jenkins, Clarice Handreckbtc, ballarat teachers' college, black, sanders, williamson, jm blair, c handreek, m meagher, e ingleton, w hall, s mclay, j roberts, bremner, flavell, chasey, mccleary, williams, ross, hamilton, keith hamilton, croft, bob croft, walpole, sonsee, canty, miller, pryor, turner, rodger, jenkins, linton, fox, hill, doney, pattenden

These four photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio at Bendigo c1982. The two units took turns each year to host the event. The day competition usually comprised basketball, cross country, golf, sailing, squash, softball, tennis, touch football, rifle shooting, tug-of-war and volleyball. The two sports featuring in these photos are touch football and tug-of-war. The “big bone” trophy comprising a large bone from a beast housed inside a wooden framed glass case, was awarded to the winner of the day competition. The evening competition often included darts, carpet bowls, hookey, quoits and billiards/snooker. The “little bone” (a mounted chicken bone) was the consolation trophy awarded to the winner of the evening competition. The 3-hour bus trip for the visiting unit on their return was typically very raucous. The history of the Bones Day competition is best described in the booklet titled - Bones of Contention Souvenir Program. 1965. Refer to Item 6267.These four photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio at Bendigo c1982. The photographs are on 35mm negative film. They are part of the Army Survey Regiment’s Collection. The photographic negatives were scanned at 96 dpi. There are additional photos in this set that have not been scanned due to poor quality or low historical value. .1) - Photo, black & white, 1982, Touch Football Team Back Row L to R: Brian Fauth, Bruce Bowers, Bob Mason, Paul Baker, Danny Galbraith, John Hook, Scott Payne. Front Row L to R: Roy Hicks, Peter Imeson, Alan Glanville, John Gilbert, Wally Chilcott. .2) - Photo, black & white, 1982, Tug-of-War Team Back Row L to R: Cliff Webb, Peter Treble, John Lane, Andy Wilson, Rick Warren, Rusty Williams, Brian Paul. Front Row L to R: Brian Fauth, Rick Downie, unidentified, Ken Slater, Rhys De Laine, John Smith, unidentified. .3) - Photo, black & white, 1982, Tug-of-War Team L to R: Peter Treble, Brian Paul, Rusty Williams, Rhys De Laine, unidentified (2), John Smith. Army personnel in background standing L to R: Rick van der Bom, Paul Hopes, Ian Nelson, Mick Dempster, John ‘Flash’ Anderson, Geoff Havelberg, John ‘Stormy’ Tempest, Bruce Gordon, Dan Cirsky, Neil Jones, Gerry Gates, Peter Main, Bob Thrower, Barry Miller, Gill Park. Army personnel in background seated L to R: Roger Pearson, Mick Gillham, Penny Knott, Leanne Shirley. .4) - Photo, black & white, 1982, Tug-of-War Team L to R: Rick Warren, Cliff Webb, Andy Wilson, Peter Treble, Brian Paul, Rusty Williams, Rhys De Laine, unidentified. Army personnel in background standing L to R: Rick van der Bom, Ian Nelson, Mick Dempster. .1P to .4P – No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, raaf school of radio, bones day

This set of 20 black & white photographs of the refurbishment of Air Survey Squadron’s production areas, was taken in circa 1982. These refurbishments were most likely in preparation of the AUTOMAP 2 production system and to accommodate the expansion of the Army Survey Regiment’s work force. This photo set also includes the exterior and interior of a new building - 16A, a modular building of several sections transported in and joined together as part of the expansion. Another modular building - 16B was added later in the 1980s to accommodate Technical Services. The two buildings eventually were removed after Fortuna was sold by Defence in 2008.This set of 20 black & white photographs of the refurbishment of Air Survey Squadron’s production areas, was taken in circa 1982. The photographs are on 35mm negative film. They are part of the Army Survey Regiment’s Collection. The photographic negatives were scanned at 96 dpi. .1) to .2) - Photo, black & white, c1982. Air Survey Squadron building refurbishment. Pathway between Building 16 and Building 16A. .3) to .4) - Photo, black & white, c1982. Air Survey Squadron Building 16 refurbishment. .5) - Photo, black & white, c1982. Air Survey Squadron’s CAPT Chris ‘Monty’ Gehrmann. .6) - Photo, black & white, c1982. AUTOMAP 1 system, L to R: SGT Jim Gill, unidentified. .7) - Photo, black & white, c1982. AUTOMAP 1 system, SGT Bruce Bowers. .8) - Photo, black & white, c1982. AUTOMAP 1 system, unidentified staff. .9) - Photo, black & white, c1982. Technical Services - L to R: Tony Spurling, Joe Farrrington. .10) - Photo, black & white, c1982. Technical Services - Tony Spurling. .11) to .12) - Photo, black & white, c1982. Technical Services, unidentified staff. .13) - Photo, black & white, c1982. Air Survey Squadron, L to R: SPR Nick Van Dalen, SSGT Les Dixon, unidentified. .14) - Photo, black & white, c1982. Air Survey Squadron, L to R: SGT Greg Byers, WO1 Graeme Birrell. .15) - Photo, black & white, c1982. Air Survey Squadron, L to R: SSGT Bruce Gordon, CPL Dave Irving, SGT Phil Meagher, SSGT Brett ‘Dutchy’ Van Leeuwin. .16) - Photo, black & white, c1982. Air Survey Squadron, L to R: SGT Mick Hogan, CPL John Gilbert, SPR Lorraine (Daly) Talbot-Smith, SPR Santina (Argetto) Straube. .17) - Photo, black & white, c1982. Air Survey Squadron, L to R: CPL Dave Irving, SSGT Bruce Gordon, SGT Phil Meagher, SSGT Brett ‘Dutchy’ Van Leeuwin. .18) - Photo, black & white, c1982. Air Survey Squadron, L to R: CPL Dave Irving, SGT Phil Meagher. .19) - Photo, black & white, c1982. Air Survey Squadron, L to R: SPR Lorraine (Daly) Talbot-Smith, SGT Mick Hogan, CPL Dave Irving. .20) - Photo, black & white, c1982. Air Survey Squadron, L to R: SGT Phil Meagher, CPL Dave Irving, SSGT Brett ‘Dutchy’ Van Leeuwin, SSGT Bruce Gordon,.1P to .20P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, photogrammetry, automap 1

Fred Mitchell 1988 Entrant No. 5 Ref: Series 34, Items 3, 4, 46-49 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, fred mitchell, scan - 35mm negative, film - kodak ga 100 5095

Original West family home, Fabbro's farm, Bell Street, Eltham Karen Hynes 1988 Entrant No. 10 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, scan - 35mm negative, fabbro's farm, karen hynes, west house

Andrew Peel 1988 Entrant No. 28 Ref: Series 34, Items 11, 60-63 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, andrew peel, film - kodak gb 200 5096, scan - 35mm negative

Leanne Bachman 1988 Entrant No. 29 Ref: Series 34, Items 12, 64, 65 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, film - agfa xr 100 i, leanne bachman, scan - 35mm negative