Tags were used to identify wounded or deceased soldiers. All soldiers were issued two tags: one to stay with the body and the other to go to the person in charge of the burial for record-keeping purposesRossac Henry Claude 1737 25 Btn....Left Aus 20 08 15 Born India Patna 14 7 1892 Enlisted Queensland Sent to Alexandria Landed Gallipoli 12 10 1915 France Marseille 19 3 16 wia 9 10 17 (France) returned to Aus for discharge (medical) 21 04 18 Awards1914-15 star British War MedalVictory Medal WWII V18817 Enlisted Royal Park served 1939-45 His daughter Mena Roussac also enlisted 2 tID tags for Henry Claude Roussac 1737 Signaller 25 Bn Ist AIF one is round made of brownish fibre board and the other is oval made of aluminiumFibre tag Roussac H C 1737 25 BN AI Bapt The other aluminium Sig. Roussac1737 25 Batt A.I.F.roussac henry, id tags, dog tags wwi, gallipoli, 25 bn. 1st a i f

“Pennies” were awarded to the Next of Kin of soldiers who died in or as a result of the “Great War” and approximately 1.5million were issued up until the 1930’s they were accompanied by a scroll (letter) from King George with the message “‘I join with my grateful people in sending you this memorial of a brave life given for others in the Great War”. The Name of the serviceman, which appears on the medallion' is always shown without rank. This is to show that the sacrifice of all men is of equal value.Stanley Alan Morey was born in Dulwich, London, England from whence he came to Austalia and lived with his parents and elder sister in Brighton Victoria He became a fitter and turner. He enlisted in the A.I.F on the 21th April 1917 Service number 3444 and was assigned to the 59th Battalion and embarked from Sydney on the HMAT “Port Melbourne” on the 16th July 1917 He went to France from England on the 9th January 1918 and joined his unit 18th January 1918 at Le Havre Less than 3 months later he was Killed in Action. He has no known grave but is remembered by a Memorial at Villers-Bretonneux, France Round Bronze Medallion/PlaqueDepicts British rule of the sea (Britannia with two Dolphins), and a lion representing the British Empire. The lion stands on an eagle which represents the defeated Germany. A small insert has the Soldiers name embossed within a rectangular border. Around the rim of the plaque appear the words "He died for freedom and honour"dead man's penny, stanley alan morey, 59th battalion, villers-bretonneux, next of kin memorial plaque

WWI ? trench artWhite cloth embroidered with rising sun badge flanked by Australian and British flags and butterfly created from National flag colours of Great Britain France and Germany Australian Commonwealth Military Forces (Butterfly) From your soldier boy

The intrenching tool of the Australian soldier was a British design. It is carried in an Australian leather infantry equipment blade carrier, commonly known as P15 equipment The Australian version was made of two pieces, riveted together with three rivets. The depth of the handle (helve) collar is considerably thicker than the accepted British pattern of the same time. http://www.grantsmilitaria.com/Steel trenching tool head with shovel enf and pick end Oval hole for fitting handleStamped AUSTRALIAtrenching tool. entrenching tool

Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. Longstaff painted the work after attending the unveiling of the Menin Gate memorial, at Ypres in Belgium, on 24 July 1927. The memorial commemorated those men of the British Empire, including Australia, who died in the battles of the First World War around the town. The painting is part of the collection of the Australian War Memorial in Canberra. It was purchased by Lord Woolavington for 2,000 Guineas and presented to the Australian government.[1] After a royal command viewing for George V and the Royal family at Buckingham Palace, the painting was displayed in Manchester and Glasgow. It was then taken around Australia, where record crowds paid to view the work. Longstaff oversaw the making of 2,000 prints and 400 of these were given to the nascent Australian War Memorial to sell to raise funds.Rectangular shaped glass covered picture frame showing a print of the MENIN GATE AT MIDNIGHTMENIN GATE AT MIDNIGHT by WILL LONGSTAFF Presented to the Commonwealth Government of Australia by Lord Woolavington paintings, prints, ww1, lara r.s.l. menin gate, world war one.

Bapaume was a large German-held town almost within sight of the Australians’ trench lines throughout the winter months on the Somme. Suddenly, from 24 February 1917 it became evident that the enemy was retiring. The British advanced after them, and by the morning of 17 March Australian troops reached the outskirts of Bapaume. The soldiers’ heightened spirits were exemplified by the band of the 5th Australian Brigade playing amid the burning ruins as they marched into the old town square on the 19th. However booby traps and time bombs had been left behind; one exploded in the town hall a week later burying men and killing twenty-five.On the Western Front, Bapaume was a coveted position between the two strategically-important areas of Artois and Somme. The Germans occupied the town in 1914 and in the final eighteen months of the war it changed hands three times.Rectangular shaped Sepia photograph with an added note underneath.Bapaume was occupied by Australian troops on the 30th Mar 1917. An Australian mounted patrol moving through the wrecked streets of the town. Note the French helmet on the forward rider.ww1, bapaume, french battlefields, lara r.s.l.world war one, australian army.

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

photograph prints 2 offTwo rectangle Black & White Photographs A, On board a family ship the Borda, bound for Australia, December 1919. More than 10000 Australian soldiers had married in Britain, and many returned accompanied by wives and young children. (Australian War Memorial D00935) B, Australian soldiers and their British wives go ashore on leave at Cape Tpwn, South Africa, during the voyage to Australia. (Australian War Memorial D00936)photograph prints 2 off

Photo 1. Photo of B Troop taken 10 Aug 1944 of Air Defence Battalion. Royal Artillery British Arm tasked with defence of bases. Mix of male and female soldiers. Photo 2 - Photo of members of 541 AA Battery, 158 Regiment taken 10 Aug 1944, taken at Raby, Cheshire. mix of male and female soldiers. Related to Beryl Scrimshaw (Morrel). Refer Cat 304P, 315.Photo 1. - Black and white original photo (formal) of members of Air Defence group (158 Reg,./30th Brigade). Taken in front of a Nissan Hut at Whitlew Bay, Newcastle. Mix of men and women in uniform. Photo 2 - Black and white original photo of members of Air Defence Unit. Photo taken in a field. Large number of men and women in uniform taken at RABY, Cheshire.1. Name of unit (541H (m) RA BTY, 158 Regiment/ 30 Brigade) Date taken, location and some other notes. 2. Notes on back of identity of unit (B ..... Royal Artillery) Photo taken (Ruby, Cheshire) and breakdown of location of unit.royal artillery, air defence, british bases, ww2

Photograph contained within album Walter Ainsle STEVENSON. NX85457 & 21171. Enlisted 23 January 1942 aged 19 years. Discharged 4 October 1948 RANK PTE. (BCOF) ( no other info available) Kelvin Robert CORDELL. VX 146338 Enlisted 25 November 1943 aged 18 years Discharged 10 December 1946 with RANK PTE in Australian Training Centre ( no other info available)Photograph album Photographs- two colour photographs of Mt Fuji. Twenty tow sepia and black and white reproduction photographs of Japan, after 6th and 9th August 1945. Hiroshima by BCOF Soldiers Album - cardboard, pink colour vinyl padded cover, with plastic photograph sleeves with backing light cardboard. .2) Programme- white paper, black, blue and red print on folded A4 sheet, one illustration.Handwritten in blue pen beside half portrait of two soldiers “L.W. STEVENSON / R.K. CORDELL / 67 BATT / 1946” .2) Programme- “British Commonwealth Occupation Force Memorial Service June N.S.W. Cenotaph Thursday, 25th October,2108 / 11 amalbums, military history, ww2, japan

Photo of Vickers Machine Gun Training. Used by British and Australian troops.Black and white photo of soldiers being trained in use of a machine gun - Vickers .303 inch.passchendaele barracks trust, vickers machine gun training

Booklet information "Extracted from Don Wall's book - Sandakan - The Last March" .Soft cover booklet - facsimile. Cover - cardboard, black print on cover, white background. Illustration - front, small black print of a soldier with bugle with cemetery scene. Binding tape. Pages 148 to 181 copied into booklet paper. End papers - printed colour triangular shaped images.books, history, ww2, sandakan

Coin commemorating Transvaal War 1900 for The First Australian Imperial Contingent.Small metal Commemorative coin, brown in colour, with a small hole drilled at the top to allow hanging.Side 1 - Impressed with "British Transvaal War" & Queen Victoria Profile. Side 2 - Impressed with "Success to 1st Aust Imperial Contingent" & picture of mounted soldier.transvaal war, boer war

Page 4 has handwritten description of soldier and enlistment details - George Goulding. Enlisted at St. Georges Barracks, London. County of Middlesex. 31 December 1897, age 18 yrs, 10 mths. He joined Suffolk Regiment for 7 years. He was born in Whitechapel, London. Height 5'5-1/2 ", Dark hair, tattoo on left forearm. He served in various places abroad. Malta, Dolpa, Sth Africa, Southampton.This is a small booklet titled "The Small Book" British Army form B.50. The soldier's name is George Goulding No. 4886. The Regiment is Suffolk. In the centre of the cover are the instructions for use, beneath that is the crest of Great Britain. The rear cover is khaki coloured buckram. Inside are 24 pages. These have Goulding's description - Navy regulations and details of Goulding's Service.british suffolk regiment, south african war, boer war, soldier

Refers to the service of Edgar James William Foster. NR.911335 British Army.This is a pocket sized booklet. It is made of brown buckram for the cover. Inside are paper pages printed in black ink. The covers have small pockets on the inside. The pages cover service history of soldier, vaccinations, trades etc. In the rear pocket is a small cricifix cross made out of grass/flax.Lots of hand written entries from various officers.ww2, british army

This compass was confiscated from a Japanese soldier, when the Japanese surrendered to the British in Hong Kong, September 1945. It was acquired by Squadron Leader Victor James RAF, stationed in Hong Kong and New Territories Refer Cat No 5084P.Small circular compass of 25mm diameter. It has a black dial. A simple double ended arrow indicates bearing, arrow also has glow in the dark material on end. It has a small black leather strap and buckle. The top outer circumference is divided into segments with Japanese symbols.japanese, wwii, raf, hong kong

The Album contains photos in Japan, soldiers messes, accommodation, tourism, soldiers in groups. Item relating to Frank “Dinky” Dean BEM, his photo is on first page on the right, refer Cat No 124.2 for service details.Photo Album, blue fabric covers, 24 pages making 48 double sided, front cover has sewn on crown with scroll under, all in various colours.Sewn on cover, “Commonwealth British Forces”albums, photos, bcof, japan

Representation of all the Commonwealth Forces that served in the Boer War.Framed print with the title of "SONS OF THE EMPIRE". Frame: timber with decorative edge, brown stain colour, glass front. Mount: Cream coloured cardboard with outer mount timber with gold coloured paint. Print: Black and white grouping of men in uniforms of various countries with flag, horses and some soldiers holding rifles. Artist signature at base of print. Title and information printed below illustration.Artist signature on print "Harry Payne/Dec/99" Printed title below illustration - "SONS OF THE EMPIRE" Printed information below title - "Dedicated by Special Permission to / Field Marshall the Right Hon. Viscount Wolseley. K.P., G.C.B/, G.C.M.G./Commander in Chief of the British Army"" with signature in black ink "Wolseley F.M."framed print, commonwealth, boer war

Map Robinsons “Territory of New Guinea and Papua” 0ff white colour rectangular shape, shows New Guinea, Papua, New Britain, New Ireland & Bougainville, colours red, orange, yellow, green designating boundaries, when folded one section has in blue a depiction of An Australian Soldier with palm trees & native hut.“Map No 315”maps, new guinea, robinsons

This postcard was sent by an Australian soldier from Cairo to Australia during the First World War. It has the capacity to illustrate issues of British Imperialism, Australian approaches to race and religion, and the experience of Australian Soldiers experiencing world travel during the war.Postcard with a black and white image of citadel and tombs of the Mameluks, Cairo. Has writing on the reverse in black ink, and some scribble from a blue pen."The polish of the main pyramids is decorated in the interior of the tombs. I use to pass this often when going for stores in Cairo. It is rather nice but the Gyppoes sleeping on the foot path, and other stupid pranks. Harvey." Publ. the Oriental Commercial Bueau. Port Said.cairo, egypt, wwi, world war one, first world war, australia, army, british empire

This book tells of the BRITISH Army from the very earliest times down to the latest actions of the British Army in the great war.Rectangular in shape.Khaki in colour.The book has 284 pages. THE BRITISH ARMY BOOK is printed on the front cover and the spine.There is also a picture of mounted soldiers riding into battle on the front cover.

The term ‘puggaree’ originates from the Hindu word, ‘Pagri,’ meaning a turban or thin scarf of muslin. Intended for insulation, the puggaree was a traditional Indian head-wrap, adapted by the British for headdress worn in hot, sunny regions. During World War One (1914-1918) a plain khaki cloth band was worn and this practice continued until compulsory training was suspended in 1929. Following the introduction of Voluntary Training in 1930, new puggarees were issued to the Commonwealth Military Force with different coloured folds denoting Arm or Service. During World War Two, a flat type of band was issued. Troops who were on active service in the Middle East at the time introduced a folded puggaree as a distinguishing mark of active service. Later, the Army reverted to various types of plain bands, green dyed puggarees for example, for jungle warfare. However, the official puggaree at the conclusion of World War Two was still the flat band. The current puggaree has seven pleats, one for each state and one for the Australian Territories. It is made from light khaki coloured cotton and is worn on the slouch hat with a unit colour patch sewn on the right side. While the majority of the Australian Army wear the light khaki coloured puggaree, there are slight variations for members of the 1st Battalion, the Royal Australian Regiment, and the Corps of Staff Cadets. Soldiers of the 1st Battalion, the Royal Australian Regiment, wear jungle green puggaree. The dark green puggaree was introduced during the Battalion’s service in Malaya over the period 1959-61. Unable to get puggarees from Australia for an official parade; the task of producing them was given to the Battalion tailor, Mr. Mohavved Beseek. Mr Beseek used ‘bush shirts’ (common issue British field uniform at the time) to make the puggarees as he was unable to obtain the khaki material locally or from Australia. It is thought that the Commanding Officer, Lieutenant Colonel W. Morrow decided that the green puggaree would be the puggaree worn by the 1st Battalion, the Royal Australian Regiment, in Malaya. After the battalion’s return to Australia, the dark green puggaree was adopted for permanent use. Because the dark green puggaree is so distinctive, the battalion does not wear a colour patch. Royal Military College staff cadets wear a distinctive puggaree of olive drab colour. The puggaree has eight pleats, with seven representing each state and one for the Australian Territories. The eighth pleat signifies the graduation of the first international cadet through the Royal Military College who hailed from New Zealand. Worn on slouch HatHat BandNilpuggaree,hat band, slouch hat, lara rsl

There is a Union Jack brought back from South Africa by 1229 Trooper Fredrick James Smith. Between 1899 and 1902, around 16,500 Australians served in South Africa during the Boer War. This was the largest international deployment of troops from the Australian Colonies before Australian Federation. Of the 16,500 men who served in South Africa, 606 were killed in action or died of diseases. The Australian War Memorial records that the fighting conditions in South Africa extremely hard on men and horses. Australians fighting in South Africa were doing so as part of Colony based Regiments such as the Victorian Mounted Rifles, New South Wales Lancers, Queensland Mounted Infantry as well as units from the other states. Australians were awarded six Victoria Crosses during the campaign along with many other decorations. In May of 1902 the treaty of Vereeniging was signed officially ending the Boer War. The Boer War is commemorated in many Towns and Cities around Australia. The Lara RSL Sub Branch holds some memorabilia from the Boer War. There is a Union Jack brought back from South Africa by 1229 Trooper Fredrick James Smith. He was a resident of Lara and was a member of the 5th Victorian Mounted Rifles. It was reported that he carried this flag into battle. The Lara RSL also holds the flag staff of the China, South African and Old Veterans Association. Both these items are of national significance. Both the flag and flag staff were used in marches in Geelong each year until 1916 when Anzac Day commenced. The flag and flag staff were donated to the Lara RSL sub Branch when he joined in 1928. Fredrick James Smith was born at Lara in 1879, the son of Mr/Mrs Smith from Lara. He was a farm hand from Horton Vale, Anakie when he joined F Company of the 5th Victorian Mounted Rifles at the beginning of February 1901. Two weeks later, he left for South Africa on the 15th February. Before leaving, he purchased the flag from W. Libby & Son Geelong. Frederick Left for South Africa on the 15 February 1901 on the Orient. He saw service between March 1901 - March 1902 in east Transvaal and Natal frontier under the British Major General S. Beatson then Pulteney, including the defeat at Wilmansrust where 18 soldiers were killed and 42 wounded (12th June 1901 - heaviest casualties of any Australian contingent,); and the successful intervention at Onverwacht on the 4th January 1902. The 5th Victorian Mounted Rifles suffered: 36 killed or died of wounds, 13 died of disease of a contingent of 46 Officers, 971 Other Ranks and 1099 horses. They returned to Australia on the 26th April 1902 on the Custodian after sailing from Point Natal in South Africa on the 5th April. On his return, Tropper Smith (Saddler Private) joined the South African Soldiers Association of Victoria – Geelong Branch, and after 1928, he joined the Lara RSL. He was buried in Western Cemetery on the 19th June 1968 at the age of 89. Enrolled February 1901 Departed for South Africa on 15 February 1901 Establishment: 46 Officers, 971 Other Ranks with 1099 horses Mobilised at Pretoria: 24 March -- 4 April 1901 Typical company: 1 Captain, 4 Lieutenants, 1 company sergeant-major, 1 company quartermaster-sergeant, 1 sergeant-farrier, 1 sergeant-saddler, 5 sergeants, 6 corporals, 3 shoeing-smiths, 3 saddlers, 1 bugler, 99 privates. Total in company: 126 with 131 horses. Engagements: Rhenoster Kop, Klippan, Kornfontein, Drivelfontein, Wilmansrust, Kambuladraai, H'Lobane, Luchiel's Nek, Loch's Kraal, Vryheid, Onverwacht, Johnston Hoek Killed in action (or died): six Officers, 48 Other Ranks VC Winner: Lieut. L. C. Maygar News article Leader (Melbourne) Saturday 31st May 1902, page 42 - Dear Cinderella. — This is the second time I have written to you. I was very sorry at not seeing my first letter in "The Leader". But I hope to say, that this one will be in. The last time I wrote to you I told you that my brother (Fredrick Smith) went to the Boer War in South Africa, and that he was supposed to be killed in the Wilmansrust disaster. But this time I am going to tell you about his return, and the grand welcome he got from the residents of Lara. Mother, Father, and my Brother, went down to Melbourne, to meet the boat. You can just imagine how rejoiced we all were to see him back again. The railway station was decorated some thing beautiful with flags of all description all the colours you could think of. He has bought a lot of Boer curios home and some Kaffir bracelets. They are such funny looking things. The residents of Lara, also gave my brother a grand social and ball there were over four hundred people present, They presented him with a hand some gold chain, and locket suitably inscribed, and a pair of gold sleeve links, they were magnificent. The ball was very nice. . I had a few dances. I enjoyed myself grand. I think this is all I can tell you this time. I must conclude with love. I remain yours sincerely - BESSIE SMITH. Age 14-years. This flag is of national significance as it was used in the Boer War by Private Fredrick James Smith (SN:1229) of the 5th Victorian Mounted Rifles, F Company in their deployment to South Africa between 1901 and 1902. The flag was taken into the Wilmansrust engagement in which 19 soldiers died and 41 were wounded. On return to Australia, the flag was used in marches by the South Africa, China Old Veterans Association - Geelong. This flag represents a unique part of Australian history from which the movie, Breaker Morant was taken. It is of spiritual significance as the Boer War was where the first Australian received the Imperial Victoria Cross, and the spirit of Anzac was conceived, giving birth in World War 1. The Flag represents the spirit of Australians who fought and died in South Africa.Cotton Union Jack flag approx 221cm wide by 109cm tall with small repair patches and center section cotton deteriorated.Has the word "Lara" inscribed in black on bottom part of the flag heading. Has the flag makers name "W.Libby & Son" on the top part of the flag heading.boer war, union jack flag, south africa, wilmansrust, 5th victorian mounted rifles, f coy, private fredrick james smith, service number 1229, february 1901, april 1902, south africa china old veterans association

This volume narrates the part played by the Australian Corps in the barring of the German advance upon Amiens in 1918. It also endeavours to explain the change of outlook which enhanced the spirit and performance of Australian soldiers throughout the last year of the war. The main subject necessarily involves a more than incidental reference to the performance of the British Army in the greatest battle ever waged.During the main German offensive 1918Official History of Australia in the War of 1914-18 - Volume V - The AIF in France 1918 Hardcover cardboard, Illustrations, Maps, Chronologymessines, ludenorff strike, australian corp, amiens, dernancourt, battle of lys, villers bretonneux, hangard wood, somme, st. quentin, fonquebillers, lancashire fusiliers, 53rd battalion, 35th battalion, sir henry wilson, arras, battle of hazebrouck, kemmel ridge

World War 1 Australian Bombardier with the Royal Field Artillery189 A brass gift box with an embossed hinging lid which was presented to WW1 sailors and soldiers for Christmas 1914. The gift was at the initiative of HRH The Princess Victoria Alexandra Alice Mary the daughter of the then King George V and Queen Mary. 189.1 Small card with paper insert 189.2 Three medals with coloured ribbons, one medal has a small metal badge attached. Items belonging to Bombardier G.S.Hunt, 57473 in the Royal Field Artillery, WW1.The lid is embossed with the bust of HRH Princess Mary in a wreath with the letter "M" to either side and the following words "IMPERIUM BRITANNICUM" and "CHRISTMAS 1914" and has the country names "FRANCE", "BELGIUM", "JAPAN", "RUSSIA", MONTENEGRO" and "SERVIA". 189.1 Front of card a crown with M underneath with 1915 under that. Inside Wreath with sword through it and the words With best wishes for a victorious new year from The Princess Mary and friends at home. 189.2 WW1 Campaign Medals / ribbons 1914-15 Star, British War Medal and Victory Medal.brass, hunt, g.s hunt, christmas, 1914, princess mary, bombadier, ww1, world war 1, army, royal field artillery, 1914 star, british war medal, victory medal

The Chart displays unit colour patches worn by members of the Australian military forces during world war 2. the Australian Military forces consisted of the 2nd Australian Imperial Forces and the Permanent Military ForcesDuring the world wars and the years in between, Australian soldiers wore cloth patches of various shapes and colours on their upper sleeves to indicate to which unit or formation they belonged. The use of colour patches was discontinued in 1949 when the British system of embroidered shoulder titles, formation signs and lanyards was adopted. In July 1987 colour patches were reintroduced in order to foster the Army’s heritage and are now worn on the right side of the puggaree on the slouch hat. Coloured Print of Colour Patches of the Australian Military Forces World War TwoNumbered Colour Patches and descriptions of each patch 1 to 630

All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history. (.1) The soldier receiving the award is Frank Dean, going by the medals he is wearing this is pre Vietnam service, possibly in Malaya 1959/61. (.2) Frank Dean on the right. (.3 .4) Frank is 2nd from the left. (.5) Frank is 4th from the left. Photo is post Vietnam, possibly Malaya 1969 - 71. (.6) The RSM centre is wearing Vietnam ribbons. This is possibly Malaya, 25 years of 1 RAR. (.7 - .10) Frank is on the left, the Officer appears to be British, most likely Malaya 1969 - 71. All photos are B & W. (.1) Soldier being decorated by a Dignitory in civilian clothes. (.2) An Officer and soldier in conversation. (.3 .4) Group of 5 soldiers viewing an event. (.5) Group of 7Officers/NCO’s and 2 civilians toasting in a Mess. (.6) Two Officers and an RSM cutting a cake in a Mess. (.7 - .10) An Officer and a senior NCO taking a salute at a parade. All the same photo.photography, military, malaya

“FARELF” Far East Land Forces (Malaya) “BCFK” British Commonwealth Force Korea. All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR 1943 - 1975. Refer Cat No 124.2 for his service history.All photos are B & W. (.1 - .4) Three soldiers sitting at a table with one standing looking over. (.5) Soldier throwing water over himself. (.6) Soldier kneeling with an Owen gun aimed. (.7) Soldier cleaning a weapon. (.8) Two soldiers looking out through an aeroplane door. (.9) Soldier, no shirt on aiming a pistol. (.10) Soldier with a dart or rod in his mouth. (.11) Soldier kneeling aiming what appears to be a shotgun. (.12) Soldier inspecting the bar real of an Owen gun. (.13) Soldier inspecting a pistol. (.14 - .15) Two Nurses talking to two soldiers. (.16) Large group of soldiers on the deck of a ship.(.1 - .15) On rear stamped in purple. “Public relations Australian Army Force GHQ FARELF, GUN ....... MC” After GUN on each photo is an individual number. (.16) On rear stamped in purple. “Photo No, please credit to Public relations HQ BCFK” In pencil. “2961”photography, military, korea, malaya

All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history. The photos are believed to be taken during 1 RAR’s 2nd tour of Korea 1954 - 56. BCFK (British Commonwealth Foce Korea)All photos are B & W. (.1) Two soldiers beside a sign holding a bottle of beer. (.2) Shows a hand painted sign on a timber boards. (.3) Same sign on a single board. (.4) An Australian and Korean soldier laying barb wire. (.5) two soldiers in winter clothes holding a box of rations. (.6) Large parade of Australian soldiers with a camp and buildings in the back ground. (.7) Group of men lining up receiving rations. (.8) Three soldiers sitting each with a tin of Golden Circle fruit or juice. (.9) Group of Officers lined up behind sand bags. (.10) Group of soldiers lined up on the ground with explosions in front of them. (.11) Australian soldier in a trench with radio equipment gear on. (.12) Five Australian soldiers on a road with a Jeep in the rear. (.13) Five soldiers silhouetted against a bush back ground. (.14) Australian soldiers in open ground firing mortars. (.15) Nine soldiers in the back of a truck, Frank Dean on the left in front. (.16) two soldiers, one being supported by the other. (.17) Three soldiers, one in white apron cutting up bread. (.18) Soldier in a trench wearing a steel helmet.All photos have on the rear stamped in purple; “Photo No, please credit to Public relations HQ BCFK” military, british common wealth force korea

The cards revolve around "Hannah FIRTH". See also Cat. No. 4048.10P for more cards. .1) Addressed to "Hannah" from "Clarry (Peanuts)". .2) To "Dear Hannah, April 13th 7.30pm". Not signed off but from same person as .1) & .3). .3) Addressed "Dear" from "Dillon (Clarry)". .4) To "Dear Hannah" from "Yours ERIC". .5) There is no to or from but mentions "ERIC". .6) - .9) all are written on rear in large purple writing with the following: "Love to Hannah x x" "To Hannah with Love x x x" "With the Australian Contingent in Eygpt" "Love to Hannah x x" .10) Addressed to "Mrs H. FIRTH 18 Brunswick St Morley Leeds Yorkshire". The date on card is unclear. .11) On rear in red "No 33 - some of the nurses in their quarters at an Australian Casualty Clearing Station". .12) On rear in fine print "Patriotic Series No. 22" Across both 4048.10P & 4049.12P there is two other addresses for "MISS H. FIRTH". 1. 28 Young St Fitzroy, Melbourne. 2. 2 Turner St Abbotsford, Melbourne.Twelve photograph postcards of different scenes revolving around “Hannah”.1) & .2) Postcards, colour, centre has oval shape with British flag and all around are 11 smaller flags with country name on. In gold speckled writing top & bottom "From A. 10th Field Coy Engineers. On rear in black pen extensive letters. .3) Postcard, colour, centre has horse shoe with Australian & British flags. In same speckled gold writing as .1) & .2). On horseshoe in black pen "Good luck to Hannah & Clarence". .4) Postcard, black & white, showing a ship, at the bottom printed "TROOPSHIP HORORATA". On rear short letter in purple. .5) Postcard, sepia, showing soldier on horseback at the Pyramids & Sphinx. On rear brief letter in pencil. .6) Postcard, sepia, showing a street scene which appears to be a place called "Muski" in Eygpt. Brief note on rear in purple. .7) Postcard, sepia, showing domed building, re the "Blue Mosque". Brief note on back in purple. .8) Postcard, sepia, scene over buildings being "View from the Citadel". Brief note on the back in purple. .9) Postcard, sepia, showing a sailing craft on a river being "Felluca on the Nile". .10) Postcard, colour, hand drawn, shown a flag flower arrangement, centre in an arrow through a heart. Address on rear in black. .11) Postcard, black & white, showing a group of nurses. Card was put out by the "Aust Comforts Fund". .12) Postcard, colour, drawn showing six different nations soldiers carrying flags.photographs, postcards, hannah