Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).Black silk, with multi-coloured embroiderery Manton de Manila shawl. The shawl was owned and once worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. It probably dates from the 1930s.evening wear, piano shawl, manton de manila, doris bennett (nee wilmot), women's clothing

Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting.

Holmes Family WW1 memorabilia Château de Malmaison is a country house in the city of Rueil-Malmaison about 12 km from Paris. It was formerly the residence of Joséphine de Beauharnais. She bought the house in April 1799 for herself and her husband, General Napoléon Bonaparte. From 1800 to 1802 the headquarters of the French government. (http://en.wikipedia.org/wiki/Ch%C3%A2teau_de_Malmaison, accessed 11/07/2014(Black and White postcard of a double storey chateau in France.chatham-holmes family collection, mailmaison, france, world war one, napoleon, postcard

This portion of terracotta roof tile was salvaged from the wreck of the Antares by Flagstaff Hill diver, Peter Ronald. It has letters, numbers and symbols impressed into the clay by the manufacturer. The Italian barque Antares was an iron three-masted sailing clipper built in 1888 by Russell & Co of Port Glasgow originally named the “Sutlej” and renamed in 1907 the “Antares” when sold to the Semider Bros of Genoa Italy. The vessel left Marseilles on the 18th of December 1913 with its master captain Gazedo destined for Mullaly & Byrne of Melbourne with a cargo of roof tiles but failed to arrive. The wreckage was found near the Bay of Islands twenty-two miles east of Warrnambool after a body had washed ashore. Some of the timbers washed up were charred by fire, and a small boat's stern board with the name "Sutlej" led to the identification of the wreck as Antares which had been reported missing. According to later reports, the Antares wrecking was overshadowed by war news at the time. A young local boy had remarked that the Germans had arrived off the coast as he had seen them firing off shells and rockets, but his story was passed off as a joke. These rockets were most likely the distress signals from the stricken ship. The Italian barque/clipper Antares was sometime later reported as overdue. The wreck of the ship was later found at the base of a cliff at the Bay of Islands near Warrnambool in November 1914, there were no survivors.This tile is significant in its association with the wreck of Antares and is registered as a Shipwreck Artefact A/2. This tile is significant for its association with the sailing ship Antares, one of the last of the 'tall ships' to be lost along the southwest coast of Victoria, and the only wreck that took the lives of all people on board. The significance is recognised by its listing on the Victorian Heritage Register VHS S34. The Antares is significant as a sail trader carrying international inbound cargo. It is part of the Great Ocean Road Historic Shipwreck Trail.Roof tile; terracotta clay tile shaped for fitting together with other tiles. Inscriptions are impressed into the clay. It was recovered from the wreck of the Antares. Impressed text:”- E R I E S DE LA MEDITERRANEE” “ … T S – MI-LES BOU- R …..” Impressed symbol: (Sideways crown or tree) (could be TULLERIES DE LA MEDITERRANEE)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, roofing tile, building materials, antares, peterborough, 1914 shipwreck, sutlej, antares rock., bay of islands, terracotta tile, clipper, roof tile, building material

Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios

Photograph of carthorse and dray with 8 girls seated on it. Front left seated: Eleanor Parsons, front right seated June de Chaneet. 3 out of the 8 girls were identified as: Eleanor Parsons (1939), June de Chaneet (1939) and Jay Leach (M.J. Leitch? 1939) in 1938 or 1939. Caption, "Off to the Orchard - Girls of Burnley Horticultural School setting off for work in a farm dray yesterday." female students, eleanor parsons, jay leach, m.j. leach, students working outside, horse, dray, june de chaneet

In 1955 the Polish Community in Chile wanted to Commemorate the 10th Anniversary of the ending of the 2nd World War but, since it was not a happy occasion, as Poland had been betrayed and placed in the Soviet sphere of influence, they chose to create a Pennant with a plea for the Patron Icon of Eastern Poland - Our Lady of the Sharp/Morning Gate (Matka Boska Ostrobramska/Zaranna) in Vilnius (Wilno) - to give them a new Miracle on the Vistula, in reference to an epic battle which took place on 15th August 1922 on the banks of the Vistula (Wisla) River in which the Polish troops defeated the Soviet Army and turned back the march of Communism to the West. This particular Pennant was purchased by Stanislawa Zamecznik (nee Zakrzewska), while living in Chile after deportation from her birth place in Sianozatki near Bychov (Bychow) to Schweningen in Germany from which they emigrated to South America as Displaced Persons. It was brought to Australia when the Zakrzewski Family emigrated from Chile in 1956, first to Port Augusta and then subsequently to Sydney.It is significant in that it tells the story of the aspirations of the Polish Diaspora displaced from it's Homeland in the Kresy Region and scattered throughout the World, including the Americas and Australia.Pennant of red cloth with screen printing in white, mustard yellow and black hung on copper wire with gold cord Front: Polish inscription "KROLOWO POLSKI / BLAGAMY CIE O NOWY / CUD NAD WISLA / SANTIAGO DE CHILE / 15.VIII.1955" Back: Spanish inscription "LA CASA DE BANDERIN AHUMADA 61"polish pennant polski proporczyk orzel eagle matka boska ostrobramska zaranna our lady of vilnus santiago chile cud nad wisla miracle on the vistula

A black and white photograph of Erica De Wit one of the lead singers with the Official Apr-May 70 Sydney Concert Party and an Engineer Digger friend trip the light fantastic to the delight of the audience at 1 Australian Task Force Base, Nui Dat, Luscombe Bowlphotograph, entertainers, sydney concert party, erica de wit, 1 atf, nui dat, luscombe bowl, gibbons collection catalogue, digger

Photograph probably for promotional purposes, of a "David Sowden & Sons" loom, No102, "Lasting or Serge de Berrie Loom". Photograph was among items from Yarra Falls Mill.Photograph, sepia, of a "David Sowden & Sons" loom, No102, "Lasting or Serge de Berrie Loom".LASTING OR SERGE DE BERRIE/ LOOM/ DAVID SOWDEN & SONS/SHIPLEYtextile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Black and white photograph (2 copies- 1 large, 1 small postcard)Typed below large photograph: "St. Vincent's de Paul band at opening of Mechanics Institute, Main St. Cnr. Adelaide St. 1909"

A black and white photograph of Members of Australian Army Training Team Vietnam assemble on ANZAC Day 1970 in Danang enjoy Erica De Wit, lead singer of the Official Apr-May 70 Sydney Concert Party. The concert was held on the lawn of AATTV HQ in Downtown Danangphotograph, entertainment, erica de wit, aattv, anzac day 1970, danang, gibbons collection catalogue

Linocut printSigned and dated 'T de Kessler 1959' lower left corner under printed image.

Bundoora Square is the shopping centre on the corner of Plenty Road and Settlement Road Bundoora. The newspaper clipping shows staff, Iolanda and Enza, at De Maria Continental Foods in 1988.Digital copy of newspaper articlebundoora square, bundoora shopping centre, plenty road bundoora, de maria continental foods

This was the first work de Clario painted during his Australia Council residency in Paretaio, Arthur Boyd's studio in Tuscany. It was painted in an old stable with a vaulted ceiling that reminded de Clario of a cenacolo or supper room. Domenico de Clario has an international reputation, gained particularly through his installation work and collaboration with composers and musicians. De Clario made many irregular shaped, un-stretched paintings during this period. He was involved with Arte Povera, a socialist based art movement where the 'poverty' was reflected in the choice and use of materials. This work was entered into the 1986 Shire of Eltham Art Awards. Painting: oil on canvas mounted on stretched canvas. Semi abstract painting containing out of focus objects within a room.de clario, painting, semi abstract, expressive, painterly, personal, arte povera, paretaio

This book tells the story of William Barak and the de Pury family, where descendants of both sides still live today. It also has national significance as a story that explores the complex, first generation negotiations between Aboriginal and European people. Also the establishment of Coranderrk Aborignal Station at Healesville and the growth of the wine industry in the Yarra Valley. William Barak was a Wurundjeri leader and the de Purys' were a wine making family. The book complemented and exhibition called Oil Paint and Ochre 29 Aug - 22 Nov 2015.Soft cover paperbackwilliam barak, de purys, corranderk

This 300 year old book deals with the theory of light and colour and with investigations of the colours of thin sheets, 'Newton's rings', and diffraction of light. Newton uses a wave theory of light and his corpuscular theory to explain his observations. Sir Isaac Newton (1643-1727) was a great figure in the history of optical science. His classic 'Opticks' was first published in English in 1704. This Latin edition of 1706 was published to satisfy a wider scientific audience in Europe. Newton was Lucasian Professor at Cambridge 1669-1693 and a fellow of Trinity College. He achieved fame as a creative mathematician and for his law of universal gravitation which explains planetary motions. He retired from research in 1693 to become a government official in London.This book is highly significant as a milestone in the study of optics. Although not a very rare book, only one other copy is listed by WorldCat in an Australian institution.Latin edition of Newton's 'Optics' translated by Samuel Clarke. This copy is bound in full calf leather of the period, 348 pages, with fold-out figures plus a 24 page appendix 'Enumeratio linearum tertii ordinis' and a 43 page appendix 'Tractus de quadratura curvarum'. It is in outstandingly good condition.Inscribed on the fly leaf in pencil is that this is the 2nd edition, the first in Latin, and that Newton gave Clarke 500 pounds for the translation.refraction, optics, newton, reflection

MEDIUM: Digital print. DESCRIPTION: A fractal exploration on 192 gsm archival matt. Image ranges from yellow, orange, and red to darker tones. Gold outer frame with a glass front. The Mandalas geometric designs are symbolic of the universe and used in Hinduism and Buddhism as an aid to meditation. The creative possibilities that exist in these sacred circles, are often based on a step-and-repeat principle, centre, and symmetry. Here we see this put into practise. The mandala has an iris quality about it with 16 pillars pulling centrally to what looks like a pupil, the centre of the mandala. This then has more points around it and then more once again. This fractal approach gives the work a textural depth. The use of blurring and merging in a kaleidoscopic fashion creates movement, the circular flow repetitive and calming. The use of reds throughout mandata art represent the glowing sun and of fire, red generally taken to be the color of life, love, joy and rage, the polar values of the color. Orange the colour of cheerfulness and gaiety, a colour mixed from red and yellow, it stands for kind-heartedness and warm-heartedness. Signed, titled, dated and editioned on image across bottom.de, print, digital, dear, amber, bead, mandala, fractal, expolration

MEDIUM: Photograph/Print DESCRIPTION: Photographic collage Black outer frame with glass Image and white board inner frame under glassSigned and dated; proper left corner on white board under imagephotograph, de, print, me, roach, catch, if, you, can

Mrs Caroline de Graaf photographed in 1929. Caroline and James de Graaf were married in 1885 and came to live in Surrey Hills. They had two blocks of land at 13 Charles Street. At first James rode his bicycle to his work in Richmond and each week Caroline would walk to Richmond carrying her baby to see her parents. They would put their shopping on the bike and walk home in the evening. Eventually train schedules suited them and they were relieved to be able to use the train for the trip. James later became employed in the timber trade in Box Hill. A black and white photograph of a lady seated on the sand. She is wearing a coat and hat and carrying a bag. There is another bag on the sand beside her. It is possibly a camera bag.(mrs) caroline de graaf, (mr) james de graaf, charles street, surrey hills, clothing and dress

"The Council Office of Paris in its session of 13th March 1972 awarded Monsieur Hugh Jeffrey the silver medal of the City of Paris." Dated 20th March 1972. Embossed on one side with the City of Paris's motto (Fluctuat nec mergitur) around a sailing ship above three badges (the Legion of Honour, the Croix de Guerre and the Ordre de la Liberation). The reverse side has 'Ville de Paris' (City of Paris) above an inscription 'Paris a Hugh Jeffrey 1972'.1 medallion in blue medal boxFluctuat nec mergitur (Tossed but not sunk)hugh jeffrey, awards

Voorraadpot made in Rotterdam by JM de Hoop and son. Used for storing preserved food eg. sauerkraut.Grey stoneware pot, amphora shape, blue ring above written inscription, two handles with blue markings. JM de Hoop & Zoon Rotterdam. On opposite side, circular brand with Fabrieks Merk depicting hope and anchorkeulse pot, storage pot

Etching and engravingTitled l.r. 'Our corporate who art in heaven'. Signed l.l. 'Rosalind Atkins eX De Medici"gas masks, flowers, flora, kauri pine, colaboration

Black and white photograph of a train arriving at Springhurst 1960On back of photo: "The 'down' goods arriving Springhurst 1.7.1960" Rubber stamp: "Photographed by Norman W. De Pomeroy"springhurst, railway stations, steam trains