In 1917 Bendigo Amalgamated Goldfield Ltd was formed from the amalgamation of 35 companies with operations on the Garden Gully, Sheepshead, Deborah and Derby lines of reef hoping to increase profits of these existing operations through economies of scale. This was difficult to achieve as the shafts involved were spread throughout the goldfield. Diamond drilling and good geological practices were introduced (Pabst was Chief Geologist) leading to some exploration success. However costs were rising rapidly and in 1923 the directors, deciding that mining would soon become unprofitable, dissolved the company returning assets to the original vendors. J.H. Lenten, Mine Manager, received his second class Mine Manager's certificate in September, 1914 at an examination held at the Bendigo Law Courts. One hundred pages of fortnightly manager's reports for Bendigo Amalgamated Goldfields N.L., Sheepshead Shaft. Reports consist of two pages for each fortnight, signed by J.H. Lenten, Mine Manager. Dates of reports range from November 20th, 1917 to 5th May 1920. Categories reported on include: development, stoping, tons from tributors, tons Company's stone, plant and machinery, underground workings, number of rock drill shifts, firewood used, coal burnt, and general remarks. charcoal burnt., lifting waterbendigo, margaret roberts, , goldmining, bendigo amalgamated goldfields, sheepshead shaft, j.h. lenten, mine manager

Three page report on Bendigo Mining NL, 28th October, 1980 prepared by Collect & Co. Credit Management Service. Report provides a credit record of Bendigo Mining NL, the nature of its business, details its directors, background and provides a statement regarding the business. The directors: Clive Singleton, Douglas Cahill, Richard Sandner, Richard Dungey, Desmond Robins, David Andrew. The nominal capital of the company was $250,000 and its nature of business was the exploration and drilling of a gold mine in the Bendigo area. The subject of the report is currently 'involved in a dispute with Western Mining Corporation over control of a gold mining lease. The matter is being arbitrated by the Department of Minerals and Energy'. It was anticipated that 'drilling will commence within approximately six months of the subject being given the go-ahead'.bendigo, gold mining, exploration, bendigo, western mining corporation, bendigo mining nl, drilling, gold mining

Black cover book, wire binding. Pages in reports numbered individually, overall approx 250 page report. On front: "Fosterville Gold Project' Project upgrade, EES Technical Appendix B. Central North, Central Ellesmere, Harringtons Hill." Page 1 'Perseverance Exploration Pty Limited' Book contains technical appendices. Topics: hydro geological assessment; surface drainage study, noise emission to residential properties, flora survey, tailings dam site; flora survey Wellesford Forest; Daley's Hill Plant List; diurnal Avifauna Survey - Wellesford Forest; survey of vertebrate fauna - Wellesford Forest; brief summary of fauna - Daley's Hill, Axedale, Aboriginal Archaeological survey; archaeological investigation Fosterville; traffic survey - Fosterville Sulphide Project; traffic report.bendigo, mining, fosterville gold mine

Two page document for Kirkland Lake Gold Open day 2019. Open Day activities include: bus tours, technical services display, geology, exploration, processing, community and environment display, minerals council of Australia, Swick drilling, Central Deborah Gold Mine, Face painting, Goldfields Re-vegetation, Delecca's hire equipment, MacMahon underground mining services, Sandvik, and ISH24 safety specialists. Map of 'Fosterville Gold Mine Site Map' with activities highlighted. Fosterville is Victoria's larges gold producer and in 2918 a records 356,230 ounces at an average grade of 24.9 g per tonne. The mine has over 600 full time employees in 2019. Entry for '9 levels of darkness' tour at Central Deborah Mine attached.bendigo, mining, fosterville gold mine

Project Mallee Country was support provided to Operation Raleigh by members of the Army Survey Regiment during the period 4 Mar - 26 May 1987. This is the report on their activities. Colonel John Blashford-Snell and Prince Charles launched Operation Drake in 1978, running youth projects from ships circumnavigating the globe, to develop self-confidence and leadership through adventure, scientific exploration and community service. In two years 414 young people took part in the round the world voyage, working on land-based projects in 16 countries. Following the success of Operation Drake, the much more ambitious Operation Raleigh was established in 1984, and ran for five years until 1989. The success of Operation Raleigh saw it continue on a permanent basis in 1988, with an emphasis on land-based expeditions.A4 Report, beige coloured cover, brown motif of Mallee Fowl, containing typed paper pages, poor quality photocopied photos and diagrams, unbound.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This is a book of 16 pages. The cover is green and has black printing and an image of ship on the front cover. The back cover has some pencilled scribble. The pages contain printed text.non-fictionInformation on the Mahogany Shipmahogany ship, warrnambool maritime history, warrnambool mahogany ship

Stage 3 tour of Hume and Hovell monuments organised by Russell Yeoman. At the centenary of Hume and Hovell exploration in 1924 a committee was formed to co-ordinate and organise local celebrations along the route from Albury to Corio Bay. An itinerary was created for the unveiling ceremonies giving the hour and date for each place concerned from 15 to 21 November 1924. Thirty-three monuments or cairns were erected at Violet Town, Euroa, Avenel, Seymour, Broadford, Kilmore, Mount Bland, Bulla, Moyhu, Hansonville, Benalla, Samaria, Swanpool, Yarck, Yea, The Horn (Buffalo), Myrtleford, Whorouly, Everton, Murmungee, Stanley, Back Creek, Allan's Flat, Staghorn Flat, Ebden, Bethanga, Hume Reservoir, Strath Creek, Deer Park, Werribee, Lara, Bulla, Everton.Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6activities, back creek, hume and hovell, monument

Stage 3 tour of Hume and Hovell monuments organised by Russell Yeoman. At the centenary of Hume and Hovell exploration in 1924 a committee was formed to co-ordinate and organise local celebrations along the route from Albury to Corio Bay. An itinerary was created for the unveiling ceremonies giving the hour and date for each place concerned from 15 to 21 November 1924. Thirty-three monuments or cairns were erected at Violet Town, Euroa, Avenel, Seymour, Broadford, Kilmore, Mount Bland, Bulla, Moyhu, Hansonville, Benalla, Samaria, Swanpool, Yarck, Yea, The Horn (Buffalo), Myrtleford, Whorouly, Everton, Murmungee, Stanley, Back Creek, Allan's Flat, Staghorn Flat, Ebden, Bethanga, Hume Reservoir, Strath Creek, Deer Park, Werribee, Lara, Bulla, Everton.Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6activities, back creek, hume and hovell, monument

Stage 3 tour of Hume and Hovell monuments organised by Russell Yeoman. At the centenary of Hume and Hovell exploration in 1924 a committee was formed to co-ordinate and organise local celebrations along the route from Albury to Corio Bay. An itinerary was created for the unveiling ceremonies giving the hour and date for each place concerned from 15 to 21 November 1924. Thirty-three monuments or cairns were erected at Violet Town, Euroa, Avenel, Seymour, Broadford, Kilmore, Mount Bland, Bulla, Moyhu, Hansonville, Benalla, Samaria, Swanpool, Yarck, Yea, The Horn (Buffalo), Myrtleford, Whorouly, Everton, Murmungee, Stanley, Back Creek, Allan's Flat, Staghorn Flat, Ebden, Bethanga, Hume Reservoir, Strath Creek, Deer Park, Werribee, Lara, Bulla, Everton.Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6activities, back creek, hume and hovell, monument

Stage 3 tour of Hume and Hovell monuments organised by Russell Yeoman. At the centenary of Hume and Hovell exploration in 1924 a committee was formed to co-ordinate and organise local celebrations along the route from Albury to Corio Bay. An itinerary was created for the unveiling ceremonies giving the hour and date for each place concerned from 15 to 21 November 1924. Thirty-three monuments or cairns were erected at Violet Town, Euroa, Avenel, Seymour, Broadford, Kilmore, Mount Bland, Bulla, Moyhu, Hansonville, Benalla, Samaria, Swanpool, Yarck, Yea, The Horn (Buffalo), Myrtleford, Whorouly, Everton, Murmungee, Stanley, Back Creek, Allan's Flat, Staghorn Flat, Ebden, Bethanga, Hume Reservoir, Strath Creek, Deer Park, Werribee, Lara, Bulla, Everton.Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6activities, back creek, hume and hovell, monument

John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two artworks by John Collier inspired by his alma mater, the Ballarat School of Mines. art, artwork, john collier, ballarat school of mines, alumni

The history of Samuel Adams Utopias comes from the extreme beers of Triple Bock and Millenium that came before it. With those brews The Boston Beer Company began the exploration of aging beer in barrels for a different flavor contribution. In 2002 the first batch of Samuel Adams Utopias was introduced with a complex flavor profile unlike any other beer, and an ABV of 24-29%, making it the strongest naturally-fermented beer to date. Samuel Adams Utopias was brewed in 2003, 2005, 2007, 2009 and 2011. The beer is uncarbonated and ruby black in color with sweet flavors of honey, toffee, caramel, cocoa and vanilla balanced by distinct notes of molasses, raisins, plums and berries imparted from aging batches in a variety of barrels over the years. (http://www.samueladams.com/enjoy-our-beer/beer-detail.aspx?name=utopias) This brew is only released every two years,Gold ceramic unopened bottle containing Utopias beer vintage 2007 brewed by the Boston Beer Company. The beer is a limited 2007 edition with the number 08939. The decanter was handcrafted by Ceramarte of Brazil exclusively or the Boston Beer Company. Samuel Adams is depicted on the bottle. beer, beer awards, utopias, brazil, samuel adams

This souvenir represents the Hovell Tree, a local historic landmark in Albury, NSW. This item is from a collection donated by descendants of John Francis Turner of Wodonga. The Hovell Tree commemorates the exploration and naming of the Hume River (now the Murray) by Hume and Hovell`s expedition of 1824. In 1824, Governor Brisbane asked Hume to join forces with an English sea captain, William Hovell, to go from Lake George to the Spencer Gulf in South Australia. The Hovell Tree, marked by William Hovell on November 17, 1824 was flanked by another tree marked by Hamilton Hume which was destroyed by fire in the 1840's. The river gum was marked by William Hovell when discovering river. Hume and Hovell travelled from the Yass area and after crossing the Murray River where Lake Hume now is, they crossed the Mitta Mitta River and proceeded to Corio Bay, Westernport.This item is representative of souvenirs produced to represent key buildings and historic landmarks in the Albury-Wodonga district.A white cup with gilt trim around the lip. It bears an image of the Hovell Tree in Albury, NSWBeneath image: "HOVELL'S TREE, ALBURY."albury souvenirs, hovell tree, hume and hovell, australian exploration

John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This work and subject matter was painted for the artist's alma mater, the Ballarat School of Mines (now Federation University Australia). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colourful acrylic on canvas painting depicting the Port Phillip Gold Mining Company, Clunes.art, artwork, john collier, port phillip cold mine, clunes, clunes, available, alumni, mining

From - theladynelson.org.au T The original Lady Nelson was built at Deptford, in England, in 1799, for service to the Transport Office on the River Thames. She was designed with sliding keels (centre boards), a device invented by Captain John Schank of the Royal Navy to allow surveying in rivers and shallow water ways. On completion she was selected for exploration services in the Colony of New South Wales and sailed for Port Jackson on 18 March 1800 under the command of Lieutenant James Grant. A brig of 60 tons, she carried a crew comprising the commander, two mates and twelve seaman. As she left the River Thames sailors on nearby ships ridiculed her because of her size and shape, calling her, as she sailed past, 'His Majesty's Tinderbox'. At Portsmouth on the 9th February 1800 she was fitted with four brass carriage guns, three to four pounders, in addition to the two guns already on board. Because of the heavy load she was carrying she was very low in the water, having only two feet nine inches freeboard amidships. The ship finally left Portsmouth on 17th March 1800 as part of an East Indian Convoy. From 1800 to 1825 the Lady Nelson operated around the Australian Coast and fulfilled a variety of roles including exploration, surveying, forming settlements, shifting goods and people around the colonies and capturing pirates. She played pivotal roles in the European settlement of Hobart, Northern Tasmania, Melbourne, Newcastle, Port Macquarie and Northern Territory. Those onboard charted much of Bass Strait, Port Philip, Newcastle, Port Macquarie and (with the Investigator) the coasts of northern New South Wales and southern Queensland. She also has links to other locations around the East Coast such as Trial Bay in NSW and the Mt Gambier area of SA. After 25 years of service while trading on the island of Baba the Lady Nelson was overrun by the islanders, the crew was killed and the ship stripped and later burnt and sunk. A replica of the Lady Nelson was built in the 1980s.Image of a tall ship in sail. The ship is flying both the Aboriginal flag and the Australian Flag. It sails on a calm sea. There are figures on the deck - four in total. The image is mounted on cream board and framed in dark timber. Etching, hand coloured,.Front: 'Lady Nelson A/P BT' - hand written, pencil in between etching and mount Back: Artist's business card glued to back of etching, lower left hand corner:ady nelson, femal artists, female artist, women

Dick Richards joined the Ballarat School of Mines in 1914, and soon afterwards was granted leave to join an expedition to Antartica. In 1915 he sailed from Australia with the Antarctic Exploration Expedition, led by Sir Ernest Shackleton. Prime Minister Bob Hawke wrote in 1984 'Your incredible journey of almost 2000 miles across the Antarctic Wastelands - involving some 9 months in the field with makeshift equipment - and you're adherence to duty in the face of enormous difficulty, suffering from scurvy, and the death of comrades, will; be an inspiration to your countrymen of the future as it is to us today." After returning to Australia Dick Richards resumed his work at SMB as Lecturer in Physics and Mathematics, and developed many pieces of experimental equipment. During World War Two he acted as a scientific adviser in the production of optical apparatus in Australia. In 1946 he was appointed Principal and twelve years later he retired after a total of 44 years service.Correspondence .1) Dick Richards to the Ross Sea Committee, 06/06/1957 .2) Letter from Wilis N. Tressler to Dick Richards, 21/12/ .3) Letter from Dick Richards to Willis N Tresslerdick richards, r.w. richards, willis tressler, cape evans, mcmurdo sound, u.s.s. glacier agb-4, lettherhead, antarctica, ballarat school of mines principal, captain mackintosh, spencer-smith, hayward, cape royds, mortimer mccarthy

The Boer War Memorial was created by sculptor James White in honour of Australian Soldiers who fought in the South African War (1899-1902). White used the electrolytic copper deposit method to produce this large statue, which is sometimes mistaken for a cast bronze work. The Foundation stone was laid on 18 May 1901 by H.R.H The Duke of York (George V). The sculpture was unveiled on the 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia and then Mayor of Ballarat, J. J. Brokenshire. Bravery and mateship are beautifully captured in depiction of a scene taken straight from the battlegrounds. Today the memorial is a much-photographed tribute and exploration of the friendships and struggles of men at war. A proud cavalry horse bears the weight of two men in the chaos of the battlefield. The Boer War in Africa was an early example of the Australian Colonies sacrificing men and equipment for Britain to defend it’s Empire against colonial insurgence. The memorial is of historical and aesthetic significance to the people of Ballarat.Horse and figures, bronze mounted on bluestone base and granite plinth, plaques list the war dead. The artwork depicts two soldiers and a horse. A British soldier is being succoured by an Australian mounted rifleman. In honour of Australian Soldiers who fought in South Africa 1899-1902. Foundation stone laid 18th May 1901 by H.R.H The Duke of York (George V). Unveiled 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia. J. H. Barker Chairman. J. J. Brokenshire Mayorboer war, south africa monument

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

Working across installation, video and painting, Quandamooka artist Megan Cope investigates issues relating to colonial histories, the environment and mapping practices. Black Napoleon (Eulope) is part of a series of lithographs that highlights what Cope sees as ‘just one of the many stories of powerful and clever people defying Empire’ at the turn of the 19th century in Australia. The Black Napoleon series was produced as part of the Australian Print Workshop’s French Connections project. The project aimed to produce new work responding to the National Archive in Paris, with a focus on cultural materials relating to early exploration of Australia and the Pacific. It was important to Cope that she did not simply repeat the material of the archive, which was collected and conserved within a colonial framework. Instead, Cope’s work addresses Eulope’s sovereignty and role in resisting invasion. Eulope was a Quandamooka man named after Napoleon Buonaparte because of his leadership in battles against British forces, which invaded Stradbroke Island in the early 1800s.

Richard Osburne (1825-1895) came to Warrnambool in 1847, a pioneer resident in the new settlement. In 1851, with John Wilkinson, he founded Warrnambool’s first newspaper, the Warrnambool Examiner, and issued it weekly for some months until he left the town for the goldfields. Returning in 1853 he resumed publication of the Examiner and continued it, intermittently in its last few years, until 1880. He was acknowledged in his day as the Father of the Warrnambool Press and was a dominant figure in Warrnambool’s early history. He was associated with the establishment of the Aboriginal Reserves, Fire Brigade, Mechanics’ Institute, Warrnambool Council, National School, Presbyterian Church, Public Wants Committee, Villiers Building Society, Fish Protection Society, Dramatic Club, Cricket Club, Otway Gold Exploration Syndicate and other institutions. In 1882 he went to live in Melbourne, returning to publish his ‘History of Warrnambool’ in 1887, a Queen’s Jubilee publication. Richard Osburne’s book is a seminal work of the 19th century history of Warrnambool and its importance cannot be over-emphasized. The original copies of this book are now hard to get and are very valuable. This facsimile is kept because the facsimiles are also now becoming rare and they are good examples of the way a facsimile is reproduced and the reason for the existence of this particular reprint– the importance and usefulness of Osburne’s history and the need to make it accessible to researchers today.This is a facsimile edition (1980) of Richard Osburne's book on the history of Warrnambool from 1847 to 1886. It is a hard cover buff-coloured book with gold lettering on the spine. The dust cover is cream-coloured paper with black writing. Inside the cover is a map of southwest Victoria (1880). There are five fold-up inserts (sketches, diagrams etc), a number of business advertisements, sepia photographs and sketches and an index. The dust cover includes information on the author. There are 25 chapters, a foreword by the Prime Minister of Australia, Malcolm Fraser and a Preface The proceeds of the book reprint went to Flagstaff Hill Maritime Village.This is a facsimile edition (1980) of Richard Osburne’s book on the history of Warrnambool from 1847 to 1886. It is a hard cover buff-coloured book with gold lettering on the spine. The dust cover is cream–coloured paper with black writing. Inside the cover is a map of southwest Victoria (1880). There are five fold-up inserts (sketches, diagrams etc), a number of business advertisements, sepia photographs and sketches and an index. The dust cover includes information on the author. There are 25 chapters, a foreword by the Prime Minister of Australia, Malcolm Fraser and a Preface The proceeds of the book reprint went to Flagstaff Hill Maritime Village.richard osburne, the history of warrnambool, warrnambool examiner

This photograph was taken during one of a series of workshops that were hosted by the Wooragee Landcare Group in the year 2004. In line with the main goals and missions of the Wooragee Landcare Group, these workshops aimed to promote biodiversity and land protection in the local area. Many of these workshops focused on either the protection of the endangered tiger quoll (spotted-tailed quoll) or the handling of fox infestations. Though the specific date of this photograph is unknown, it can be confirmed that it was taken outside of Wooragee Hall. Featured in the photograph, from left to right is: an unknown person, Jerry Alexander, Tony Prowse and Mary Prowse. The presence of wildlife ecologist Jerry Alexander suggests that this workshop focused on the tiger quoll, with possible exploration of its potential habitats (suggestive due to the outdoor location). The Tiger Quoll is the largest of the quoll species. Largely resembling a cross between a possum and a cat, the quoll is distinctive due to the white spots that are often found all over its brown fur.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate members of the public on the tiger quoll in the early 2000s in an attempt to better understand and protect the species. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paper. Reverse: WAN NAO1EONAON2. NNN- 1 1981 / wooragee, wooragee hall, wooragee landcare, wooragee landcare group, quoll, spotted-tailed quoll, tiger quoll, jerry alexander, jerry alexander ecologist, jerry alexander wildlife, tiger quoll habitat

Spiral bound booklet, plastic cover, black plastic binding, On front cover: Western Mining Corporation Bendigo Gold Project, Environment Effects Statement, December 1987. On front page, colour aerial photograph of Bendigo mining areas mentioned in report. Key on front page related to photograph: 1. Woodvale Evaporation Ponds. 2. New Moon area. 3. North New Chum Williams United shaft. 4. Carshalton, Carshalton shaft. 5. South Nell Gwynne, North Bendigo shaft. Contents: historical perspective; Western Mining Corporation Ltd Bendigo activities; project outline, project approvals - controlling factors, elements of the mining project, surface based exploration, underground operations and surface support, mining areas and operations ore and mullock haulage, New Moon area, water management, environmental management. Planning and land use, socio-economic environment, physical environment and biological environment are examined and discussed. bendigo, goldmining, bendigo mining nl, bendigo goldfield, environmental effects statement, bendigo gold project, woodvale evaporation ponds, new moon, north new chum, carshalton, south nell gwynne, western mining corporation

Switch-foot is a classic publication out of Australia 2005. This 210 page hardcover book has many of the immortal surfing images from the golden era in surfing from photographers such as Albe Falzon, George Greenough and Jack Eden. Stories from: George Greenough looking at his simple genius and his movie magic with ‘Dolphin Glide’ and ‘Behind the Scenes.’ The unmasking of the truth behind Peter Drouyn, 12 legends of the Lens (images from the golden era) The telling of Dick Van Straalen’s story and his current relationship with Dave Rastovich The art of Harry Daily Global surf travel with Colas Thomas Campbell drops by Rasta and friends music with the exploration into the mystery of the art of jamming Discussions about sustainable surfcraft production with Tom Wegener, the unveiling of new school talent within music and photography and also talking to important leaders in the field of classic surfing to gather information on surfboard design, single fin surfing and fin dynamics. Music from low pressure sound systems in the story titled ‘the art of jamming’ A significant publication that explores art, photography and music in surfing culture.Switch-foot (surfing art music) is a hard copybook of surfing photography with a black cover featuring 5 art panels and one panel with text. 'Switch-foot surfing art music'.ISBN 0-646-45057art, surfing, jack eden, switchfoot, music, surf photography, alby falzon, george greenough, peter drouyn, dolphin glide, dick van straaleen, jim banks, peter crawford, mark richards

This is a catalogue with a reinforced plastic-covered cover. It has 87 pages with illustrations and photographs. The sepia-coloured cover features a portion of a James Meek work of calligraphy.james meek, the inimitable mr meek, james meek artist