Seven copies of of ground floor and first floor plans of Ballarat Gaol, including aerial vierballarat gaol, ballarat school of mines, watchtower, gaol gates, governor's residence, warden's residence

The glazed, framed and mounted photograph hung at Elders Pastoral, Lara.( see worksheet)Photograph of Dennys Lascelles Ltd Main Show Floor Area 1 acre showing 7,700 bales. The Main Show Floor is the top floor of the 'Bowstring Tress' Wool store.wool sales, dennys, lascelles limited

Photograph of the first floor of a brick shop in the Main Road of Trentham. The first floor is the Trentham Masonic Lodge.trentham, freemason, trentham masonic lodge, masonic lodge

Photocopy of a plan of the former Ballarat Supreme Court House showing ground floor, first floor and three sections. former ballarat supreme court house, ballarat school of mines, architectural plans

First floor, back bedroom opens off first floor landing. Violet-flowered wallpaper and tartan carpethouse, dolls, tongue depressors

This Minton floor tile is from the wreck of the Loch Ard. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a white background, and beige, dark blue, light blue and black geometric pattern as well as leaves in the design. The tile has corner broken off and some chipping along the edges. The reverse has five rows of five evenly spaced holes. The back of the tile has inscriptions. Made by Minton & Co. at Stoke upon Trent. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO / PATENT / STOKE UPON TRENT"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile, minton tile, minton & co., stoke upon trent

IN THE CLUNES MUSEUM - GROUND FLOORlocal history, photography, photographs, museum, clunes

IN THE CLUNES MUSEUM - GROUND FLOORlocal history, photography, photographs, museum, clunes

Floor tile clay. Probably part of the mosaic floor design. Tile has little chips out of it. Reddish-brown in colour.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1900 -1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray

Item engraved with MCH (Margaret Coles maternity wing at the Alfred Hospital). MCH opened in 1943. "This maternity wing, which has been named after Mrs Coles, wife of Mr G. J. Coles, who gave more than £35,000 toward it." "The hospital's Margaret Coles House delivered maternity services from 1943-1984."An item that was used in MCH which is no longer in existence. Triangular with three bars of equal size with diamond shaped engraved crest 1st/ Floor/ M.C.H. / Hexagram star shaped emblem/ scroll inscribedmch, ahnl, alfred hospital, alfred hospital nurses league, melbourne hospitals, margaret coles, maternity care, obstetrics, midwifery

Set of three photocopied plans or drawings on A3 sheet of "Head Office" - c1937 .1 - P8643 - Plan showing Basement, Ground Floor and First Floor - shows MCC substation location in basement. .2 - P8644 - Plan showing Second, Third and fourth floors .3 - P8394 - Plan showing firth floor and roof, with lift rooms.trams, tramways, drawings, depots, property, head office, mmtb, substation

Print of drawing R4691, "Proposed Box Car" - with end and central doors, high floor - streamliner approach. Gives side elevation and floor plan.trams, tramways, sw6 class, w5 class, bogie trams, new tramcars, tramcar construction, proposals

Photo sent to Mary Jack, Pittsburgh USA by Charles Schwerkolt. Accompanying text sent by Charles - 'This is the end facing Deep Creek Road. You will notice the wood boards are all curved. The floor is all eaten away with white ants and is all levels and the weatherboards have fallen at the ends. The roof is very bad also the gable of the stone looks not so good. The wooden kitchen is about 6 inches away from the stone house all the way around. You will notice the roof of the stone house is all colours with rust and paint. You will notice there are no spouts to take the water away. I took another photo but the light got into the lens of my camera so they would not print a photo from it.Black and white photo of Schwerkolt Cottage. The condition of the Kitchen roof is visible. The floor was ant eaten and a 6"' gap separated the Kitchen from the Cottage. Thin Black Border.schwerkolt cottage, schwerkolt, charles clarence victor, whalen, rosalie, jackschowsky, mary elizabeth

Pghotograph. GSHS, floors beginning to take shape.

Huttley - Martin FamilyB/W: Bride with Bouquet in front of drapes, floral headband, floor length veil. Long sleeved, floor length dress v cut in neck.Lorna Cleland (Nee Huttley) (wedding)huttley, martin

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

underwater photo of items from wreck on the ocean floorwreck of joseph h scammell