Black and white photograph - Recorder Band, 1964."Attached to photograph" Back Row- L to R: ?, Ross Stevens, Michael Pratt, ?, ?, ?, Chris McDonald, Nicholas Dow, Mark Smith, Darrel Frazer. 2nd Row- L to R: ?, ?, ?, ?, ?, ?, ?, Ian Maher, Peter Carruthers, Martin Lawrence, ?, Esther Kramer. 3rd Row- L to R: ?, ?, Gail Pritchard, Pam Morris, ?, ?, ?, ?, ?, ?, ?, Susan Richards, ?, ?, ?. Front Row- L to R: ?, ?, ?, ?, ?, ?, Lorraine Tann, ?, Joanne Fly, Elizabeth Clarke, Meg Flower, Kerry Marsh, ?, Annette Smeaton, (?) Chappel. On Ground: ?. Teacher: Mr Colin James.

Unit members in the photo: Back row: Peter Herd, Mick Stewart, Ian Bunston, Russ Bradley, Bob West, Peter Reid, Norm 'Doc' Willoughby, Brian Hinneburg, Claude Gillard, _______ , Kevin Hatfield, Ian Hicks, Mack Hinds, John Woodruff. 4th row: Geoff Smith, Phil 'Juni0r' Meakins, Phillip Roff, George Wing, 'Bluey' De Clerk, Bob 'Canada' Johnston, Jim Walsh, Mike Hicks, Ern Jeffries, Carl 'Dutchy' Hulsbergen, Leigh Power, __________ , Norm 'Mick' Kennedy, Ray Bunyard, Jack Murray. 3rd row: Jeff Tomlinson, ______ , Vince Nehill, Jim Stephens, Bert Boatwright, Bill Leach, Bob Reid, Peter 'Padre' Bowden, ______ , Frank Read, Peter Higgins, Bill Salmon, John Hutchinson, Gus Kongas, Tony Poole. 2nd row: Roman Stuczynski, Stan Polan, Allan Moore, Don Bergman, Col 'Ali' Barbour, Peter Askew, Ron Smith, OC Major John Hutcheson, Adj Capt John Pritchard, Lt John O'Rourke, Ron Scott, George 'Taffy' Drakopoulos, Ted Malone, Ray Sanders, Kevin Collins, Barry Creighton. 1st row: Tom Massey, Mick Thurlough, Glen Watterson, Joe Frazer, Warren Hutchings, Max Coulson, Graham Gould?, Maurice 'Elvis' Priestly, _______ , 'Bluey' Darlington, 'Bluey' _____ , _____________ , 'Tich' McIntyre, Jim Trainor. Proovided by Jim Trainor.One of a very few photos only of (almost) the complete personnel of 2 Cdo Coy in its early years. B & W group photo unframed, 5 rows tiered, 73 men in winter battledress at the 2 Commando Company depot at Ripponlea, Melbourne in 1958. A separate document names most of the men. Described by Jim Trainor as Ripponlea pay parade July 1958. 2 commando company - 1958 - pay parade - ripponlea depot - unit personnel

The Golden Eagle is an original design by Geoff Richardson. Geoff commenced gliding in the early days of the sport circa 1933 in Melbourne, flying at Coode Island and Mt Frazer. In 1934, he began construction of a secondary type glider but scrapped it upon realizing that a better design was needed. He conducted further research and came up with a sailplane of similar size and general arrangement to the Grunau Baby but with a “Gull” wing using a Gottingen 535 wing section (the same as for the Grunau Baby). Geoff did all the technical calculations himself and even made up and tested a Casein glue for the construction. Geoff competed construction of his new sailplane (which he called the “Golden Eagle”) in 1937 and it was test flown at Laverton at the western edge of Melbourne in September 1937. On the same day, at Laverton, the Gliding Club of Victoria flew its new Grunau Baby 2 sailplane which it had imported as a finished machine from Edmund Schneider in Germany. The Golden Eagle was found to fly well, having a similar performance to the Grunau Baby. In the 1950s, the Golden Eagle was modified by rebuilding the front of the fuselage to enclose the cockpit with a Perspex canopy. A landing wheel was incorporated behind the skid. Spoilers were added to the wings and a trim tab to the elevators. The Golden Eagle has been flown with the VMFG (Victorian Motorless Flight Group) for most of its long life. When donated to the Australian Gliding Museum in 2016 by Alan Patching it was probably the oldest, continuously airworthy glider in the world. Having regard to the historical significance of the Golden Eagle, the Museum has decided to not to fly it anymore to avoid risk of loss or damage. The exhibit is of great significance for Australian gliding history – the Golden Eagle is a flyable 1930s aircraft in excellent condition that was designed and built by an Australian gliding pioneer. Single seat wood and fabric sailplane finished with white wings, tailplane and rudder and yellow fuselage Registration letters “FC” on fuselage nose port side, Australian flag, Vintage Gliders Australia and VMFG decals on rudder, “Golden Eagle” lettering in red on each side of the fuselage below the canopy, Aboriginal flag decal on port side of fuselage below the canopy. australian gliding, glider, sailplane, golden eagle, richardson, patching, vmfg, victorian motorless flight group

Hand drawn Coat of Arms for the soldiers known as the Rats of Tobruk with signatures of those involved in the engagement between 5th April to the 22nd of October 1941 The drawing is signed by artist John DOWIE AM, SX6087 who served with the 2/43rd Battalion Signatories are: VX42389 Eric Hamilton, 2/32 Battalion; VX30189 F.Baldwin, 2/23 Battalion; VX34544, F.J.Mc.Intosh 2/24 Battalion; VX34554 W.Harrison, 2/24 Battalion; WX7281 P.Bone 2/25 Battalion; VX33719 Duke Goldsmith, 2/24 Battalion; VX41179 Harry Frazer, 2/24 Battalion; VX29652 A.R.Stribley, 2/24 Battalion; SX6367 Jack Foley, 2/43 Battalion; VX48340 Harry Jones, 2/23 Battalion; VX42317 Aub Jarrott, 2/24Battalion; VX28869 Rod Deering 2/24Battalion; VX15719 Ian F. Joss 7th Division AASC; VX19723 Len Dauria, 2/12 Field Regiment; NX35852 R.E (Snowy) Cornelius 2/13 Battalion; VX32559 Jim Gray, 2/24Battalion - James Cyril GRAY Born 6/1/1916 in Orroroo South Australia. Enlisted 28/5/1940 at Mildura. Awarded Military Medal for remarkable coolness, bravery and leadership at Tobruk on 24/4 and 1/5/1941. He was promoted to Sergeant on 14/8/1941, Lieutenant in November 1942 then Captain on 9/4/1945. He was wounded in action on 11/9/1943 and discharged on 20/12/1945. He married and had three children. He died on 10/4/1992 aged 76 and buried at Wangaratta Cemetery.This original drawing is by John DOWIE SX6087 who served with the 2/43rd Battalion during the second world war and is signed by the artist and soldiers from the 2/24th Battalion known as "Wangaratta's Own". John Stuart Dowie AM (15 January 1915 – 19 March 2008) was an Australian painter, sculptor and teacher. He was born in the suburb of Prospect in Adelaide, South Australia, and studied architecture at the University of Adelaide. During World War II, Dowie worked in the Military History Unit of the Australian Imperial Force, and as an assistant to Australia's official war sculptor, Lyndon Dadswell. As a soldier, he was one of the Rats of Tobruk. After studying art in London and Florence, Dowie returned to Australia. His work includes over 50 public sculpture commissions, including the "Three Rivers" fountain in Victoria Square, "Alice" in Rymill Park, the "Victor Richardson Gates" at Adelaide Oval and the "Sir Ross & Sir Keith Smith Memorial" at Adelaide Airport. He was made a Member of the Order of Australia in 1981 in recognition of service to the arts as a sculptor and painter. Dowie died on 19 March 2008, aged 93. There is a similiar version of the drawing on page 32 of the book Desert Sand and Jungle Green by Geoffrey Boss-Walker which is an illustrated history of the 2/43rd Battalion.Timber frame containing hand drawn Coat of Arms consisting of "rats" as shield supporters, crest with a swastika in the centre and motto surrounded by signatures.Signatures of artist John Dowie and soldiers engaged at Tobruk. The crest depicts a latrine and the motto reads NON FASCES SED FAECES (Latin translation - "Do not move but the dregs") rats of tobruk, coat of arms, 1941, john dowie

Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king

Photograph, Sepia, Easter Sports 22 and 23rd April 1867 in aid of Creswick Hospital. Structures in order from gate 1 No. 3 Publican’s Booth- W. Davies. 2 Richardson’s Show 50’ x 25’ inside platform 14’ outside 21’ x 18’ (Braganzro (?) provide poles) 3 Refreshment Booth 50’ x 12 ½ ‘ shingle roof, bazaar and wheel of fortune (J. Hook) 4 No. 1 Publican Booth, T. W. Anthony 40’ x 20'. 5 Storage for donations. Secretary’s office, Steward’s room 60’ x 13’. 6 Dancing Booth 80’ x 30’ floored with such boards; contains 8,000’ of ?? 7 No. 2 Publican’s Booth W. J. Whatman. Sports commenced 1 p.m. 2 large swings at south end of ground; running was 300 yards round platform for dancing in center; skittle alley fenced off near entrance; portion roped off on East side and provided with seats for ladies; entrance 1/- children 6d A. M. Wilson- Aunt Sally; Mr. Rowell- Doodlem Buck ; 3 shils a penny; Bobbly Down; Wheel of Fortune; Sunny’s ? ; skittles, Dancing excellent string band Monster balloon ascends last day, sent by J. Moore at conclusion of sport. Full brass band. Easter Sports Committee; H. Piening treasurer; C. Whiffle; E. Williams; J. Machiman; H. Williams; G. Frazer; B. Trevan; W. Johnson. W. Pobjoy Hon. Sec. Refreshement Booth; Mesdames Geljon, H. Williams, Moore, Sedon (2), Burke, Grigan, Whalley.Lennon Troupe: Lennon, Burrel, & Carroll Taming a Tiger. Photograph taken from Water street about intersection with East side of Roger street. Photo taken by H. Moser Monday 22nd April 1867) Easter Sports 22 and 23rd April 1867 in aid of Creswick Hospital. Photograph, Sepia, 1 No. 3 Publican’s Booth- W. Davies. 2 Richardson’s Show 50’ x 25’ inside platform 14’ outside 21’ x 18’ (Braganzro (?) provide poles) 3 Refreshment Booth 50’ x 12 ½ ‘ shingle roof, bazaar and wheel of fortune (J. Hook) 4 No. 1 Publican Booth, T. W. Anthony 40’ x 20'. 5 Storage for donations. Secretary’s office, Steward’s room 60’ x 13’. 6 Dancing Booth 80’ x 30’ floored with such boards; contains 8,000’ of ?? 7 No. 2 Publican’s Booth W. J. Whatman.photograph, h. moser, easter sports, creswick

A photo of 14 the original team of men that started the I.L.C. (Intermediate Legacy Club). Norman Smith is on the left of the front row, other names were identified on another copy of the photo at 01622. Back row: R. Rummell, D Fitzgerald, T Kennedy, J Lawson, R Davidson, F Holliday, A Warnecke. Front row: N Smith, R Gilbert, F Corrie, E Kennedy, J Kennedy, A Lawson, L Frazer. Absent: J MacGregor, A Davidson, F Hollingsworth, B Woods. Background: The ILC was formed in 1930 with a total membership of 16. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy.An early photo of junior Legatees who had formed the Intermediate Legacy Club in 1930.Black and white photo of 14 foundation members of the Intermediate Legacy Club.Handwritten on the back "Norman Smith I.L.C." in blue pen. Also "Originals of I.L.C. (Norm Smith on the left of the front row)" in pencil.ilc, junior legatee, norm smith

Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape

Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

5 black and white images on one page copied from the "Weekly Times". (2 copies)"Written under images" The Ringwood Horticultural Show. Committe Group (Reading from L to R): Bottom Row- W. Chandler, E. McComas (Sec), H. Thatcher,(President), H. Chandler (Vice President), Middle Row- G. Maggs (Treasurer), J.Cameron, C.D. Hall, J. Muldowney, A. Chandler, P. Farnielo, W. Maggs. Top Row- H. Maggs, E. Kleinert, J. Hann, L.W. Chandler, J. Maguire. Photos by Frazer and Vallance, Little Collins Street, Melbourne. Pasted on back of cardboard copy- Newspaper cutting on the R.H.S. Show as reported in the "Weekly Times" 30/3/1901. Early R.H.S. Shows were held next to Club Hotel in Mount Dandenong Road.

A copy of a newsletter published by the Intermediate Legacy Club (ILC) from 1933. It included news, poetry and president report by Len Frazer. Len was later the first Junior Legatee accepted into Melbourne Legacy after serving in the second world war. Background: The ILC was formed in 1929. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. A record of the activities of the ILC to its members in September 1933.White quarto paper newsletter x 14 pages, of the ILC in 1933, Vol 1 No 1.ilc, junior legatee

Skippy and Toni St Elmo were responsible for early developments at the Falls Creek resort and for promoting a love of skiing. They left Melbourne in 1945 and settled at Falls Creek and moved into the first building constructed of corrugated iron and timber at Falls Creek in 1946. They were Falls Creek’s first workers with Toni employed by the State Electricity Commission to record weather-related data up to the construction of the Kiewa Hydro-Electric Scheme. In 1957, Toni was involved in building the first rope tow called Nissen on the same route as the Summit Quad. He also established the Nissen Ski School with ski instructor Milan Kovacic and was involved in the building of the resort’s first ski club Bogong in 1949. Toni taught Skippy to ski and she practised on the High Plains where she and her husband lived. Skippy St Elmo won many ski races during the 1950’s and represented Australia in New Zealand.Skippy and Toni St Elmo were pioneers of the Falls Creek area, promoting local ski sports and tourism. The played an important role in opening up the Falls Creek area and developing its sporting potential by establishing the first ski school, ski lifts and early lodge facilities. Skippy and Toni St Elmo were honoured at the Alpine Village at Falls Creek on November 17 2006, with the spreading of their ashes at the place which played such an important part in both their lives.Set of 8 black and white photographs of Skippy St Elmo and other skiers 1. Skippy and 3 others in New Zealand 1951 2. Skippy and 5 others Falls Creek 1955 3. Cake celebrating 20 years of sport at Nissen Lodge 4. Skippy and friend outside Nissen Lodge 5. Skippy on the ski slopes 6. Skippy on the ski slopes 7. Albury Ski Club team New Zwealand 1957 8. The Bogong Ski Club 1950 Written on back of photos 1. Bob Howe Albury, Skippy New Zealand 1951 – 942H 2. Falls Creek 1955. Skippy St Elmo: H Devonassore; Margaret ?; ?; Tony St Elmo; Olive? 3. Written on cake Nissen Alpine Club. 20 years of sport. FRED 4. Skippy St Elmo 5. Skippy 6. Skippy 7. Bob Howe (Albury) Skippy New Zealand 1957. Albury Ski Club Team raced in NZ 8. The Bogong Ski club, Coronet Park, 1950. M Denham (Capt); B Wiltshire; R Roberts; Skippy St Elmo; Gwen Morris; J Frazer; J Smith; L Piera; Manager & Coach Toni St Elmo. J D Knowles Photographer Box 188, Queenstown. 744B falls creek, skiing, bogong high plains

Black and white photograph - Grade 5, 1947."Attached to photograph" Back Row - L to R: Graeme Rattray, Paul Divola, Brian Simpson, John Caird. 2nd Row - L to R: Norman Wright, Brian Pump, Russell Read, Bill France, Phillip Collins, Peter Wigley. 3rd Row - L to R: Nola Scurry, Lorres Hill, Valerie Gordon, Yvonne Goodwin, Linley Clark, Lois Stevenson, ?, ?, Jennifer Parker, Chris Patterson, ?. 4th Row - L to R: (?) Georgie, Evelyn Willis, ?, Marion Medhurst, ?, ?, Elain Mathews, Valerie Everett, Dawn McAlpine, ?, ?. Front Row - L to R: Noel Deed, Ron Frazer, Brian Mallet, Vernon Lee, Ted Polkinghorne, John Wigley, Keith Thompson. Teacher: Added Sc0024 photo to "Media" and deleted VC entry 2157 on 14th June 2022. Sc0024 now with this Entry.

Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

Brown rectangular wooden honour board with a sculpted indentation with gold writing inside it.ACADEMIC ACHEIVEMENT 2000 M. Ashmead- M. Heathcote- J. Hunter- C. McCracken- M. Nelson- J. Sneddon 2001 S. Caruso- R. Conroy- M. Frazer- L. Heywood- C. Lucas- R. Steel- L. Smith- B. Winzer 2002 G. Doig- J. Farrell- K. Gibson- C. Groves- T. Hartwig- B. Montgomery- D. Morton- J. Sutherland 2003 J. Baird- M. Elliot- L. Smith- K. Temby(2)- A. Vincent- C. Wakefield- J. Young(2) 2004 S. Barrow- A. Baxter- K. Brown- E. Burrowes- D. Frame- L. Franke- S. Forge- M. Whitfort- E. Williams- A. Wilson 2005 J. Fletcher- E. Horne- B. Larkin. D. Montgomery. C. Wahlouist(2)- H. Watkins- K. Watts Honours for 2006 onwards are now located in the honours book.

A list of the foundation members of the Intermediate Legacy Club from March 1929. They were: Graham F Billet, Frank C Corrie, Alan Davidson, Roy Davidson, Dan Fitzgerald, Len Frazer, Roy Gilbert, Frank C Holliday, Fred Hollingsworth, EM (Ted) Kennedy, Jack Kennedy, AV Lawson, JV Lawson, Jimmy Macgregor, R Rimmer, Norman A Smith, R Warnecke, Bert S Wood. (Bill Johnston was also mentioned in a letter by Norm Smith as a 'first nighter' see item at 01635). Background: The ILC was formed in 1929 with a total membership of 18 according to this list. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. An important list of the initial members of the Intermediate Legacy Club. The ILC was active from 1930 to 1974.White A4 paper with black type of a list of 18 foundation members of the ILC.ilc, membership, junior legatee

Black and white photograph - Grade 4A, 1955"Attached to photograph" Back Row- L to R: M Corin, T Seagren, I Weist, D Sjogren, I Simpson, B Steegstra, B Cain, N Miller, ? Fitzpatrick, P Hill, ?, G Frazer, B Short, T Coutes, B Stevenson, P White, ?. 2nd Row - L to R: M Johnson, R Harris, S Dorman, H Trout, ?, W Marriner, ?, F Hackett, ?, ?, ?, L Corbett, R Thompson, V Pincock, I Wilton, L Sumpter. 3rd Row - L to R: I Marshall, N Maclarty, C Pavey, F Lillywhite, E Dexter, S King, ?, M Milne, ?, H Boyle, ?, B Stewart, J Smalley, K Sterling, Olwyn Hayes, ?, ?, I Clarksen. Front Row - L to R: D Richards, B Bangay, A Byrne, B Cooper, D Bolton, J Forbes, R Jenkins, R Albert, R Galfred, ?. Teacher: Mr Smith

A photo of 14 the original team of men that started the I.L.C. (Intermediate Legacy Club). It was probably taken about 1930 just after the ILC was formed. The accompanying letter dated 30/11/1983 and note shows the photo was sent to Legacy by Harold Bokes and given to Legatee Frank Doolan of the archive committee for the archives on 7/12/1983. The note in Frank's handwriting shows he had identified all the members in the photo and that it had been taken by John Barnes. Back row: R. Rimmer, Dan Fitzgerald, Ted Kennedy, J Lawson, R Davidson, Frank Holliday, A Warnecke. Front row: Norman Smith, Roy Gilbert, Frank Corrie, E Kennedy, Jack Kennedy, A Lawson, Len Frazer. Absent: Jimmy MacGregor, Alan Davidson, Fred Hollingsworth, Bert Woods. Background: The ILC was formed in 1929 with a total membership of 18. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy.An early photo of junior Legatees who had formed the Intermediate Legacy Club in 1930.Black and white photo of 14 foundation members of the Intermediate Legacy Club and a paper label, plus a letter and a note with the names of the members.Handwritten label says 'Foundation-Members of Intermediate Legacy Club'. Handwritten letter is from when it was sent to Legacy by Harold Bokes and is marked 'ILC1' in red pen as part of the early archive numbering system.ilc, junior legatee

A list of 22 members of the ILC who had served in the second world war and their details if known. A second note mentions that of 42 ILC members, there were 33 that served in the second world war. 12 in the AIF, 12 in the AMF, 8 in the RAAF, and 1 in the Indian Army. The balance were in reserved occupations or had ill health. Ranks held included 2 Majors, 2 Captains, 2 Lieutenants, and 1 pilot officer. Also noted was that 2 became POWs and one in the RAAF served in the No 10 Squadron. Background: The ILC was formed in 1929. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. List included: Edward Kennedy Graham Billiet, Cecil Waters, Len Frazer, Jack Suggett, Bert Hollingsworth, Jack Belsey, Frank Bell, Norman Smith, Ron Rimmer, Bill (Spud) Murphy, Jim Day, Don Cameron, Bill Johnston, Frank 'Happy' Holliday, Alan Williams, Doug Wade, Jack Rintoul, Bill Stanbridge, Alan Francis, Chris JorgensonA record of where the ILC members served in world war two and some of the ranks they attained. The ILC was active from 1929 to 1974.White lined note paper with handwritten list of members who served in World War 2.ilc, membership, junior legatee

7 PLATES AND ONE MISSING AIF 7th Division Band Championship Palestine 2nd March 1941 Won by 2/24 Battalion Bandmaster L/SGT L.G.SKANE DRUM MAJOR L/SGT P.C Russell side drums pte w.h. wilson pte r.k. johnson tenor drum pte. e.w.j. Forrest Bass Drum Pte N.M. Hogan Cymbals Pte E.Brear Buglars Pte GH Rickard PTE M.A. Johnson Suprano Coronet Pte G FERGUSON SOLO Coronets CPL D.W.Duncan PTE H.T PARSONS PTE DH FRAZER REPIANO CORONET PTE RD BLACKBURN FLUGEL HORN PTE. H.J. GAYLORD 2ND CORONETS PTE R.R. MATHER PTE J.W.COOK 3RD CORONET PTE L.J.MCDONALD SOLO HORN PTE D.M.GRAY HORNS PTE W.H.B SINCOCK PTE B HOLM BARITONES PTE M.R. CRICK PTE A.L. WARWICK EUPHONIMS PTE. E.A.SINCOCK PTE H.R CLOGAN TROMBONES PTE H.J SINCOCK PTE G.W. BARRETT BASS TROMBONE PTE E.G. MOFFAT

Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Six men sit in front of the group (Mr Imhose stands fourth from the left in front row), upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 10 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2491 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardHandwriting reads: "Mental Hospital / Beechworth / Miss A. J. Ross / about 82 in 1944".mental asylum, beechworth, mayday hills, mayday hills hospital, victoria, mental health, history of mental illness, treatment of metal illness, asylum, hospital for mentally unwell, miss a.j. ross, nurse, staff, doctors

BHS CollectionPale green covered exercise book with Victory printed in orange at the top right. Below is a circle with Victory at the top and Natural below. Across the centre is 100% Recycled Paper. Below is 96 page printed in white on an orange background. Below that is Exercise Book printed in dark green, and below that is the name plate. On the name line is a date 31-10-91. Book was used as a record of who bought tokens for the truckwash and how much they paid. Later the money was paid to the Council. Names in the book included: Robt Blake, Gib Davey,M Tappe, John Wilson, Allan Somerville, Peter Harris, ? Hearn, Andrew Beer, Jack McKenna, Don White, J Govett, J Wignall, Matthews Transports, Pickthalls Transport, Carlisle Bros, Noel Hartland, Grogans Livestock, K Stratton, Rutlands Transports, J Truscott, Des Byrne, Commercial Pig Co, Rick Thompson, M Connally, K Otoole, B McLean, K Stevens, S Bennitt, Alan Pickdall, L Boyd, Mathews Transport, Mathews, Cowan Transport, H J Sooble, John Kerr, Stone, John Wilson, Brendan Morgan, Bruce Stewart. Jack Covett, Len Terry, Neil Adams, P Llewellyn, Peter Norris, Steve Nann, Glen Bish, R Frazer, Rutland, S Johnston, R Hearn, Ronald D Stone, Stephen Bennett, Nick Connally, Wayne Wignall, G Chapman, Noel Hartland, Stan Rutland, Mr Preston, K Barrow, John Wilson, Mr McGrath, W Lanz, John Truscott, Craigs, M Vick, Craig Hoy, Cliff Johnson, N Johnson, Sullivan, Colin Bloomfield, R Thompson, M Vick, Jan Wignall, Bicknalls, JJ Wilson, Des Byrne, Keith O'Toole, Llewellyns transports, Reg Hearn, Don White, J Boon, Mr Webb, W Fergson, Glen Bish, G Pollock, Penview Pastoral Co, G Pollock, Meehan, Woodstock Holdings, J W Pekthall & Sons, John Wilson, Kerrs Transports, K Stevens, John Kerr, Benview Elmore, Steve Mann, Mr Anfuso, K Wignall, D Fawcett, P Johnson, Llewingtons, R Hearn, Paynes Transports, G Watson, Ian Johnson, G G Muller & Son, Pichard O'Sullivan, Gib Davies, Adams Transport, Kevin Marlow, Lewington, Maurie Bick, Isaac, Des Byrne, Lewington, J Govett, N Hartland, S Bennett, J Govett, R Thompson, B Morgan, Colin Bloomfield, J Kerr, Mr Carver, Richards, K Isaac, Amfuso, Bob McLean, Mr Marke, Geodie, Ted Goddard, Kulpinski, Hollingworth, W Hodge, G F Farmer, R Hearn, Kevin Stevens, Don White, Morrie Vick, Mr Gallagher, R McKenzie, L Lanz, L Kirk, D Harrigan, RG & F Moon, E J Hooper, Des Byrne, G Medlyn, J Wilson, N Hartland, H Green, D Vick, G D Gamble, Con Mulvahill, Pietorala Transports, C Reece, Graham Miller, Rinaldi, Les Smith, Brendan Morgan, Pickhalls Transports, Mr Dawn, Steven Bennett, Steve Mann, Les Smith, H Green, Connallys, Lewington, I Gallagher, Ray Collins, Burrow, Hugh Green, C Congrim, D Byrne, Don White, grogan, Mr Selly, Adams Transports, Kevin Marlow, Roberts Transports, J W Pickhalls, Wick Lockington, G Bish, Don White, GG Muller & Son, McKenna's, T Smith G Watson, Blacky, B Lee, Don Wright, Hue Green, John Wilson, Carl Cooke, Mr Connally, N Northland, Jan Hollingsworth, Mr Preston, Mr Hooper, Mr Rose, D White, Ron Mellier, GD Gamble, K Richards, Bond Bros, J Govett, Victorian Producers, Gavin O'Sullivan, Neil Adams, Mr Dowell, I Gallagher, W Lanz, Mr Boyd, Peter Bish, J McKay, Farmer, Joe Blow, J Matthews, M Vick, N Adams, Colins Pastoral Co, Younghusband, K Barrow, K Richards, Steve Bennett, Les Smith, Ben Webb, John Wilson, Gavin O'Sullivan, Mr McCarthy, Col Warrack, Steve Ellis, Charlie Reece, Mr Vanderene, D Hannagan, P Morgan, Don White, Sommerville, McDonald, P Meighan, Don White, Les Smith, Carl Koch, Ron Stone, M Connally, J Gover, Mr Craig, M Vick, Eddy Smith, B Morgan, B Hickson, Len Reid, Mr Curt, Mr Grogan, Rob Blake, Mr Goulthorpe, Bob McLean, O'Sullivans, Ricky thompson, Johnson, Mr Coffey, J McKay, D White, Giles, Johnstone, Nicholls, Govett, White, Wilson, Don White, Geoff Gill, D Gorden, Ray Collins, Pellegrino, Cory Watson, W Ferguson, Pickthall, McDonald, Cook, S Mann, J Govett, Collins Pastral, Broad, Rick thompson, R Hearn, S Bennett, W Fitzpatrick, Noel Hartland, K Rotheran, David Beers, Congran, R Blake, R Weeks, Taylor, R Frazer, K Stratton, M Connally, N Adams, Don White, Milgate, Findlays, J Dury, McKibbins, Morgan, Roberts, R Stone, K Stevens, M Vick, C Reece, Steve Bennett, Ahern, S Boyd, Rick thompson,McClean, Hearn, Govett, Peter harris, Graham Medlyn, McAllister, Noel Hartland, Beer, RJ Grogan, Hindle, Bendigo Horse Transport, Jack McKenna, R Hearn, J McKay, T Rinaldi, Hayes, G Muller, J Govett, Ranoldi, D Ford, K O'Toole, J Talbot, McKibbons, Barr, S Bennett, P Johnston, J Hird, Paynes Transport, D White, P Harris, Maurie Vick, P Bish, Don Hollingsworth, C Gilmore, Jack Talbot, G Chapman, J Wilson, Kevin Stevens, Eddy Smith, C Bloomfield, R thompson, Davies, Truscott, D Byrne, Hayes Transport, Yanga Pty Ltd, M Connally, A Rothacker, Coad, D Byrne, R O'Sullivan, K Stevens, Cliffton, M Douglas, Trevor Mathews, Botly, Anufson, w Fitzpatrick, R Hearn, R Collins, Craig Dorman, Brian Bentley, M Johns, T Sully, W Fawcett, Bob McLean, D White, Hugh Green, B Harris, Rod thompson, P Meighan, Allan McAllister, Mark Barri, Don White, M Connelly, P Lewellyn, G Gill, G Rand, Hayes, S O'Sullivan, D White, Bob Blake, R Stone, B Liddle, Bentley Trans, J Govett, Stevens Transport, N Broad, Govett, G Young, M Footh, Geoff Gill, Gamble, D Holingworth, C Reece, S White, S Bennett, M Barri, John Wilson, D Byrne, P Morgan, R Stone, Bentley, Pollock, Des Byrne, Doug Rinaldi, J Govett, B Harris, R Brunt, Roberts, R Burt, Tang, Peter Morgan, M Oxley, G W Nunn, D Boyd, Findley, C Johns, W Craig, A Beer, A & M Rinaldi, D Illingworth, M Barri, G Rand, G & P Nunn, R Hearn, A Broad, C Bloomfield, K Marlow, P Trailer, J Govett, Talbot, J Beer, M Gray, J Kerr, R Stone, R Stewart, English Trans, Argyle Transport, Bentley's, B Stewart, G Davey, Leavinitons, Lewington's, Miller, G Muller, J Talbot, S Mann, McKibbins, Hanson, D Boon, R Burt, English, Oxley, N Collier, Broadacres, Murphy, M Oxley, G Thomas, Holly, Dalgety, Elders, McKean, Nevins, Nuttall, Rodwell, Vains, VPC, Allan MacAllister, Hyland, Gathercole, Gilbertson, Hardwick, Le frankie, Midfield, Osullivans Wignall, John Crimmins, D Lane and Jack Fisher.bendigo, council, cattle markets, bendigo saleyards collection - record of tokens, robt blake, gib davey, m tappe, john wilson, allan somerville, peter harris, ? hearn, andrew beer, jack mckenna, don white, j govett, j wignall, matthews transports, pickthalls transport, carlisle bros, noel hartland, grogans livestock, k stratton, rutlands transports, j truscott, des byrne, commercial pig co, rick thompson, m connally, k otoole, b mclean, k stevens, s bennitt, alan pickdall, l boyd, mathews transport, mathews, cowan transport, h j sooble, john kerr, stone, john wilson, brendan morgan, bruce stewart. jack covett, len terry, neil adams, p llewellyn, peter norris, steve nann, glen bish, r frazer, rutland, s johnston, r hearn, ronald d stone, stephen bennett, nick connally, wayne wignall, g chapman, noel hartland, stan rutland, mr preston, k barrow, john wilson, mr mcgrath, w lanz, john truscott, craigs, m vick, craig hoy, cliff johnson, n johnson, sullivan, colin bloomfield, r thompson, m vick, jan wignall, bicknalls, jj wilson, des byrne, keith o'toole, llewellyns transports, reg hearn, don white, j boon, mr webb, w fergson, glen bish, g pollock, penview pastoral co, g pollock, meehan, woodstock holdings, j w pekthall & sons, john wilson, kerrs transports, k stevens, john kerr, benview elmore, steve mann, mr anfuso, k wignall, d fawcett, p johnson, llewingtons, r hearn, paynes transports, g watson, ian johnson, g g muller & son, pichard o'sullivan, gib davies, adams transport, kevin marlow, lewington, maurie bick, isaac, des byrne, lewington, j govett, n hartland, s bennett, j govett, r thompson, b morgan, colin bloomfield, j kerr, mr carver, richards, k isaac, amfuso, bob mclean, mr marke, geodie, ted goddard, kulpinski, hollingworth, w hodge, g f farmer, r hearn, kevin stevens, don white, morrie vick, mr gallagher, r mckenzie, l lanz, l kirk, d harrigan, rg & f moon, e j hooper, des byrne, g medlyn, j wilson, n hartland, h green, d vick, g d gamble, con mulvahill, pietorala transports, c reece, graham miller, rinaldi, les smith, brendan morgan, pickhalls transports, mr dawn, steven bennett, steve mann, les smith, h green, connallys, lewington, i gallagher, ray collins, burrow, hugh green, c congrim, d byrne, don white, grogan, mr selly, adams transports, kevin marlow, roberts transports, j w pickhalls, wick lockington, g bish, don white, gg muller & son, mckenna's, t smith g watson, blacky, b lee, don wright, hue green, john wilson, carl cooke, mr connally, n northland, jan hollingsworth, mr preston, mr hooper, mr rose, d white, ron mellier, gd gamble, k richards, bond bros, j govett, victorian producers, gavin o'sullivan, neil adams, mr dowell, i gallagher, w lanz, mr boyd, peter bish, j mckay, farmer, joe blow, j matthews, m vick, n adams, colins pastoral co, younghusband, k barrow, k richards, steve bennett, les smith, ben webb, john wilson, gavin o'sullivan, mr mccarthy, col warrack, steve ellis, charlie reece, mr vanderene, d hannagan, p morgan, don white, sommerville, mcdonald, p meighan, don white, les smith, carl koch, ron stone, m connally, j gover, mr craig, m vick, eddy smith, b morgan, b hickson, len reid, mr curt, mr grogan, rob blake, mr goulthorpe, bob mclean, o'sullivans, ricky thompson, johnson, mr coffey, j mckay, d white, giles, johnstone, nicholls, govett, white, wilson, don white, geoff gill, d gorden, ray collins, pellegrino, cory watson, w ferguson, pickthall, mcdonald, cook, s mann, j govett, collins pastral, broad, rick thompson, r hearn, s bennett, w fitzpatrick, noel hartland, k rotheran, david beers, congran, r blake, r weeks, taylor, r frazer, k stratton, m connally, n adams, don white, milgate, findlays, j dury, mckibbins, morgan, roberts, r stone, k stevens, m vick, c reece, steve bennett, ahern, s boyd, rick thompson, mcclean, hearn, govett, peter harris, graham medlyn, mcallister, noel hartland, beer, rj grogan, hindle, bendigo horse transport, jack mckenna, r hearn, j mckay, t rinaldi, hayes, g muller, j govett, ranoldi, d ford, k o'toole, j talbot, mckibbons, barr, s bennett, p johnston, j hird, paynes transport, d white, p harris, maurie vick, p bish, don hollingsworth, c gilmore, jack talbot, g chapman, j wilson, kevin stevens, eddy smith, c bloomfield, r thompson, davies, truscott, d byrne, hayes transport, yanga pty ltd, m connally, a rothacker, coad, d byrne, r o'sullivan, k stevens, cliffton, m douglas, trevor mathews, botly, anufson, w fitzpatrick, r hearn, r collins, craig dorman, brian bentley, m johns, t sully, w fawcett, bob mclean, d white, hugh green, b harris, rod thompson, p meighan, allan mcallister, mark barri, don white, m connelly, p lewellyn, g gill, g rand, hayes, s o'sullivan, d white, bob blake, r stone, b liddle, bentley trans, j govett, stevens transport, n broad, govett, g young, m footh, geoff gill, gamble, d holingworth, c reece, s white, s bennett, m barri, john wilson, d byrne, p morgan, r stone, bentley, pollock, des byrne, doug rinaldi, j govett, b harris, r brunt, roberts, r burt, tang, peter morgan, m oxley, g w nunn, d boyd, findley, c johns, w craig, a beer, a & m rinaldi, d illingworth, m barri, g rand, g & p nunn, r hearn, a broad, c bloomfield, k marlow, p trailer, j govett, talbot, j beer, m gray, j kerr, r stone, r stewart, english trans, argyle transport, bentley's, b stewart, g davey, leavinitons, lewington's, miller, g muller, j talbot, s mann, mckibbins, hanson, d boon, r burt, english, oxley, n collier, broadacres, murphy, m oxley, g thomas, holly, dalgety, elders, mckean, nevins, nuttall, rodwell, vains, vpc, allan macallister, hyland, gathercole, gilbertson, hardwick, le frankie, midfield, osullivans wignall, john crimmins, d lane, jack fisher

Six issues of "Tram Tracks - The Electric Traction Monthly" of the Australian Electric Traction Association. Each issue has a standard cover, of the magazine name etc, featuring "Wee Folks Productions" models but are in different colours, all have been saddled stapled with two staples, except No. 6. The Volume and date details have been over printed. Back covers inside back covers have the same advertisements but the font varies vary. The six issues contain advertisements for the Wee Folks productions, Hartleys Sports store, Hearns Hobbies, Wattle Park, Johnson's Variety Store, Barnes Tennis Centre, The Model Dockyard, Robilt Models, Meadmore Model Engineering and Austral Bronze Pty Ltd, Hearns Hobbies, Christie Scale Model Railway and Equipment, Herbert Small (Meccano), the American Subscription Agency, Manufacturers' Mutual Insurance Ltd. 2465.1 - Vol. 2 No. 1 - 16 pages, Jan 1947, with cover printed in red. Has articles on the tram / car debate, Dunedin Tramways, Overlapping fare sections, type of trucks under Sydney tramcars, Brisbane Electric Railway (Power station), The Balmain Counterweight and Trolley buses in Australia. News items include Brisbane, Newcastle, Sydney, Melbourne, SEC, Hobart, VR, Adelaide, Kalgoorlie, Broome, electric trains in Melbourne and Sydney, and AETA notes. Photos include Sydney O, OP and P, VR PERM 63 and interior photo of a MMTB W4 class tram. 2465.2 - Vol. 2, No. 2 - 16 pages, Feb. 1947, with cover printed in dark blue. Has articles on Brisbane 400 class tramcar, Adelaide to Glenelg Brighton - Le Sands tramway, Melbourne Suburban railways, Diesel Electrics on the Southern Railway (US)and Birney Safety Car. News items include Brisbane, Sydney, Melbourne, VR, Fremantle and AETA notes. 2465.3 - Vol. 2, No. 3 - 12 pages, Mar. 1947, with cover printed in brown. Has articles on why NSW trams lose money, Duncan and Frazer, new trams in Johannesburg, Melbourne Suburban railways, and Sydney New Railway (Eastern Suburbs). News items Sydney, Melbourne, SEC, VR and Adelaide and AETA notes. 2465.4 - Vol. 2, No. 4 - 16 pages, Apr. 1947, with cover printed in green. Has articles on Duncan and Fraser (continued), In search of Ancient Warriors (old trams), Brisbane Electric Railway and some unusual fares arrangements. News items include Brisbane, Newcastle, Melbourne, Sydney, SEC, Launceston, Kalgoorlie, overseas, and AETA notes. Editorial looks at claims that the SW6 cars are the finest in the world, back numbers (notes that Tram Tracks started with a mimeographed club news sheet and now have circulation of nearly 200), costs of production etc. Has photographs of the interior of a SW6 850, a plan for Melbourne underground railway, the VR power operations room at Flinders St., Hobart trolley bus and a cartoon about Sydney traffic. 2465.5 - Vol. 2, No. 5 - 16 pages, May 1947, with cover printed in red. Has articles on Australian Light railways, Sydney's relief lines and the start of an article on NSWGT 600/1200V tramcars. Has news items on Brisbane, Sydney, MMTB, VR, Geelong, Ballarat, Launceston, Hobart and AETA notes. Editorial notes the first anniversary of the magazine and has a number of letters regarding this, content and the tram/car debate. 2465.6 - Vol. 2, No. 6 - 20 pages, June 1947, with cover printed in blue. Has articles on Cremorne bridge replacement (with photos), Neutral bay line and Tramcar transmission gears. News items include photos of MMTB track replacements, crowded trams, Brisbane, Sydney, Melbourne, and a photo of a Sydney tram passing under the new bridge work for Circular Quay station. 2465.7 - Vol. 2, No. 12 - pages 1-12, cover has an advert for Hartley Sporting Goods. Has cartoon on fares on Sydney trams by Peterson, not regarding retirement of Mr. H. Bell of MMTB, Melbourne Latrobe St and bus construction, Sydney tram cartoons from Emile Mercier, electric trains and other tramway news. (Item added 24-3-18 - from consolidation of Melbourne Tram Museum and BTM collections) trams, tramways, electric traction, aeta, models, australian tramways, duncan fraser, cartoons

Large wooden rectangular honour board with gold text and protruding sections along the top, in in the top middle accommodating for the WTS symbol.FOR THE HONOUR OF THE SCHOOL YEAR HEAD PREFECT DUX OF SCHOOL CHAMPION HOUSE ATHLETICS SWIMMING HOUSE CAPTAINS (BOGONG, BUFFALO, HOTHAM, WILLS) 1966 W. WALLACE J. DASH BUFFALO HOTHAM BOGONG D. FLANIGAN, W. WALLACE, N. LAVIS K. TAYLOR 1967 J. CANNING R. GARTH BUFFALO HOTHAM BOGONG C. JOHNSON, D. PYLE, D. TURNER T. NOLAN 1968 C. JOHNSON T. GLANIGAN WILLS HOTHAM BOGONG P. PEERS, L. SANDFORD, J. FRAZER, R. GARDINER 1969 L. GRAHAM H. DINNING WILLS HOTHAM BOGONG R. HEARNES, J. PHILLIPS, P. CONSTANTINO P. HINES 1970 C. FORGE M. COOK WILLS WILLS BOGONG M. LAVESQUE A. MANZELLA C, FORGE R. CHANDLER 1971 R. CROCKET, *L. HANLON R. CROCKETT HOTHAM (NOT HELD) WILLS J. CLARKE, G. RUNNALS, J. CHAMBERLAIN, G. RAMSDALE 1972 M. BOOTH, C* STONE L. JACKEL *J. KLEIN HOTHAM WILLS HOTHAM W. DICKSON, T. YOUNGER, M. BOOTH, J. SGARIOTO 1973 T. BARRY (S.R.C.PRES.) W. GOURNEY, *J. AMERY HOTHAM BUFFALO HOTHAM G. ELLIOT, G. PORTER, T. BARRY, W. GOURLEY 1974 R. COMENSOLI (S.R.C. PRES.) M. AMERY, B. SAMMON (DISCONTINUED) BUFFALO WILLS (DISCONTINUED) 1975 *G. McGREGOR (S.R.C. PRES.) R. WATSON, *L. FLANIGAN BUFFALO WILLS 1976 A. ADAMO (S.R.C. PRES.) R. JOHNSTONE, *J. COLE BUFFALO WILLS 1977 K. SOUTHGATE, *L. AMERY BUFFALO BUFFALO 1978 S. BISINELLA (S.R.C. PRES.) G. MINNEY, * S, SHANLEY (SPORTS CANCELLED- WEATHER) BOGONG 1979 R. NEWTH (S.R.C. PRES.) R. JOHNSON, *M. KEENAN BOGONG HOTHAM ---W.T.C. & COLLEGE OF T.A.F.E. SEPERATION--- 1981 MARK BRAMBLE (S.R.C. PRES.) 1982 BELINDA MATHERSON (S.R.C. PRES.), CARMEL ANDERSON (S.R.C. PRES.) , ANGELA VERMONT (S.R.C. PRES.) 1983 ELIZABETH FREEMAN (S.R.C. PRES.) 1984 JODIE BLAIR (S.R.C. PRES.) 1985 ROSS MILLER (S.R.C. PRES.) * GIRL

Brown wooden honour board with gold text in the shape of a rectangle with a protrusion at the top to accommodate for a large WHS logo and a title reading HOUSE CAPTAINS. Along the top of the main body or text is a row of painted metal plates in the school house colours above the names of the houses.HOUSE CAPTAINS 1955 (O) J. BELL, D. CICUTO (K) T. McHARRY S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) W. STUDHAM, M, LA FONTAINE 1956 (O) E. JONES, J. PETTERSON (K) T.McHARRY, S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) B. HOPPER, N. CLARK 1957 (O) A. CORNELIUS, M. MAUGER (K) A. KERRIS, L. BLOOM (M) D. GLASSENBURY, J. COLTHRUP, (W) R. JONES, J. SINCLAIR 1958 (O) A. CORNELIUS, J. PRATT (K) D. DE CHAN, D, SOUTHGATE ((M) B. WALKER, M. PETHYBRIDGE (W) G. SMITH, W. ROBERTS 1959 (O) L. FRY, J. EDDEY (K) G. WATSON, M. WHITE (M) P. BRUCE & G. McINTOSH, I. VINCENT (W) B. SUTTON, B. JOB 1960 (O) F. COBHAM, M. GROSSMAN (K) G. WATSON, M. WHITE (M) J. STONE, C. KNEEBONE (W) E. CORNELIUS, B. JOB 1961 (O) F. COBHAM, E. EDGAR (K) M. KEENAN, J WHITEHEAD (M) R. STONE, E. EVERON (W) R. GOWLING, J. MURPHY 1962 (O) R. BOYD, C. TIPPETT, (K) J. KOST, J. WHITEHEAD (M) R. STONE, N. KINIBURGH (W) G. DUNSTAN, V. CROSS 1963 (O) C. SQUIRE, C. TIPPETT (K) N. MARTIN, V. ROSENGREN (M) L. SULLIVAN, B. CROCKET (W) R. McCONSHIE, B. MUNCEY 1964 (O) G. ROSSER, C. NEWTH (K) J. ALLEN, R. ALEXANDER (M) P. BRYCE, J. DAVEY (W) G. WOOD, H. STEWART 1965 (O) L. WADLEY, J. SCHULTZ (K) K. WOLFEL, R. SIMMONDS (M) R. FERGUSON, M. HEMPHILL (W) I. MITCHELL, M. STEWART 1966 (O) D. SANGER, C. CUTLER (K) G. TERRY, A. ROBINSON (M) W. WOODS, J. CANAVAN (W) R. SOUTHERN, H. STEWART 1967 (O) G. WELCH, C. CUTLER (K) P. RICKARDS, C. TIPPETT (M) K. MURRAY, J. CANAVAN (W) R. GUMLEY, S. WORLAND 1968 (O) G. WELCH, V. FURS (K) W. McGREGOR, S. TOBIAS (M) D. TIMMINS, M. GEORGE (W) J. STOLARCZYK, B. DOBSON 1969 (O) R. STONE, V. FURS (K) W. Mc GREGOR, D. BAYLISS (M) G. McINTYRE, E. CONNORS (W) R. SYMONS, M. JACKEL 1970 (O) K. BROWN, V. DEWS (K) B. FISHER, D. BULTHUIS (M) G. McINTYRE, P. MEEK (W) H. FRY, P. O'TOOLE 1971 (O) B. COOK, S. BARRY (K) B. FISHER, M. RHODES (M) I. McCORMICK, J. HARBOUND (W) H. FRY, M. MITCHELL 1972 (O) B. COOK, V. RYAN (K) L. HARTWIG, F. CLUGG (M) I. McCORMICK, J. HARBOURD (W) J. DELLICASTELLI, J. PARRISH 1973 (O) N. BRAUMAN, R. SLOAN (K) R. LUMSDEN, V. WATKINS (M) D. GRIFFITH, J. ALDERIDGE (W) S. PEAKE, S. PHILLIPS 1974 1975 (O) R. MOORE, A. DUSTIN (K) C. DALEY, G. HARTWIG (M) G. VOSS, R. ALDERIDGE (W) J. CROXFORD, L. TOWNSEND 1976 1977(O) A. GILBERT, B. ALLEN (K) I. CESA, S. ANDERSON (M) G. VOSS, K. CHAPLIN (W) T. SEYMOUR, J. HILL 1978 (O) P. PATTERSON, B. ALLEN (K) l. MABIN, S. ANDERSON (M) T. SMITH, I. HULLEY (W) D. PROSSER, J. GIBB 1979 (O) P. RUNDELL, J. FRAZER (K) J. DOIG, S. TOOHEY (M) G. PRITCHARD, S. CAMPBELL (W) R. BURNS, J. HISKINS 1980 (O) B. SCHULTZ, A. McILROY (K) M. WILLIAMS, S. TOOHEY (M) G. DELL, H. TAYLOR (W) B. ANDERSON, C. SPINK 1981 (O) J. MONCRIEF. M. FRAZER, (K) P. JORDAN, V. WHINRAY (M) R. RUSSELL, M. HUME (W) A. ELWARD, H. KNOBEL

Vol. 3, No. 2, Apr-May 1998 CONTENTS TOP CATS FOR '97 Emerging talent from our local schools 3 BOOK REVIEW A Small Unsigned Painting 6 LAND SHAPES Eltham artist Nel ten Wolde captures Australian images 7 REVIVING RAVENSWOOD Grand old Ivanhoe mansion restored to its former glory 9 ART IN A VEGE SHOP Murals brighten an organic greengrocer's shop 12 ADDRESSING SOCIAL CONCERNS Literary festival brings critical writers together 14 PHOTOGRAPHY Local student shows her talent 16 WOUNDEDNESS AND HEALING Australian artist in London exhibits in Eltham 18 CD REVIEW 22 SHORT STORY 23 BOOK REVIEW 25 MURALS a charming sense of community 27 EXHIBITION AT HEIDE 28 EVENT - ABORIGINAL CELEBRATION 29 ART OF PRINTMAKERS 30 ART SERVICES & TEACHING 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, faces coffee place, jessie glavin, katie williams, kelly almond, michelle ceravolo, mariella mckinlay, rochelle carr, manningham gallery, stephen sheding, dynamic vegies, nel ten wolde, pool & spa care centre, bi-wize quality paints, llobex image wizards, east ivanhoe gallery, ravenswood, marguerite marshall, theresa martin, soni stecker, virginia trioli, robert dessaix, lauren williams, robert manne, chris jurewicz, moira rayner, marela mckinley, wendy donald, anne redmond, wingrove cottage community clinic, were street cafe, rob vines, ashley cross, serge de leucio, michael conolan, daniel chable, pietro ristorante grossi, lucinda mcknight, litfest 98, morag fraser, michele lonsdale, wintyre recital gallery, murals, port jackson press australia, epping secondary college, bulleen art & garden centre, christmas hills, museum of modern art at heide, nillumbik gayip, mye woonbah dancers, intaglio, violeta capovska, christina cordero, elizabeth dobrilla, belinda fox, david frazer, melinda schawel, amanda woodford, pandora journal, ward sagar, wholefood delights, dymocks booksellers

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge. Summer courses/classes were held each year.Two sheets with eight black and white photos; one sheet with five black and white photos and one colour photo; one sheet with three colour photos. Two lined sheets - names and photo orders.Each photo has a number (1 - 25)viosh, viosh australia, occupational hazard management, graduate diploma, asia-pacific, ballarat university, federation university, darrhyl alexander, brenton bellchambers, eldred bishop, elizabeth bluff, annthea boardman, christopher booth, henry clementine, francis frazer, alan gilrane, kenneth greene, peter irwin, alexander iwanow, wayne johnson, leonard lean, allan matheson, stanley mccartney, ivan miller, david nelson, brenton perry, michael peterson, david whiteman, derek williams, gwendalynn wilson, murray johnes, elise moore, chris boom, lahui itana, trevor turnet, barbara stack, john jensen, ted renton, ian swann, geoff brabroac, bill denton, tony van maanenberl, sue forsyth, roly parvenovics, gwen wilson, mary-anne camp, ivanka sucher, jacqueline wells, derek vines, trevor mann, j hondros, tom mitchell, john o'nell, neil dine

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Colour photograph of a group of studentsviosh, victorian institute of occupational safety and health, ballarat college of advanced education, graduate diploma of occupational hazard management, chris booth, jackie cook, frank frazer, tony gilrane, ken greene, jennifer hine, peter irwin, len lean, stan mccartney, david nelson, brenton perry, ian swann, derek williams, gwen wilson