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National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long associatiob withthe Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.AMANDE/ BLEU/ CAMEL/CONCORDE/ LIEUREtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long associatiob withthe Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.AMORAGE/ORIFLAMME/PARME/ROSE/SOUS-BOIStextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.GRENAT/GREY/LADY/LOGIEtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.GREY/ LADY/LOGIEtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.NOIR/PURPEL/STELL/WILLOWtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.BEIGE/BROWN/DOCTOR/GARRY/GREEN/GRENATtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Photograph, Blakiston & Co Pty Ltd Carriers 1931
A 1931 photograph of Blakiston & Co's carrier vehicles, both horse drawn and motor, loaded and lined up outside the Blakiston buildingA 1931 photograph of Blakiston & Co's carrier vehicles, both horse drawn and motor, loaded and lined up outside the Blakiston building.Blakiston & Co Pty Ltd Carriers/ 1931wool - transportation, blakistons limited -
National Wool Museum
Booklet, Estates at Portland
Cover of booklet describing the Australian Estates Company building in Portland, Victoria, as well as a background on Portland."Estates at Portland"wool stores, australian estates company ltd -
National Wool Museum
Program, Dennys Lascelles Limited: Staff Reunion at the National Wool Centre 1988
A copy of both the ‘Dennys Lascelles Limited 1857-1957: Annual Wool Report & Centenary Review’ & ‘Staff Reunion Souvenir Programme, 1988’ was donated to the museum in 2021. These were duplicate items so only their story was retained in addition to the image of Rita located in Multimedia. “Enclose two items which may be of interest to add to your collection. They belonged to my mother, Rita Sedgwick (nee Glenn), who died earlier this year in April. She worked for Dennys Lascelles in two separate periods. First as a young girl, who had finished her schooling, at Morongo Presbyterian ladies College, having been sent as boarder there by her parents from their farm at Mathoura (just north of Echuca). This period was from 1942 — 1947. It was her second job out of school having worked first at the then Geelong Telephone Exchange. She would commute daily to work on a bicycle from where she was then living in Drumcondra. She had the front office role of receptionist and telephonist driving an old manual switchboard. The old front desk was her domain. She departed in 1947, shortly after she was married in late 1946. She spoke fondly of her times at the company as a young girl in her late teens and early twenties. Her second stint was much later, but again as the front-desk telephonist and receptionist commencing in 1972, ending 11 years later in 1983. This was a period when Sir Henry Bolte was on the Board, Don Urqhuart was MD, Ray Hobson was General Manger, Cliff Bone the company Secretary, Peter Keys the CFO and Jim Hay was also on the Executive team. While there were some 25 years between her periods of service, she welcomed the chance to re-join the company. Again, it was a time of hard work, and good friends. The busy times were the wool auctions, when the Firm would be visited by representatives of the big Japanese trading houses such as Mitsui, and Kanematsu. The Chief Auctioneer, Mr. Reeves (I can't recall his first name), would hold court at the now demolished Geelong Wool Exchange — I saw him in action once — what a sight. The huge show floors in the Denny's building would be full of open bales and samples for the buyers to inspect, and for mum days would start at 0800, and finish at 1800 or later. In quieter times over summer, it was reported that the empty show floor would provide an excellent arena for the more enthusiastic cricketers to get in a bit of practise with a tennis ball at lunch and after closing time! Dennys was a full-service firm for wool growers, with branches all over the Western Districts as far afield as Mt Gambier, but through Timboon, Warrnambool, and the like, as I am sure you are aware. She also saw the merger of Dennys and Strachan to create DSM, and later the amalgamation with AML&F to create Dennys AML (I think). She saw the change from the old manual switch board to the then latest of PABX technologies and was part of the team the relocated from the original offices to the new address on the south side of Brougham Street. Along with the shift from the large show floor-based sales of the past. She retired from fulltime work in mid-1983, again with fond memories and friendships that lasted a lifetime. I found these two items among her things recently, and felt that given her connection to the industry, and the place in which the Museum now resides you may like to add them to the collection. I hope you can find a home for them, and that they might add a little to the story that the wool museum now houses and curates.” Program 12pp: soft pale grey cover, contians brief history of the company , the buildings and at the last page is a list of acceptances for the reunion, 2nd October, 1988Judith Lagingdennys, lascelles limited -
National Wool Museum
Photograph Album, Geelong Made in Australia Centenary Exhibition 1938
One of two albums presented to Mr EJ Fairnie in appreciation of his work towards the exhibitions of 1928 and 1938. Mr Fairnie was Hon Sec of the 1928 committee. The both exhibitions were in the Dennys Lascelles Bow Truss building.Presented to/ E J Fairnie esq/ whose efforts ..... Photographs by Lockwood Studiostextile mills - history textile machinery textile mills, returned soldiers and sailors mill valley worsted mill collins bros mill pty ltd albion woollen mills co. pty ltd felt and textiles pty ltd excelsior woollen and worsted mills federal woollen mills ltd gordon institute of technology, fairnie, mr edward john - returned soldiers and sailors mill, textile mills - history, textile machinery, textile mills -
National Wool Museum
Illustration
Each illustration is of a scene inside the Dennys Lascelles Building in the early days of its use as the National Wool Museum. The artists were members of the CEP Project.CEP P3oject/ Drawings and watercolours/ of/ Dennys Lascelleswool stores -
National Wool Museum
Photograph, [R S & S exhibition stand]
wool marketing textile mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l., dennys lascelles concrete building, wool marketing, textile mills - history, textile mills -
National Wool Museum
Printing block
Swiss block, used for handprinting on fabricFrom.../Alexander Lau Pty Ltd./ "NICHOLAS BUILDING"/....textile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
Stawell Historical Society Inc
Photograph, Stawell Football Club c1920's
Stawell Football Club footballers wearing uniform with long white shorts posing in front of weatherboard building c 1920's. Standing at the rear is Len Clearson, 3rd Team member. Len Clearson later left Stawell to play football in Geelong.Black and White team photograph of football players and assistants in long white shorts in front of weatherboard wall with window in center, probably No 1 Grandstand. Back row is standing, and front row seated and cross legged.stawell sport -
Geelong Naval and Maritime Museum
Photograph, Crew Ashore, May 1920
... connections to Victoria's history of defense and building Geelong's ...Osborne House was used as a Naval College from 1915-1917 it was served as a Naval Convalescent Hospital, followed by the home of Australia's first submarine fleet (1919-1924) and a training base during WW2.It is possible this photograph taken in 1920 shows a crew from the submarine fleet. This photograph is historically significant, it represents use of the building by the Navy and was taken onsite at the training facility. The crew and dogs are wearing a variety of clothing suggesting they were performing or having a break from work. This photograph is significant for its connections to Victoria's history of defense and building Geelong's workforce.A black and white photograph showing a crew ashore in May 1920. The photograph has been taken out the front of the stables at Osborne House, Geelong. Photo shows 15 crew members and 3 dogs dressed up. One crew member holds a copy of the Geelong Advertiser in his hands.osborne house stables, australian naval college, submarine fleet -
Geelong Naval and Maritime Museum
Teacup
The Orungal was originally built in Glasgow in 1923 for the Khedival Mail Steamship & Graving Dock Company of Egypt and named the S.S. Fezara. Due to the effects on steamship companies of the Great Depression including the steep costs of building new ships and increases in running costs and port charges, no new passenger ships had been ordered in Australia since before World War One. To meet demand for passenger berths, the Fezara (5826 tons) along with its sister ship the Famaka (5856 tons, renamed Ormiston), were chartered by the Australasian United Steam Navigation Company Ltd (A.U.S.N.Co.) in 1927. Both the A.U.S.N.Co and the Khedival Mail Steamship Co. were part of the P&O Group. The Orungal operated in this role as an interstate passenger and mail steamer between 1927 and 1940, being used mainly on the Melbourne to Queensland and Western Australian runs, with 240 single class berths. Following the outbreak of World War Two six of the nine large passenger liners servicing mainland Australian passenger and mail trades were requisitioned by the Government to ferry equipment, troops and supplies. Some of them were converted to armed merchant cruisers and used for patrol work and escort duties in the Indian and Pacific Oceans. The Orungal had originally been requisitioned by the government along with the Zealandia on 25 June 1940, to transport troops to Darwin, but was returned to commercial service because "of her unsuitability", perhaps too slow for the demands of the work. Despite being rejected for patrol and convoy duties the Orungal still had a vital role as one of only three passenger liners left to service the mainland Australian trade. Following its requisitioning by the Government shortly after war broke out, it had been fitted out with defensive armament. On its final voyage arriving at Port Phillip Heads from Sydney, Captain Gilling was attempting to enter the Heads ahead of a worsening south-westerly storm and, with a minefield known to have been laid in the area, had been warned by the Navy not to deviate from the swept channel. The captain and crew held fears that in the stormy seas a mine may have been carried away. In the worsening weather a blur of lights at Barwon Heads was mistaken for Port Lonsdale, and the Orungal steamed ashore onto Formby Reef, just east of the entrance of the Barwon River - instead of passing safely through the middle of the Rip. At the Marine Board Inquiry Capt. Gilling - who had been master of the Orungal since 1926 - stated that after becoming uneasy about his position and changing course to starboard one point: " At 10.21 pm I ordered the engine room to stand by and gave instructions for the patent log to be hauled in and for the sounding-gear to be got ready. Approximately two minutes later, in a flash of lightning, I saw land off the port beam. I immediately recognised it as Barwon Heads, and ordered the helm to be put hard to starboard, but the vessel struck before she had time to answer the helm" Barwon Heads and Ocean Grove residents were startled to hear the shrill blast of the ship's whistle, followed by the bright flares and explosions of signal rockets. The Queenscliff lifeboat crew, who had responded to the tragic collision between the Goorangai and another passenger liner the Duntroon in Port Phillip Bay less than 24 hours earlier, were later praised for their efforts in safely taking off all the passengers and crew. Most of the passengers were asleep at the time of the wreck, and were woken up by the commotion, the ship shaking "from stem to stern" and stewards ordering them to lifeboat stations in driving rain. It was a dramatic time with the ship siren wailing and distress rockets being fired. It was reported that "When it was found the ship was safe, the passengers all went to the music room. There they sang and danced for several hours. The ship's orchestra played merrily, and amateur performers among the passengers clowned, danced and sang to keep the laughter going. In the early hours of the morning passengers went to their cabins, most of them to sleep soundly while the keel grated on the rocks". At dawn the Queenscliff lifeboat arrived at the scene having been launched at 2.30am, and cautiously approached the ship which was being "battered by mountainous seas". By 5am oil from a burst oil line was helping to calm seas around the Orungal sufficiently enough for the lifeboat to approach, and all the passengers and crew were taken off in several trips by the lifeboat. A Court of Inquiry later found that the wreck was caused by an abnormal set of current to the north-west and cleared the officers and crew of neglect of duty. The sight of a huge liner almost on the beach saw an unprecedented amount of traffic as people drove an estimated 10,000 cars, using some 60,000 gallons of fuel in a time of strict petrol rationing, to see the spectacle. Salvage operations began in an attempt to refloat the vessel, scheduled for the high tide on 15 December 1940. However, during these operations, at 2.30 am on 13 December 1940, a major fire broke out, believed to have been caused by spontaneous combustion in the boiler room. The ship was soon ablaze, with smoke pouring from its hatches and ventilators, and at mid-morning the magazine exploded fiercely. Of the 60 men working aboard the vessel two were severely burned and had to be taken to Geelong Hospital. The gathered spectators witnessed the eerie sight of the ship's hull glowing red when night fell. The well-known building demolition contractor Whelan the Wrecker bought the salvage rights, and methodically proceeded to dismantle the ship and its fittings. The drama was not yet over for the wreckers when - without warning - the burnt-out hulk was 'attacked' by RAAF for strafing practice. Salvage rights were transferred to another private owner in 1963. By 1945 the combined effects of the exposed location, fire and salvage had seen what was left of the wreck disappear beneath the waves. The site today is marked by two of the four Scotch type boilers sitting upright and exposed at low tide, just north-east of the small boats channel at the entrance to Barwon Heads. Large sections of steel hull plating and framing, and impressively large pieces of ships structure and machinery including masts, booms, deck winches, propeller shaft, flywheel, and a thrust block lie scattered about and make the site an interesting shallow dive. It is interesting to compare the site of the Orungal with the intact remains of similar large passenger ships scuttled in deep water in the Ships' Graveyard, such as the Milora and Malaita. The site is subject to waves and surge, and is best dived on flat calm days The teacup originated from the SS Orungal and was likely used heavily in the ship's life as a passenger, mail and cargo carrier around Australia. The teacup is significant for its connections to SS Orungal and of this ships connected story of being sunk in extraordinary circumstances in the local region. A.U.S.N. Co. Ltd. Teacup salvaged from SS Orungal ss orungal, fezara, world war two, barwon heads, ocean grove -
Koorie Heritage Trust
Book, Brown, P. L, Memoirs recorded at Geelong, Victoria, Australia by Captain Foster Fyans : transcribed from his holograph manuscript given by descendants to the State Library Melbourne, 1962, 1986
287 p. : ill., maps, port. ; 26 cm.fyans, foster, 1790-1870. | australia -- history -- 1788-1851. | norfolk island -- history. -
Koorie Heritage Trust
Book, Billot, C. P, Geelong - Then and Now, 1969
39 p. : ill., 1 map ; 21 cm.geelong-history -
Koorie Heritage Trust
Book, Blake, Les, Tales from Old Geelong, 1979
6-105P.; ports.; 22 cm.geelong-history -
Koorie Heritage Trust
Book, Billot, C. P, Melbourne : an annotated bibliography to 1850, 1970
Every printed item on Melbourne to 1850 the author could trace together with notes and cross-references tp build a picture of Melbourne to 1850. Melbourne-bibliographies - 1850.Facsimile of the Batman Treaty.Facsimile of the proclamation of Victoria becoming a separate state.i-iv; 307 p.; appendices; index; 24 cm.Every printed item on Melbourne to 1850 the author could trace together with notes and cross-references tp build a picture of Melbourne to 1850. Melbourne-bibliographies - 1850.Facsimile of the Batman Treaty.Facsimile of the proclamation of Victoria becoming a separate state.victoria -- history. | victoria -- melbourne. | melbourne (vic.) -- imprints. | melbourne (vic.) -- bibliography. -
Koorie Heritage Trust
Book, Baillieu, Darren, Australia Felix : a miscellany from the Geelong Advertiser 1840 - 1850, 1982
A series of reports in newspapers of the period.iv-ix; 166 p.; indices; ill,; 22 cm.A series of reports in newspapers of the period.geelong advertiser (1847) | geelong advertiser and squatters' advocate. | newspapers with geelong imprints: geelong advertiser, 1840-1850. newspaper articles, illustrations & maps. collections -
Koorie Heritage Trust
Book, Bunce, Daniel, Language of the Aborigines of the colony of Victoria, and other Australian districts (2nd edition 1859), 1859
xii, 60 pages ; 18 cm.language-aboriginals, australian - victoria., aboriginals-victoria-social life and customs -
National Wool Museum
Photograph, Collins Bros Mill Pty Ltd, Physician Blanket Road Sign, Unknown
Advertising sign for the Physician Blankets Manufactured by Collins Bros Pty Ltd. Black and white photograph showcasing the Physician Blanket advertising road sign above a two story building in a landscape format. The road and moving cars are in the foreground.Front centre - Physician Chillproof Blankets. Sign Rear - Physician Brisbane (?) (?) Signwool, woollen mills, wool manufacture -
National Wool Museum
Photograph - Denny Lecelles Photographs, c1950
Father of the donor, Mervyn Graham, worked for Denny Lascelles for many years as a wool classer in Geelong and later as a representative in Hamilton. The Denny Lascelles Wool Warehouse was the first building in Victorian planned to facilitate storage, inspection and marketing of wool in one operation, and upon completion was the second largest store in the colony. CJ Denny's was largely responsible for establishment and development of the wool marketing industry in Geelong and is a figure of significance in the history of settlement in Geelong.Black and white photos showcase different rooms of the Denny Lascelles building and the process of classing the wool within the store, from classing the wool to packaging and transportation.8080.7 - On wool press - Made by Johns & Waygood LTD. Melbourne Australia 8080.10 - On truck - Blackiston & Co PTY. LTD. Road transporters. Geelong & Melb.denny lascelles, geelong, wool, wool class, transportation -
National Wool Museum
Photograph - Royal Melbourne Show, c1950
Father of the donor, Mervyn Graham, worked for Denny Lascelles for many years as a wool classer in Geelong and later as a representative in Hamilton.Black and white photos showing Denny Lascelles employees in front of their stand and the Melbourne Show. The last photo is of four employees in front the Dennys office building.8081.1 - Sign on wool - JL/RBW Rainbow 8081.2 - Sign on wool - Banocre Durham Ox 8081.3 - Sign on wool - Wattle Back/G Guildford 8081.4 - On building - Dennys Lascelles Limited Wool . Stock . Landwool, denny lascelles, royal melbourne show, sheep, geelong -
National Wool Museum
Functional object - Floorboards, 1994
Two short sections of flooring cut for distribution during Deakin Universities ‘Open Day’ in December 1994. This was during the conversion of Dalgety Wool Store to Deakin University’s Woolstore Campus. These small pieces of timber are part of Geelong’s history and were salvaged from the Dalgety Woolstores during the renovations. Hundred of meters of ironbark, red gum, pine and other timbers, some more than a century old, were reclaimed from the site and have been recycled as furniture and featured building materials for the woolstore campus. The old brick stores, located on a formerly neglected section of the Corio Bay shoreline, now house the administration and chancellery, architecture and building schools, information technology services, the student union, a cafeteria and, as the focal facility, a Great Hall seating 1500 people and acoustically tuned for symphony orchestras. The refit was developed from the existing grid of substantial timber columns and beams extending over 52,000 square metres. This framework was filled with lightweight panels to enclose workplaces and removed in some parts to establish courtyards, atriums and streets. The brick facades were redefined with new doors and double-glazed windows in proportion to original fenestration. Bright colours and industrial finishes identify the new insertions.Square sections of redgum lumber cut into floorboards. The sides of the lumber have a grove cut on one side and a matching section to fit within this groove on the other side. This has been done to ensure the floorboards have a tight and consistent fit with one another. The bottom of the lumber also has an additional grove running through the middle of the redgum. On top, one of the sections of lumber has three nail holes, which travel all the way through to the bottom of the wood.deakin university, dalgety wool store, red gum -
National Wool Museum
Tool - Metal Files, c. 1920
Selection of metal files used for cutting wool bale stencils with an accompanying box. Not all files belong to this box as some are too long to fit within. Used in Denny’s Lascelles Bow Truss building by Maurice Dalton who was the foreman of the building for 34 years. Files are ‘Cup Brand’ – ‘Best refined steel files’ and were manufactured by the no longer trading Moss & Gamble Brothers LTD at the Franklin works in Sheffield, England.12 steel files of varying length, thickness and shape. The longest and thickets are in a flat half circle with some files being fully flat, others complete cylinders, one is a complete square and others are in the shape of a triangle. Cardboard box is brown with black inscription on lid of box.stencils, denny’s lascelles bow truss building -
National Wool Museum
Painting, The White Farm, 2020/21
The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed -
National Wool Museum
Postcard
Postcard of the Metalexport building in Warsaw, Poland. Metalexport was the sole exporter of textile machinery from Poland.Postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland. Back of a postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland.METALEXPORTtextile machinery, metalexport -
National Wool Museum
Photograph - Group Portrait, Dennys, Lascelles Limited, 1917
Group photograph of staff at Dennys Lascelles Ltd in 1917.Photograph, sepia. Group portrait of five rows of men, seated and standing, outside the Dennys Lascelles building. Mounted on dark cream mat with printed red decoration. Handwritten inscriptions in biro on reverse of mat.DOUGLAS WILSON / RUPERT WILSON (SON) 16YRS OLD AT TIME (JUST STARTED WORK) / BORN 21/5/01 / Dennys Lascelles Ltd / 1917. / Harold Wilson featured centre age 47yrs. / (BORN 5/5/1870) / (DIED 1943 AGE 73 YRS) / (WAS 25 YRS OLD WHEN RETIRED-RESIGNED AS VICE CAPTAIN / GEELONG FOOTBALL CLUB IN 1895) / he was 31 yrs of age when Rupert (son) was borntextile industry - history wool stores - staff wool stores, dennys, lascelles limited, textile industry - history, wool stores - staff, wool stores, working life