Showing 162 items
matching ground water
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Creswick Campus Historical Collection - University of Melbourne
Sample, 1957
River red gum (E.Camuldelensis) hitching post. Specimen removed from the front of the Bank of NSW Creswick, 1957Wood SpecimenNote the wasting and decay of wood within one foot of ground level. Date of installation unknown. -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Publicity Branch, Department of Agriculture, Victoria, Students Working in the Vegetable Plots, c. 1962
... ground." watering digging lex hodge oliver frost peter trudgeon ...Note by T.H. Kneen 18 December 1991 "Students L-R: Lex Hodge (1962),Oliver Frost (1962), Peter Trudgeon (1963). The location of the photo is the student individual plot ground."2 copies black and white photograph. Students dusting, watering and digging in their vegetable plots.On reverse stamp, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. c.1695N."watering, digging, lex hodge, oliver frost, peter trudgeon, department of agriculture, students, dusting vegetables, vegetable plots, students working outside, orchard -
Nillumbik Shire Council
Deborah Halpern (b.1957 Melb) with Malcolm Laurence (b.1974 Melb), Malcolm Laurence, The Spirit of Nillumbik (balustrade panels x11); Location: Eltham Town Square - Main St, Eltham, 2001
In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the first of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Five picture and six woven balustrades each made out of welded steel / organic wrought iron and coated with wax. Imagery (flora - plants, landscapes and fauna - animals, birds, reptiles, insects) are all based on the local environment. There is also a relevant aboriginal presence amongst each of the panels. Each panel represents the different areas that make up the Shire. 'Water' for Warrandyte, 'Kangaroos' for Christmas Hills, 'Cockatoos and 'Valley Creek Flats' for Hurstbridge, 'Wombats', 'Bluetongues' and 'Possums' for St. Andrews/Kinglake, 'Orchids' for Panton Hill, 'Cows' and 'Grapevines' for the Kangaroo Gound Hill landmark. N/Apublic art, nillumbik, fauna, flora, wrought iron, balustrade, halpern, laurence, kangaroo, eltham town square, spirit, warrandyte, christmas hills, kangaroo ground, hurstbridge, kinglake, panton hill, water, valley creek flats, cockatoos -
Stawell Historical Society Inc
Archive, Plans from the Dept. Works Ararat
Archive 4262 Plans For Pleasent Creek 4262 - Existing Plans for Pleasent Creek 4262A - 2A Bellfield Unit 4262B - 2B Fyans Unit 4262C - 2C Nurses Unit 4262D - Biala Unit 4262E - Hostel Unit 4262F - Residence 3 & 4 (X2) 4262G - Residence 5 & 6 4262H - Nara Unit 4262I - Syme Unit 4262J - Lonsdale Unit 4262K - School Buildings 4262L - Recreation Building 4262M - Administration Building 4262N - Alexandra Building 42620 - L.T.O. building 4262P - Engineers Workshop & Laundry 4262Q - Sewing Room & Stores 4262R - Carpenters, Painters & Gardener's Workshops 4262S - 3 Existing Plans for Pleasent Creek Centre Stawell & Emergency Water Legend 4262T - 7 Existing Plans for Plesent Creek Stawell Centre Stawell Inc: Grid Squares 4262-1 73.5 X 56 CM Sheet No.1 New Dining Room Special School Amended Setout of Windows 4262-1A - 73.5 X 56 CM Sheet No. 2 Special School Stawell Joiners details 4262-1B - 73.5 X 56 CM Sheet No. 3 Pleasant Creek School: New Dining Room 4262-1C -73.5 X 56 CM Sheet No. 4 Pleasant Creek School Joinery details 4262-1D - 73.5 X 56 CM Sheet No. 5 Pleasant Creek School Joinery Details 4262-1E - 48 X 39 CM Section AA Pleasant Creek School Dining Room Stainless Steel Sinks & Drains 4262 -1F 50 X 69X5 CM School for Subnormal Children - Stawell Mental Hospital Elvation and Accordion 4262-1G 56 X 40 CM Sheet 6 Stawell Pleasant Creek School - Joinery Detail 4262-1H 75 X 54 CM Stawell Pleasant Creek School - Detail of Serving Window 4262 -1I 75 X 54 CM Stawell Hospital for the Insane - Cills to Windows, Store and soon to be Male Division 4262 -1J 50.5 X 24 CM Stawell Pleasant Creek School - deatils of Serving Window 4262 -2 39 X 34 CM Concongella School 1136 Sundry Works etc. 4262-2A 20 X 35 CM State School 1702 Joel Joel - Remodeling & Repairs Painting etc. 4262-2B 36 X 44.5 CM Mokepilly School Remodelling 4262-2C 21 X 34 CM 2951 Marnoo East - Sketch of Proposed Cloak Room 4262-2D 21 X 34 CM SS 2951 Marnoo East Elevation Showing New Cloak Room 4262-2E 40 X 39 CM Additions & Alterations to Concongella School 1136 4262-2F 21.3 X 33.5 CM School 2951 Marnoo East Elvation and Ground Plan 4262-2G 38 X 33.5 CM School 1554 Marnoo & Residence 4262-2H 21.5 33.5 CM Marnoo SS No 1554 Repairs and Painting 4262-2I 205 X 32 CM Marnoo School 1554 Alternative Drawingsfor building In Brick 4262-2J 50 X 43.5 CM New Concrete School 1554 Marnoo 4262-2K 62 X 56 CM Removal & Alterations to Marnoo's School No. 1554 4262-2L 49.5 X 33.5 CM Great Western School 860 - Teacher's Residence 4262-2M 20.5 X 33.5 CM Great western School 860 - Elevation & Ground Plan 4262-2N 20.5 X 33.5 CM Great Western School 860 - Shelter Sheds & Tank Stand 4262-2O 25.5 X 30 CM Great Western School 860 - Floor Plan 4262-2P 20 X 34 CM Residence to Great Western Schhool - Plastering & Painting etc,. 4262-2Q 59 X 50.5 CM Great Western School860 - Additions 4262-2R 21 X 33 CM Plan school 263 Glenorchy 4262-2S 21 X 33 CM Plan School 263 Glenorchy 4262-2T 35 X 38 CM Glenorchy School 263 Remodelling etc,. to Teacher's Residence 4262-2U 33.5 X 22 CM Repairs & Repainting School & Residence Glenorchy SS 263 4262-2V 53 X 34 CM Proposed Sleepout for Teachers Residence Glenorchy School 4262-2W 53.5 38 CM Glenorchy School No. 263 and Residence Raising School buildings etc,. 4262-2X 29 x 56 CM Glenorchy School 263 New Cloak Room etc. 4262-3 22 X 31 CM Drawing of Part of Builing 4262-3A 35 X 46 CM Stawell Roof Plan & Side Elevation 4262-3B 48 X 65 CM State School Drawing No 1 4262-3C 32 X 27 CM Renewal of Existing water Supply 4262-3E 61 X 40 CM Stawell Infant State School 503 - External Repairs & Renovations 4262-3F 48.5 X 53 CM Education Department Stawell State School Drawig No 2 Contract 181 4262-3G 73 X 55 CM Alterations & Additions S.S. 502 Stawell Drawing No.1 4262-3H 73 X 55 CM Alterations & Additions S.S. 502 Stawell Drawing No.2 4242-3I 73 X 55 CM Alterations & Additions S.S. 502 Stawell Drawing No.3 4262-3J 56 X 34 CM State School 502 Plan Clarifying & Chlorinating Chamber 4262-3K 33 X 21 CM Part Ground Plan StawellSchool 502 - Accordion Doors etc. 4262-3L 60 X 54 CM Accordion Door details for School at Stawell 502 4262-3M 69 X 52 CM Stawell State School No 502 External repairs - Renovations 4262-3N 72 X 55 CM Altereed & Additions State School 502 Drawing No 1 4262-30 35 X 21 CM Stawell School 502 New Wood Shed etc 4262-3P 68 X 34 CM Main School - New Gutters shown thus. State School 502 Stawell Renewals Eaves Guttering 4262-3Q 58 X 34 CM State School No 502. Stawell Block Plan 4262-3R 73 X 55 CM State School 502 Drawing No.2 4262-4 99 X 79 CM State of Victoria Public Works Department - Layout of heating System Administration Block and Toddlers Playroom. Pleasant Creek special School (2 Copies) 42624A 86 X 89.5 CM Existing Layout of Peasnt Creek Centre Fire Service Water Mains 4262-4B 87X 59.5 CM Department of Human Services Victoria Emergancy Schematic Palns Pleasant Creek Centre ( Plans also in 4262 & 4262-1?) Cover Sheet. Former Pleasant Creek Hospital site. Sometimes referred to as Pleasant Creek Special School and sometimes Pleasant Creet Training Centre.Plans of Schools and other Buildings -
Stawell Historical Society Inc
Slide, Lake Bellfield at the dam wall, being filled, 1960's
Ground view of the Dam Wall with water starting to fill the damgrampians -
Parks Victoria - Days Mill and Farm
Container - Bottle, clag
This bottle was found in an above ground rubbish pile at Days Mill. It appears to have been used to contain clag. ( a form of water based glue.)Small clear glass bottle. Round bottle, wide at base which tapers sharply to a narrow neck.william day, ann day, joseph day, robert day, days mill & farm, murchison south -
Whitehorse Historical Society Inc.
Functional object - Bag, C 1960's
... No 6 Water Wheel Stone Ground Meal Bridgewater Victoria... A stone ground meal calico bag marked Water Wheel, Bridgewater ...A stone ground meal calico bag marked Water Wheel, Bridgewater, Victoria Australia 10KG net No 6 Water Wheel Stone Ground Meal Bridgewater Victoria Australia 10kg net waterwheel, bridgewater, shopping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950c
Maranui was Kelvin House before it became Maranui|This is the before paired photograph used in the 150 year,Lakes Entrance 1858-2008 display.|The after paired photograph number 01217.1|Also one 12 x 16 framed photograph used in room displayBlack and white photograph of Hoopers Maranui Guest House. A timber double storied building, hip roof, sun shades over upper windows, seat on ground floor veranda, lattice fence, side view of Prince Regent theatre beside building. Water tank on stand. Lakes Entrance Victoriafences, guesthouses, architecture, room display -
Southern Sherbrooke Historical Society Inc.
Typescript|Photograph - copy
Single page typescript composed by Jill A'Vard, and single page with four copies of photographs. -Micawber Park Picnic Ground Belgrave c. 1934 shows a forest scene, a creek with a large tree fallen across it, a wooden footbridge, and a man in a hat standing on the bridge. Black and white photo. -Micawber Tea Rooms Belgrave shows a group of two men and two women standing on the verandah of a building which bears the signs "Refreshments", "Hot water" and "Micawber Tea Rooms". Black and white photo. -Ted & Lil A'Vard sitting in their lounge room at Micawber Park c. 1935 shows a middle-aged couple in armchairs in front of a brick fireplace. The mantelpiece holds several items including a clock. Behind the woman, on the right side, is a wooden stand with a green vase holding an arrangement of autumn-coloured flowers and foliage. The man is holding a book and there is possibly a dark dog at the woman's feet. Black and white photo which has been coloured in the top right corner (flower vase and edge of mantelpiece). -Alf & Maggie A'Vard's "The Valley" is a Rose Series postcard P. 1488, showing a house in a forest setting with a group of people on the verandah.albert a'vard, a'vard family, micawber park, alf a'vard, the valley -
Southern Sherbrooke Historical Society Inc.
Photograph, Monbulk Road, Belgrave
Groups of people are standing on Monbulk Road, up from Belgrave. In the background are four women abreast walking away. There are two men, a young boy and a woman standing together in the middle ground and two younger women closer to the camera, standing beside a cart (with only a large cartwheel visible). There may be another man speaking to them. There is a path going up the hill to the right, with fence posts on the high side and a closed gate at the top. On the left of the photo there is a house below the road. There are two water tanks which look new. It may be the same house as appears in other photos in this collection. Another building is visible in the distance. -
Southern Sherbrooke Historical Society Inc.
Photograph - Ernie Thorn, Bill Hermon and Jim Norton carting hay
B&W photo (one in a series) showing l-r Ernie Thorn, Bill Hermon and Jim Norton. Ernie and Bill are standing with arms folded, in front of a Chevrolet truck, and Jim is sitting on the hay piled on the truck tray. Similar to other photos taken that day but taken from ground level. The left side of the photo has water damage. -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1917-1924
Series of Black & White Photos Total 6 Hill Family & Friends During the First World War and after. Rita, wearing a dark dress with white collar and holding a dark coloured hat, background is large brick structure with windows to right and small section of veranda, pal tree, Railway Reserve Kyneton 1918. Man and two women wearing white dresses and dark hats, man wears dark suit white shirt and dark tie with his back against a large wheel, white sheet on ground between them and indistinguishable articles on sheet, Hibernian Picnic Axedale November 13th 1918. Group of young girls and boys all dressed in light coloured clothing gathering Botanical gardens January 1917, Miss N. Linnane reclining on cane lounge chair on verandah, weatherboard wall of house, verandah post, rock garden edging in foreground, May 1918. Monte Video Property Queensland Jeff, dressed in dark trousers and white shirt, holding a skinned rabbit, water tank in background, wire fence, July 1924. Father & Mother, Father wears a grey suit with white shirt and dark tie, Mother seated is wearing a dark dress with striped collar and white blouse, 'The Ranche' Mollison Street Eppalock.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Historical Society Inc.
Document - MARKS COLLECTION: PLAN OF HOT WATER HEATER FORTUNA FOR G. LANSELL
Plan of hot water heater, Fortuna Villa, drawn on heavy paper. On top of plan in red ink 'Plan of Hot Water Heater for G.Lansell Esq for Fortuna Villa Sandhurst' Drawings show front, transverse, longitudinal, back and side elevations of heater, also back, side and front elevation of individual water heaters, including one with ornate screen. On bottom of document: floor plans of ground plan and basement. Plan stamped on RH bottom : William C. Vahland, Architect, Sandhurst.bendigo, house, fortuna villa -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - ROCKLANDS RESERVOIR
Red covered catalogue for a Sale by Auction at Rocklands Reservoir near Balmoral, Vic. On the 9th to 13th November, 1953 (inclusive). For sale are Diesel Alternating Sets, Concrete Mixing and Aggregate Plant, Air Compressor Plants, Stone Crushing Plants, Locomotives, Woodworking Plant, Prefabricated Residences, Corr. Iron and Timber Buildings Stores and Extensive Equipment by order of The State Rivers & Water Supply Commission, Melbourne. Pasted in the front of catalogue is a slip to write name, address and phone number on and to give to clerk when making their first purchase. A typed note loose in the front of catalogue mentions that the time for removal of houses and buildings has been increased from four weeks to three months and goods would be at purchaser's own risk after time of sale. Descriptions of some of the items for sale. Catalogue has Ground Plans of the eight different residential houses. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - rocklands reservoir, the state rivers & water supply commission, j h curnow & son pty ltd, balmoral combined women's associations, prahran telegraph printing co -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: NOTES MENTIONING WHIPSTICK REGION
Four pages of typed notes mentioning the Whipstick Region, Mandurang Forest, Jackass Flat, Diamond Hill Area, One Tree Hill, and the Coliban/Sandhurst Water Supply Reserve. Mentioned are the Birds, Mammals, Geology, Flora, Ground Flora, Orchids,Lilies, Mistletoe, Ferns and Grasses of some of the areas.bendigo, parks and gardens, public reserves, peter ellis collection, north/central l.c.c. region bendigo block, bendigo field naturalists club, shipstick scrub, mandurang forest, one tree hill public park, redvers j eddy, coliban/sandhurst water supply reserve -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTO, 1919-1924
Hilda Hill Collection. Combination of Sepia and Black & White Photos. (Total 16.) two men with arms on each others shoulders, both with legs crossed, background shows large group of people and large trees, Hibernian Picnic November 19th 1919. Elderly lady holding two bird cages with birds therein standing in front of large flowering bush, the lady is dressed in all white and her hat lies on the ground in front of her, the hat appears to have flowers on the brim. Mrs Mc'Rosebower' October 1919. Hilda V. Standing with a background of shrubbery, wearing a dark dress, photo not very clear, 'The Ranche' March 1921. The Pinnacle One Tree Hill, people on the top lookout area and the wooden staircase for access, note the iron roof at the first level to provide shelter at ground level, April 1920. Lady on a ladies bicycle, dressed in geometric patterned dress, in front of an old shed with a corrugated iron roof. The bicycle has a front and rear mudguard, 'The Ranche' January 1920. Three ladies, the lady on the left is wearing a white dress with a black belt and holding in her right hand a small bag with a handle, the middle lady is wearing a dress of another colour with three strips of material at different levels on the front and holding her hands at her waist, also wearing lace up boots, lady to the right is wearing a white blouse and a dark skirt and her hands behind her back, background is garden, 'Durvol' December 1919. Photo of young girl dressed in black standing next to a small bush with her back to a house exterior wall, to the left is a white wall, NO Details.Three ladies standing beneath a large tree arm in arm, left girl is wearing a white top with a black belt and dark skirt, Centre girl is wearing a white top and dark skirt, girl at right wearing coloured? Dress with matching sash belt,'Durvol' December 19th 1919. Two men and three ladies in a rowing boat on lake Weeroona, both men are wearing dark suits and hats, the ladies are all in light coloured clothing and also wearing large brimmed hats. Kath wearing a black dress with a fox skin stole and holding a large bag in her right hand in garden setting, left background is a corrugated iron fence with wooden top rail, to the right is the wall of a building, September 1919 'the Ranche'. Jack wearing a black coat and jodhpurs with a white high neck jumper leaning on a wire and netting farm type fence, Mt. Buffalo July 1923. Photo of a 'Rosebower' in a garden corner, right shows part of a picket fence, wear and tear indicates that a gate may be in the fence accessible through the bower, October 1919. Two ladies holding tennis racquets, dressed in white blouses with one dark dress and the other a lighter shade sitting on stool inside a netted tennis court, both ladies are wearing large brimmed hats, background is a house with a water tank on the left end, three decorative chimneys, tiled roof, decorative panelling below the guttering, 'Kilmuir' October 1919. Lady on dark coloured horse, the lady is wearing a white blouse and jodhpurs and a large brimmed hat, background is house showing a bow window three chimneys and a small portion of the decorative fretwork below the gutter line of the verandah, 'Kilmuir' October 1919. Two young men dressing collar and tie one wearing a coat and three young ladies reclining on the ground, girl on the left is wearing a light coloured dress white blouse and cardigan, middle girl wearing a short sleeved top, right lady is wearing white blouse and dark coat, in foreground there appears to be a pudding meat and a wine bottle, left edge another male can be partially seen lying on the ground with a bottle in his left hand, at 'Monte Video' after dinner 18 July 1924. Ten people sitting and standing on a veranda, 'The Ranche', celebrating an event, small 4 wheel table with food, person front left holding a white cup and saucer, July 1924.australia, history, victoria post war touring boom, http://www.yourbrisbanepastandpresent.com/2012_02_01_archive.html -
Moorabbin Air Museum
Film (Item) - (SP) Various 8mm and 16mm films See more detail in Context Will need to go to SharePoint to access "Video films 16mm and 35mm various", Video films 16mm and 35mm various
Helicopter based airline proposition. Water landing Taxying & take off capability. B & W Sound Demo landing & Take off land, snow & water. Weights & performance. Army variant takes 34 troops. Colour silent Jetstar sales video. Specs. Performance. First flight. Corporate & military uses. Colour sound Turbojet history technology. Whittle. Nene Vampire Meteor B&W sound Before 1st flight.Publicity film. New technologies. Cockpit features. Specs, performance. Colour sound Activity at Bankstown and Wagga 1943 Various WW2 aircraft. Inc medivac. On ground & in flight. B&W part sound. Has film break Shots of medivac A/c (Ref MAM 1006) John Gould bird extracts Forces and Moments on an aircraft. B&W sound Aircraft control modes - Pitch, directional, lateral B&W sound Publicity film C130 Hercules. Loading freight persons. In flight. Colour sound Boomerang info. In flight B&W -
Kew Historical Society Inc
Photograph, Marnie McLeod, Floods of the River Yarra at Kew, 1916
The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Black and white photograph of flooded trees in Kew with rising dry ground in distance.Inscription on reverse in pencil: "Flood River Yarra Kew Vic"river yarra, kew, floods 1916 -
Kew Historical Society Inc
Photograph, Marnie McLeod, Floods on the River Yarra at Kew, 1916
The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Panoramic view, believed to be looking north towards Fairfield from the Zig-Zag Bridge on the River Yarra. The inscription on the reverese identifies it as taken before 1920.Inscription on reverse in ink "(pre 1920) Flood from Zig-zag bridge Yarra River, Kew Vic."river yarra, kew, floods 1916, zig-zag bridge -
Kew Historical Society Inc
Photograph, Marnie McLeod, Flood, River Yarra, Kew, 1916
The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Small black and white photograph of flooded trees in Kew.Inscription on reverse in ink "Flood R. Yarra Kew Vicriver yarra, kew, floods 1916 -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene in the Carlton Gardens, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Carlton Gardens’ : Views of Victoria (General Series) No.40 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Carlton Gardens are not so extensive as most of the other public gardens around Melbourne, and, being laid out on a flat piece of ground, have not the advantage of possessing much that is romantic in its scenery. The subject of this issue is the only interesting spot within the enclosure, which is the Rustic Fountain, surrounded by a small lake of water, on the banks of which grow some very beautiful specimens of the hanging willow. These Gardens are open to the public at all times.’nicholas caire (1837-1918), carton gardens, exhibition building, landscape photography - victoria -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - 8th LH outpost, 1918 circa
The 8th Light Horse Regiment was engaged in the battle to capture Turkish defences at Tel El Khuweifle 16 Kilometres north of Beersheba from 1 to 6 November 1917. Other units were drawn from Imperial Camel Corps, British Yeomanry Division, New Zealand Mounted Rifles and 53 Welsh Division. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Part of a rare collection of photographs of 8th Light Horse Regiment AIF during WWI (1914-1918).Black and white photograph of two soldiers of the 8th Light Horse Regiment AIF wearing slouch hats and armed with rifles. They are near three figures wearing helmets lying on the ground, possibly men of the Imperial Camel Corps or British infantry. Below photograph "Stony desert landscape known as Khuweilfe ( Thirsty Ridge ), 8 miles north of Beersheba. Only had a little water hence the name",tel el khuweifle, 8th, light horse, world war one, wwi -
Sunbury Family History and Heritage Society Inc.
Photograph, 31st March 1996
The students from Bulla Primary School were taken on a nature excursion to a nearby nature park as part of their scientific and environmental studies. They were studying the number and types of insects that could be found in the plants and water in the area. The park ranger then asked them to identify any insects on the chart that they found. Nature and environmental studies give the students of the importance of caring for the environment and are included in their science work.A non-digital coloured photograph of a group of children sitting on the ground in front of a teacher who is holding up a chart featuring common insects. One child has her hand up while others are looking down onto the grass.bulla, bulla primary school, nature studies, school excursion -
Sunbury Family History and Heritage Society Inc.
Photograph
The post card is a record of a time when the Jacksons Creek flooded and the water almost reached the two arches on the Macedon Street Bridge. The Goonawarra Winery buildings can be seen in the back ground.A sepia photograph in post card format of a river in flood with the water almost reaching the two arches on the stone bridge. Farm buildings can be seen in the middle distance.JACKSON'S CREEK IN FLOOD SUNBURYmacedon street bridge, jacksons creek, goonawarra winery -
Sunbury Family History and Heritage Society Inc.
Photograph
The former mill and weir shown in the photograph were sited on the banks of Jacksons Creek downstream from the town of Sunbury. John Eadie, a Scottish immigrant established the water-driven flour mill on the banks of the creek after he arrived in the colony in 1866. The mill continued operating until the outbreak of World War 1 when the metal wheel and iron roofing were taken and used for the war effort. The hill in the back ground with the trees and buildings was the site of the former Sunbury Asylum. Milling was one of Sunbury's early industries that were established in the district.A black and white photograph of a building and a lake in a valley. Buildings and trees are visible on a distant hillside.sunbury flour mill., milling -
Gippsland Art Gallery
Print, Macpherson, Adelaide, Land & Water - Lakes, 2018
Purchased, 2019White ground etching on papergippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Federation University Art Collection
Painting, 'Murray River Flood Plain', by David Alexander, 2004
David ALEXANDERFramed watercolour landscape depicting water in the foreground and mountains in the mid-ground.Signed and dated in ink lower left "DA Alexander '04"art, artist, david alexander, murray river, gippsland campus, landscape, watercolour, churchill -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Glen Wilson, Natives, 15 Months After Planting at Merricks, Unknown
Black and white photograph. Photograph of plants surrounded by mulch.On reverse, "Natives, 15 months after planting at Merricks. Poor soil. Only tank water. 30 yrs old pine trees on this block (removed?) 18 months before photo taken. Ground mulched with 12" sawdust. Planted by "Schubert Method."merricks, pine trees, schubert method, natrive plants, sawdust mulch -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white photocopy, A.E. Bennett, Orchard Gate, c. 1894
... , watering cans on the ground. Copy of photograph in "Prize Essays..., standing near the Orchard gate, watering cans on the ground. Copy ...Black and white photocopy of a photograph.Enlargement. 3 men, probably students, standing near the Orchard gate, watering cans on the ground. Copy of photograph in "Prize Essays," by A. E. Bennettmen, orchard, watering cans, a.e. bennett, prize essays, students working outside, students