Anne Frank was one of a group of eight Jews in hiding from the Nazis. After their betrayal and transportation only her father Otto Frank survived. Her diary was saved by one of the helpers who brought them food and news during the 2 years in hiding. The diary bears witness to Anne's budding talent as a writer. It is also an invaluable record of a Jewish family in hiding during WWII. It has been translated into over 70 languages and formed the inspiration for several movies and plays. The house on the Prinsengracht quickly became a major Amsterdam tourist destination and is the home of the Anne Frank Foundation.120pp hard cover book about the world-wide reactions to Anne Frank's diary. Hence the title "Echo". It describes a stage play and quotes many reactions from readers worldwide. Some of these are in the form of poetry. Authors are Otto Frank and Henri van Praag, President of the Anne Frank Foundation."For my daughter Bettina Christina - to remember her Mam. Jan.1976."

Tea cosy dolls originated in the Eighteenth Century, becoming commonplace after the 1870s. Most later Nineteenth Century examples were produced in continental European factories. These half-dolls were created using a number of mediums including soft and hard paste porcelain. They were frequently attached to a 'dressed' wire frame that covered the tea pot like a modern tea cosy.Hand-painted ceramic tea cosy half-doll with articulated arms. The half-doll has attached human hair.tea cosy top, tea cosy doll, half dolls

Tea cosy dolls originated in the Eighteenth Century, becoming commonplace after the 1870s. Most later Nineteenth Century examples were produced in continental European factories. These half-dolls were created using a number of mediums including soft and hard paste porcelain. They were frequently attached to a 'dressed' wire frame that covered the tea pot like a modern tea cosy. Hand-painted ceramic tea cosy half-doll with articulated arms. The half-doll has attached human hair.tea cosy top, tea cosy doll, half dolls

This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils

Soft drink came in bottles bought at the local grocery store or at a larger city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. The history of Zedmanfg Company, Albury. Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing & shape especially if in good condition. Clear glass bottle. Bottom half has straight sides. Upper half tapers to the top where a metal crimp fits over the lip. Manufacturer's name is heavily embossed in cursive script diagonally across the lower half. The place 'Albury' is embossed below the diagonal script, in capital letters.There is heavy embossing at the base and at the bottom of the sides. All in capital letters. It has a crown seal - AGMZedManfg Co. Albury - across the bottom half of the bottle. At the base on the sides around the circumference 'This bottle is the property of the Zedmanfg Co. Albury. On the Base: F1486, GM inside A, M 113 glass, bottle, domestic, household, albury, zedmanfg co., drinks, lemonade

A half page newspaper article with a photograph of an early Eltham scene recording the origins of Main Road, Eltham. Written by Eltham District Historical Society members Russell Yeoman and Jim Connor.Details some of the deviations that Main Road had taken during its earliest years.A half page newspaper article with a photograph of an early Eltham scene.Hand written date in red pen "30/3/2011".eltham, main road, kangaroo ground, lower plenty, plenty river, montmorency south, old eltham road, bolton street, russell yeoman, jim connor

This half petticoat was made by Jean Green's mother and worn under her Wedding Dress in 1922. Jean Green also wore it under her Wedding Dress in 1950. This item of lady’s underwear is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families.A lady's ankle length white cotton half petticoat with a gathered elasticised waist. The lower half of the petticoat has an overlay of Cut-work cotton.dressmaking, craftwork, lacework, pioneers, market gardeners, early settlers, moorabbin, bentleigh ormond

The beginning of standardised weights and measures began In Victoria when the Melbourne Observatory received sets of standard weights and measures, which had been tested in Britain against the then British Imperial standards. These included the primary standard yard and pound for the Colony of Victoria. Other standards of weights and measure held by shires and the administrative body's within the colony could then be compared to these primary standards. A Weights and Measures Act was passed in Victoria in 1862, establishing local inspectors throughout the colony. By the 1870s each local council and shire in Victoria held a set of standards that were used to test scales, weights and dry measures used by wholesalers, factories and shops. Every ten years the councils’ standards would themselves need to be rechecked against the Victorian Standards. The checking was done by the Victorian Customs Department in the 19th century, but with the transfer of responsibility for customs to the Federal Government in 1901, weights and measures function was retained by the Victorian Government and was shifted to the Melbourne Observatory. In 1904, a new building was erected at the south end of the Great Melbourne Telescope House, where the standard weights and measures and testing equipment was installed. This room had a large whirling apparatus for testing air meters and became known as the Whirling Room. When the Melbourne Observatory closed in 1944, the Weights and Measures Branch was formed to continue and this branch remained at the Observatory site unit until 1995. J & M Ewan History: J&M Ewan was a Melbourne firm that began by selling retail furniture and wholesale ironmongery. They had substantial warehouses situated at the intersection of 81-83 Elizabeth and Little Collins Streets, the business was established by James M Ewan in 1852. Shortly afterwards he went into partnership with William Kerr Thomson and Samuel Renwick. When Ewan died in 1868 his partners carried on and expanded the business under his name J & M Ewan. The business was expanded to provide a retail shop, counting-house and private offices. Wholesale warehouses adjoined these premises at 4, 6 and 10 Little Collins Street, West. This company provided and sold a large and varied amount of imported goods into the colony that consisted of agriculture equipment, building materials, mining items as well as steam engines, tools of all types and marble fireplaces. They also supplied the Bronze measuring containers in the Flagstaff Hill collection and the probability is that these containers were obtained by the local Melbourne authority that monitored weights and measures in the mid to late 19th century. The company grew to employ over 150 people in Melbourne and opened offices at 27 Lombard St London as well as in New Zealand and Fiji. The company also serviced the Mauritius islands and the pacific area with their steamship the Suva and a brig the Shannon, the company ceased trading in 1993. Robert Bate History: Robert Brettell Bate (1782-1847) was born in Stourbridge, England, one of four sons of Overs Bate, a mercer (a dealer in textile fabrics, especially silks, velvet's, and other fine materials)and banker. Bate moved to London, and in 1813 was noticed for his scientific instrument making ability through the authority of the “Clockmakers Company”. Sometime in the year 1813 it was discovered that one Robert Brettell Bate, regarded as a foreigner in London had opened a premises in the Poultry selling area of London. He was a Mathematical Instrument maker selling sundials and other various instruments of the clock making. In 1824, Bate, in preparation for his work on standards and weights, leased larger premises at 20 and 21 Poultry, London, at a rental of four hundred pounds per annum. It was there that Bate produced quality metrological instruments, which afforded him the recognition as one of one of the finest and principal English metrological instrument-makers of the nineteenth century. English standards at this time were generally in a muddle, with local standards varying from shire to shire. On 17 June 1824, an Act of Parliament was passed making a universal range of weights, measures, and lengths for the United Kingdom, and Bate was given the job of crafting many of the metrological artifacts. He was under instruction from the renown physicist Henry Kater F.R.S. (1777-1835) to make standards and to have them deposited in the principal cities throughout the United Kingdom and colonies. Bate experimented with tin-copper alloys to find the best combination for these items and by October 1824, he had provided Kater with prototypes to test troy and avoirdupois pounds, and samples with which to divide the troy into grams. Bate also cast the standard for the bushel, and by February 1825, had provided all the standards required of him by the Exchequer, Guildhalls of Edinburgh, and Dublin. In 1824, he also made a troy pound standard weight for the United States, which was certified for its accuracy by Kater and deposited with the US Mint in 1827. Kater, in his address to the Royal Society of London, acknowledged Bate's outstanding experimentation and craftsmanship in producing standards of weights, measures, and lengths. An example of a dry Bronze measuring container made specifically for J & M Ewan by possibly the most important makers of measurement artefacts that gives us today a snapshot of how imperial weights and measures were used and how a standard of measurement for merchants was developed in the Australian colonies based on the Imperial British measurement system. The container has social significance as an item retailed by J & M Ewan and used in Victoria by the authorities who were given legal responsibility to ensure that wholesalers and retailers of dry goods sold in Victoria were correct. The container was a legal standard measure so was also used to test merchants containers to ensure that their distribution of dry goods to a customer was correct.Maker Possibly Robert Brettell Blake or De Grave, Short & Co Ltd both of LondonContainer bronze round shape for measuring dry quantities has brass handles & is a 'half-bushel' measurement"IMPERIAL STANDARD HALF BUSHEL" engraved around the top of the container. VICTORIA engraved under "J & M Ewan & Co London and Melbourne" engraved around the bottom of the container.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, standard measure, bronze, peck measurement, j & m ewan, victorian standard dry measurement, bronze container, victorian standards, melbourne observatory, robert brettell bate

Half-hull ship models were an important step in the process of building a vessel. Shipwrights or designers would construct a half-hull scale model of a ship before the vessel was built. They used it to ensure that the dimensions would work together and that the ship look balanced. They would often mount the half hull onto a board in their workshop. The half-hull ship models were also used to show prospective buyers how the design would work and look. Given the plywood construction of the model, it is believed to have been made around the 1930s as plywood construction had started in earnest in Queensland around this time and soon became the centre of the industry because of Queensland's attractive rain forest woods used which also included red cedar, silver ash, black bean, Queensland maple and silky oak. It is also believed the model was a design for a clinker-built barge to be built by Peter Payne who operated a boat building works on the Mordialloc Creek, Victoria going out of business in 1973. Records show Peter Paynes' first craft launched in 1962 and the last in 1973 from Mordialloc Creek works. However, he was one of the most prolific builders from the 1930s and produced many more vessels than the records currently show. There is at this point no further record of the subject model or whether a full version was ever built and for whom is not known at this time.A model that demonstrates the boat-building process is believed to have been made by Peter Payne or someone who worked in his yard. P Payne was a very well-known boating personality, vessel captain and boat builder throughout most of the 20th century. Model barge half hull on wooden of plywood laminated construction. Marked "AUXILIARY BARGE 80'x16'x6' 315 TONS 4" - 1 FOOT" "P and H PAYNE?" "22/E/26" flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model half hull, ship half model, shipbuilding, shipwright, ship design, peter payne, boat builder victoria, clinker design, barge

This white, cotton half petticoat with hand crochet work on the hem is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners in the Moorabbin ShireThe pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This petticoat is one of many items that exhibit the skill and craftsmanship of the women in these familiesA lady's white cotton half petticoat, with deep hand- crochet border at the hem. brighton, moorabbin, pioneers, dress, bentleigh, early settlers, garments

Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of H.M. Leggo & Co. Ltd. BendigoHistorical: Change of bottles - shape, glass, embossing, use Aesthetic; Display showing, embossing, size, shape.Medium size sauce bottle made with clear glass. The bottom half has 10 equal sides (or panels) going half way up. The sides become round and taper to the opening to a lip and screw top. Heavily embossed on 2 of the side panels with printing in capital letters vertically and the maker's name printed horizontally above the panels directly opposite. Embossed on the base.Manufacturer: 'Leggo" on side. Sides: "This Bottle is the Property / of H. M. Leggo & Co. Ltd Bendigo " Next panel: "Is Lent Only / Must Be Returned" Base: Common Seal - "A' with 'G' inside top half and 'M' inside lower half of A. Underneath this and across the middle is "M154' with 'M' below On the edge: '018'sauce, household, h.m. leggo & co. ltd. bendigo, glass bottle

An authentic half hull ship model of the type used by boat builders as a plan for building a ship's hull. It is the model of a barge, a ship used for carrying cargo or as a working platform.The trade of ship building has been carried out for centuries and taught to generations of ship builders. This half hull ship model is part of the process of building the hull of a barge. Flagstaff Hill's collection includes equipment once used on the vessel Reginald M, which at one time was used as a barge to carry grain in South Australia.Ship model, half hull model ship. The half hull model represents a barge. It is made from a length of laminated timber, curved into shape including the bow and stern. The deck is lower than the front and back of the ship model. flagstaff hill maritime museum and village, great ocean road, shipwreck coast, ship model, barge, ship building, half hull, craft, trade, boat builder

State Electricity Commission (SEC) outlined details of a site available for the development of a Tourist Hotel Project in Falls Creek in late 1962/3. SEC estimated that by the winter of 1963 Falls Creek Village would be able to accommodate 500 persons. The site for development was up to 2½ acres adjacent to the Upper Kiewa Valley Road. It envisaged a building able to accommodate about 100 guests. The successful developer would be granted a lease for 45 years at a rent of £300 per annum. Written applications for the lease were to be submitted by 31st March 1963.This item is significant because it documents plans made by the State Electricity Commission to develop the Falls Creek Tourist Area. A folder with a black and white image of skiers outside a hotel on the left. The logo of the State Electricity Commission and text is on the right half of the folder.On right half of cover: Logo of the State Electricity Commission TOURIST HOTEL PROJECT Falls Creek / North East Victoria Forwarded with the compliments of the State Electricity Commission of Victoriafalls creek tourist area, hotel development falls creek, falls creek projects 1963

The ship’s communication system that was used from the late 19th century to early-to-mid-20th-century is called an Engine Order Telegraph (E.O.T.) or ship’s telegraph. The system has two parts, the Bridge Section and the Engine Room Section. The Bridge Section is usually mounted on top of a pedestal, and the Engine Room Section is often attached to a vertical surface. The standard commands printed or stamped onto the dial are the directions of AHEAD and ASTERN, and the speeds of STOP, SLOW, HALF, and FULL. The ship’s pilot on the Bridge of a vessel sends his Orders for speed and direction to the to the Engine Room with the E.O.T. He moves the lever or levers, depending on the number of engines the ship has, to change the indicator on the Bridge Section’s dial to point in the new direction and speed of travel. This change causes the Orders to be duplicated on the Engine Room Section’s dial and a bell to signal the change at the same time. The engineer then adjusts the ship’s engines and steering equipment to follow the pilot’s Order. The manufacturer, A. Robinson & Co. Ltd of Liverpool, established his business in 1780 and continued until 1968 when the business was purchased by marine products maker Chadburns, established in London in 1870.This Engine Room section is part of a ship's telegraph communication system and represents marine technology used in the late-19th to mid-20th-century. Engine Room Section of a ship’s telegraph or Engine Order Telegraph (E.O.T.). The round brass dial has inscriptions stamped around its edge and centre. Red inlaid glass plates have inscriptions in white paint on them. The inscriptions are nautical terms for direction and speed and include the maker’s details. A rotating pointer is joined to the centre of the dial. The maker is A. Robinson & Co. Ltd of Liverpool. Stamped: “FULL / HALF / SLOW / STOP / FULL / HALF / SLOW / STOP”, “AHEAD / ASTERN” Printed: “FULL / HALF / SLOW / STOP / FULL / HALF / SLOW / STOP” Stamped on the dial: “A. ROBINSON & CO. LTD / MANUFACTURERS / LIVERPOOL”flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, marine technology, marine communications, engine order telegraph, e.o.t., ship’s telegraph, bridge section, engine room section, ship’s engine telegraph section, marine telegraph, a. robinson & co. ltd, liverpool

This nameless three-masted sailing ship half model is typical of a piece produced by a first year apprentice. Nameless three-masted sailing ship half model, typical first year apprentice piece. Model acquired damaged and incomplete. Repaired and completed by Arthur Woodley Crib Point September - October 2008.boat building, boat half model

The booklet provides information for prospective students, styled around a passport and travel guide. Page 24 features quotes regarding the forthcoming move from Mt Helen Campus to the Camp Street Campus at the end of 2001, early 2022. Pages 28 and 29 feature small quotes from GD/MM alumni, as well as naming contacts and connections. Co-production of students and staff. Initiated by lecturer Helmut Stenzel, concept by student Anthony Boulton. Design, direction, copy and production by Elise Whetter. Student works contributed by: Tim Allan, Michelle Allen, Matthew Avent, Reuben Barnett, Michelle Berry, Anthony Boulton, Lucy Brisbane, Amanda Brizzi, Simone Carras-Kerr, Naomi Craig, Belinda Garth, Alex Gillett, Danielle Harris, Andrew Isaac, Hamish McDougall, Heath McGregor, Ange Nastos, Jackie Orr, Marc Oswin, Andrea Read, Ed Sawyers, Leigh Scholten, Jessica Steinke, Peta Wallace, Andrew Wapling, Leigh Webb, Fiona Woolley, Sony Zwolinski. The cover stock is Reaction, Night Offshore Blue, 310gsm, produced by the Gmund paper company, Germany. Its reverse is matt black.Promotional brochure for prospective students of the Bachelor of Visual Arts (Graphic Design/Multimedia). 32pp text (full colour throughout) plus 4pp cover (on blue Reaction specialty stock) debossing and laser cut holes. Saddlestitched with matching blue staples. Booklet contained in a plastic sleeve with clear front.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, tim allan, michelle allen, matthew avent, reuben barnett, michelle berry, anthony boulton, lucy brisbane, amanda brizzi, simone carras-kerr, naomi craig, belinda garth, alex gillett, danielle harris, andrew isaac, hamish mcdougall, heath mcgregor, ange nastos, jackie orr, marc oswin, andrea read, ed sawyers, leigh scholten, jessica steinke, peta wallace, andrew wapling, leigh webb, fiona woolley, sony zwolinski, elise whetter, helmut stenzel

Invitation issued to W. Williamson on May 13th, 1935, to attend the half yearly meeting of the Rutherglen Branch of the Australian Natives Association, to be held on Tuesday, May 28th 1935.Paper invitation, issued to W. Williamson, to attend the Half Yearly meeting of the branch of the Australian Natives Associationw williamson, australian natives association, lodges

This half broken brick comes from the brickworks owned by Robinson Allison. The brickworks operated approximately between the years 1859 - 1883 on crown land near Watson's Road, Sunbury. This brick may have come from a ruin near the Organ Pipes.Approximately half a brick brown/red colour smooth at one end uneven sides.on top - "ALLISONS'1860s, 1880s, sunbury, brick, shire of bulla, dunn, trevor, margaret, allison, robinson, george evans collection

The story of Canterbury Centre provides a vignette of Australian life and social service over the half century since World War 11The story of Canterbury Centre provides a vignette of Australian life and social service over the half century since World War 11Title Page : For Sue / with best wishes / Susan Priestleycanterbury centre, aged people, senior citizens centres

This girl's half petticoat is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th CEarly settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families The Walker family were early settlers in Moorabbin Shire.A young girl’s half-slip, pin-tucked and with lace edge. Notice the sewn "tuck" of extra material to be "let down" as the child grows.clothing, brighton, moorabbin, dressmaking, market gardeners, early settlers, craftwork, walker alice

Cream came in bottles bought at the local store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. The amount of liquid was measured in ounces and pints pre 1966. History of J. Kikpatrick, Waverley, East malvern.Historical: Change of bottles - shape, size, stopper, embossing and use. Aesthetic; Display showing embossing and shapeClear small glass cream bottle with heavy embossing on both sides. Inside the opening is a rim to hold a cardboard disc used to seal the bottle. The sides are straight half way up then taper to the opening. One side: The Property of / J. Kilpatrick (half moon on top) / Waverly Road (across middle) / East Malvern (half moon on bottom) Other side: Please / wash / & / Return (also curved with & in the middle) Along side at base: "Contents not less than 8 ozs." Base: Across middle M93 above M, and AGM below. cream, dairy, milkbar, bottle, household

8691.1 - Large brass measuring container, it measures a gallon in total. It has brass handles at the base of the container. It also has a glass lid. 8691.2 - Large brass measuring container, it measures a half gallon in total. It has brass handles at the base of the container. It also has a glass lid. 8691.3 - Medium brass measuring container, it measures a quarter gallon in total. It has brass handles at the base of the container. It also has a glass lid. 8691.4 - Medium-ish sized brass measuring container which measures a pint in total. It has brass handles at the base of the container. It also has a glass lid. 8691.5 - Small brass measuring container which measures a gill in total. It also has a glass lid. 8691.6 - Small brass measuring container which measures a gill in total. It also has a glass lid. 8691.7 - Very small brass measuring container which measures a half gill in total. It also has a glass lid.8691.1 - Imperial Standard Gallon - Victoria 8691.2 - Imperial Standard Half Gallon - Victoria 8691.3 - Imperial Standard Quart - Victoria 8691.4 - Imperial Standard Pint - Victoria 8691.5 - Imperial Standard Half Pint - Victoria 8691.6 - Imperial Standard Gill - Victoria 8691.7 - Imperial Standard Half Gill - Victoria

Vincent kelly (1877-1958)worked in Bendigo for pretty much half a century.Bendigo Weekly Story 'Life in Photographs'. The work of a prominent Bendigo photogrpher sheds light on Victorian life in the first half of the 20th Century. Full page article on Vincent Kelly.bendigo, vincent kelly, photographer

The pennies and half pennies were Australian currency minted prior to the introduction of decimal currency in Australia on 14th February, 1966. The one cent coins post dated the introduction of decimal currency.These coins are retained as examples of pre decimal currency in Australia. It is interesting to note that dating from 1951 to 1983 three monarchs are featured on the obverse.: King George V, King George VI, and Queen Elizabeth 11..The one cent coins are retained as they are no longer in useSeven copper pennies : .1 Obverse profile of King George V1 and text around the perimeter. Small green stain. Reverse profile of a kangaroo, a star and text . Smooth edge ..2 Identical to .1 excepting stain .3 Identical to .2 .4 Obverse profile of Queen Elizabeth 11. and text. Reverse -Profile of a kangaroo, a star and text . .5 Identical to .4 .6 Identical to .4. .7Identical to .4 Five copper half pennies: .8 Obverse Profile of King George V and text around the perimeter. Smooth edge.The coin has a small chip on one edge. Reverse A circle containing text and an outer ring containing text . .9 Identical to .8 .10 Obverse Profile of King George VI and text Reverse Profile of kangaroo,star and text .11 Obverse Profile of Queen Elizabeth 11 Reverse Profile of kangaroo, star and text .12 Obverse identical to .11 Reverse Identical to .11 .13 Obverse identical to .11 Reverse identical to .11 Two copper one cent pieces: .14 Obverse Profile of Queen Elizabeth 11 and text .15 Obverse identical to .14 . .1Obverse GEORGIUS VI D;G;BR OMN; REX FIDEI; DEF. Reverse AUSTRALIA 1951.PENNY .2 Identical to .1 .3 Obverse identical to .1 .2 Reverse AUSTRALIA 1952 PENNY .4 Obverse ELIZABETH.11.DEI.GRATIA.REGINA.F;D;+ Reverse AUSTRALIA 1955 PENNY .5 Obverse identical to .4 Reverse AUSTRALIA 1958 PENNY .6 Identical to .5 .7 Obverse identical to .4 Reverse AUSTRALIA 1962 PENNY .8 Obverse GEORGIUS V D G BRITT OMN: REX; D; IND IMP Reverse ONE HALF PENNY .COMMONWEALTH OF AUSTRALIA The date is obscured by the chip. .9 Obverse identical to .8 Reverse Identical to .8 but the date is 1929 .10 Obverse GEORGIU VI D; G; BR;OMN REX;F;D;IND;IMP Reverse AUSTRALIA HALF PENNY 1948 .11 Obverse ELIZABETH .11. DEI. GRATIA. REGINA + Reverse AUSTRALIA HALF PENNY 1955 .12 Obverse identical to .11 Reverse AUSTRALIA HALF PENNY 1955 .13 Obverse identical to .11 Reverse AUSTRALIA HALF PENNY 1959 .14 Obverse ELIZABETH 11 AUSTRALIA 1985 Reverse Feathered Tail Glider and herbage ,1 .15 Obverse identical to .14 date 1983 Reverse Identical to .14penny, half penny