This file would be used by a tradesperson or home handyman to smooth the edges of the wooden piece he or she was working on. The surfaces of the file would be of different abrasiveness to suit different stages of the job. A file would be part of a woodworker's tool kit.This design of this file has been used since at least the early 20th century and can be found in stores today.File; small metal three-sided file with wooden handle.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, file, three-sided file, carpentry, woodwork, guilding, tradesman

Else Oertel was a German internee in Camp 3A from 1940-1945. Woodworking was popular amongst the internees and it is probable that another internee in camp 3 made the buckle for Else. Her daughter, Else-Lore Hukins donated the item.Hand carved wooden (belt) buckle. Polished front with initial. Painted red sides. 2 x metal loops on back for threading belt, etc. through. Inscription on back also.1. "E" 2. "Januar 1940 VB"tatura, ww2, camp 3, internment, internee camps, costume, accessory, clothes, handcrafts, woodcarving

Else Oertel was a German internee in Camp 3A from 1940-1945. Woodworking was popular amongst the internees and Werner Dehnel, another internee in camp 3, made the trivet for Else. Her daughter, Else-Lore Hukins donated the item.Wooden trivet made by internee in camp 3, octagonal shape. Dark brown, polished. Bevelled border. Made from plywood. Plaque inlaid in back. Handmade.Plaque: TATURA - 1941. Else von Werner.camp 3, internee camps, handcrafts, woodwork, trivet

RICHARD FORD WAS A LOCAL ARTIST, WHO PAINTED THE STAGE BACK DROP AND THE WORLD WAR 1 MEMORIAL IN THE CLUNES TOWN HALL. HE WAS A COUNCIL FOREMAN, HORTICULTURALIST AND PARK CURATOR, AND LATER TAUGHT WOODWORK AT THE CLUNES HIGHER ELEMENTARY SCHOOL.PHOTOGRAPH OF RICHARD FORD IN HIS GARDEN IN SMITH STREET, CLUNESlocal history, photography, photographs, ford, richard

RICHARD FORD WS A LOCAL ARTIST WHO PAINTED THE STAGE BACK DROP AND THE WORLD WAR 1 MEMORIAL IN THE CLUNES TOWN HALL. HE WAS A COUNCIL FOREMAN, HORTICULTURIST AND PARK CURATOR AND LATER TAUGHT WOODWORK AT THE CLUNES HIGHER ELEMENTARY SCHOOLPHOTOGRAPH OF RICHARD FORD IN HIS GARDEN IN SMITH STREET, CLUNESlocal history, photography, photographs, ford, richard

Bendigo Advertiser ''The way we were'' from 2000. Residence: 'Linetta', at the corner of Bramble and Chapel streets, Bendigo. Henry Iser was one of the founders of the timber company Hume and Iser. So it's not surprising there was something special about the woodwork of his house - the balustrade and frieze with its unique use of turned wood. A two-storey verandah was added to the rear of the house, probably in the 1920s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

A flat straight metal woodworking tool with two wooden line patterned handles used to remove surplus large chunks of wood and taper the sides of timber for floorboards, paneling and such before planing them. It can be used to to fashion tool handles, wooden sculptures stool legs or wheel spokes. The final finishing on such work was done by a Spoke Shave tool which we also have in our collection.Stamped on the blade is a horse head with the manufacturer's name Hale Bros Sheffield England below.woodcarving tools, drawing knives, shaves, handtools, iron

Published Diamond Valley Leader, 9 Nov. 2005, Article about the Eltham and District Woodworkers annual exhibition at the Eltham Community Centre as a part of the 2005 Rotary Eltham Town Festival program. Includes a phot of Sandra Deand and Max Jensen with a rocking horse prize.Newsprinteltham festival, 2005, eltham community festival, rotary club of eltham, rotary eltham town festival, eltham and district woodworkers association, eltham community centre, eltham rotary town fesival, max jensen, sandra deand

Isabel Huntington was a painter, craft officer and craft worker. She studied at Ballarat High School, Ballarat Technical Art School (a division of the School of Mines) and RMIT, and was a member of the Victorian Artists' Society and the Contemporary Art Society. In 1945 she was appointed Director of Handcrafts for the Victorian Division of the Red Cross Society. Isabel Huntington had previously held the position of Supervisor of Handcrafts at Heidelberg Military Hospital for three and a half years. She was a member of the Arts and Crafts Society. Isabel Huntington had five 'one-man" shows, three in Melbourne, one in Ballarat and one in Hamilton, Victoria. Ursula Hoff (from the National Gallery Victoria) judged the 1965 Albury awards for watercolour, and religious paintings in oils, awarding the prize to Isabel Huntington. In the same year Isabel Huntington travelled to Europe. After returning from overseas she taught at Rosanna High School, Victoria. Isabel Huntington lived at Montmorency, Victoria, and was there at the time of her death. Born Isabel McCausland, she married Robert Huntington in 1931. women of note, isabel huntington, ballarat school of mines, ballarat high school, ballarat technical art school, royal melbourne institute of technology, rmit, victorian division of red cross, director of handcrafts, rosanna high school, montmorency, heidelberg military hospital, supervisor of handcrafts, art shows, melbourne, ballarat, hamilton, mccausland, robert huntington

In the early years of the 20th century adequate technical education was lacking and became a focus in the Victorian Parliament. After much debate and discussion among politicians and educationalists, the 1910 Education Act No 2301 was passed, making possible the establishment of new technical schools to address the dearth of skilled trades people. In July 1912 Collingwood Technical School opened in the modified bluestone buildings at 35 Johnston St, originally built in 1853 as the Collingwood Town Hall and Court House. Within three weeks, there were 57 boys enrolled - studying preliminary carpentry and pattern-making, plumbing, engineering, sheet iron work and bricklaying. They attended two hours a night on three evenings a week. In 1913, the school opened its doors to juniors and took residence in new permanent buildings erected on the site. It was classified as a trades school by the State Education Department. Two years later courses in electrical wiring and electrical and mechanical engineering were introduced. In 1988 Preston College of TAFE and Collingwood College of TAFE merged to become Northern Metropolitan Institute of TAFE (NMIT). (http://victoriancollections.net.au/organisations/northern-melbourne-institute-of-tafe)Brown soft covered booklet of 40 pages. The contents include information relating to the Collingwood Technical School on 1913, including: Council members, constitution, standing orders, aim of the school, scholarships, advice to parents, Railway Fares, tram fares, General Rules to Students, Syllabus, English, Geography, Civics, Mathematics, Elementary Science, Woodwork, |Sheetmetalwork, evening course, carpentry, plumbing, joinery, and a list of students for 1912 Evening courses. collingwood technical school, collingwood, tafe, nmit, northern metropolitan institute of tafe

This brochure is a self-guided tour of the historical buildings remaining in Yarrambat. The walk takes in 13 sites which link ‘Olde’ Yarrambat to today including the Eltham & District Woodworkers and the original school house site. A guide is available from the Old Yarrambat General Store and Yarrambat Post Office. One page leaflet, colour images.yarrambat, yarrambat historical society

Legacy widows selling handcrafts and items, such as second hand books and jigsaws, outside Legacy House for the launch of Badge Week in September 2003. For many years widows would run a craft stall for Badge Week launch. The poster says: Support Legacy Buy a Badge with a boy playing at the beach. Near the table is a sign saying Legacy Appeal. Same group of photos as those in 2003 and so is the poster. 00610.1 second from the left is Rita Davidson.A record of fundraising by the Legacy Widows Clubs.Colour photo x 4 of a stall outside Legacy House.Printing on the back "legacy appeal, fundraising, badge week

Widow club secretary Vera Lang and another lady at a trading table. The items include Christmas puddings. The Widow clubs often ran trading stalls of goods and handcrafts. Keesing Photographers took a series of photos on the same day of various ladies. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030C-15 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651, 00661 to 00666.Photos of the committee members of Widows clubs were taken by a professional photographer.Black and white photo of 2 Legacy widows at a trading table and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030C-30A and 6 in pencil.widows, widows club

This item has been brought back to Australia by a returning soldier from World War One (1914-1918). At a time when France was completely disrupted by the ravages of war many French women, especially those in rural areas, earned a living by making souvenir pieces of embroidery to sell to soldiers in the Allied forces. These embroidered pieces took the form of postcards, doyleys, centerpieces, handkerchiefs etc. The items are noted for the handcraft skills shown by the makers and are prized by collectors today. This item, although fragile, is of considerable interest, firstly as an attractive embroidered piece and secondly, because of its association with World War One as an example of the souvenirs brought back from France to Australia by returning soldiers. This is an oblong-shaped handkerchief or doyley. It has a pink or mauve silk square in the middle with a coloured motif embroidered in one corner. This s a shield with representations of several European flags and embroidered wording underneath. The silk square is edged in a wave pattern in pink. The square has a white lace border. The item is slightly stained and has fold marks.Souvenir de Franceworld war one

Two photos of widows with a handcrafts stall at Flinders Street Station in 1990. Widows met regularly at Legacy House for craft gatherings lessons. Some of the items the Widows produced were entered into an annual craft contest and exhibition. Many items were also donated to the annual Badge Week stall that widows organised. The stall was often outside Legacy House but in these photos from 1990 the stall was set up at Flinders Street Station. The ladies names aren't known.A record of the fundraising for the Legacy Appeal in 1990 by the widows clubs.Colour photo x 2 of widows selling items at Flinders Street Station in 1990.legacy appeal, fundraising, badge week, widows, craft

These hand planes belonged to Ernest Brighton Phillips (1875-1924). Born in Warrnambool, Ernest Phillips learned cabinet-making at the Warrnambool Box Works. In the late 1890s he established his own furniture store at the corner of Liebig and Koroit Streets. By the early 20th century Phillips had the largest furniture warehouse and factory in Victoria outside of Melbourne. He sold his products all over Australia. He and his family lived at ‘Heatherlie’ in Koroit Street and the site of this home is now the complex of flats for senior citizens known as ‘Heatherlie’. These tools are of considerable interest as they belonged to Ernest Phillips, a prominent Warrnambool businessman in the late 19th and early 20th centuries. They are also a good example of the tools that were used 100 years ago. These are eight woodworking tools (hand planes) which belonged to Ernest Phillips of Warrnambool. They are rectangular pieces of smooth wood, some with an extra piece of wood at the lower edge and they all have a metal blade inserted through the wood at an angle. The blade protrudes at the base of the wood and when moved by hand along a surface it shapes the piece of wood being worked on by flattening and smoothing the rough surface and reducing the thickness. These planes have been well-used.‘E. Phillips’ernest phillips, history of warrnambool, warrnambool

Marking Gauge. Manufactured by Marples of Sheffield, England. Also known as a scratch gauge, it is used in woodworking and metalworking to mark out lines for cutting or other operations. The purpose of the gauge is to scribe a line parallel to a reference edge or surface. The gauge consists of a beam, a headstock, and a scribing or marking implement, typically a pin, knife, pen or wheel. The headstock slides along the beam, and is locked in place by various means: a locking screw, cam lever, or a wedge.Maker's namemarking gauge, measuring tools, marples of sheffield

Marking gauge. Manufactured by Stanley. A marking gauge, also known as a scratch gauge, is used in woodworking and metalworking to mark out lines for cutting or other operations. The purpose of the gauge is to scribe a line parallel to a reference edge or surface. The gauge consists of a beam, a headstock, and a scribing or marking implement, typically a pin, knife, pen or wheel. The headstock slides along the beam, and is locked in place by various means: a locking screw, cam lever, or a wedge.Manufacturer's namemarking gauge, stanley -- tool manufacturer, measuring tools

This plane, used for shaving or shaping materials such as wood, is a Stanley No 78 model. The Stanley Tool Works was a business originally established in U.S.A. in the 1840s. In 1937 Stanley Tool Works set up in Sheffield, England. In 2010 the company merged with Black and Decker and still operates today. Planes are still used today in woodworking.This item has no known local significance but is retained as an example of a tradesman’s tool from the past. This is a metal tool with a solid base, a large handle, one screw and two wing nuts. It is somewhat greasy. ‘Stanley No. 78’ ‘Patent D. 6-7-10’tradesmen’s tools, warrnambool, wood plane

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Faded monochrome snapshot of 'Ellesmere'Annotation verso: "Porch of Ellesmere"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the verandah of 'Ellesmere'Annotation verso: "Ellesmere. Princess Street. Now Presbyterian Girls Hostel"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the verandah of 'Ellesmere'Annotation verso: "Ellesmere. Princess Street. Now Presbyterian Girls Hostel"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the a section of the verandah of 'Ellesmere'Annotation verso: "Ellesmere, Princess Street (Kew)."dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)

A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.View of the front veranda of Ellesmere in Princess Street (now demolished). Ellesmereellesmere, kew, princess street, dorothy rogers

Born at Sandhurst, Victoria Albert Steane attended the Gravel Hill State School until the fourth class, then transferred to the Central School 1976 where he gained the Merit Certificate. The monitor system of teacher training had been introduced and he passed fourth, third, second and first class pupil teacher. At about 16 years of age he was appointed a teacher monitor at 12 pounds per annum. Albert Steane was awarded the Teachers' Certificate of Competency in 1897. He was the first headmaster of the Ballarat Technical School (1913), and opened the Sloyd (woodwork) Centre in 1902 at the Ballarat East Art School (later known as the Ballarat East Free Library). of Mines and Industries Ballarat (SMB). Steane is known for the teaching of Sloyd or woodwork, which was an important point in his career, and for his love of gymnastics. He was made a life member of the Ballarat Y.M.C.A. in 1968 aged 91 years. The teaching of woodwork in Victoria began in 1901 and Steane was chosen, among 18 others for the inaugural training course at Queensberry State School in Melbourne. Steane died, aged 93 years, on 13 July 1970, at Sydney, leaving his widow Grace Elliott Steane and children Eric and Violet. (See http://guerin.ballarat.edu.au/curator/honour-roll/honourroll_steane.shtml)Victorian Education Department License to Teach Certificate printed and handwriiten on to parchment like paper, made out to Albert Alfred Whitelock Steane. License No. .education, teaching, albert steane, aaw steane

Vision Australia Enterprises was the division that provided employment opportunities and training for people who are blind or have low vision. It continued the initial approach that began with the formation of the first workshop in 1867. In these images, packaging items for external vendors, office skills and woodwork are shown. In 2009, the Prahran building was sold, and a new centre opened at Kensington. 52 digital images of workers in the Prahran buildingvision australia, employment, mary pipczak, norm richards, alan binginic, gena kacowicz, adrian smith

Legacy widows selling handcrafts and items, such as second hand books and jigsaws, outside Legacy House for the launch of Badge Week in September 2001. For many years widows would run a craft stall for Badge Week launch. Banner slogan "Help pass on our legacy of care". See also photos (00509, 00511, 00512, 00513). Volunteers that have been identified are Dulcie Cedaro (on left in white) and Glad Fenton (wearing red). Dulcie is a former junior legatee (nee Dulcie Saker).A record of fundraising and that the widows made and contributed things to sell.Colour photo x 4 of widows holding a stall and helping during Badge Week.00514.1 printing on the back "legacy appeal, fundraising, badge week