Cards by Bruce BAIRNSFATHER a British cartoonist and serving officer. Issued by The Bystander in 1916 (a British magazine) The cards sent to Una Frankling of Harcourt by her cousin Frank Barnes dated 18.10.1916 from Pelham Downs in England. Refer Cat No 2380 for details re Frank Barnes service.12 cardboard rectangular postcards B & W, series “Bystanders” from France series 2,3 & 4. Rear has handwriting.postcards, series, bystander

Two small pieced of paper with ink handwriting on them. The writing relates to Norman Buley and his Ballarat School of Mines Associateship.norman buley, ballarat school of mines, ballarat school of mines associateship, associate, mining, engineering, mining alumni, engineering alumni, mt bischoff, mt bischoff extended tin mining company

Mary Alice Jones (nee Truckfield) was married Rev. Ur. Jones.Small sepia toned portrait of Mary Alice Jones (nee Tuckfield) who is looking directly at the camera. There is handwriting on the back of the photograph."Mary Alice Jones nee Tuckfield married W.R. Jones"mary alice jones nee tuckfield

class photo 1915, grades 6,7,8. mr richardson SS 1464 black and white on grey embossed background, handwriting on back

Application by Mr Frederick R Killey in February 1943 for the position of Manager of the Legacy Club Hostel. It lists his experience as 16 years teaching and missionary work in India in charge of an orphanage. He was rejected from military service in WWI due to defective eyesight and points out he has a badge issued to him at the time stating he was rejected on medical grounds. The note in red ink shows the application was unsuitable. Legacy had a preference for providing positions to ex=servicemen when possible. Holmbush was the first children's residence operated by Melbourne Legacy it was renamed Blamey House when the first Blamey House was sold. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence regarding job applications in 1943.Letter written by Mr Killey in 1943 applying for a position at Holmbush on white notepaper, black ink handwriting, two hole punched.Handwritten "Considered by Doug and self. Does not seem suitable. Not a returned man" in red ink.residences, holmbush, holmbush administration

Letter from S. Jenkins of 159 Summerhill Rd, Glen Iris, requesting details on the advertised Legacy Club position. The reverse side was used to record the typed reply dated 25 February 1943, from E. Russell, Chairman of the Hostel Committee, that the appointment has now been made.A record of written correspondence regarding job applications in 1943.White quarto notepaper lined, black ink handwriting on one side, black typed on the other side, two hole punched.Signed S. Jenkins. Typed notation "Reply Overleaf"holmbush administration, residences

Receipts for items purchased for the new hostel give an authentic picture of organisational requirements. Also shows the type of hand written receipts that were common in the 1940s.Of interest not only because of the items chosen and their prices in setting up Holmbush, but also to see the Myer advertising on the back highlighting their services in that era.Register receipts x 9, beige, black printing, pencilled handwriting. One with an Urgent sticker in red, red printing on verso.residences, holmbush

Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".Cream coloured foolscap sized page with text in black type. Spaces for handwritten details. Printing and handwriting on one side only.Handwritten in purple coloured pencil: 'Details of pay rates for Pte Alva Bennetts, VFX128835 up to 30.6.1947. Handwritten in purple coloured pencil at bottom of page: Two Signatures. Stamped on bottom LHS in purple ink: 'Office and date stamp'.staement of account, army pay rates, bennetts collection, alva bennetts

The proceeds of the raffle assisted in the War Relief collection fund. These tickets were purchased by Hilda Margaret Kerr. She was the daughter iof Dr and Mrs Kerr. The prize of an Australian flag was donated by H.James. Henry James (1860-1932) was a well-known identity in the Orbost district.He was a stock agent and auctioneer who helped to establish the seed bean industry in Orbost. He was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF. These raffle tickets are a reminder of the efforts made by the families and friends of those who served in the WW1 conflict.Four raffle tickets. They are in black print on white paper. The tickets are for a War Relief Raffle of the Australian flag which was a gift of H. James Esq. The tickets were purchased by Miss Hida Margaret Kerr and each cost 1/- (one shilling).On ticket nos. 337 and 338 - in handwriting H.M. Kerrraffle-tickets war-relief ww1 kerr family james-h

1. Interim discharge certificate. Blue ink on light brown paper from Australian Military Forces. It's for 2/42550 Spr K. B. Plevey. Dated 7 May 1953 - Eastern Command. Form AAF A,199 2. An order from Dept Labour & National Service to attend RMST for a Trade test - job - Electrical fitter. For Mr K B Plevey, 30 Denman St, Brunswick NIO. 24 Aug 19611. The spelling of Gunnedah has been corrected in handwriting.discharge papers, trade testing

Letters to Albert (her brother Linton Cyprus Rogan Service No. 6947A) from Violet Rogan of Maryborough. Envelopes stamped returned & deceased (DOD 11.6.1918). All stamped with one penny red stamp.Postcards from Lilac Rogan to her brother Albert (L C Rogan Service No. 6947A).Handwriting in ink on rear of postcards. Patriotic verse on front.passchendaele barracks trust, postcards, envelopes

Postcards from Charlie on active service to Lila (C) Rogan, Casey Street, Maryborough, dated 18.8.16 to 22.9.18. All postcards printed with verse or humorous messages..6) Handwriting on rear: “When the boys come home”.military history, communication - postal, passchendaele barracks trust, postcards

Photographic postcards of Brighton & Folkestone, England sent home in WWI.Postcards B & W of Southern England.Descriptions of tourist sites in Southern England, some with handwriting.photography-photographs, military history

Arthur Jones from the Eureka Improvement and Progress Association was holding a centenary exhibition of the "Affair at Eureka" and was canvassing support for the event from the principal of the School of Mines and Industries, R. W. Richards for material for their exhibition. The correspondence details the school's inability to assist in the exhibition at this time.This correspondence refers to the centenary celebrations of the Eureka Stockade.6 pages detailing correspondence which is handwritten and typed, with an image of the Eureka monument on the letterhead. 1) Handwritten in blue ink with a colour image of the Eureka Monument on the letterhead. Dated 9/11/1954 from Arthur Jones to R. W. Richards 2) Typed letter in black ink and signed by hand. Dated 10/11/1954 from R. W. Richards to Arthur Jones 3) Handwritten letter in black ink. Dated 11/11/54 from Lucille Quinlan to R. W. Richards 4) Typed letter in black ink and signed by hand. Dated 13/11/1954 from R. W. Richards to Lucille Quinlan. 5) Handwritten in blue ink with a colour image of the Eureka Monument on the letterhead. Dated 15/11/1954 from Arthur Jones to R. W. Richards 6) Typed letter in black ink and signed by hand. Dated 26/11/1954 from R. W. Richards to Arthur JonesThe letters are annotated with handwriting in pencil and pen on the front of the letters.letterhead, dick richards, eureka-improvement-and-progress-association, eureka, eureka-stockade, eureka-monument, ballarat, exhibition, affair-at-eureka, school-of-mines-and-industries

This patchwork cushion section was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century. It is believed that the note was added to the cushion at a later date and incorrectly refers to a different item.The cushion section is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Patchwork; a square and a rectangular shape of p patchwork prepared for making into a cushion. Shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.Pinned to the underside is a note on a piece of fabric.Handwriting reads "Patchwork done by my mother in 1898" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework, cushion

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping"22-4-66 Austr'n" in Robin Boyd's handwritingsydney opera house, utzon, sydney opera house project, walsh st library

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping"23-4-66 Austr'n" in Robin Boyd's handwritingsydney opera house, utzon, sydney opera house project, walsh st library

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping"28-4-66 Austr'n" in Robin Boyd's handwritingsydney opera house, utzon, sydney opera house project, walsh st library

Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clipping'Age, June 4 1966', in Robin Boyd's handwritingsydney opera house, utzon, sydney opera house project, walsh st library

This is a book review of 'The Puzzle of Architecture'.TypewrittenIn blue handwriting, "Aust Book Review Dec/Jan"

Embroidered cards such as this one were made by the French (usually women) for use as post cards for World War One soldiers to send home as greeting cards. The gift card with the embroidered card may not have been originally with it. The embroidered card has the date of October 1918, just one month before the official end of the war in November 1918. The name of the person who wrote ‘Somewhere in France’ on the back of the card is not listed but the handwriting appears to be similar to that on another card in our collection which is from R. Kerr from Kerr Street in Warrnambool. No information has been found on this soldier named Kerr. This embroidered card is of considerable significance as a very attractive memento of World War One and one, presumably, with local provenance. .1 The embroidered card is a World War One post card. The embroidery is on silk mounted on a white card. The embroidery is in yellow, blue, red, white and green colours and features a trail of flowers, a rising sun, six national flags, the words ‘Happy Christmas’ and other ornamentation. The embroidery is in two sections with a lift up section that could hold another card or note. The handwriting on the back has been written in pencil. The post card section has not been franked or posted. The card has marks at the edges where it has been attached to a surface with pins. The card is a little stained. .2 This is a small gift card with a coloured image of a girl with a basket of flowers.Embroidered card - ‘Happy Christmas’ ‘Somewhere in France 8/10/18’ Small gift card – ‘A Christmas Wish’ world war one and warrnambool, warrnambool historical society

This is an invoice sent to Messrs W.& J. Hall in September 1871 by the Committee of the Tower Hill Presbyterian Church. It refers to the annual church seat rental fee of three pounds, half of which had been paid in January of that year. The Tower Hill Presbyterian Church was under the auspices of the Koroit Presbyterian Church and services had been held in the Tower Hill area as early as 1845. The first permanent minister, Rev. Lachlan McGillivray. was appointed in 1849 and a wooden church was erected at Tower Hill in 1850. William and James Hall were early farmers in the Tower Hill district.This invoice is of considerable interest as a rare memento of the 19th century Tower Hill Presbyterian Church and a record of the practice of charging an annual fee for a family's use of its own pews in a church.This is a sheet of blue and cream mottled paper with ruled red lines, black printing and handwriting in ink. The sheet is creased, torn at the edges and faded.Messrs W. & J. Hall 30 Sept. 1871 An Account with the Committee of the Tower Hill Presbyterian Churchtower hill presbyterian church, w.& j. hall koroit

Letter is addressed from “ Somewhere is France “ 28 .12.16 from unknown soldier to “Gladys” Single sheet white paper, folded in half to make 4 pages. Handwriting in pencil on three pages giving news from the front. Dated “28 DECEMBER 1916” “Somewhere in France”france, ww1, letter

Embossed black leather covered bible with gold leaf writing on front cover and spine. Has handwriting on endpaper. Gilt edged pages.Cover: In Memory of William Henry Greene 1871-1961" Endpaper: "Presented by his family and members of this church in loving memory of the late William Henry Green former Methodist Home Missionary and lay preacher 1871-1961. Dedicated Rev T.F.Freeman at Toorak 17/12/61".freeman, t.f., rev, green, william henry, methodist home missionary

A letter dated 8th February 1943 from F H Adams of Factory Road Yarragon, to apply for the position of housemaster of the Legacy Hostel. He served for 12 years in the regular army and attained the rank of Captain. Serving part time in the V.D.C. as Battalion Commander. He mentions recent work on his brother-in-law's dairy farm while he was serving in the A.I.F. but now returned with injuries meaning the farm would be sold. His wife served as a nurse in WWI and is capable of teaching cooking, dressmaking and piano playing. They have one son currently 11 years old. A second letter dated 18 February 1943, from F.H. Adams thanking Legacy for the interview. Holmbush was the first children's home established by Melbourne Legacy. It was later renamed Blamey House when the first Blamey House was sold. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence regarding job applications in 1943.Letter from Mr Adams applying for a position at Holmbush on white quarto notepaper, lined, black ink handwriting two hole punched.Signed F. H. Adamsresidences, holmbush, holmbush administration

This hand carved wooden pediment may have originated from a mirror, cabinet, desk or similar piece of furniture. The LOCH ARD: - The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. Ref: LA 6 64 264 The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Carved wooden furniture pediment or mount, recovered from the wreck of the Loch Ard. Inscribed plaque on underside. Handwriting on round sticker on edge.Plaque inscription "From Loch Ard wreck Port Campbell 1878 given by Haworth Bros to James Martin Snr Scarsdale" Diagonally on round sticker in pen "R 222A" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, carved headpiece, furniture, haworth bros, james martin snr, scarsdale, pediment, decorative mount

Colour print of Ballarat 43 at the Gardens Loop. Has the kiosk in the background. Photograph from the Bob Lilburn Collection. Inscription in Bob's handwriting.On rear in ink "11/68"trams, tramways, gardens loop, wendouree parade, tram 43

A recording of The Creation', an English language oratorio by Joseph Haydn, composed in 1797/98. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. This performance by the Diamond Valley Choral Society has no information on date or venue.1 audio cassette in clear plastic caseHandwriting on cassette is illegible, on outside of case: "Soprano, Harp or/Creation" diamond valley choral society, creation (oratorio)