W Stephens operated a foundry in south Melbourne around 1900 the company made many cast iron architectural and domestic items that were decorative in design and used in the building industry of the time. Stephens Excelsior Foundry specialised in making decorative cast iron balustrades and brackets with intricate lacework used on verandas in the late Victorian period found in Australian homes. The company also made many other items of cast iron including fire grates down to wheel barrow wheels as their 1901 and 1908 catalogues describe. A domestic item made by one of Melbourne's early foundries that specialised in making decorative architectural cast iron items of all types that can be seen in many building still in use today throughout Australia.Fire grate cast iron with four legs and back support. Embossed "W.STEPHENS REGISTERED" on the back.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, fire grate

The Fashion, Textiles & Design Collection includes a number of examples of household or domestic textiles dating from the Nineteenth and Twentieth centuries. Some had a purely functional role while others were essentially decorative. These textiles were mass-produced or handmade, and sometimes including elements of both. Many were constructed of, or include elements of, lacework, tatting, embroidery or crochet. Donated throughout the Society’s history by members or residents of Kew, the provenance of many items is now unknown, however they remain in the Collection to illustrate the social history of the Australian home.White crocheted doily incorporating the motto of the Australian Natives Association and a pictorial representation of an emblem that would become the Commonwealth Coat of Arms.doilies - patriotic, doilies - symbolic, soft furnishings, australian natives association, advance australia

Date is approximate. This is one of a series of photos donated by Arthur Lyons. Lyons family history: Arthur's father, Fred Lyons initially worked for George Rea's cab service until he set up his own business. He started with a horse and hansom cab but in time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived his whole life at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to. The buildings date from circa 1887 and extended some way down Sunbury Crescent. The address was 63 Sunbury Crescent on the corner of Union Road. Built by Albert Mills for the Premier Land Agency; taken over by Timothy Leigh in 1893. The building housed a variety of shops – initially the land agency, but later shops included at various times a fruiterer, florist, carpenter, fishmonger, upholsterer, plumber. However, by the time this photo was taken in the 1930s it was occupied by Triumph Press. The printing industry continued to have a lasting presence. Triumph Press was followed by Surrey Press and in 1970 New Life Publications moved to the site from Abbotsford. It was about this time that this original building was demolished to make way for a modern print works. Gradually the needs of the printing business absorbed other properties along the Union Road frontage. The boy in the photo is Arthur (Tiger) Lyons and beside him is Alf Johnson, the local printer. The Lyons family lived adjacent to these buildings at 55 Sunbury Crescent.Black and white photo of a section of double-storey terrace buildings in Sunbury Crescent Surrey Hills, taken looking towards the corner of Union Road. The bricks are two-toned and laid in herringbone pattern. The verandah on the 2nd story is filled in with cast-iron lacework panels. There are 2 vintage cars in front of the terrace. A young boy sits on the running board beside a man dressed in suit and hat. printers, vintage cars, sunbury crescent, victorian style, union road shops, arthur lyons, arthur frederick lyons, alf johnson, triumph press, surrey press, new life publications, timothy leigh,, albert mills

Maitland' was built in 1889 for Thomas Zeplin, who was a Professor of Music. He owned all the land bound by Union Road, Wilson and Montrose Streets and the railway line. 1 Bedford Avenue stayed in family ownership until purchased by Camberwell Council in 1986, initially for a car park. However it was renovated to become part of Surrey Hills Neighbourhood Centre. It was opened on 23 November 1990. No 3 Bedford Avenue was built for Thomas Zeplin's daughter and named 'Mervyl' or 'Merryl'. Mrs Brodecky (donor) was the great-granddaughter of Thomas Zeplin. The 2 girls are granddaughters of Thomas Zeplin. Electoral roll information: 1972 & 1977: Albert Vojteck Brodecky, manager, 1 Bedford Avenue. 1977: Ray Nanette Brodecky. There are 2 copies. Thomas had this built for his son and family. The house was occupied by his family, though sometimes rented out. His great-grand-daughter Mrs. A. Brodecky sold to the Camberwell Council in 1986. This was the only surviving photo in the family after the fire. Courtesy: Mrs. A. BrodeckyBlack and white photo of 2 houses taken from the street front. On the LHS is a Victorian double-fronted single-storey villa of Hawthorn brick construction, with wrought iron lacework to the veranda, slate roof and picket fence, with an established garden. Next door at No 3 is a double-storey Victorian terrace with a similar fence and building materials. There are 2 young girls standing in front between the properties.maitland, bedford avenue, 1900, surrey hills neighbourhood centre, victorian style, mervyl, merryl, mr thomas zeplin, mrs nanette brodecky, mr albert vojteck brodecky

Photograph (proof 59) of Ark Hall, at the corner of the Calder Alternate Highway and Boyles Lane, Lockwood South. A brick two storey house, with an upstairs verandah running the full length of the house. There is a white picket fence in front of the house, Posing in front of the fence are two adult women, one holding an infant also there is a dog sitting in front of the male along with three small children. There is decorative iron lacework on the downstairs section of the verandah.buildings, house, ark hall, ark hall, boyles lane, lockwood south

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 68 Park Street, Hawthorn 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A sepia photo of a woman seated on a veranda with 3 girls. Part of the facade of the house can be seen behind them. The veranda is timber. The door has acid-etched feature windows either side of it. The front is block-fronted and looks to be picked out in 2 paint colours. There are shadows of foliage and from lacework detail on the veranda cast over one side and the top pf the photo. The shadow of the photographer's hat can be seen on the bottom edge.On rear: "L-R" (in lead pencil) Beryl Isabel Mum / Gwen at Barton St" in blue biro. Thought to be Beryl Mair's handwriting. Number 39 in lead pencil.barton street, children, lily vipond deakin, lily vipond mair, beryl mair, isabel mair,, gwynneth mair

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of four men standing beside the fence of a weatherboard and lacework house. The left hand man is dressed in a soldier's uniform, the middle, left hand man is dressed in the 71st Infantry Band uniform, the man to his right is an older man with a beard and dressed in a dark suit and the fouth man is dressed in a jacket and light trousers. The middle, left hand man is Frank Wright and the man to his right is his father William Wright.frank wright, william wright, 71st infantry band

Copy of black and white photograph showing view of weatherboard double-fronted house, decorative ? Boards, verandah lacework, decorative brick chimneys ??. Roof, double-hung windows. Brick church adjacent, vented slate roof, buttressed walls, Gothic windows. Picket fence along footpath. SEC? pole. Trees in background. Inscriptions: on front in Indian ink written across bottom of image 'St Luke's Church and vicarage, White Hills Bendigo'.buildings, church, st lukes, white hills

This half petticoat was made by Jean Green's mother and worn under her Wedding Dress in 1922. Jean Green also wore it under her Wedding Dress in 1950. This item of lady’s underwear is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families.A lady's ankle length white cotton half petticoat with a gathered elasticised waist. The lower half of the petticoat has an overlay of Cut-work cotton.dressmaking, craftwork, lacework, pioneers, market gardeners, early settlers, moorabbin, bentleigh ormond

The child's cotton pants were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework and dressmaking skills The Child's cotton pinafore is an examples of the dressmaking and needlework skills of the women of the early settler families in Moorabbin Shire c1900A child's sleeveless white cotton pinafore with lace around neckline and arms and buttons at backclothing, pinafore, early settlers, moorabbin, bentleigh, cheltenham, dressmaking, lacework

Postcard, sepia image of Pall Mall Bendigo, looking south. Post Office and Law Courts on RH side, poppet head behind, trees on side of road, shopfronts on LH side. Shamrock Hotel on corner of Williamson St. and Pall Mall. Building on opposite corner has ornate lacework on verandah facing Pall Mall. 3000,340 JV in small print on Rh side. On bottom of card: 'Pall Mall, Bendigo' On rear: The Valentine & Sons, Publishing Co., Ltd., Melbourne.bendigo, pall mall, post office

Home 20 Sloane Street Stawell taken in 1950 by Albert Davey who resided there with his family. House has three chimneys bull nose verandah with cast iron lacework, weatherboard construction with picket fence. Albert (Bert) worked for the Lands Department and his family consisted of 4 girls oldest being Aubrey about 18, Beverley about 16, Gwenda about 14 and the baby Faye about 4. and Alberts wife Phyllis. Albert worked all over Victoria from Buchan where they lived in the Caves Residence for 6 months, in Omeo, Yackandandah, Stawell, Wangaratta and Shepperton and then Melbourne where he took on the top job of Chief Superintendent of the Lands Dept. Now, 2018 uses as a cottage for distributing food by Inter Church CouncilResidence 20 Sloane Street Stawell housing

Hilda Hill Collection. Black & White Photograph Collection Double Sided Card 10 Individual Photographs, Family Life During World War 1. Five Children enjoying day out at Pyramid Mineral Springs in Kyneton 27/09/1918 white gate in background. Female in white coat standing in a garden, Dec 30th 1918 The Ranch. General Pau Bendigo 21/10/1918. Two Gentlemen in a gig at Bendigo's Botanical Gardens Jan 1919. Three ladies in white blouses and black dresses 'The Pines' Jan 1919. Mistress Alma Northcote 1918. Easter Monday 1918 Lieutenant King in uniform at the 'The Ranch'. Small dog standing on white chair in front of a fern. Two men sitting on ground with football goal post in background, one dressed in white clothing with tennis racket at his side and the other man in slightly darker clothing with a hat at his feet. Victorian home, verandah with lacework named the Ranch. The house has lacework below the gutter of the front . Medium light coloured picket fence. Paved footpath with narrow nature strip. Tree on nature strip enclosed by a medium height picket fence.history, australian, world war 1 family life, https://en.wikipedia.org/wiki/paul_pau

This lady’s fine lawn cotton half petticoat is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's hand sewn fine lawn full length half petticoat with elasticised waist and a large band of hand made lace around hem. Ribbon is inserted through the lace.clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, underwear

This baby’s bonnet is an example of the lace making and dressmaking skills of the early settler women in the Shire of Moorabbin A hand made lace and net lined baby's bonnetdressmaking, lacework, craftwork, lace, mooabbin, bentleigh, cheltenham, early settlers, pioneers, market gardeners

WW1 relevance to soldier Pte. David Towers, a Chiltern resident who served in France during 1916. WW1 circa 1916An Empire Greeting Card sent from Pte. David Towers whilst in France, to his brother Bertie dated 4/9/1916. The card has six Empire nation small embroided flags and some lacework with embroided wording "To my Dear Brother". The card also has an internal small silk pocket containing another smaller card with wording "For you alone Sept 4th 1916 with best love from your soldier brother Dave". Photograph of Pte. David Towers Chiltern resident wearing WW1 uniform with bandoleer ammunition belt and riding whip. The Empire Greeting Card has faded writing in pencil on the back, with some illegible wording, main words contain the following - dated September 4th. 1916 "had a very fine birthday in France my dear brother Bertie". Inside the card is a lace pocket containing a smaller card with the wording “For you alone Sept 4th. 1916 with best love from your soldier brother Dave”. Photograph of Pte. David Towers wearing WW1 uniform, with an ammunition bandoleer and riding whip.

A collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Names for specific styles of collars vary with the vagaries of fashion. In the 1930s and 1940s, especially, historical styles were adapted by fashion designers; thus the Victorian bertha collar, a cape-like collar fitted to a low scooping neckline, was adapted in the 1940s but generally attached to a V-neckline. This item is a type of shawl collar for a V-neckline that is extended to form lapels, often used to enhance cardigans, dinner jackets and women's blouses. A lady's, detachable, white, nylon machined ribbon lace shawl collar with lace trim C1950clothing, collars, ornamental collars, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, shawl collar

A collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Names for specific styles of collars vary with the vagaries of fashion. A lady's detachable, white, cotton collar with machine lace edge and long ties c1960clothing, collars, ornamental collars, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, shawl collar

Black and white photograph of the 'New Times' building in Pall Mall, next to myer. The top has a rather ornate masonry design. The lower edge of the guttering of the top verandah and the lower edge of the guttering at floor level of the top floor is a very ornate lacework display.Centre bottom is hitching post for horses. Signage on the building reads Manufacturers of Boots and Shoes, Abbott & Co is also faintly displayed. An adult male, and female standing next to the hitching post. A young man has his right arm draped over the hitching post and two other young people to his right. Two other young boys are standing between two posts on the left side. The business to the left is using two posts to support bags that are ready for sale. A male in white is at the very left of the photo.buildings, commercial, abbotts boot & shoe manufacturers

Child's white cotton pants with side buttons and lace edging at leg were made by women of the early settler families in Moorabbin Shire c1900 and show their dressmaking and needlework skills Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the dressmaking skill and craftsmanship of the women of these families Child's cotton pants with lace edging on legs and 2 side bone buttonsclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, dairy farms, fruit orchards

This lady’s cotton mop cap was worn to protect the hair when cleaning, washing clothes and other household chores and is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Clothing, lady's white cotton mop cap clothing, crochet, mop caps, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

This certificate has been designed and drawn by James McKain Meek, one of several produced by him to sell to local families in Warrnambool and district as a means of raising money to support his family. James Meek (1815-1899) was a fish canner, fisherman, fishmonger, storekeeper, café proprietor, explorer, gold digger, accountant, writer, librarian and above all an outstanding calligrapher. After being a pioneer settler in the Ballarat area and residing also in Port Melbourne he came to Warrnambool and lived in the area in the 1850s and 60s. He explored much of the Terang area and the Otway Ranges, speaking and writing of the great potential of the latter area. One of Meek’s calligraphy works won an award in the International Exhibition of Melbourne in 1861 and some of his works are in various art galleries and museums today. Thomas Fidler was a Warrnambool butcher who married Fanny Cockman in 1849 in London.This certificate is of great significance as one of the calligraphy works of James Meek, a 19th century resident of Warrnambool, celebrated today as a talented calligrapher. The certificate was displayed in 2015 in a James Meek exhibition at Ballarat Art Gallery. The item is also of social significance showing how the more affluent 19th century families recorded and preserved their family history. This is a certificate hand drawn by James Meek. It is a template that enables the owner to insert the details of a family tree, in this case the 19th century family of Thomas Fidler and Fanny Cockman. The certificate is in grey and black shadings with highly ornamental scrolls and patterns. The document has been produced in black ink. It has a central column with spaces for names and side tablets to include more information. The side tablets are star-shaped and the central column has attachments of various shapes – circles, rectangles etc. The base of the column has further ornamental scrolls, swirls and lacework and features sketches of three emus on one side and three kangaroos on the other side. The certificate is mounted on white cardboard. Some of the Fidler family names have been produced in printed letters and some names have been added later by a family member. ‘Th. os Fidler’s Family Register 1865’ ‘The Family Keepsake’ ‘A Present For Home’thomas fidler and fanny cockman, james meek, history of warrnambool

This lady’s white cotton combination petticoat , commonly called a 'teddy', is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C . Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's white cotton combination underwear with a buttoned crotch and hand worked decoration on bodice clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

This chemise is an example of the dressmaking and needlework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families This lady’s white cotton chemise has short sleeves, and drawstring waist . The neckline has cut work and needlework flowers and the cuffs have lace edging. is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

This lady’s sachet for keeping handkerchiefs is hand sewn,and hand painted and is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families c1900 Personal Effects, handkerchief sachet silk hand painted clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Today's shirt collars descend from the ruffle created by the drawstring at the neck of the medieval chemise, through the Elizabethan ruff and its successors, the whisk collar and falling band. Separate collars exist alongside attached collars since the mid-16th century, usually to allow starching and other fine finishing. Jabots made of lace and hanging loose from the neck were an essential component of upper class, male fashion in the baroque period. During the Edwardian period, and sporadically thereafter, ornamental collars were worn as a form of jewellery. Names for specific styles of collars vary with the vagaries of fashion. Jabots survive in the present days as components of various official costumes, as are those worn by judges and counsel throughout Australian courts and town mayors. 2018 Kingston City Council Mayor Steve Staikos asked CMHS to loan the Former Moorabbin Mayoral Robes and Jabot for display at KCC Office Cheltenham. These Moorabbin Mayoral Robe with Jabot are now displayed along with those of the former City of Chelsea Robe and the former City of Mordialloc Robe at Cheltenham . KCC possesses the original Mayoral Chains of each former Council and they are displayed on each Robe for the annual Opening Meeting of KCC in February. This set of a 'Jabot' style collar and cuffs was part of the ceremonial Mayoral Robes c1960- 94 for the City of Moorabbin 1934-94. This is the last City of Moorabbin Mayoral Robe and was worn by Mayor Ron Brownlees, (prior to amalgamation with the City of Glen Eira and City of Kingston in 1994), and donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. The City of Moorabbin developed from the Moorabbin Roads Board of 1862, becoming The Shire of Moorabbin in 1871 and the City of Moorabbin in 1934. November 2018 At the request of the Mayor Cr Steve Staikos this Jabot Collar and Cuffs is now on display with the Mayoral Robes at Kingston City Council Offices Nepean Highway Cheltenham . A detachable , white, nylon, 'Jabot' style, standing collar with a pleated, ruffled, and lace-trimmed frill down the front and 2 matching cuffs that was part of the City of Moorabbin Mayoral Robes c1960 - 94 It has a tear in corner. clothing, collars, ornamental collars, civic robes, mayoral robes, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, city of moorabbin. moorabbin shire, moorabbin roads board, brownlees ron, city of glen eira, city of ikngston

The fabric of this child's dress includes 'Broderie Anglaise, a form of needlework involving patterns of holes that are each stitched to form a finish that will not fray. The dress features a homemade button.. This handcraft dates back to the 1500s. It became popular in the 1800s and early 1900s, particularly for women's nightwear and underclothing.This child's dress has handcraft and needlework skills that were popular in the 19th and early 20th centuries. The dress also features a homemade button.Child's dress, white fabric, with short sleeves, gathered waist and scalloped hemline. The bodice and shirt have Broderie Anglaise embroidery inserts, with the holes formed into a star pattern. The bodice insert is a 'V' shape. The back has a ribbon tie and is finished with a homemade button.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, child's dress, clothing, embroidery, broderie anglaise, handmade button, handmade dress, child's fashion, dressmaker, handcraft, needlework, lacework

This lady’s cotton combination drawers is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's white cotton combination drawers with buttoned crotchclothing, underwear combination, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

This lady’s cotton full length petticoat is an example of the dressmaking and needlework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's fine lawn Full Length slip with hand embroidered floral design at centre front bodice and hem and on shoulder straps. The hem has a hand sewn scalloped edge .clothing, underwear combination, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards