Copy of a sepia photograph.Williamstown High School Ball - at the Williamstown Town Hall - early 1930s. From left to right - Dorothy Fraser, Margaret Rodger, Joyce Lemon, Doris Boothwilliamstown high school, 1930s, williamstown town hall

Alfred Darby leased a cordial factory in Henna Street, Warrnambool in 1897. The Maltese cross was his well known trade mark. In 1899 he tried to start another cordial factory in Koroit Street but was prevented from doing so because it contravened the agreement he had with the owner of the Henna Street building. It is not known when he left Warrnambool but he had an interest in another cordial factory in Rochester, Victoria. This label is of considerable significance as details of Alfred Darby's cordial manufacturing business operations in Warrnambool are scant.Primarily a rectangular shaped label with all the edges curved. It features text , scrolls, a Maltese cross, lemons, flowers, leaves, berries, grapes and another puce coloured fruit.It is multi coloured. It is adhered to a piece of white card. CLOVES TRADE MARK MANUFACTURED BY A DARBY, HENNA ST., WARRNAMBOOLa.darby, cordials, warrnambool, cloves cordial, alfred darby

Studio Portrait of Mitchell Brothers c1880’s seated David McAlpine Mitchell. George Mitchell. Robert Edward Mitchell. William Henry Mitchell. Seated Hans Lemon Mitchell.stawell

This recipe book was produced about the 1970s to raise funds for the Merrivale Football Club, an Australian Football club (the Tigers) from Merrivale, a suburb of Warrnambool. It is in the Warrnambool and District Football League, being one of the four founding clubs in 1946, and winning premierships in 1958, 1979, 1991, 1996 and 2003. The recipe book is of some interest as it demonstrates the way sporting clubs raised funds in the 1970s and the recipes themselves show the types of meals and food that were popular at that time. This is an in-house publication by the Merrivale Football Club Social Club with recipes (about 60 pages) typed in pink, buff, lemon, green, blue and Old Gold coloured paper. The front cover is black with gold printing and marking. The pages are stapled. Front Cover: M.F.C. Social Club Recipe Bookwarrnambool football, merrivale football club 1970's

Colour photo of Grade 5, 1984, three rows of students, male teacher. No names on image. Handwirten in biro on back 'Vivi Charlton 1st back row in lemon top 1984, Heidi in front row 3rd from right'bendigo, education, golden square primary school

Large China vase made in England in the shape of a white Swan with black and lemon detailing. Contains card with wording - This Swan ornament is from Taraxville Golden Square, the home of Lydia Chancellor who said it had been a wedding present to herself and her Husband.Made In England No4ornaments, ceramic, vase

White cotton pillowcase with embroidered and applique design. In the right hand corner a design in blue and green of birds over scenery and water. In left hand side an appliqued duck in lemon with blue edging and a small design of flowers - blue, pink and yellow and green grass.toys, dolls' accessories

Square Bottle Rusted Lid Green, red, yellow and black labelShield Brand Fort una fortes jubat trade mark artificially coloured lemon juice cordial NETT 20 FL.OZS. Contains not more than two grains sulphur dioxide to the pint

The 'Clever Dick' is a small funnel for juicing citrus fruits, clear plastic with yellow plastic lid. In original cellophane package with instructions attached. The label claims that the product will keep lemons fresh until all juice is removed or seal is broken.An example of mid 20th century kitchen gadget.Small funnel for juicing citrus fruits, clear plastic with yellow plastic lid. In original cellophane package with instructions attached.clever dick, juicer, lemon juicer

The photo shows a close-up of a specimen of native pea. Four flowers are clearly visible on the plant; they are pale lemon/green with purple brown stamens and colouring. The two lower flowers are not fully open. The background is blurred and consists of unidentifiable plants/foliage in greens, browns and orange.natural history, flora

These Bannerettes are exchanged with other Lions ClubsMitcham Lions Club Bannerette - lemon silky material with picture of tree, lion and lioness resting beneath. Emblem of Lions Club on the tree. A gold looking wooden stick for hanging. Green cord with tassels attached to gold stick. The base of bannerette has green fringing.Mitcham Lions Club - Australia - 201 - VItrophies & awards, public events

A large vintage clear glass citrus juicer with decorative lined ridges around the sides of the bowl where the juice is collected. There is a ridged pointed dome in the middle to extract the juice of a grapefruit or large orange or lemon when pushed hard against the fruit. It has a pouring lip and a small handle. vintage juicers like this were used in the kitchen to extract juice from large citrus fruits.

Photograph - looking west from the Snows building showing "Shoppee Square" area and a ESCo tram westbound. Shows the various statues in the central median strip along with the garden beds and iron railings. On the rear is a message about celebrating Christmas - with a lemon squash. Published by H&BYields information about the streetscape of Sturt St. and Shoppee Square.Postcard black and white, used, H&B, with a brown and cream border, slightly embossed photo.See image 2tramways, trams, esco, sturt st, shoppee's square

Guest speaker Chad Griffiths (at 0:18:30), a former planning manager with 17 years' experience at Nillumbik Shire Council discusses what can and cannot be done with the Eltham War Memorial and former Shire Office sites. Guest speaker Andrew Lemon, Historian, former President of the Royal Historical Society of Victoria and a former board member of Heritage Victoria (0:46:45), discusses the unique aspects of the Eltham War Memorial site and the current submission to Heritage Victoria and process for heritage listing protection. Note: Andrew Lemon's presentation was interrupted between 1:05:00 to 1:06:10 and again at 1:08:00 to 1:11:40 due to a medical emergency involving a member of the audience.1:44:33 duration Digital MP3 File 36.8 MB 895 main road, 903-907 main road, agm, andrew lemon, chad griffiths, community meeting, ecag, eltham activity centre, eltham community action group, eltham pre-school, eltham shire office, eltham war memorial, eltham war memorial hall, infant welfare centre, nillumbik shire council, precinct 3, precint 4, senior citizen's centre

This aircraft is one of 9 single seat ES 59 advanced club sailplanes manufactured by Edmund Schneider Pty Ltd in the 1960s. It was first flown in August 1963 and delivered to the Darling Downs Soaring Club at Toowoomba Queensland. At that Club it had 2603 flights and recorded a total airtime of 1475 hours. In addition to many local circuits and soaring and cross country flying, it was used at gliding competitions, including Nationals at Benalla in December 1964, State Championships at Oakey in April 1965, at Warwick in April 1966, and at (Inverell?) in March 1967. On at least 15 occasions flight times in excess of 5 hours duration were achieved. On 5 October 1970, the glider had a new life when it was relocated to Wollongong in New South Wales. It recorded 1927 flights with a total airtime of 1179 hours at the club between October 1970 and June 1988. Competition appearances included the State Championships held at Forbes in January 1972. Places away from Wollongong where the glider was launched include Cootamundra, Wagga, Temora, Marulon, Narromine, Leeton, Nowra, Goulburn, Horsham, Greenthorpe. On 15 June 1988 it was transferred to Ron Geake who transported it to Warrego in Northern Territory (flown once at Alice Springs), and then to Gympie in Queensland where it was flown about 20 times by the end of 1995. It was also flown on a small number of occasions at Forbes in New South Wales in 1996 and 1997. During 1998 and 1999 the glider was sparsely used (9 flights) at locations that have not been recorded. From May 1999 until transfer to the Australian Gliding Museum in May 2011 it apparently was not flown. Aggregate airtime hours for the glider stand at 2702 hours 53 minutes. It has been launched 4569 times. A good example of a Schneider ES59 sailplane from the 1960s. This type is of note because it was the first Australian designed and built sailplane to be used in a world gliding competition (Jack Iggulden in Argentina in 1963). This Schneider ES59 Arrow is a single seat wooden sailplane with one piece wing. The instruments are not present except for altimeter. Fin and rudder are of swept back design. Colour scheme is white with lemon yellow fuselage underbelly. The aircraft came to the museum on an open trailer that had been designed to carry the one piece wing. Plate in cockpit with details of manufacturer states; manufactured by E. Schneider Ltd, Adelaide SA; Type ES 59; Serial Number 62; Date August 1963.australian gliding, glider, sailplane, schneider, es59, arrow, darling downs soaring club, wollongong gliding club, ron geake

BHS CollectionLemon coloured trifold document : Tour of Historic Graves at White Hills Cemetery. Friends of the Bendigo Cemeteries. Map of White Hills Cemetery (1854 - 1993 ) showing marked grave sites with descriptions. E.g. Charles Merri Bux - 'Black Charlie' Indian hawker of Bendigo. History of White Cemetery on back page.Friends of Bendigo Cemeteriesbendigo, cemetery, white hills cemetery

Document presented with donation of gold scales from E.S.&A Bank. See Mosaic record 12259 for details of scales. Two pages, printed on lemon coloured paper. Paper describes the history of the banks on the site and a brief overview of the ways in which the scales were used to weigh gold 'for the past ninety years'. No date on document.bendigo, banks, english, scottish and australian bank

Pale lemon colour invitation, black print. On front: The Salvation Army. Brigadier Suttor requests the pleasure of the company of J.K Clark and friends to hear Commissioner Hay lecture on 'Australia Reincarnated', Town Hall, Bendigo on Sunday July 1, 1917, at 3 p.m. His Worship The Mayor Cr. W Beebe will preside.organisation, community, salvation army

Contents: • Next meeting, guest speaker; Dr Andrew Lemon: They’re Racing at . . . Eltham! • Annual General Meeting • They’re Racing at . . . Eltham! • The Thomas Sweeney Walk • Kangaroo Ground Excursion • Eltham – The DIY Years by Diana Bassett-Smith • Book Launch; “Eltham’s Serious and Their Neighbours” by Ken and Laurel Eckersall • Donations to the Society The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Background context for the establishment of the Eltham War Memorial as a living memorial, championed by the women of the community with the establishment of the Eltham War Memorial Trust and how the memorial was funded by public donations and eventually handed over to Council. The essay came about in 2018 following community protest at Council's plans to sell the land. Following abandonment of the sale process and putting development on hold, community groups pulled together to apply for heritage protection of the site with Heritage Victoria. This was formally rejected in May 2020.Contents: An essay addressed to the Councillors of Nillumbik Shire, October 2018: About the Eltham War Memorial and the adjacent community-owned sites in Eltham that the Council threatens to sell, Andrew Lemon Nov. 2018 Public Notice: Heritage Act 2017, Recommendations to the Heritage Council, Heritage Council Victoria, The Age, May 22, 2020, p34eltham war memorial, eltham war memorial trust, mrs. ada lyon, mrs. cairns officer, mrs. j.j. morrison, andrew lemon, children's library, eltham war memorial garden, eltham war memorial gate, eltham war memorial hall, garden of remembrance, heritage council victoria, nillumbik shire council, theodore feldbauer, violet feldbauer (nee teagle)

Aged 17, Edwin Thomas Penny took over the 10 acres of freehold land held by his deceased father, Thomas Penny. Edwin Penny developed a reputation as an innovative orchardist and market gardener who grew apples, plums, passion fruit, peaches, pears, and lemons, and between the trees he planted potatoes, rhubarb and other vegetables.Sepia toned digital image of the Penny family. Back row left to right: Clifford Penny, Reubin Penny, Edwin Penny. Front row left to right: Albert Penny, Edwin Thomas Penny, Hilda Penny and Lytton Pennymarket garden, orchards, fruit, vegetables, moorabbin, cheltenham

Part of "Woolcock Gallery Collection" exhibition 1989, CEMA.Two flowering plant studies. On left is a grey-green foliaged plant with small leaves growing close to the stem. Multiple stems end in single rounded flowers with many petals. On the left of this study are two details of a florette with many petals. One the right of this study is a detail of a cluster of leaves. The study on the right of page contains multiple stems with narrow, long grey leaves on stems ending with a single rounded yellow flower. To the lower left of this study is a detail of a yellow flower stem.Front: Calocephalus brownii (Cushion Bush). " citreus (Lemon Beauty-heads) (lower left) (pencil) CEW/85 (base of flower, lower left) (coloured pencil) CEWoolcock (lower right, signature) (pencil) Back: 16 (upper left) (pen)

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double-sized mint and cream diamond blanketAn All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double-sized, pink and mint diamond blanket"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong