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Bendigo Historical Society Inc.Photograph - RALPH BIRRELL COLLECTION: TUNNEL BELOW THE CEMENT, WHITE HILLS
Colour photograph: 'showing tunnels below the cement where the miners chipped the undersurface to get the gold The thickness of the cement can be seen' Loose sand and gravel above the cement has already been removed. Image shows layer of cement, tunnel visible on LH side, clay and gravel in front. (see Mosaic 4400.220 for detailed information regarding the White Hills, written by Dr. Ralph Birrell)bendigo, mining, white hills -
Bendigo Historical Society Inc.Photograph - RALPH BIRRELL COLLECTION: WHITE HILLS MINING SITE
Colour photograph 'showing tunnels below the cement where the miners chipped the undersurface to get the gold The thickness of the cement can be seen'. Loose sand and gravel above the cement has already been removed. Image shows mining tunnel visible going in under the cement. White clay in foreground. (see Mosaic 4400.220 for detailed information regarding the White Hills, written by Dr. Ralph Birrell)bendigo, mining, white hills -
Bendigo Historical Society Inc.Photograph - HARRY BIGGS COLLECTION: HENRY JACKSON VIEW POINT, c1861
Photograph. Harry Biggs Collection. 1 photocopy of photo of Henry Jackson's Store, View Point, Sandhurst. Also included is the shop of Finlay & Co. There is also a sign Jackson's Gold Office. In the foreground is a small bridge which is going over the Bendigo Creek. Also there is a cart with the advertisement Batchelder Photographer Pall Mall. People can be vaguely seen under the verandah. See Mosaic 1228 for further information.place, building, commercial, harry biggs collection, henry jackson viewpoint -
Bendigo Historical Society Inc.Photograph - HARRY BIGGS COLLECTION: HENRY JACKSON, VIEW POINT, c1861 (Aug)
Photograph. Harry Biggs Collection. 1 black & white photo of Henry Jackson's Store, View Point, Sandhurst. Also included is the shop of Finlay & Co. On the verandah are people & in the foreground is the cart belonging to the photographer, Batchelder Photographer Pall Mall. Also in the foreground is a small bridge which was going over the Bendigo Creek. There is also a sign - Jackson's Gold Office. See Mosaic 1228 for further information.Batchelder Photographer Pall Mall.photograph, streetscape, sandburst, harry biggs collection, henry jackson viewpoint, jackson's gold office, finlay & co., batchelder photographer pall mall -
Bendigo Historical Society Inc.Photograph - RALPH BIRRELL COLLECTION: TREE AT FORMER GUNPOWDER MAGAZINE, WHITE HILLS
Colour photograph of tree 'planted around the gunpowder magazine site in the 1880's, most of which still remain' at White Hills, Bendig ( at the end of Riley Street) The magazine keeper's residence is nearby and is in use as private residence. A magazine for gelignite was built nearby on the site of the Bendigo East School in 1883 and was pulled down in 1915. (see Mosaic 4400.220 for detailed information regarding the White Hills, written by Dr. Ralph Birrell)bendigo, mining, white hills -
Bendigo Historical Society Inc.Document - BUSH COLLECTION: PAGE FROM 'SPECIAL ISSUE OF THE SPECTATOR (6/2/1903) - BENDIGO BUSINESSES, 1903
Page from 'Special Issue of The Spectator (6/2/1903) - Bendigo Businesses in block of advertisements on reverse side. Seven Bendigo businesses: J & T Watts, Grocers; Bendigo Timber and Iron Yards; H Lorenz, Tailor; T Sayer, Furnishing Undertaker; W H Reed, Caterers & Confectioner; Milburn's Coffee Palace; W J .McQuillan, Plumber. Scanned in: Mosaic Scans @ Terrys Scans: 1207.58a & 1207.68organization, business, bendigo businesses -
National Wool MuseumCurrency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
National Wool MuseumCurrency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
Bendigo Historical Society Inc.Document - ARTICLES FOR ROYAL HISTORICAL SOCIETY (BENDIGO BRANCH) NEWSLETTER TO MARCH 1973)
Articles for Royal Historical Society (Bendigo Branch) Newsletter - March 1973). 1. ''Bells in and around Bendigo - No. 4: A 'Schomberg Bell' '' - bell of Twin Rivers Presbyterian Camp, Eppalock with history from wreck of the 'Schomberg' (Warrnambool, 1855); mention of St. Andrews, Bendigo and Bendigo fire bell (pro tem). 2. Handwritten version of ''Bendigo City Coat of Arms'' (see Mosaic 6550 for description). 3. Typewritten version of 1. abovedocument -
Bendigo Historical Society Inc.Book - CORRESPONDENCE RE PLANT DEVELOPMENT CENTRAL DEBORAH PART 1, 1939 - 1948
Four ring binder containing correspondence re plant development Central Deborah Mine Bendigo 1939 - 1948 part 1, McColl Rankin Stanistreet Solicitors, Mining box 1.Newspaper clipping Bendigo Weekly Friday September 2 2016 referring to the construction of a modern office building at View point, 4 floors and have a lift(elevator), called Commercial House later becoming Cahill Chambers. Mosaic 5834 linkbook, bendigo, mining, history-bendigo-mining -
Nillumbik Shire CouncilPublic Art: Helen BODYCOMB (b.1964, South Australia) and Enver CAMDAL (Lives and works Turkey), Enver Camdal et al, Nest (Location: Roundabout, Main and Luck Street, Eltham), 1997
Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush -
Federation University Historical CollectionBook, Handbook of the arts of the Middle Ages and Renaissance, 1855, 1855
This book was translated from the French of M. Jules Labarte.Charcoal hard covered book with over 200 beautiful black and white woodcut illustrations. Illustrations include: Ivory chair at Ravenna - Abbey of Lorsch Martha and Mary advancing to the savior (Chichester Cathedral sculpture) The Navicella mosaic by Giotto Crown of Charlemagne (Imperial Treasury Vienna) Sword of Charlemagne (Imperial Treasury Vienna) Shrine of the Migi (Cologne Cathedral) Cup of Lapis Lazuli Iron Crown of the Lombards (Monza Cathedral) Irish Harp Bayeux TapestryLibrary cards, dates stamps, etcballarat technical art school library, library cards and date stamps, book plate, art, middle ages, renaissance -
Bendigo Historical Society Inc.Photograph - SYMONDS' CRITERION FAMILY HOTEL BENDIGO, 1861 ?
Black and white photo: Criterion Family Hotel, cnr. Mundy and Lyttleton Terrace, Bendigo. Two storey building with 6 arched windows on top, with balcony and doorway. Balcony supported by ten pillars. On LH side of building, weather board building with two windows and doorway 'hotel' printed in between gable roof. Horse and carriage at front of hotel. See Mosaic no. 2402.49 for further details and research information. (Joseph S. Symonds the licensee 1858-1862, see 2402.49 for reference]Batchelderorganization, business, criterion hotel, criterion family hotel. mundy street hargreaves street. market square. princess theatre. symonds, joseph s. -
Glen Eira Historical SocietyArticle - Glen Eira College
Various articles relating to Glen Eira College’s activities. Two black and white photos dated August 1984 of Caulfield High School’s musical Superman The Musical. A newspaper article dated 05/07/2011 from the Caulfield Port Phillip Leader about school mosaic tile project for Patterson Station underpass which also includes twelve other local schools. Newspaper article dated 08/11/2011 from the Caulfield Port Phillip Leader about the Glen Eira College visual and performing arts exhibition. A Newspaper article dated 09/05/2012 from Melbourne Weekly Bayside, Your Community Voice about Glen Eira College going global with their language immersion project.superman the musical, musical events and activities, caulfield high school, glen eira college, anderson jill, teachers, lamb lesley, booran road, caulfield, art, irving pamela, artists, ethnic communities, international mosaic conference, mckinnon secondary college, wesley college elsternwick, our lady of the sacred heart, bentleigh west kindergarten, patterson train station, shows and exhibitions -
Bendigo Historical Society Inc.Document - LONG GULLY HISTORY GROUP COLLECTION: WORK BEGINS ON SHOWPIECE
Copy of a newspaper article titled Work begins on showpiece. A new playground and recreation area will be built at the Chum Reserve. It is still seeking support from the Bendigo community and more funds. Funding is discussed. A highlight of the finished area will have a mosaic of tiles created by the children of Bendigo Violet Street Primary School and Comet Hill Primary School. These would be permanently laid into the paths. July 14th written at the top of the page. Page has a sketch of the tree house and a photo of David Boyce and Pamela Power at Chum Reserve.bendigo, history, long gully history group, the long gully history group - work begins on showpiece, chum reserve, north western province mlc ron best, long gully community house, shared action project, city of greater bendigo, government's office of housing, rotary club of bendigo sandhurst, paul kirkpatrick, international rotary foundation, children's opportunity grants, bendigo violet street primary school, comet hill primary school, carol rasmussen, david boyce, pamela power -
Ballarat Heritage Services
Ceramic, Platters by Bern Emmerichs
Bern EMMERICHS (1961 - ) Bern Emmerichs is a trained painter who has adopted clay surface as her canvas. She completed a Diploma of Fine Art at Phillip Institute of Technology, Melbourne in 1982. She became interested in clay as a medium while renovating her house and now paints on tiles, vessels and platters, as well as working in mosaic. A founding member of 'Whitehall Enterprises', a group of about six artists who together rented an old factory in Whitehall Street, Footscray from 1987 to 1990. In 2000-2002, Bern spent two-years travelling, working and exhibiting in Europe, based for most of the time in Kamp-Lintfort, Germany. Recently she has been exploring imagery related to Australian colonial history. Her works are signed with a painted 'Bern Emmerichs'. Two platters decorated by Bern Emmerichsbern emmerichs -
Mission to Seafarers VictoriaPlaque - Opus sectile tablet, 1936
The memorial tablet was unveiled in the St Nicholas chapel at the Port Melbourne mission (Beach Cnr Nott St) on Wednesday 24 June 1936. The ceremony was performed by her nephew, Reverend John Smerger Drought - her sister's son. Another plaque was erected the same month in the Williamstown Institute. (Annual Report 1936) Along with the windows in the St Peter chapel in the Central Institute, those were the 3 memorials similar to the ones erected in memory of Miss Tracy. Miss Ethel Godfrey was born in 1861 at sea on the vessel called Copenhagen. Daughter of a pioneer, and settler Frederick Race Godfrey MLA and subsequently Lay Dean at St Paul's. Ethel Studied in Melbourne and abroad at Brussels and became a singing teacher and performer. In 1906 she took on the role of Honorary General Secretary to create and lead the volunteer organisation "The Ladies Harbour Lights Guild" and subsequently helped establish similar groups in Newcastle, Brisbane, Sydney, Hobart, Adelaide and also established the mission in Southampton in the UK. The structure of the LHLG was used as a model framework by similar groups supporting Missions around Australia and the Globe. A key achievement was the fundraising campaign for the memorial chapel in St Peters built in 1917 by Walter R.Butler. She died the 7 July 1935, and is buried in the St Kilda Cemetery.On her retirement in 1930 after some 25 years, Miss Godfrey together with Chaplain Gurney Goldsmith was recognised in the journal The Church and the Sailor, as a key influence and promoter of the formation of Harbour Lights groups across the suburbs of Melbourne, Victoria and Australia, the Ladies Harbour Lights Guild, Melbourne being the first such auxiliary group in the world.Clay base rectangular plaque with inlaid blue ceramic regular tesserae surrounding the ceramic centre rectangular ceramic panel with inscription and decorative glazed detail tiles. Support is a metal frame with inset wood pieces .To the Glory of God and in memory ops/ a much loved leaderAthel Augusta Godfrey, / one of the founders/ of the ladies Harbour Lights Guild/ of which she was honorary general secretary / Until 1930./ This memorial erected in the year of her death."memorial plaque, plaque, lhlg, port melbourne, chapel, brooks robinson and co, reverend john smerger drought, sectile tablet, opus sectile mosaic, mosaic, ethel augusta godfrey 1861-1935 -
Bendigo Historical Society Inc.Document - JAMES LERK COLLECTION: BENDIGO CENTRAL BOTTLE CLUB NEWSLETTER
Bendigo Central Bottle Club Newsletter - James Lerk Collection, marked on cover as Vol VI No IV cf. Mosaic 7794.31 ca. Apr/May 1981?) Articles on: ''Pubs of the Whipstick'' approx 12 mentioned by name; article on a ''comprehensive history'' of the firm of Robert Moohead, Sandhurst with family history (stores/hotels). Includes 'sketches' of bottles relevant to Bendigo - Hunter Bros; G Pritchard; The Albion Manufacturing Co.; Giudice (Wine & Spirit Merchants); Reed Bros.;There are photos of Gordon Glover , Adrian Johnston , Ian Beckwith Charlie Tysoe and Ron O'Brien. -
Parks Victoria - Days Mill and FarmFurniture - Linoleum Sheeting, C 1900
This linoleum is in-situ in one of the rooms of the house at Days Mill. Newspaper laid underneath indicates the linoleum was laid after September 1910.PATTERNED LINOLEUM : A floor covering made from materials such as solidified linseed oil (linoxyn), pine rosin, ground cork dust, wood flour, and mineral fillers such as calcium carbonate, most commonly on a burlap or canvas backing. This piece has a cream & light grey mosaic type background with circular brown leaf repeating patterns interlaced into four square blue shapes. Central star pattern within circular leaf pattern in light & dark blues & browns. Stylised floral motif in between each circular & square shaped pattern repeats. -
Tennis AustraliaRacquet, Trophy, 15 Jul 1885
An unstrung, DWG & Co. flat-top tennis racquet, presented as a trophy, with ribbon collar, leather crown protector, and unique wood mosaic inlay along length of shaft and handle. Manufacturer's details impressed across throat on reverse. Silver plaque nailed to throat on obverse, featuring the engraved inscription: TOURNAMENT/SHARON SPRINGS/JULY 15TH 1885/SINGLES/WON BY/VALENTINE/G. HALL. Valentine Hall went on to win the Men's Doubles in 1888 and 1890 at the U.S. Tennis Championships. Materials: Wood, Lacquer, Glue, Metal, Leather, Ribbontennis -
Bendigo Historical Society Inc.
Letter - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS, 1995
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters from Maery Hall (Gabriel). 6 December 1995 To: Merle Hall Arts Bendigo From Maery Hall Content: Outline of what is involved in the design and working of the project. Enclosed are three page of the design outline, one page of tool drawings, three sheets of sketches, photograph of small mosaic sketch using rocks I brought back from my last visit. The letter also contains: Materials, Tools, labour, Other needs, Time, Costs and the Council’s role. 6 November 1995 To: Merle Hall Secretary Arts Bendigo From Maery Hall Content: Contains a rough sketch of the project. Note that the sketch is missing. 29 January 1997 To: Merle Hall Arts Bendigo From Maery Gabriel Content: Contains a drawing for the remaining pavement areas that I submitte before and measurements for the actual slabs for 22 square m. for the two. The result will be 2 (saddle reefs) in style. Also mentioned are two options for payment. Receipts also included for the last two payments and the saw. Thank you for sending the form of transfer for the saw. (Note the drawing is missing) 10 April 1997 To: Merle Hall Arts Bendigo From Maery Gabriel (artist in Mosaic) Content: Thank you for your letter of 9 March and further discussions on costs and layouts. 25 Feb 1997 To: Maery Gabrel, ‘Morningswood’ Pterson’s Road Ellinbank 3821 From Merle Hall Secretary Arts Bendigo Content: Apologies for the delay in not answering last letters and drawings. Mentions the need to meet with the Council to discuss the completion of the project and the need to enquire about funding from the Premier’s ‘community support fund’ 9 March 1997 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Followup letter from 25 Feb 1997 concerning the last sections of the mosaic project. Outcome of meeting with Bernard Smith of the City of Greater Bendigo One local business sponsor prepared to donate a small amount towards completion of the project P.S. Sharon Hackett; the painter would love to receive her questionare from you. 22 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Enclosed is a form to cover transfer of ownership of the diamond saw as reccomended by an adviser. P.S. the transfer is made out to ‘Hall’ - your name under our contracts. I’ve used your name for the address. 20 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Arts Bendigo Inc. of P.O. Box 563, Bendigo, 3552, agrees to the transfer of ownership to Maery Hall of ‘Morningswood’, Peterson’s Rd., Ellinbank, 3821 of one ‘Stubbie electric Bricksaw. Purchased from DEMBICON on May 25th 1996 Diamond Blade for $1650, now valued at $1200 Part payment for the contractr of a mosaic pavement around the poppet lookout in Rosalind Park Bendigo. 30 Nov 1995 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: The enclosed survey sketches just arrived. Formal approval from the commissioners. Early next year the poppet head will be re-painted and have scaffolding there for a time, but shouldn’t be a problem. 9 January 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Summary of discussions with the John Little V.A.C. and Roni Schell from ‘Future Connections’ re her DEET submission and Bernard King from the City and one of the Commisioners. A non-specific plan for being ‘contracted and not employed’ An expectation the ‘Future Connections’ would then offer youseparate contract to conduct workshops for their clients and develop tutorials. 9 November 1995 To: Maery Hall From Merle Hall Secretary Arts Bendigo Content: Sketches enclosed for the poppet head site and comments on them from the City Council. 20 January 1997 From: MaeryGabiel Artist in Mosaic (formerly Maery Hall) To: Merle Hall Secretary Arts Bendigo Content: Receipt of $5000 plus one ‘Stubbie Electric Bricksaw, with stand, serial number 0002056 being payment under contract no. 2 for work on mosaic payments in Bendigo. 20 May 1996 Lisf of Materials and euipmemnt required for Mosaic and tools to be made -
Bendigo Historical Society Inc.Photograph - JACKSON'S GOLD OFFICE, VIEW POINT, BENDIGO - 1861?, 1860's ?
black and white ( copy ) H. Jackson's Gold Office, View Point, Bendigo. Men standing otuside office under verandah. Batchelder, Photographer, Pall Mall. Also Finlay & Co. See also Mosaic items 2400.160 and 2400.101. All details in Mike Butcher and Yolande Collis's book, An American on the Goldfields : the Bendigo Photographs of Benjamin Pierce Batchelder.' Also details of Henry Jackson's store in Bendigo Historic Buildings by Mike Butcher and Gill Flanders. National Trust of Australia (Vic). Central Victorian Branch. 1987. See Research Field for further information.Batchelder, Photographer, Pall Mallorganization, business, h. jackson's gold office, jackson, henry. finlay & co. view point, bendigo. jackson's corner. jackson's gold office. -
Bendigo Historical Society Inc.Photograph - BLACK AND WHITE PHOTOGRAPH OF GIRL
Black and white photgograph head and shoulder of young girl, dark hair, white clothing, dark on front of clothing could be a clasp or a small sprig as decoration. Writing on the front indicates that this item, from Stewards Eaglehawk. Reference: Bendigo Historic buildings, page 129, Mosaic reference 5227a. Photo of Steward residence, 26 Lethleby Road Eaglehawk 3556. Also included scans of two bottles. Top bottle is codd bottle and is embossed Stewards & Hunter, trade Pty Ltd, and greyhound. Lower bottle is embossed Steward Bros Albion Brewery, sticker with number 203 and selling agents name.photograph, portrait, steward -
Bendigo Historical Society Inc.Document - CORRESPONDENCE AND NEWSPAPER CUTTING: SCHOLTEN FAMILY
Correspondence and newspaper cutting re Scholten family. Correspondence (28/9/1905) to Mrs Scholten from The Carriage and Wagon Builders' Association of Australia re the death of her husband, Mr Scholten; newspaper cutting (29/11/1933) re the life of Mrs G J Scholten, wife, with details of her life and her being in Bendigo for 75 years. Mention of the firm of Scholten and Marsh, coach builders. See also Mosaic 802, 804 for photographs of the business. See also Research field at 804. Also reference to Mr. Robert Petrick, (Mrs Sholtens father). Mr. Jimmy Warden, Lyceum Theatre.person, family, scholten family, ayreshire bakery, st andrews, myers street, mciver street railway bridge, lyceum theatre -
Mission to Seafarers VictoriaPhotograph - Photograph, Digital, 1933
This photograph of the plaque was taken on 12 May 2019 at the Port Melbourne Historical and Preservation Society where the plaque is held. The plaque erected in the Port Melbourne Mission (1888) along with the identical plaque made for Miss Godfrey (see item 2053) and held at the Mission, 717 Flinders Street.Alice Sibthorpe Tracy was a founding member of the Ladies Harbour Light Guild for which she devoted 25 years of her life being Treasurer and Honorary General Secretary until 1930. She died on 12 December 1932.Plaque in memory of Alice Sibthorpe Tracyalice sibthorpe tracy, lhlg, port melbourne, port melbourne historical and preservation society, sectile tablet, seamen's mission, mission to seafarers, ethel augusta godfrey, treasurer, 1933, memorial, opus sectile mosaic, mosaic -
Bendigo Historical Society Inc.Photograph - LONG GULLY HISTORY GROUP COLLECTION: THE MANCHESTER ARMS LATE LAST CENTURY
Cutting from a newspaper titled Bendigo - the way we were. Photo shows two horse drawn vehicles standing outside the Manchester Arms Hotel. Both are pulled by grey horses. The two horses in the front vehicle are wearing a white lacy sort of covering over their backs and rump with pompoms on the edge. The carriage has a bride and groom sitting in it. The second carriage has four horses harnessed to it. The building has M.U.I.O. Odd Fellows Hall above the veranda and also Manchester. The edge of the veranda has iron lace. Written on the back is: from before 1903 and Bible Christian Church House in the middle. Mosaic 11010.150b is a larger copy scanned at 1200dpi.bendigo, history, long gully history group, the long gully history group - the manchester arms late last century, m.u.i.o. odd fellows hall -
Bendigo Historical Society Inc.Photograph - HENRY JACKSON, GOLD BUYER OF VIEW POINT, CHARING CROSS, 1861
Black and white photograph. Single storey building with verandah. Two storey brick building at L. At least 12 adult males standing under verandah. L foreground wooden bridge / walkway. Photographer's car CF. In image on building 'Finlay & Co/Jackson's Gold Office, H Jackson'. On cart in image 'Photographer, Pall Mall'. Inclusion in envelope - typewritten is 'Henry Jackson, gold buyer of View Point, Charing Cross where Aussie Disposals are now operating. On the right is the first building of the Bank of New South Wales. The railing marked where the creek then meandered. Photograph by Batchelder, taken in 1861. (Bendigo Historical Society Inc.) History of object James Lerk 28.2.2000 Batchelder photo (copy) 1861, View Point. See Mosaic 1228 for further information.buildings, commercial, henry jackson, gold buyer -
Bendigo Historical Society Inc.Photograph - WES HARRY COLLECTION: SYMONDS' CRITERION FAMILY HOTEL, BENDIGO
Photograph of a double storied stone building, it has a three quarters length open verandah along the first floor. The name 'Symonds Criterion Family Hotel' is painted above the first floor. There is a large lamp on a bracket on the right hand side of the building. To the left of the main structure there is a smaller weatherboard building with the word 'Hotel' painted along the top. There are several groups of people both on the ground and on the balcony, also in front of the hotel is a very up market buggy/wagonette with a coachman? Driving. This hotel was on the corner of Mundy and Hargreaves Streets, and is significant as centre of events as it overlooked the original Market Square. Original photo is part of the Batchelder Collection owned by the State Library of Victoria. Published in 'An American on the Goldfields' p. 38-39 with description and details. See also Mosaic No. 1232. *See Research field for further details. Symonds operated the Criterion Hotel 1858 - 1862.Batchelderbuildings, hotel, criterion family hotel, criterion family hotel. mundy street hargreaves street. market square. princess theatre. symonds, joseph s. -
Bendigo Historical Society Inc.Document - NOTES FOR RHSV BENDIGO BRANCH NEWSLETTER ''BENDIGO MEMORIES, 1860 TO 80''
Notes for Aug. 1973 RHSV Bendigo Branch Newsletter ''Bendigo Memories, 1860 -80'' by G Meudell, author of ''The pleasant reflections of a spend thrift and his later reflections'', article submitted by Mr R Buick - continuation of this article in the Nov 1973 issue (see Mosaic #6544) - reference to George Lansell; Baranet Lazarus; William Hunter; Joseph Hunter; Robert Hunter; Burnewang Park; William Moffat; Andrew O'Keefe; David Grant; Thomas Luxton; James Vickery; James Taylor; Jim Maddox; Cocky Brown (caretaker of Camp Reserve); W D C Donovan; Eureka Stockade. 2. Article entitled ''Looking Back'' by Joch - re Historical Societies of Bendigo - mention of a long list of Bendigo names involved with the early Society and a call for readers of the article to research and record the History of Bendigo!!!document, names of bendigo pioneers, bendigo -
Federation University Historical CollectionPhotograph - Photograph - Colour, Churchill Service Memorial, 2015, 2015
In recognition of its fallen soldiers and Churchill's 50th birthday a service memorial was erected on a concrete plinth at the Churchill town plaza and used for the first time to mark the ANZAC centenary on Anzac Day 2015. Churchill never had a war memorial and received a grant from the Department of Veterans' Affairs six years ago to commission a sculpture with Latrobe City Council's support. It was decided the sculpture needed to recognise more than just the war effort, but service and volunteerism, considering Churchill was only founded in 1965. (http://www.latrobevalleyexpress.com.au/story/2816903/churchills-new-memorial/, accessed 01 may 2015) Sculptor Paul Jesse discussed the work in Churchill and District Community news, 18 December 2014: Some time ago CDCA commissioned a sculpture to be used as a Service Memorial to commemorate the fallen that have died in service of our community and country. Traditional memorials usually commemorate Armed Services personnel, but CDCA was of the opinion that a more inclusive view which included Emergency Services personnel, such as CFA, SES and Police, could be incorporated into the Churchill Memorial. Boolarra artist, Paul Jesse, who is accomplished in Ferro-Cement sculpture techniques, was commissioned to create a memorial that would cause people to reflect on the meaning of ‘service’ and ‘sacrifice’. The following is a description of the Churchill Service Memorial Sculpture written by the sculptor, Paul Jesse. “My sculpture is different from most War Memorial sculptures because it uses as its basis the reasons why people go into service or to war. One side of the sculpture is colourful and optimistic; its theme is home, family, community and the future. These themes are crafted by flow lines which are connected to the other side of the sculpture through the round hole and the Crosspiece. These lines can be seen as a multi-layered connection between the sides. On the “dark” side of the sculpture, the lines begin with a spiral of coloured mosaics. This spiral is representative of our service people. Its beginning can be seen on one level as their soul. The spiralling mosaics of them flow to the other side of the sculpture where they create the landscape and figures. These lines can also be seen as a range of connectors between the two sides, representing a flow of thoughts, love, fear, concern and dreams. They also represent physical communication such as letters and phone calls.” This ‘Service Memorial’ is located in the Churchill Plaza (adjacent to the Town Hall), along with four flagpoles, seating and garden beds. The Churchill Service Memorial has deliberately been designed as a thought-provoking public art work. It will complement the Art and Culture Pathway which links Switchback Gallery at the Federation University Campus to the Town Centre. We hope Churchill citizens will pause to view the Memorial, ponder its meaning, reflect on the service of others and commemorate the fallen. Colour photograph on an abstract Australia-shaped sculpture by Boolarra artist Paul Jesse. The abstract Australia-shaped sculpture is in stark contrast to the bronze-cast "fallen mate" or concrete cenotaph seen in many country towns. The photograph includes wreaths from the ANZAC centenary service on ANZAC Day 2015. churchill, churchill war memorial, paul jessie, anzac centenary, federation university, gippsland, art and culture pathway, world war
