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Warrnambool and District Historical Society Inc.
Administrative record - Jill Heathcote Album and Folder, Jill Heathcote, Dennington, Jill Heathcote Collection, Second half of 20th century
The album is a collection of items of interest, mainly newspaper cuttings, from 1982, 1983 and 1984. The folder contains information and records relating to the Warrnambool Bird Observers' Group and includes records relating to Lake Pertobe, Tower Hill, The Maam, Kelly's Swamp, Nirranda, Allansford, Timboon, and Port Fairy. They were collected by Jill Heathcote (1927-2011), a Dennington resident who was for many years a member of the Warrnambool and District Historical Society, the Warrnambool Bird Observers' Group and the Warrnambool Field Naturalists Group. The cuttings and bird records reflect her interest in both local history and natural history. These two items are of considerable interest, particularly to those interested in local natural history. The scanning of the items has been completed.1. One brown plastic folder sold commercially for the storage of photographs and documents. The cover has an ornamental gilt border. The folder contains 24 cardboard pages and plastic sheets. The pages are bound with two metal screws. There are 77 items stored in this folder, most of them being newspaper cuttings dealing with natural history from 1982-3-4. The collector of the items in the folders was Jill Heathcote. 2. Black folder containing handwritten notes, articles, charts and typed listsjill heathcote, natural history, warrnambool -
Port Melbourne Historical & Preservation Society
Photograph - George, Frank Richard and Tom Faram, 1900s
... ironmomgery (hardware) store in Bay St Port Melbourn in 1919.... ironmomgery (hardware) store in Bay St Port Melbourn in 1919. built ...George, Richard (Dick) and Tom established Faram Bros ironmomgery (hardware) store in Bay St Port Melbourn in 1919.From a group of four photos of the Faram family: George, Frank, Richard, Herbert, Tombuilt environment - commercial, george faram, frank faram, richard faram, herbert faram, tom faram, louisa faram, alice faram, arthur john faram, caroline grook faram, bay street -
Port Melbourne Historical & Preservation Society
Photograph - C G Faram, 1900s
... (hardware) store in Bay St Port Melbourne which continued until 2007... the Faram Bros ironmongery (hardware) store in Bay St Port Melbourne ...Caroline Faram was married to Arthur Faram and they had 8 children. Three of the boys established the Faram Bros ironmongery (hardware) store in Bay St Port Melbourne which continued until 2007. Caroline died in 1918. From a group of four photos of the Faram family: C G Farambuilt environment - commercial, george faram, frank faram, richard faram, herbert faram, tom faram, louisa faram, alice faram, arthur john faram, caroline grook faram, bay street -
Port Melbourne Historical & Preservation Society
Photograph - Faram Bros, Bay Street, Port Melbourne, c. 1922
The Faram brothers purchased this building from Margaret McLean (who had run it as a general store) in August 1919. A verandah was added and this picture ws taken in 1920Colour laser print from B&W photograph of Faram Bros. in the 1920s after market stalls were added - main building (2 storey) to left. A model Ford 2 seater out front, Dion car far left, boy and several men standing around. Brown surround included in copy.business and traders - hardware, built environment - commercial, faram brothers hardware -
Port Melbourne Historical & Preservation Society
Photograph - McLean's store and President Lincoln Hotel, Bay Street, Port Melbourne, 1912
The McLean's store was sold in 1919 and became Faram Bros ironmongery (hardware)Series of A4 copy photos given to the collection by Judy Faram, Illustrating the evolution of the 1856 building (see also #1516, 1522). The prints have been marked with dates. .01 McLean's and the former President Lincoln Hotel approx 1912. SepiaIn ink, various information dates etc on surface of prints.business and traders - hardware, built environment - commercial, faram brothers hardware, judy faram, margaret mclean, minnie mclean -
Port Melbourne Historical & Preservation Society
Photograph - The Misses McLean at the counter, Bay Street, Port Melbourne, 1912
The McLean sisters ran a general store in Bay St which was later sold to the Faram Bros in 1919Series of A4 copy photos given to the collection by Judy Faram, Illustrating the evolution of the 1856 building (see also #1516, 1522). The prints have been marked with dates. .02 - The misses McLean at the counter approx 1912In ink, various information dates etc on surface of prints.business and traders - hardware, built environment - commercial, judy faram, margaret mclean, minnie mclean, faram brothers hardware -
Kew Historical Society Inc
Clothing - Cotton underbodice and drawers, 1912
In 'Underwear: Fashion in Detail' (Lynn, Eleri, V&A Publishing, 2014) the chapter on 'Decoration' includes a contemporary quote by the fashion writer Mrs Eric Pritchard, who stated that even the virtuous woman should now wear pretty underwear, and in fact was morally bound to do so to remain attractive to her husband and save him from the sin of adultery. This prettiness included 'underwear that became decorative and delicate, trimmed with the lace and baby-ribbon that complemented the Edwardian predilection for indulgent and seductive lingerie' (Lynn, Eleri, p.46). This bodice and Director Knickers formed part of the trousseau of Margaret Grace Burland, who married John Lawrence Henty Hindson at St George’s Church, Malvern in 1912. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Cotton lingerie including a camisole and drawers owned by Grace Burland, and forming part of her trousseau. Fine lawn, lace, blue silk ribbon threaded through at neck and waist, embroidered, concealed buttons at front (some missing) and rear buttoned flap. Distinguishing feature is the extensive use of lace which was an innovation in taste during the Edwardian period.Nilunderwear, henty collection, grace burland, bodices, drawers, knickers -
Kew Historical Society Inc
Clothing - Pink lobster-tail bustle, c. 1875
This full length lobster tail bustle was owned and worn by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. Bustles of this form date from the mid-1860s however this example probably dates from the mid 1870s, and perhaps from before her marriage to John Hindson in 1876. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An exceptionally rare and fine, floor length, 'lobster tail' bustle that belonged to Alice Henty possibly worn with her two-piece pink silk gown but also with other dresses that she owned that required a bustle of this shape. The structure of the bustle includes an outer layer of polished cotton with inserted steel hoops and ties at the front. The lower four hoops have flounces of the same fabric. Overall, the bustle contains 12 hoops, crossed nearer the waist and semi-circular for the remainder of the undergarment. [One of the tapes of the bustle is imprinted with the word lockstitch. Elias Howe invented the lockstitch sewing machine in 1846.] Measurements (mm): BUSTLE: Girth - Waist 660 Vertical - Front waist to hem 914, Back waist to hem 965.fashion -- 1870s, alice frances (henty) hindson, women's clothing, bustles, underwear -
Kew Historical Society Inc
Clothing - Grey silk and lace bodice, 1875
Alice Frances (Henty) Hindson's grey silk bodice is believed to be part of her 'going-away' outfit after her wedding to John Hindson on 15 April 1875. The bodice must have been a family favourite as it was used and amended over the years. Alice was the youngest daughter of Francis Henty and Mary Ann (Lawrence) Henty. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.The yoke is a bustier bodice, made of silk and silk organza with an insert of hand-tatted lace. The bodice is carefully boned and has a little padding in the bust line. It includes the name of the maker of the bodice as ‘Madame Jay, Brighton, 38 London Road’. The silk organza sleeves have hand shirring, trim, and frilled cuffs. The bodice is finished with a large, frilled bow at the back. Believed by the Henty family to be part of the ‘going away’ outfit worn by Alice Henty in 1875. Measurements (mm): BODICE: Girth - Neck 304.8, Chest 762, Waist 571.5, Cuff 127 Vertical - From neck to hem 381, Front waist to hem 152.4, Back neck to hem 419.1, Back waist to hem 228.6, Sleeve length 254. Horizontal - Neck to sleeve head 165.1, Cross back 457.2, Underarm to underarm 431.8.Mme Jay, Brighton Road, London [dressmaker]bodices, women's clothing, alice (henty) hindson, alice francés henty -
Kew Historical Society Inc
Clothing - Ivory silk crepe and lace bodice, 1912
This bodice was part of the wedding outfit worn by Grace Burland at her marriage to John Henty Hindson in 1912. Her husband's grandfather, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Silk crepe wedding bodice decorated with Mechlin lace, pearls and jet, which was worn by Grace Burland at her marriage to John Henty Hindson in 1912. A report in Punch [12 September 1912] described her outfit as “... white crepe de chene finished with Mechlin lace and pearl trimming; also pearl crescent brooch (gift of the bridegroom' s mother).” Mechlin lace or Point de Malines is an old bobbin lace, one of the best-known Flemish laces, originally produced in Mechelen, Belgium. Used for women's clothing, it was popular until the first decade of the twentieth century. The high silk net neckline is finished with pearls. These are repeated on the loose fitted diagonal ornamentation on the front and back which is finished with pearl and jet beading. Similar ornamentation finishes the elbow length sleeves. [The wedding skirt is not part of the donation]. wedding dresses, women's clothing, fashion -- 1910s, bodices, grace burland -
Kew Historical Society Inc
Clothing - Midnight blue silk and velvet bodice
This bodice, belonging to Alice (Henty) Hindson has traditionally been identified as a travelling jacket by her descendants. Alice Hindson was the youngest daughter of Francis Henty and Mary Ann (Lawrence) Henty. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice (Henty) Hindson's midnight blue sateen bodice is highlighted using velvet lapels, cuffs, and a rear bow. The velvet, in contrast to the plain midnight blue sateen, is embellished [in the weave] with pink and navy spots. Joined at the front with 23 round domed buttons, hooks and eyes are used to close the neckline. The bodice also features coffee-coloured lace at the front and on the cuffs, which may have been added later. The bodice has some condition issues, missing one cuff and the lace on the cuffs needing re-attaching. The inside of the bodice is heavily boned, complete with a floral chintz lining. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 812.8, Waist 660.4, Hip 685.8, Cuff 228.6 Vertical - From neck to hem 406.4, Front waist to hem 152.4, Back neck to hem 546.1, Back waist to hem 228.6, Sleeve length 533.4. Horizontal - Neck to sleeve head 114.3, Cross back 266.7, Underarm to underarm 368.3.alice hindson, alice henty, bodices, women's clothing, alice (henty) hindson -
Kew Historical Society Inc
Clothing - Pink silk evening dress, c.1842
This dress is believed to have belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A one-piece, lustrous silk taffeta evening dress, lined with polished cotton, probably owned by Mary Ann Henty, and later by her daughter, Alice. The V-waist line of the dress and the dimensions of the skirt are comparable to Mary Ann’s wedding dress. The bodice in contrast is less structured. At a later stage, the sleeves were removed. Measurements (mm): BODICE: Girth - Neck 914.4, Chest 863.6, Waist 685.8, Hip 863.6, Hem circumference 3302. Vertical - Front neck to hem 1371.6, Front waist to hem 1092.2, Back neck to hem 1384.3, Back waist to hem 1079.5 Horizontal - Neck to sleeve head 44.45, Chest back 431.8, Underarm to underarm 431.8.mary ann lawrence, francis henty, evening dresses, henty collection, fashion -- 1840s -
Port of Echuca
Two black and white photographs, 20/09/1984
The photograph is one of a series of photographs taken by Mike Rosel. Photographs P000027, P000028.2, P000029.3, P000030.2, P000031, P000032 are all held by Mike Rosel. This photograph shows Helen Coulson, the first Manager of the Port of Echuca, dressed in period costume, conducting a guided tour for a group of tourists, in the early 1980's. In the background another tour group is being guided through the Echuca Wharf Railway station. Shackell's Bond Store can be seen in the background. Echuca Hotel in High Street can also be seen in the distance. In the foreground there is a pile of sand bags.These photographs are significant because it shows Helen Coulson as a tour guide. It also shows that High Street could be seen from the wharf in the 1980's. These photographs also show the state of the wharf then.2 black and white photographs exactly the same,of tourists standing around a row boat which is sitting on top of the Echuca wharf. The tourists are listening to Helen Coulson, who is dressed in period costume. In the foreground is a pile of sand bags. More tourists can be seen in the background involved in a tour of the Echcua Wharf railway station. Shackell's Bond Store can be seen in the middle background, and Echcua Hotel, in High Street can be seen in the distance.There are no inscriptions or markings.helen coulson, shackell's bond store, echuca hotel, tourism, rosel, mike, echuca wharf -
Glenelg Shire Council Cultural Collection
Photograph, Portland Wool Brokers Limited, Wool Store, n.d
Port of Portland AuthorityFront: (no inscriptions) Back: 177 (top left, pencil)port of portland -
Glenelg Shire Council Cultural Collection
Photograph, Croftonkraft containers waiting to be loaded onto a ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph -bagged goods stored in shed, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, cargo, cargo handling, portland harbour -
Glenelg Shire Council Cultural Collection
Film, Grain Terminal: Early beginnings, extension, official opening, 1960s
Port of Portland AuthorityFront: TREWALLA. Port Adelaide (black pen on white adhesive label) Back: Kodachrome safetyfilm (on side of film)port of portland archives, grain, construction -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland harbour, n.d
Port of Portland Authority ArchivesBack: Border ruled in pencil. 51 x 26 f5 - pencilport of portland archives, aerial photography, portland harbour -
Glenelg Shire Council Cultural Collection
Equipment - Measuring Instrument - Gammon-Morgan Water-in-Sand measurer, Gammon-Morgan, n.d
Port of Portland Authorityport of portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Bruce Coutts Portland Harbour, n.d
... (on left, in apron) with 2 other men in the cold store, P.H.T ...Port of Portland Authority ArchivesBack: Bruce Coutts (PTH) (2) at cold store - blue biroport of portland archives, bruce coutts, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - N.W., of T.B.& S. abattoir; red brick wool store; petroleum installations; north/central Portland residential areas and Portland Harbour, 1955
Port of Portland CollectionFront: NOV 1955 'AIRSPY PHOTO' ref NO 2/b/74port of portland archives, portland harbour, portland residential areas, tb and s abattoir, red brick wool store, petroleum installations -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - Engineer's office from Cliff St Bridge 23/2/53, 1953
Port of Portland Authority archivesFront: ENGINEER'S OFFICE FROM CLIFF ST. BRIDGE 23/2/53 (lower centre) Back: P.H.T./ Print No. 3/15 Neg. No 141/ Date taken 23.2.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - New store building & workshop area, 1952
Port of Portland Authority archivesFront: NEW STORE BUILDING AND WORKSHOP AREA 4.12.52./ VIEW FROM CLIFF ST. BRIDGE. (lower centre) Back: P.H.T./ Print No. 3/6 Neg. No 82/ Date taken 4-12-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - New store building & workshop area, 1952
Port of Portland Authority archivesFront: NEW STORE BUILDING AND WORKSHOP AREA 5.11.52/ VIEW FROM CLIFF ST. BRIDGE. (lower centre) Back: P.H.T./ Print No. 3/5 Neg. No 33/ Date taken 5-11-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - New store building & workshop area, 1952
Port of Portland Authority archivesFront: NEW STORE BUILDING AND WORKSHOP AREA 23.12.52/ VIEW FROM CLIFF ST. BRIDGE. (lower centre) Back: P.H.T./ Print No. 3/7 Neg. No 97/ Date taken 23-12-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - Engineer's office from Cliff St Bridge 22/1/53, 1953
Port of Portland Authority archivesFront: ENGINEER'S OFFICE FROM CLIFF ST. BRIDGE 22/1/53/ MODEL SHED, STORES FENCE & 3 PHASE POWER SUPPLY IN COURSE OF ERECTION (lower centre) Back: P.H.T./ Print No. 3/14 Neg. No 109/ Date taken 22.1.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - Engineer's office from Cliff St Bridge 23/12/52, 1952
Port of Portland Authority archivesFront: ENGINEER'S OFFICE FROM CLIFF ST. BRIDGE 23/12/52/ MODEL SHED, STORES FENCE & 3 PHASE POWER SUPPLY IN COURSE OF ERECTION (lower centre) Back: P.H.T./ Print No. 3/13 Neg. No 96/ Date taken 23.12.52./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - New store building and workshop area 23/2/53, 1953
Port of Portland Authority archivesFront: NEW STORE BUILDING AND WORKSHOP AREA 23/2/53/ View from Cliff St. Bridge. (lower centre) Back: P.H.T./ Print No. 3/9 Neg. No 142/ Date taken 23.2.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Modern Portland Port View), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Department of Supply, Stores & Transport Branch, Portland Store, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives