This is an example of Melbourne Legacy promotional material from 1993, which was the 70th anniversary of Legacy. The logo said "Seventy years of constant caring 1923-1993". Legacy hosted a breakfast at the regent Hotel on 19 February 1993, with Clive James as a special guest. This is a brochure and an invitation to the event. During the event Clive was revealed as Legacy's Personality of the Year for 1993 (see 00751, 00752, 00753). The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. In this case a special event was held to promote the 70th anniversaryColour promotional brochure and an invitation from a breakfast with Clive James during the 70th anniversary, and an article from the Answer. legacy promotion, legacy week, answer, 70th anniversary, clive james

Aulsebrook Collection: Tourist Promotion Report 1967. -4 pages, typed. -Report made by two Sub Committees related to Mining (mine museum etc) and Tourist Promotion (Tourist promotion for Bendigo area)

This is an example of Melbourne Legacy promotional material from 2000. A poster that was printed to promote Legacy Week. A school girl is holding a Legacy Torch and a ADF member from the navy, army and air force are standing by her. A notice in the Bulletin on 17 August 2000 mentions it was produced by Sydney Legacy. The article mentions it was proposed to produce bumper stickers and Victorian Taxi Association had agreed to distribute the stickers for placement on taxis during Legacy Week. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s and early 2000s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A4 promotional poster from 2000 with a a school girl holding a Legacy torch surrounded by 3 ADF personnel.legacy promotion, badge appeal, legacy week, advertisements, adf personnel

Australia Post new stamp release featuring artist Arthur Boyd, Robin Boyd's first cousin.Australia Post stamps promotional posterarthur boyd, walsh st miscellaneous

Donald Clark Collection.A promotional brochure for the Tarnagulla Caravan Park.tourism, accommodation

Ken Youngs GaragePromotion of Youngs Garage, High Streetlocal identities

This is an example of Melbourne Legacy promotional material. Legacy invited the leading guitarists, Phil and Tony Emmanuel to be Personality of the Year in 1995. They helped to promote Legacy, especially during Badge Week (see 00838). They were chosen as their father had served in the Air Force in New Guinea. When he died Legacy helped support their mother and her 6 children. They were releasing a new album in 1995, 'Terra Firma' and Legacy was given a special mention at each concert in Australia. Their album also featured a song called "The Last Post" which was dedicated to the men and women who gave their lives in times of war to keep Australia free. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A4 promotional leaflet with a photo of Phil and Tony Emmanuel, a one page press release and an article from The Answer.Press release is titled 'The Emmanuels remember Legacy'.legacy promotion, badge appeal, legacy week, answer, press release

Collection of five leaflets issued by Diamond Valley Community Support: Who we are; Volunteering; Op Shops; Personal counselling; Kids assist5 Promotional leaflets on DVCS services and contacts. diamond valley community support inc.

Storybook/fairytale themed promotion of student work on completion of the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2008. Page one features student names and photographs, plus "character" names. Pages 2-3 fairytale map. Subsequent pages include folio examples, one student per double page spread. Inside back cover notes sponsors, Sovereign Press and The Image Company. Teaching staff for duration of the two-year course listed as: James Baker, Peter Lambert, Jill Hyatt, Ben Sanders, Travis Price, Sam Harmer, Trevor Tagliabue, Alister Heighway, Sarah Lloyd. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 32-page + 4-page cover saddle-stitched booklet. Full colour offset throughout.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

A promotional car sticker of Healesville Sanctuary specialising in Australian Fauna and Flora. This item was displayed at the front entrance to encourage visitors to purchase and promote the Sanctuary. This car sticker was a very popular and sought after souvenir selling for 25 cents contributing to the Sanctuary's income. Healesville Sanctuary was the first institution to breed platypus in a total captive situation.and is also the only institution in the world to breed LyrebirdsA promotional circular car sticker depicting a lyrebird tail in full display above a platypus side on. Has dark green border at ouside edge of sticker; colours are black, gold and green. Sticker is in a wooden glass frame and has a dynamo label glued to upper edge of glass. There are 2 eye hooks screwed into the upper edge of frame. Inscription on car sticker is "Sir Colin MacKenzie Sanctuary" on the bottom half of the perimeter circle. With "Healesville" at top of perimeter of circle. At the top of the inner circle the word "Victoria" is placed above a green horizontal band which reads "The Wild-life Sanctuary".healesville-sanctuary, first-institution, breeding, platypus, lyrebird

University of Ballarat is a predecessor of Federation UniversityCollection of Promotional Photogrpahs from School of Business on CDpromotional photographs, university of ballarat, school of business, students, lecturers

The first fun run (2003) was held to raise funds for Commonwealth Games athletes.Promotional sticker for the Whitehorse 'Mega Mile' fun rungovernment, local government / council

Promotional brochure and leaflet for Williamstown High School [1990s]. williamstown high school, 1990s, promotional material

Tape has not been viewed. From the label it appears to be a tape about the work that Legacy do and could be used to promote Legacy. The date is not known.A record that Legacy produced recordings for promotional purposes.A VHS recording about the work of Legacy for promotion purposes.Cover, adhesive label, 'Legacy caring since 1923', Legacy symbol. Adhesive label Red&yellow patern with blue Legacy symbol. 'Legacy caring since 1923'. Adhesive label, 'The Story of Legacy' legacy promotion, legacy appeal

The Royal Blind Society undertook a review of it's White Cane Day media coverage in 1994, to see where it could improve awareness of events.3 pages review the promotion of White Cane dayroyal blind society of new south wales, white cane day, marketing

Wooden promotional portfolio for 'All Australian Graffiti'. Carved wooden container with hinged lid and carrying handle. Owned by Mimmo Cozzolino, and used as a promotional portfolio for All Australian Graffiti.ink, paper, cardboard, wood, metal

In 2019 Federation university comprised 10968 undergraduates, 4447 post graduates, 324 higher degree by research and 5386 vocational education and training students, totalloing 21125 students and 1,350 full-time equivalent staff A pull out promotional facts about Federation University in 2018.federation university, pocket facts, statistics

Promoting the Graphic Design/Multimedia program being offered by the University of Ballarat at the Mt Helen Campus. Promoted course as "one of the smallest and arguably the best three year programs of its kind in Australia and the South Pacific region." The brochure lists student awards received including Platinum and Gold in the AGFA International Young Designer Contest, 1999; two meritorious awards in The Art Directors Club Student Awards, New York, USA 1999; Graphis New Talent 1999; two Gold in Souther Cross Packaging Awards, 1998. At time of publication, the School of Arts, Visual Arts reportedly had 210 students with majors in Graphic Design/Multimedia, Ceramics/3D, Painting, Drawing, and Multidiscipline. Minors studies included Printmaking, Photography, 3D, 2D, and Graphic Communication. ___ Course aimed to train "independent, flexible thinkers". The course promised to "Promote creativity, originality and imaginative thinking; Develop self-directed learners, displaying initiative in the formation of ideas and the confidence to construct personal responses; Develop appropriate conceptual, technical and professional skills; Develop the student's critical process: ability to undertake research, and to make informed decisions; Clarify thinking, concepts and understanding and deep knowledge, attitudes and skills enabling the designer to respond to community needs." Studio and working environment described as "one open space with working facilities for approximately 75 students across 3 year levels. The area is divided up into work stations where 1st, 2nd and 3rd year students intermix, allowing a natural interaction. These workstations are configurations of six, consisting of two students from each year level. This reinforces the area's ongoing development with an open ethos and cross-level delivery and learning. This maximises the use of information in order for it to be applied throughout all levels of the learning process, whilst allowing a natural mentor arrangment to be developed for all first year students, " "The open ethos approach also encourages students and staff to freely express their opinions in relation to design via cross-level critiques, whilst allowing for a liberal arts approach and structure to the development of the creative process." "Emphasis is placed on experimentation, innovation, expression and the development of the individual's design philosophies, concepts and style." Also notes the 24 hour access Macintosh laboratory, with 34 Power Macintosh computers, ratio of one for every 2.5 students. Each with a Fujitsu Dyna Magneto Optical drive for file storage and transport. Two Sharp scanners, Phaser Dye-Sublimation Extra Tabloid colour printer and Ricoh A3 colour printer. Two large format printers. Digital and video cameras. Software: Adobe Photoshop, Illustrator, Acrobat; QuarkXpress; Macromedia Freehand; Pagemaker; Premier; Director; 3D Extreme; Sound Eidt, Shockwave, Infinite 3D and After Effects. Approx 4.5 staff, "all of whom are practicing designers. They have a full understanding of industry requirements and trends which assists in the development of industrial contacts when specialists are required." Prospective students interviewed in late Nov/ early Dec, face to face. Present a "comprehensive folio of work", academic records, references. "Selection is determined by the perceived potential of the student, their motivation and reason for study within the field as well as their previous experience in the Visual Arts. Folio work should be representative of the individual's ideas and abilities. Qualities of importance are: originality, innovation, imagination, experimentation and a competent display of the basic skills associated with visual arts [evidence of drawing skills should be included]." Demonstration of GD/MM computer skills an advantage. Students also asked to bring sketch books. Promotional brochure for prospective students. 8pp Double fold brochureuniversity of ballarat, federation university, graphic design, multimedia, bachelor, degree

Wright’s Coal Tar Soap was a popular brand of household soap, manufactured by William Valentine Wright from 1860. The soap was antiseptic and orange colour designed to thoroughly cleanse the skin. It was originally named Sapo Carbonis Detergens, which remains a registered trademark. The product was developed from ‘liquor carbonis detergens’, the liquid by-product of the distillation of coal to make coke; the liquid was made into an antiseptic soap for the treatment of skin diseases William Valentine Wright, born in 1826 in Aldeburgh, Suffolk, was a wholesale druggist and chemist who had a small business, W.V. Wright & Co. at 11 Old Fish Street Hill, City of London, where he first sold the soap. In 1867, n 1867, Wright moved his firm, Wright, Sellers & Layman, to small premises at 50 Southwark Street, Southwark, London. The company's name changed to Wright, Layman & Umney, when Charles Umney (1843–1909) was taken into the partnership in 1876. The advertisement of Wright’s Coal Tar Soap is representative of the many consumer goods sold at pharmacy/chemist shops across the world, such as Sambell and Son, who operated a pharmacy in Fairy Street, Warrnambool in the 19th-century.Paper with printed text for the promotion of Wright's Coal Tar Soap1176soap, wright's, coal tar soap, bathing, london, southwark, chemist, flagstaff hill, maritime museum

Dorothy Benyei was archivist of the Kew Historical Society for many years.Laszlo and Dorothy Benyei at a promotional activity for the Kew Historical Society.laszlo benyei, dorothy benyei