walsh st library

walsh st library

Featuring Metropolitan Honolulu, Kaneohe, Kailua Area, Hilowalsh st library

PUMP ACTION METAL FLY SPRAYER "SHELLTOX" BRANDlocal history, domestic items, pest control, domestic items, pest control

Used by donor's parentsBook " Here's How for Householders", a Shell publication, Cream coloured book with some red also on rear.shell

An eloberate black wood box embossed with shell inlay depicting human figures in varios poses on two sides. On the other two sides there a a round symbol also in shell inlay. There is no lid to the boxbox, shell

Brass Artillery Shell.J M in Diamond over E O C and 1917 on base of shell.

Collection of newspaper clippings in scrap book dated 1960 - 1973. Taken probably from Sentinel Times of Wonthaggi.Newspaper article with photo of Albert Robertson and model shell house. Text explains his building up of a tourist attraction by cementing shells onto 18" fibro plaster sheets to make pictures of people and objects."Albert's House is more than a shell"local history, newspapers, shell house on summerland peninsula, phillip island, jean jamieson

Local Newspaper reporting on events on World War 2Local Newspaper reporting on happenings during World War 2Local Newspaper 1/11/1940 reporting on World War 2 = Women of War - Mussolini's Greek TragedyWomen of War - Mussolini's Greek Tragedywomen of war - mussolini's greek tragedy, world war 2 /11/1940

Colour Photograph of Service Station and Brick Building in background (Cobbo and Co Stables)

http://vhd.heritagecouncil.vic.gov.au/places/1993 Digital imageshepburn mineral springs reserve, hepburn mineral springs, hepburn springs, 150, crowd, picnic, anniversary, celebration, community, mineral water, mineral springs, mary-anne thomas mp

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Simon KERR ( - ) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Photograph of golden egg shaped tourist object with the word, 'Genova' engraved across it on a yellowish golden background. Mounted in black card and framed in golden frame.1998 Student Acquisition Award Simon Kerrart, artwork, photography, golden, photo, close up, available, alumni

Presented to Dr Higgins as Bishop of Rockhampton before his translation to Ballarat. This presentation piece evidences Bishop Higgins' work around Australia in the late 19th and early 20th century and his administrative moves.Victorian Silver Plated folding scallop design warming/biscuit dish, having a hand-chased oval body with grape and vine leaves decoration and plane silver border sitting inside a rustic cast frame with cast feet. c.1890. Inscribed- To the Right Rev Dr Higgins from his grateful children the Pupils of Rosebank Sept 2nd 1899. Makers Mark for Walker and Hall underneath dish.walker and hall, bishop higgins, rockhampton, ballarat, rosedale.

Corroded brass casing of a 40mm Bofors Anti Aircraft gun with black painted writing on the side identifying that it is a practice round and the batch number. The primer does not sit flush with the base of the round "MNFQ/R RNP2240 PRAC.T.N3 GD-11-56 BATCH T257 FFE INERT 400 JUNE 94 5/6-11