SUSPENSION BRIDGE WAS SWEPT AWAY IN A FLOOD ABOUT 1909.BLACK AND WHITE PHOTOGRAPH SHOWING THE SUSPENSION BRIDGE IN FOREGROUND, GOVERNMENT BRIDGE IN CENTRE.MAYBE THIS IS THE SWING BRIDGE WHICH WAS SWEPT AWAY ABOUT 1909. IT WAS ABOVE EBERHARD'S CORDIAL FACTORY.local history, photography, bridges, suspension bridge

3281.1 is a photograph of Terry Martin. "Terry Martin travelled to Melbourne to Melbourne to display his extensive collection of axes and to demonstrate the art of broadaxe cutting. The axe Terry is holding is over 200 years old and is believed to have been used by ship builders in their trade. Terry makes his own axe handles from district timber." (Snowy River Mail 23 September 1987) 3281.2 is of Erasmo Giove. who came to Australia with his wife, Mina. They eventually settled in Orbost where Erasmo worked as a sleeper cutter withn his wife working alongside him. The Gioves lived with their four children, Tina, Rocco, Benodino and Graziela, in Forest Road, Orbost,These photographs are associated with the timber and sleeper-cutting industry in the Orbost Region. Timber sleepers were superceded by concrete sleepers in c. 1970s. Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years..The number of locals involved in the timber industry has declined and many of the mills have closed. This item reflects a time when that industry was a significant contributor to the economy of the district.3281.1 is of a man standing holding a long handled axe. 3281.2 is of a man holding a cross cut saw and holding in the other hand a framed photograph of a swing saw.woodcutting-tools axe saw-cross-cut saw-swing timber-orbost sleeper-cutting giove-erasmo martin-terry

During World War One poisonous gas was used as a weapon. When gas was detected or suspected an alarm was given in the trenches so soldiers could put on masks and protective gear. The gas rattle was a simple and effective method of raising the alarm. Gas precautions were taken in World War Two but gas was not used. This rattle might be WWI vintage or it might be from WWII era.A wooden box incorporating a toothed cog attached to a 'swing' handle. When swung the toothed cog engaged with a wooden flap enclosed in the box causing a loud noise. world war one, wwi, gas

Balance and weights (Swing type Balance) used in preparing stock solutions. Several parts stored on shelf

About the specimen: The Californian Quail is a highly sociable bird commonly seen in small flocks. They have a distinctive appearance with the black plume on top of their head and white markings on the head and torso. This species reside in open woodland, bushy grassland, roadsides and fringes of urban areas. They are native to western America but have been introduced to areas outside this location including King Island. This species was established as the state bird of California in 1932. Explain how it should look: Copy and paste: This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.Copy and paste this section: This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Californian Quail has a black forward drooping plume on the top of its head. It has a dark brown/black coloured cap on its head and a black face with distinct white markings on the sides of its face and neck. The back of the bird is brown.The belly is a lighter brown colour and the chest and back of the neck is a blue-grey. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 46 / (b)? Californian Scrub Quail / Catalogue Page, 30. / Metal tag: 4341 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, californian quail, california, american birds, quail, californain sub wren, wren

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons / KNITTING BOOK / No. 182 / "RHUMBA" / See page 14 / "SWING" / See page 15 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book belonged to rRchard A Hard Covered Book - Greyish Blue Background. Gold Text - Red Flowered Designs. Inset An ovel with a girl Stading on a swing, A Boy dressed in red beside her.Hand Written - Richard Goldsworthy Stawell Mary Goldsworthy. ? - 29 - 1884 stawell education

Names unknown.Colour photograph one student on rope swing between trees, Secondary College year 7 youth camp at Gelantipy, two teachers and dog in background.Lakes Entrance Victoriaschools, activities

Pavilion at South Beach showing horses & buggiesBlack and white photograph of the Pavilion at South Beach showing horses & buggies in the middle ground with a group of people in the kiosk and in the background the bathing boxes and swings taken for use as a postcardThe Rose Series P.1143. Copyright- The Pavillion at the Bathing Beach Port Fairy Vic. beach, pavilion, south beach, bathing boxes, kiosk, horses, buggies, people, family

Displayed at History House.Black and white photograph of Portland Bay mounted on thick cardboard. Eyelet in top of mount. Families on beach. Lighters (wrecked) on beach. Copper in foreground. Children on swing. Pier in background.Back: Donated to History House 24/1/1992 by Vern McCallum.portland, beach scene, photography

Photograph black & white, Bert Graham Collection, Annual Club Picnic 1961, Lake Jubilee, Daylesford. One man and three ladies on the wide swing with a big shed at the back.bendigo, clubs, bendigo east swimming club

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 56. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Retains original swing tag.Labels: Akubra / 56 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat

This specimen is a Brown Goshawk juvenile. The Brown Goshawk is widely distributed across Australia, Wallacea, New Guinea, New Caledonia, Vanuatu, and Fiji. In Australia, it predominantly inhabits eucalypt forests, woodlands, farmland, and urban areas, while in the Pacific, it is primarily associated with rainforest environments. Historically, it was also present on Norfolk Island until around 1790, potentially representing an undescribed subspecies. However, the limited material available—consisting of a single historical skin and nine subfossil bones—precludes confirmation through scientific analysis. This specimen was originally identified as a Nankeen Kestral and is catalogued as such in the original Public Library and Burke Museum catalogue. The specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen exhibits distinctive plumage compared to its adult counterparts. It has a streaky appearance, with a buff to pale rufous base color on its underparts adorned with bold, dark brown streaks. The upperparts are brown, with a slightly mottled or scalloped effect due to pale feather edges. Its eyes are yellow and legs are a pale yellow. The wings are broad and rounded, and the tail is long and barred. Identification swing tag with catalogue page number reads: 4. / Nankeen Kestrel - / See Catalogue,/ Page 2. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, birds of prey, goshawk, ornithological, nankeen kestral

A Wilson 'Jack Kramer Staff 110' racquet. Paper swing tag attached to racquet states: 'FITTED WITH A FAIRWAY GRIP'. Materials: Graphite, Fibreglass, Adhesive tape, Leather, Nylon, Plastictennis

Black metal sewing machine with gold trim on wooden base. Wooden base has a compartment for cotton, needles, etc. Swing machine has handle on the wheel for operating. Arched Wooden Cover.Singer Singer Manufacturing Co Manufactured in Great Britainsewing, sewing machine, hand-operated, hobby

A Wilson 'Jack Kramer Staff 110' racquet with no net. Paper swing tag attached to racquet states: 'FITTED WITH A FAIRWAY GRIP'. Materials: Graphite, Fibreglass, Adhesive tape, Leather, Plastic, Papertennis

The Greensborough Gossip column in the local paper (Diamond Valley News), 1970. Includes a story about the Flintoff Street swing bridge and other local information.Digital copy of newspaper article.flintoff street greensborough, greensborough gossip

Military issue as part of a soldiers kit and equipment.1) Dixie, large, aluminium, rectangular shape, two handles that swing around to store away, details stamped on one end. .2) Dixie, same as .1) but smaller and fits inside .1) for storage..1) Stamped on handle end, "7350 - 66 - 014 - 5895, SMP (over) V (arrow up) 6/80". .2) Same as .1)dixies, mess set

Forty three shaped swing tags with Bendigo Historical Society printed in silver about one third from the top and a silver dotted line about two thirds down. They are made of shiny card.document, swing tags - bendigo historical society

Stanley Couzens of the Wathourong community was commissioned by Geelong Wool Combing Ltd to create a painting of the You Yangs and Corio Bay to be reproduced on a jumper. The jumper itself was designed by Jeni McMahon using Merino wool from her property McMahon Farm Pty Ltd. Jumper was presented as a gift at the opening of the Geelong Wool Combing LtdWoolen Jumper containing red, mustard, green and cream depicting Indigenous artwork. Sold colour cuffs and collar of black. Size XL, label stitched to inside neck with paper swing-tag attached. jumper, indigenous, wool, geelong, 1993, geelong wool combing ltd, stanley couzens, jeni mcmahon, woolmark, you yangs, corio bay, wathourong, snake, fish

Earlier Tait 'Red Rattlers' like this example had swing doors whilst later variants had sliding doors. The visible white disc indicates this is the rear end of the train.Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, red rattler, tait train, mont albert railway station

Clothing. White Bri - Nylon scantie, elastic waist, flared leg-line. Bri-nylon gussett, fine lace trim at leg line. Size SW. Swing ticket attached 312/388 scantie.Inside seam label. Hanro 100% Bri-nylon, Swiss Inspired SWcostume, female, underwear

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft red coloured card covered book with black and white comic like illustrations. Cover shows man sitting on a swing with a young boy holding a Winnie the pooh toy. Title in German Gothic script.Peter Dreschercamp 3, children's books, peter drescher, german internees in camp 3

South Beach - bathing boxes and play equipmentBlack and white Photograph of South Beach - bathing boxes and play equipmentWalker & Palmer Series M.4261 The Bathing Beach Port Fairybeach, swings, playground, south beach, pea soup, bathing boxes

Photograph black & white, Bert Graham Collection, Annual Club Picnic 1961, Lake Jubilee, Daylesford. 2 young girls and 1 young boy, on a wide swing. Two sheds top right, and decking on left.bendigo, clubs, bendigo east swimming club

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $5. The exact date is not known but is older, probably from the 1950s or 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt. Example of Legacy badges that were sold up to raise money for Legacy's work. Diamond shape badge with the Legacy torch and wreath in a yellow background set within a gold metal diamond-shaped frame. The back is tarnished to a black colour implying it might be silver. It has a metal vertical swing clasp.Imprinted with the manufacturers name 'AJ Parkes' on the reverse.legacy appeal, fundraising, badge week

The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl

Commonly used removable cams from a Singer sewing machine of the 1960s. These cams enabled the home sewer to use fancy stitches in their work and were later superseded by integrated electronic controls.Box containing four sewing machine cams and leaflet containing sewing patterns and instructions for use. Accessories to a Singer sewing machine.Fashion discs for Singer Automatic swing-needle machine. Set no. 2, 276401, 306 class. Shell, Solid scallop, Icicle and Banner singer sewing machines