An advertising posrer for pure wool carpetShare the feeling of a wool carpet/walk on wool pure new woolwool marketing, carpet

Wool Selling Regulations and Conditions of Sale for Melbourne, Geelong, Adelaide, Albury, Portland and Tasmanian Wool Markets.Wool Selling Regulations and Conditions of Sale for Melbourne, Geelong, Adelaide, Albury, Portland and Tasmanian Wool Markets.dennys, lascelles limited

Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Folded world map showing statistics, images and graphics relating to wool in the 1990's.front: World Wool Map / Rabobank / International / Rabobank International / Food & Agricultural Research / Croeselaan 18 / 3521 CB Utrecht / The Netherlands / Telephone +31 (0) 30 2161178 / Fax +31 (0) 30 2161920 / E-mail: [email protected] / Web-site:www.rabobank.com/far / Map produced by G-O graphics / Wijk bij Duurstede, The Netherlands / www.g-o-graphics.nlstuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills, map

This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)Photograph of a timber lectern used to auction wool in Geelong. It is found in the auction room on the top floor of Geelong's national wool museum.wool, geelong, auction, auction room, national wool museum

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. LIN is the abbreviation of Lanolin.Wool bale export stencil - LINLINwool - transportation, wool sales, wool class, wool classers

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb) New fashion colours…Old fashioned values…./Pure Wool quality for a lifetime of healthy warmth/Onkaparinga 100% Pure Wool Blankets/Best in Australia, Best in the World!blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly

This stencil was used as a wool classification stamp for the transportation of wool bales. YAPAK TIFTIK is the Turkish words for describing differing types of wool. Yapak means sheep wool, Tiftik means goat wool. Classification stamps like these had to be approved by a Wool Classier and described the quality and contents of wool inside the bale.Wool bale export stencil - YAPAK TIFTIKYAPAK TIFTIKwool - transportation, wool sales, wool class, wool classers

Contents include Education, Processing and Manufacturing, Rural Equipment, Services, Rural Tourism, Sheep, Trade / Commerce / Finance, Wool Craft, Wool Organisations / Associations, Wool Products. Eighty eight page booklet showing an image of sheep on the cover, with printed text.front: [printed] WOOL PAGES / Directory 2004 / Compiled by Australian Wool Showcase / australian wool / innovation / limitedwool, organisations, directory, rural equipment, manufacturing, tourism, wool craft, wool products, education

Photograph was owned by Mr Harry Harradence who worked for Australian Estates wool brokers (Sunshine Road, Tottenham) between 1944-88. This photo dates from the 1960s and depicts a truck loaded with wool bales arriving at the 'wool receipts' entrance of Australian Estates.Photograph of wool bales being delivered to the Australian Estates Co. Ltd wool store, c.1960s.wool brokering wool - transportation, australian estates company ltd, wool brokering, wool - transportation

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - MBD PSXMBD PSXwool transportation, wool sales, wool export

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - O/MO/Mwool - transportation, wool sales, wool class, wool classers

Part of a set of drawings by David Williams of the National Wool MuseumPen and ink drawing of wool press at the National Wool Museum, by David Williams.David Williamsnational wool museum

This stencil was used as a wool classification stamp for the transportation of wool bales. Locks is a term used to describe very short wool cut from the fleece by shearers. Either short wool from around the points or second cuts caused when shearers lift the hand piece off the skin and then shear the short fibres left on the skin to tidy up. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - LOCKSLOCKSwool - transportation, wool sales, wool class, wool classers

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8341.1 - A pair of dark green trousers made from a wool blend fabric. 8341.2 - Green sample fabric with labels stapled on. One staple that was used to attach the label has gone through several layers of fabric preventing it from being unfolded. 8341.3 - Green sample fabric with white thread attached where it has previously been sewn. 8341.4 - Green sample fabric. 8341.5 - Green sample fabric.8341.1 - On label - FLETCHER JONES 8341.2 - on labels- Wool PE. 80:20 FAILLE WEAVEolympics, 1992 barcelona olympics, olympic uniforms, trousers, wool, fletcher jones, wendy powitt

This stencil was used as a wool classification stamp for the transportation of wool bales. A single A means the wool was classified as basic wool.Wool bale export stencil with a circle bordering the letter A.Awool transportation, wool exportation, wool sales

This stencil was used as a classification stamp for the transportation of wool bales. The stamp would have been used to paint numbers onto wool bales.Wool bale stencil - 12345678901234567890wool sales, wool transportation

This stencil was used as a classification stamp for the transportation of wool bales. The stamp would have been used to paint letters onto wool bales.Wool bale stencil - ABCDEFGHABCDEFGHwool sales, wool transportation

This stencil was used as a classification stamp for the transportation of wool bales. The stamp would have been used to paint letters onto wool bales.Wool bale stencil - IJKLNMOPIJKLNMOPwool sales, wool transportation

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - PB G LXBPB G LXBwool transportation, wool sales, wool export

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - B MER FLCB MER FLCwool - transportation, wool sales, wool class, wool classers

Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018

This stencil was used as a location stamp for the transportation of wool bales. Jagatda municipality in India. Wool bales marked JAGATDAL would have been transported to Jagatdal by sea.Wool bale stencil - JAGATDALJAGATDALwool sales, wool transportation, wool export

This stencil was used as a location stamp for the transportation of wool bales. Khorramsha is a city in Iran. Wool bales marked KHORRAMSHA would have been transported to Khorramsha by sea.Wool bale stencil - KHORRAMSHAKHORRAMSHAwool sales, wool transportation, wool export