Showing 13197 items
matching art-aborignal
-
Bendigo Historical Society Inc.
Document - BENDIGO EASTER FAIR COLLECTION: ROTARY EASTER FAIR ART SHOW 1994
Application form with conditions of entry to Rotary Club of Bendigo Easter Fair Art Show 1994. The first Bendigo Easter Fair Art Show was held in 1968 and every year since. In past 10 years more than 12,000 paintings have been exhibited. on back of form - other history of art show details price range of painting sold.bendigo, bendigo easter fair, rotary art show -
Bendigo Historical Society Inc.
Document - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE STAFF
A damaged Bendigo Advertiser article with part of the title missing - 'Staff C___ Teachers______.' It is at the end of the academic year at Bendigo Teachers' College and is largely a report on college staff transfers for the following year. Mention is made of the loan of some of the Bendigo Teachers' College Art Collection being loaned to Benalla Art Gallery as part of a current exhibition of Australian art. Date unknown.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, bendigo teachers' college staff, bendigo advertiser, art, benalla art gallery, bendigo teachers' college art collection, tertiary education, teacher training, staff, mr. leon jackman, mr. glen pike, mr. jeff layther, mrs. barbara layther, mr. bernie mccarthy, mr. stuart mclean, mr. a. mcintosh, mrs. s. anderson, mrs. s. robinson, mr. doug phelan, mr. ted coleman, ms. francine howard, mr. b. rollins, mr. kevin ryrie, mr. f. courtis -
Kiewa Valley Historical Society
Decanter Glass, circa mid to late 1900's
This "art deco" style of containers were very popular by the "art and trendy" socialites, be they in the city or in rural towns and properties. This style was very popular in the 1940's to 1950's. The octagonal shape provided the stability of the decanter with its "expensive" contents. Because of its style it blended in well with any lavish meal and socio economic "upper" class environment. It was a part of social atmosphere of elegance and wealth be it in the city or on a rural property. This is very significant to the Kiewa Valley rural "society" environment. At the time of its use the wealth of Australia was "riding on the sheep's back", that is rural income(primary producers), on the whole, was well above that in the cities (industrial). It was in a period where large wealthy property owners could spend lavishly on trendy domestic items.This octagonal glass decanter with its egg shaped stopper is made in an "art deco" style and reflects the 1950's style of bold design. The decanter "stopper" has been cut in a "diamond" cut to reflect the sunlight as does a diamond ring. The stopper is tapered down to permit easy placement and removal. The Stability of the decanter is increased by the broad base and octagonal (8) sides tapering going up the sides.decanter, glass, art deco glass ware, spirits container -
Federation University Art Collection
Work on paper - Photocollage, 'Being Ultra Light' by Rochelle Summerfield
Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia -
Federation University Historical Collection
Booklet, Harold B. Herbert Watercolours
The exhibition 'Harold Herbert Watercolours' was held at Castlemaine between 31 October and 06 December 1992.Brown soft covered exhibition catalogue published by the Castlemaine Art Gallery and Historical Museum.harald herbert, castlemaine art gallery, artist -
Federation University Historical Collection
Photograph, Robert Allan, 21/02/2000
Colour photograph of Bob Allan, ceramacist and former Head of the University of Ballarat Art School.robert allan, bob allan, adademic gown, university of ballarat art school, ceramics -
Bendigo Military Museum
Memorabilia - BUTTER KNIFE, C. 1940 - 45
Items in the collection re J.C.W LEDEUX, refer Cat No 2378 for his service details.Butter knife with handle made from cartridge case, item classed as trench art.domestic items-cutlery, military history - souvenirs, arms - ammunition, metal craft- brassware, trench art -
Whitehorse Historical Society Inc.
Article, Eastlink artwork stacks up, 2008
Smoke stacks to mark roadways under Mullum Mullum Creek are works of art (photo).Smoke stacks to mark roadways under Mullum Mullum Creek are works of art (photo).Smoke stacks to mark roadways under Mullum Mullum Creek are works of art (photo).eastlink, smoke stacks -
Queenscliffe Maritime Museum
Domestic object - Crockery
The MV Duntroon is of historical and social interest to Queenscliffe primarily due to its involvement in the collision and loss of all hands of HMAS Goorangai near the Rip. It also continued to work as an interstate sea liner up to the 1960s. Cups, plates and saucers with the crest of the Melbourne Steamship Co and an art deco edge patternCrest: Melbourne Steamship Co. Base: C Mc D Mann and Co. Ltd. Hanley Staffs and 101 Leadenhall St. London. Made in Englandmv duntroon, hmas goorangai, crockery, melbourne steamship co ltd -
Whitehorse Historical Society Inc.
Article, Heritage Mission, 1992
Blackburn was once the inspiration for some of Australia's most famous rural art scenes. With photo.heidelberg school, wolseley crescent, blackburn, no. 7, mccubbin, frederick, abbott, kevin -
Whitehorse Historical Society Inc.
Book - Needlecraft Booklet
Booklet containing instructions on 'The Art of Embroidery Shading'. Two peacock feathers on front cover.books, reference, handcrafts, needlework -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Bill Doyle (Reverend C.J. Eldridge-Doyle), 1948-1954
large b & w photograph street view of the Art Deco Mission in Port Melbourneart deco, mission, harry a. norris, alfred m. nicholas, brick, king george v memorial building, beach street, port melbourne, 1937, seamen mission, mission to seamen, mission to seafarers, phone booth, bus stop, bill doyle -
Port Melbourne Historical & Preservation Society
Photograph - Interior, picture framers and art shop, Bay Street, Port Melbourne, 2000
(1) colour photograph showing the interior of the picture framers and art shop in Bay Stbusiness and traders -
Bendigo Military Museum
Souvenir - BRASS VASE, Post WW2
Shell casing brass, tapered, used as a tall vase. Item classed as trench art.“76 x 636 DM 30 LOT SM 104 0103”military history - souvenirs, arms - ordnance, metal craft- brassware -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Wooden tray, Unknown
WWII Historical significanceTrench art made by A.B. Bishop, 2/2 Infantry BN, 6 Division.Wooden Rising Sun badge with 2/2 A.I.F. underneath the badge. -
Buninyong Visitor Information Centre
Print - Engraving, The Old Bridge, Buninyong No. 24
The location of the bridge has not yet been identified but further investigations will continue, as will details of when the work was completed by Graham Hopwood.A significant images of an early local structure in Buninyong. Requires further research.Engraving of a rough old timber bridge in Buninyong by artist and art educator, Graham Hopwood.Hand written on the backing paper of the frame: 'Originally owned by JM Matheson, given to Marjorie Matheson, 1956, Olympic Games'.graham hopwood, bridges, engravings, topographical art, buninyong -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, M Fish, 1980
Colour photograph of Leah Elsum at the Art exhibition at the RSL Hall Lakes Entrance Victoriaarts, exhibition -
Bendigo Historical Society Inc.
Book - BENDIGO ART GALLERY ANNUAL REPORT 2004-05, c2005
Bendigo Art Gallery Annual Report 2004-5. 39 pages. Photographs & illustrations.bendigo, hospital, art gallery report, art exhibitions bendigo art gallery acquisitions -
Bendigo Historical Society Inc.
Book - COLONIAL BENDIGO, 1985
Colonial Bendigo Bendigo Art Gallery 5th December 1984 - 25th February 1985 Presented by the Bendigo Art Gallery as part of Victoria's 150th Anniversary Celebrations Organized by Doug Hall and Frank Cusack. 37 pages, with photos, illustrations.Bendigo Advertiserbendigo, buildings, colonial -
Federation University Historical Collection
Correspondence, Rough Correspondence to Hilda Wardle from Ballarat School of Mines, 1915, 02/08/1915
The Ballarat Technical Art School was part of the Ballarat School of Mines. In 1915 the Principal of the Ballarat Technical Art School was Harold Herbert.Rough Correspondence in blue pen on white paper (now cream) to Hilda Wardle from Ballarat School of Mines, 1915. SMB 2.8.1915 Miss Hilda Wardle Technical School, Daylesford Dear Madam, I have pleasure in informing you that at the meeting of the Council of the school of Mines held on Friday last, you were appointed a full time day teacher at the Technical Art School, Ballarat, at a salary to be paid at the rate of 100 pounds per annum. You are requested to report for duty as soon as possible. Yours faithfully L St G P Austin Registrarballarat school of mines, ballarat technical art school, wardle, hilda wardle, l st g p austin, lancelot austin, lancelot george piercy austin, ballarat school of mines, harold herbert, herbert, appointment, staff, daylesford technical school -
Federation University Art Collection
Sculpture - Sculpture - welded Metal, 'Organic Form' by Inge King, c1967
Inge KING (26 November 1915 – 23 April 2016) Born Berlin, Germany Arrived Australia 1951 Inge King trained as a wood carver and studied at the Berlin Academy (1937-1939), Royal Academy London (1940), and the Glascow School of Art (1941-1843) . She moved to London in 1847 and began carving organic abstract forms in wood and stone. In 1949-50 she went on a study tour to the United States of America where she was inspired to work in metal . Inge King arrived in Australia in 1951 and she completed several large scale public works. Between 1861 and 1875 Inge King lectured at the Institute of Early Childhood Development, Kew. From 1976 to 1987 she lectured in Sculpture at Royal Melbourne Institute of Technology. She was a founding member of the Ceminal Centre Five group, and she actively lobbied architects, governments and State galleries to include modernist sculptures in their plans and displays. In 1991 Inge King joined the first National Trust of Australia (Victoria) Public Art Committee, advising on public art at risk and worthy of Trust classification. The Australian Women's Art Register describes Inge King as having been at the forefront of developing a non figurative vocabulary in Australian Sculpture. Welded bronzed steel sculpture painted black and red. This sculpture by Inge King was purchased in 1967 with funds raised by staff and students of Ballarat Teachers' College, a predecessor institution of Federation University Australia. During this era a collection was made which resulted in an annual purchase or commission of an artwork of note. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Signed 'I. King' on the lower steel plate. art, artwork, inge king, king, sculpture, ballarat teachers' college collection, welded metal, metal sculpture -
Federation University Art Collection
Painting - Artwork, Rodney Forbes et al, [Printery], c1982
Rodney FORBES (1951- ) Born Melbourne Rodney Forbes' work is figurative narrative painting and uses autobiographical and incident-as-metaphor methods to explore wider issues of knowing and belonging in oral traditions such as working class, children’s and artisan subcultures. His practice draws on pop, cartooning and joke narrative structures within contemporary culture. (http://www.australiangalleries.com.au/artists/rodney-forbes/, accessed 07 April 2017)A large painting showing aspects of a printery. Rodney Forbes and fellow student Linda Karklins worked on this painting as an undergraduate student at the Gippsland School of Art (Gippsland Institute of Advanced Education, now the Gippsland Centre for Art and Design, Federation University Gippsland Campus). The painting hung for many years in the campus printery. The Gippsland Gippsland Centre for Art and Design is now part of Federation University Gippsland Campus.rodney forbes, printery, gippsland campus, churchill, linda karklins, gippsland school of art, gippsland institute of advanced education, printing -
Federation University Art Collection
Work on paper, Patrice Mahoney, 'Jobs, Policy and LOST' (tryptich) by Patrice Mahoney, 2014
These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni -
Warrnambool and District Historical Society Inc.
Tray, Wooden sandwich tray, Early 20th century
This wooden tray has been purchased from the Warrnambool Fancy Goods shop of M. Giblett. She had taken over this shop early in the 20th century from Mrs Martha Wright who was well-known in the late 19th and early 20th centuries for her shop in Liebig Street (95 Liebig Street today) and for her needlework classes in the town. Many of her pupils won prizes at the local Agricultural Shows. This tray is of some interest as an object bought at the Wright/Giblett Fancy Goods Store in Warrnambool early in the 20th century. This is a rectangular-shaped wooden tray with four raised pieces of wood attached to form edges. The tray has been painted yellow. There is a label on the base of the tray indicating the shop from where it was purchased. The tray has some chipped paint, some dirt marks and some small cracks in the wood. ‘Millinery, Art Needlework, Baby Wear and Wool Specialists, Wrights (M.I.Giblett) Warrnambool’ martha wright, warrnambool, m. giblett, warrnambool, history of warrnambool, art needlework in warrnambool -
Pyrenees Shire Council
drawing, Lynette Heenan, Knight by Lynette Heenan, 1996
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Charcoal still life sketch of wooden sculptureverso: Lynette Heenan sketch for the 2003 Pyrenees Art Award Knight 1996 -
Clunes Museum
Print - BREAKING THE NEWS
.1 Unframed print of Breaking the News .2 Photocopy of print with details of artwork etc included by donor."Breaking the News" by John Longstaff. Print copy by the Art Gallery of Western Australialongstaff sir john, breaking the news -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Coloured photo of marble statue, Flight From Pompeii, c 1990's
To provide an image of the central marble statue in the Gardens' Statuary Pavilion, '"Flight From Pompeii".Clear image of significant central item in the Statuary Pavilion and Sculptor recorded as Giovanni Maria Benzoni. 1809-1873.Photographed marble statue. Clearly delineated in copy of photograph Heading on Photograph: Giovanni Benzoni, Italian, 1809-1873. Flight From Pompeii, 1873Possibly photocopied on paper already used. Background lettering Art Institute, Chicagojohn garner collection, garner, dr, flight from pompeii, photo, ballarat botanical gardens, ballarat, gardens, benzoni, statuary pavilion, benefactor -
Bendigo Historical Society Inc.
Document - PROTESTANT ALLIANCE SOCIETY 1912 CERTIFICATE TO MABEL. M. GOODRIDGE, 23-11-1912
The Protestant Alliance Friendly Society of Australasia registered under the friendly societies statue. Grand council Victoria. Presented to past mistress sister. Mabel. M. Goodridge of Loyal Red Rose Lodge. No 18. On the 23rd day of november 1912. Signed by. Ella Price - WM. G.Biggs - WGM. Bella Rolls - DM. Ernest.W.Edmonds - DGM. Jane Miller - Sec. John Callaghan - Gen Sec. Top centre. Holy Bible. Large eye. 2 angels each side. Black & white photos of Luther. Galvin. Knox. Cranmer. Bottom left and right. Crown on book. 1. This we will maintain. 2. Let brotherly love continue.Picture frame manufacturers. The Fine Art Gallery. Mitchell street Bendigo. ( 1871 )person, individual, female -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 4/04/1991 12:00:00 AM
Black and white photograph at Woodsedge Art Centre Colour Gang Art Show Frank Powell Richard Peach ABC radio Sale Grace Jobling Pres Newayung Debbie Heystratten Stephen Smith Lawrence Licctone Lakes Entrance Victoriaarts, exhibition -
Bendigo Historical Society Inc.
Book - SURVEY OF THE SEVENTIES
A booklet titled ' Survey of the Seventies.' Bendigo Art Gallery October/November 1981. An exhibition which 'has an overview of some aspects of Australian art in the 1970's.' Bottom left corner of front cover has a sticker and number 0125 PAT.artwork, exhibition, bendigo art gallery, exhibition, art, artwork, australian art, australian artists, artists, survey. bolttom left corner of front cover has number sticker 0125 pat.